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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23BB61 it is the complementary color #DC449E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23BB61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23BB61 shade: #28BB5C, #39CD6F, #4ADF82, #5BF195 and #6CFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23BB61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23BB61 shade: #23BB61, #12A94E, #01973B, #008528 and #007315

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23BB61 shade: #23BC62, #23BC38, #37BC23, #61BC23 and #8ABC23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23BB61 shade: #23BC62, #23BC8B, #23BCB4, #239BBC and #2372BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23BB61 shade matches the following richer shades: #23BC62 and #11CE5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23BB61 shade: #23BC62, #36AA65, #489868, #5A866C and #6C736F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23BB61 shade: #38BC23, #23BC38, #23BC60, #23BC89 and #23BCB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23BB61 shade: #16773E, #1D9950, #23BC62, #31D775 and #54DE8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23BB61 shade: #23BB61, #2360BC and #BC2323

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23BB61 shade: #23BB61, #6023BC and #BC6023

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23BB61 shade: #23BB61, #2360BC, #BC237F and #BC7F23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23BB61 shade: #23BB61, #2333BC, #BC237F and #BCAD23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 48 / 27

HEX #23BB61

RGB 35 187 97

HSL 144.47, 0.68%, 0.44%

LAB 67.1, -57.74, 34.91

 

Complementary color

CMYK 0 / 69 / 28 / 14

HEX #DC449E

RGB 220 68 158

HSL 324.47, 0.68%, 0.56%

LAB 53.83, 66.54, -16.04

 

CMYK 79 / 0 / 51 / 27

HEX #28BB5C

RGB 40 187 92

HSL 141.22, 0.65%, 0.45%

LAB 67.1, -57.96, 37.44

 

CMYK 72 / 0 / 46 / 20

HEX #39CD6F

RGB 57 205 111

HSL 141.89, 0.6%, 0.51%

LAB 73.34, -58.89, 35.85

 

CMYK 67 / 0 / 42 / 13

HEX #4ADF82

RGB 74 223 130

HSL 142.55, 0.7%, 0.58%

LAB 79.52, -59.47, 34.34

 

CMYK 62 / 0 / 38 / 5

HEX #5BF195

RGB 91 241 149

HSL 143.2, 0.84%, 0.65%

LAB 85.66, -59.79, 32.93

 

CMYK 58 / 0 / 34 / 0

HEX #6CFFA8

RGB 108 255 168

HSL 144.49, 1%, 0.71%

LAB 90.57, -58.39, 30.03

 

CMYK 81 / 0 / 48 / 27

HEX #23BB61

RGB 35 187 97

HSL 144.47, 0.68%, 0.44%

LAB 67.1, -57.74, 34.91

 

CMYK 89 / 0 / 54 / 34

HEX #12A94E

RGB 18 169 78

HSL 143.84, 0.81%, 0.37%

LAB 60.83, -56.17, 36.62

 

CMYK 99 / 0 / 61 / 41

HEX #01973B

RGB 1 151 59

HSL 143.2, 0.99%, 0.3%

LAB 54.51, -54, 38.34

 

CMYK 100 / 0 / 70 / 48

HEX #008528

RGB 0 133 40

HSL 138.05, 1%, 0.26%

LAB 48.17, -50.65, 39.92

 

CMYK 100 / 0 / 82 / 55

HEX #007315

RGB 0 115 21

HSL 130.96, 1%, 0.23%

LAB 41.71, -46.78, 40.78

 

CMYK 81 / 0 / 48 / 26

HEX #23BC62

RGB 35 188 98

HSL 144.71, 0.69%, 0.44%

LAB 67.43, -57.92, 34.83

 

CMYK 81 / 0 / 70 / 26

HEX #23BC38

RGB 35 188 56

HSL 128.24, 0.69%, 0.44%

LAB 66.98, -63.34, 53.49

 

CMYK 71 / 0 / 81 / 26

HEX #37BC23

RGB 55 188 35

HSL 112.16, 0.69%, 0.44%

LAB 67.2, -61.92, 60.87

 

CMYK 48 / 0 / 81 / 26

HEX #61BC23

RGB 97 188 35

HSL 95.69, 0.69%, 0.44%

LAB 68.48, -51.59, 62.51

 

CMYK 27 / 0 / 81 / 26

HEX #8ABC23

RGB 138 188 35

HSL 79.61, 0.69%, 0.44%

LAB 70.52, -37.22, 65.12

 

CMYK 81 / 0 / 48 / 26

HEX #23BC62

RGB 35 188 98

HSL 144.71, 0.69%, 0.44%

LAB 67.43, -57.92, 34.83

 

CMYK 81 / 0 / 26 / 26

HEX #23BC8B

RGB 35 188 139

HSL 160.78, 0.69%, 0.44%

LAB 68.16, -49.66, 14.14

 

CMYK 81 / 0 / 4 / 26

HEX #23BCB4

RGB 35 188 180

HSL 176.86, 0.69%, 0.44%

LAB 69.2, -38.89, -6.8

 

CMYK 81 / 18 / 0 / 26

HEX #239BBC

RGB 35 155 188

HSL 192.94, 0.69%, 0.44%

LAB 59.37, -20.26, -26.12

 

CMYK 81 / 39 / 0 / 26

HEX #2372BC

RGB 35 114 188

HSL 209.02, 0.69%, 0.44%

LAB 47, 3.28, -45.5

 

CMYK 81 / 0 / 48 / 26

HEX #23BC62

RGB 35 188 98

HSL 144.71, 0.69%, 0.44%

LAB 67.43, -57.92, 34.83

 

CMYK 92 / 0 / 54 / 19

HEX #11CE5E

RGB 17 206 94

HSL 144.44, 0.85%, 0.44%

LAB 72.94, -65.91, 43.56

 

CMYK 81 / 0 / 48 / 26

HEX #23BC62

RGB 35 188 98

HSL 144.71, 0.69%, 0.44%

LAB 67.43, -57.92, 34.83

 

CMYK 68 / 0 / 41 / 33

HEX #36AA65

RGB 54 170 101

HSL 144.31, 0.52%, 0.44%

LAB 62.06, -48.04, 26.4

 

CMYK 53 / 0 / 32 / 40

HEX #489868

RGB 72 152 104

HSL 144, 0.36%, 0.44%

LAB 56.91, -35.92, 17.96

 

CMYK 33 / 0 / 19 / 47

HEX #5A866C

RGB 90 134 108

HSL 144.55, 0.2%, 0.44%

LAB 52.18, -21.02, 9.25

 

CMYK 6 / 0 / 3 / 55

HEX #6C736F

RGB 108 115 111

HSL 145.71, 0.03%, 0.44%

LAB 47.75, -3.47, 1.29

 

CMYK 70 / 0 / 81 / 26

HEX #38BC23

RGB 56 188 35

HSL 111.76, 0.69%, 0.44%

LAB 67.22, -61.74, 60.9

 

CMYK 81 / 0 / 70 / 26

HEX #23BC38

RGB 35 188 56

HSL 128.24, 0.69%, 0.44%

LAB 66.98, -63.34, 53.49

 

CMYK 81 / 0 / 49 / 26

HEX #23BC60

RGB 35 188 96

HSL 143.92, 0.69%, 0.44%

LAB 67.4, -58.25, 35.8

 

CMYK 81 / 0 / 27 / 26

HEX #23BC89

RGB 35 188 137

HSL 160, 0.69%, 0.44%

LAB 68.12, -50.13, 15.17

 

CMYK 81 / 0 / 5 / 26

HEX #23BCB2

RGB 35 188 178

HSL 176.08, 0.69%, 0.44%

LAB 69.14, -39.47, -5.78

 

CMYK 82 / 0 / 48 / 53

HEX #16773E

RGB 22 119 62

HSL 144.74, 0.69%, 0.28%

LAB 43.82, -40.58, 23.81

 

CMYK 81 / 0 / 48 / 40

HEX #1D9950

RGB 29 153 80

HSL 144.68, 0.68%, 0.36%

LAB 55.71, -49.21, 29.25

 

CMYK 81 / 0 / 48 / 26

HEX #23BC62

RGB 35 188 98

HSL 144.71, 0.69%, 0.44%

LAB 67.43, -57.92, 34.83

 

CMYK 77 / 0 / 46 / 16

HEX #31D775

RGB 49 215 117

HSL 144.58, 0.67%, 0.52%

LAB 76.4, -62.52, 36.73

 

CMYK 62 / 0 / 37 / 13

HEX #54DE8C

RGB 84 222 140

HSL 144.35, 0.68%, 0.6%

LAB 79.63, -55.47, 29.45

 

CMYK 81 / 0 / 48 / 27

HEX #23BB61

RGB 35 187 97

HSL 144.47, 0.68%, 0.44%

LAB 67.1, -57.74, 34.91

 

CMYK 81 / 49 / 0 / 26

HEX #2360BC

RGB 35 96 188

HSL 216.08, 0.69%, 0.44%

LAB 41.77, 14.74, -53.89

 

CMYK 0 / 81 / 81 / 26

HEX #BC2323

RGB 188 35 35

HSL 0, 0.69%, 0.44%

LAB 41.24, 58.61, 39.88

 

CMYK 81 / 0 / 48 / 27

HEX #23BB61

RGB 35 187 97

HSL 144.47, 0.68%, 0.44%

LAB 67.1, -57.74, 34.91

 

CMYK 49 / 81 / 0 / 26

HEX #6023BC

RGB 96 35 188

HSL 263.92, 0.69%, 0.44%

LAB 32.52, 58.02, -68.79

 

CMYK 0 / 49 / 81 / 26

HEX #BC6023

RGB 188 96 35

HSL 23.92, 0.69%, 0.44%

LAB 50.9, 32.98, 49.06

 

CMYK 81 / 0 / 48 / 27

HEX #23BB61

RGB 35 187 97

HSL 144.47, 0.68%, 0.44%

LAB 67.1, -57.74, 34.91

 

CMYK 81 / 49 / 0 / 26

HEX #2360BC

RGB 35 96 188

HSL 216.08, 0.69%, 0.44%

LAB 41.77, 14.74, -53.89

 

CMYK 0 / 81 / 32 / 26

HEX #BC237F

RGB 188 35 127

HSL 323.92, 0.69%, 0.44%

LAB 43.4, 65.06, -13.77

 

CMYK 0 / 32 / 81 / 26

HEX #BC7F23

RGB 188 127 35

HSL 36.08, 0.69%, 0.44%

LAB 58.03, 16.09, 55.55

 

CMYK 81 / 0 / 48 / 27

HEX #23BB61

RGB 35 187 97

HSL 144.47, 0.68%, 0.44%

LAB 67.1, -57.74, 34.91

 

CMYK 81 / 73 / 0 / 26

HEX #2333BC

RGB 35 51 188

HSL 233.73, 0.69%, 0.44%

LAB 30.29, 43.78, -72.64

 

CMYK 0 / 81 / 32 / 26

HEX #BC237F

RGB 188 35 127

HSL 323.92, 0.69%, 0.44%

LAB 43.4, 65.06, -13.77

 

CMYK 0 / 8 / 81 / 26

HEX #BCAD23

RGB 188 173 35

HSL 54.12, 0.69%, 0.44%

LAB 69.97, -8.82, 66.05

 

Description

Color code: HEX #23BB61 | qconv.com Color code: HEX #23BB61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 187 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 187 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 48 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 48% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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