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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23BA27 it is the complementary color #DC45D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23BA27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23BA27 shade: #28BA22, #39CC35, #4ADE48, #5BF05B and #6CFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23BA27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23BA27 shade: #23BA27, #12A814, #019601, #008400 and #007200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23BA27 shade: #23B827, #47B823, #6FB823, #97B823 and #B8B023

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23BA27 shade: #23B827, #23B84F, #23B877, #23B89F and #23A8B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23BA27 shade matches the following richer shades: #23B827 and #11C916

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23BA27 shade: #23B827, #34A637, #469448, #588259 and #6A716A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23BA27 shade: #70B823, #48B823, #23B825, #23B84D and #23B875

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23BA27 shade: #157218, #1C951F, #23B827, #2DD731 and #50DD53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23BA27 shade: #23BA27, #2397B8 and #B8235C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23BA27 shade: #23BA27, #2523B8 and #B82523

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23BA27 shade: #23BA27, #2397B8, #B823B5 and #B84323

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23BA27 shade: #23BA27, #236BB8, #B823B5 and #B87023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 79 / 27

HEX #23BA27

RGB 35 186 39

HSL 121.59, 0.68%, 0.43%

LAB 66.23, -64.06, 58.66

 

Complementary color

CMYK 0 / 69 / 2 / 14

HEX #DC45D8

RGB 220 69 216

HSL 301.59, 0.68%, 0.57%

LAB 56.52, 74.33, -45.39

 

CMYK 78 / 0 / 82 / 27

HEX #28BA22

RGB 40 186 34

HSL 117.63, 0.69%, 0.43%

LAB 66.28, -63.72, 60.19

 

CMYK 72 / 0 / 74 / 20

HEX #39CC35

RGB 57 204 53

HSL 118.41, 0.6%, 0.5%

LAB 72.44, -65.5, 60.3

 

CMYK 67 / 0 / 68 / 13

HEX #4ADE48

RGB 74 222 72

HSL 119.2, 0.69%, 0.58%

LAB 78.56, -66.71, 59.74

 

CMYK 62 / 0 / 62 / 6

HEX #5BF05B

RGB 91 240 91

HSL 120, 0.83%, 0.65%

LAB 84.64, -67.51, 58.82

 

CMYK 58 / 0 / 57 / 0

HEX #6CFF6E

RGB 108 255 110

HSL 120.82, 1%, 0.71%

LAB 89.78, -66.96, 56.69

 

CMYK 81 / 0 / 79 / 27

HEX #23BA27

RGB 35 186 39

HSL 121.59, 0.68%, 0.43%

LAB 66.23, -64.06, 58.66

 

CMYK 89 / 0 / 88 / 34

HEX #12A814

RGB 18 168 20

HSL 120.8, 0.81%, 0.36%

LAB 60.05, -61.41, 57.9

 

CMYK 99 / 0 / 99 / 41

HEX #019601

RGB 1 150 1

HSL 120, 0.99%, 0.3%

LAB 53.84, -57.92, 55.83

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 81 / 0 / 79 / 28

HEX #23B827

RGB 35 184 39

HSL 121.61, 0.68%, 0.43%

LAB 65.58, -63.45, 58.04

 

CMYK 61 / 0 / 81 / 28

HEX #47B823

RGB 71 184 35

HSL 105.5, 0.68%, 0.43%

LAB 66.32, -57.23, 60.2

 

CMYK 40 / 0 / 81 / 28

HEX #6FB823

RGB 111 184 35

HSL 89.4, 0.68%, 0.43%

LAB 67.86, -45.44, 62.17

 

CMYK 18 / 0 / 81 / 28

HEX #97B823

RGB 151 184 35

HSL 73.29, 0.68%, 0.43%

LAB 70.16, -30.18, 65.11

 

CMYK 0 / 4 / 81 / 28

HEX #B8B023

RGB 184 176 35

HSL 56.78, 0.68%, 0.43%

LAB 70.43, -12.13, 66.32

 

CMYK 81 / 0 / 79 / 28

HEX #23B827

RGB 35 184 39

HSL 121.61, 0.68%, 0.43%

LAB 65.58, -63.45, 58.04

 

CMYK 81 / 0 / 57 / 28

HEX #23B84F

RGB 35 184 79

HSL 137.72, 0.68%, 0.43%

LAB 65.91, -59.44, 42.29

 

CMYK 81 / 0 / 35 / 28

HEX #23B877

RGB 35 184 119

HSL 153.83, 0.68%, 0.43%

LAB 66.5, -52.54, 22.64

 

CMYK 81 / 0 / 14 / 28

HEX #23B89F

RGB 35 184 159

HSL 169.93, 0.68%, 0.43%

LAB 67.38, -42.98, 2.09

 

CMYK 81 / 9 / 0 / 28

HEX #23A8B8

RGB 35 168 184

HSL 186.44, 0.68%, 0.43%

LAB 63.2, -28.23, -18.02

 

CMYK 81 / 0 / 79 / 28

HEX #23B827

RGB 35 184 39

HSL 121.61, 0.68%, 0.43%

LAB 65.58, -63.45, 58.04

 

CMYK 92 / 0 / 89 / 21

HEX #11C916

RGB 17 201 22

HSL 121.63, 0.84%, 0.43%

LAB 70.84, -70.77, 66.88

 

CMYK 81 / 0 / 79 / 28

HEX #23B827

RGB 35 184 39

HSL 121.61, 0.68%, 0.43%

LAB 65.58, -63.45, 58.04

 

CMYK 69 / 0 / 67 / 35

HEX #34A637

RGB 52 166 55

HSL 121.58, 0.52%, 0.43%

LAB 60.14, -53.6, 46.67

 

CMYK 53 / 0 / 51 / 42

HEX #469448

RGB 70 148 72

HSL 121.54, 0.36%, 0.43%

LAB 55.02, -40.28, 32.8

 

CMYK 32 / 0 / 32 / 49

HEX #588259

RGB 88 130 89

HSL 121.43, 0.19%, 0.43%

LAB 50.41, -23.38, 17.7

 

CMYK 6 / 0 / 6 / 56

HEX #6A716A

RGB 106 113 106

HSL 120, 0.03%, 0.43%

LAB 46.86, -4.1, 2.96

 

CMYK 39 / 0 / 81 / 28

HEX #70B823

RGB 112 184 35

HSL 88.99, 0.68%, 0.43%

LAB 67.91, -45.09, 62.24

 

CMYK 61 / 0 / 81 / 28

HEX #48B823

RGB 72 184 35

HSL 105.1, 0.68%, 0.43%

LAB 66.35, -56.99, 60.23

 

CMYK 81 / 0 / 80 / 28

HEX #23B825

RGB 35 184 37

HSL 120.81, 0.68%, 0.43%

LAB 65.57, -63.58, 58.64

 

CMYK 81 / 0 / 58 / 28

HEX #23B84D

RGB 35 184 77

HSL 136.91, 0.68%, 0.43%

LAB 65.88, -59.71, 43.2

 

CMYK 81 / 0 / 36 / 28

HEX #23B875

RGB 35 184 117

HSL 153.02, 0.68%, 0.43%

LAB 66.46, -52.95, 23.66

 

CMYK 82 / 0 / 79 / 55

HEX #157218

RGB 21 114 24

HSL 121.94, 0.69%, 0.26%

LAB 41.63, -44.01, 39.71

 

CMYK 81 / 0 / 79 / 42

HEX #1C951F

RGB 28 149 31

HSL 121.49, 0.68%, 0.35%

LAB 53.86, -54, 49.27

 

CMYK 81 / 0 / 79 / 28

HEX #23B827

RGB 35 184 39

HSL 121.61, 0.68%, 0.43%

LAB 65.58, -63.45, 58.04

 

CMYK 79 / 0 / 77 / 16

HEX #2DD731

RGB 45 215 49

HSL 121.41, 0.68%, 0.51%

LAB 75.69, -70.89, 64.74

 

CMYK 64 / 0 / 62 / 13

HEX #50DD53

RGB 80 221 83

HSL 121.28, 0.67%, 0.59%

LAB 78.49, -64.11, 55.22

 

CMYK 81 / 0 / 79 / 27

HEX #23BA27

RGB 35 186 39

HSL 121.59, 0.68%, 0.43%

LAB 66.23, -64.06, 58.66

 

CMYK 81 / 18 / 0 / 28

HEX #2397B8

RGB 35 151 184

HSL 193.29, 0.68%, 0.43%

LAB 57.99, -19.5, -25.99

 

CMYK 0 / 81 / 50 / 28

HEX #B8235C

RGB 184 35 92

HSL 337.05, 0.68%, 0.43%

LAB 41.48, 60.64, 5.12

 

CMYK 81 / 0 / 79 / 27

HEX #23BA27

RGB 35 186 39

HSL 121.59, 0.68%, 0.43%

LAB 66.23, -64.06, 58.66

 

CMYK 80 / 81 / 0 / 28

HEX #2523B8

RGB 37 35 184

HSL 240.81, 0.68%, 0.43%

LAB 26.89, 51.28, -75.89

 

CMYK 0 / 80 / 81 / 28

HEX #B82523

RGB 184 37 35

HSL 0.81, 0.68%, 0.43%

LAB 40.63, 56.89, 39.01

 

CMYK 81 / 0 / 79 / 27

HEX #23BA27

RGB 35 186 39

HSL 121.59, 0.68%, 0.43%

LAB 66.23, -64.06, 58.66

 

CMYK 81 / 18 / 0 / 28

HEX #2397B8

RGB 35 151 184

HSL 193.29, 0.68%, 0.43%

LAB 57.99, -19.5, -25.99

 

CMYK 0 / 81 / 2 / 28

HEX #B823B5

RGB 184 35 181

HSL 301.21, 0.68%, 0.43%

LAB 45.26, 71.42, -43.4

 

CMYK 0 / 64 / 81 / 28

HEX #B84323

RGB 184 67 35

HSL 12.89, 0.68%, 0.43%

LAB 44.7, 45.73, 42.98

 

CMYK 81 / 0 / 79 / 27

HEX #23BA27

RGB 35 186 39

HSL 121.59, 0.68%, 0.43%

LAB 66.23, -64.06, 58.66

 

CMYK 81 / 42 / 0 / 28

HEX #236BB8

RGB 35 107 184

HSL 211.01, 0.68%, 0.43%

LAB 44.71, 6.12, -46.85

 

CMYK 0 / 81 / 2 / 28

HEX #B823B5

RGB 184 35 181

HSL 301.21, 0.68%, 0.43%

LAB 45.26, 71.42, -43.4

 

CMYK 0 / 39 / 81 / 28

HEX #B87023

RGB 184 112 35

HSL 31.01, 0.68%, 0.43%

LAB 53.92, 22.63, 51.64

 

Description

Color code: HEX #23BA27 | qconv.com Color code: HEX #23BA27 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 186 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 186 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 79 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 79% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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