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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23C70A it is the complementary color #DC38F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23C70A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23C70A shade: #28C705, #39D918, #4AEB2B, #5BFD3E and #6CFF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23C70A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23C70A shade: #23C70A, #12B500, #01A300, #009100 and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23C70A shade: #23C60A, #56C60A, #88C60A, #BBC60A and #C69E0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23C70A shade: #23C60A, #0AC624, #0AC657, #0AC689 and #0AC6BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23C70A shade matches the following richer shades: #23C60A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23C70A shade: #23C60A, #2FB51B, #3CA42C, #48933D and #55824E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23C70A shade: #87C60A, #55C60A, #23C60A, #0AC623 and #0AC655

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23C70A shade: #157806, #1C9F08, #23C60A, #2AED0C and #49F42F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23C70A shade: #23C70A, #0ABAC6 and #C60A6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23C70A shade: #23C70A, #0A23C6 and #C60A23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23C70A shade: #23C70A, #0ABAC6, #AD0AC6 and #C6170A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23C70A shade: #23C70A, #0A81C6, #AD0AC6 and #C64F0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 95 / 22

HEX #23C70A

RGB 35 199 10

HSL 112.06, 0.9%, 0.41%

LAB 70.33, -69.04, 68.24

 

Complementary color

CMYK 10 / 77 / 0 / 4

HEX #DC38F5

RGB 220 56 245

HSL 292.06, 0.9%, 0.59%

LAB 56.72, 83.09, -61.37

 

CMYK 80 / 0 / 97 / 22

HEX #28C705

RGB 40 199 5

HSL 109.18, 0.95%, 0.4%

LAB 70.39, -68.55, 68.86

 

CMYK 74 / 0 / 89 / 15

HEX #39D918

RGB 57 217 24

HSL 109.74, 0.8%, 0.47%

LAB 76.41, -71.01, 71.51

 

CMYK 69 / 0 / 82 / 8

HEX #4AEB2B

RGB 74 235 43

HSL 110.31, 0.83%, 0.55%

LAB 82.4, -72.85, 72.9

 

CMYK 64 / 0 / 75 / 1

HEX #5BFD3E

RGB 91 253 62

HSL 110.89, 0.98%, 0.62%

LAB 88.36, -74.18, 73.33

 

CMYK 58 / 0 / 68 / 0

HEX #6CFF51

RGB 108 255 81

HSL 110.69, 1%, 0.66%

LAB 89.53, -69.78, 68.21

 

CMYK 82 / 0 / 95 / 22

HEX #23C70A

RGB 35 199 10

HSL 112.06, 0.9%, 0.41%

LAB 70.33, -69.04, 68.24

 

CMYK 90 / 0 / 100 / 29

HEX #12B500

RGB 18 181 0

HSL 114.03, 1%, 0.35%

LAB 64.3, -65.68, 64.43

 

CMYK 99 / 0 / 100 / 36

HEX #01A300

RGB 1 163 0

HSL 119.63, 1%, 0.32%

LAB 58.23, -61.61, 59.52

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 82 / 0 / 95 / 22

HEX #23C60A

RGB 35 198 10

HSL 112.02, 0.9%, 0.41%

LAB 70.01, -68.75, 67.98

 

CMYK 57 / 0 / 95 / 22

HEX #56C60A

RGB 86 198 10

HSL 95.74, 0.9%, 0.41%

LAB 71.14, -59.19, 69.36

 

CMYK 31 / 0 / 95 / 22

HEX #88C60A

RGB 136 198 10

HSL 79.79, 0.9%, 0.41%

LAB 73.31, -43.03, 72.02

 

CMYK 6 / 0 / 95 / 22

HEX #BBC60A

RGB 187 198 10

HSL 63.51, 0.9%, 0.41%

LAB 76.66, -22.41, 76.07

 

CMYK 0 / 20 / 95 / 22

HEX #C69E0A

RGB 198 158 10

HSL 47.23, 0.9%, 0.41%

LAB 66.89, 3.05, 69.18

 

CMYK 82 / 0 / 95 / 22

HEX #23C60A

RGB 35 198 10

HSL 112.02, 0.9%, 0.41%

LAB 70.01, -68.75, 67.98

 

CMYK 95 / 0 / 82 / 22

HEX #0AC624

RGB 10 198 36

HSL 128.3, 0.9%, 0.41%

LAB 69.88, -69.65, 62.88

 

CMYK 95 / 0 / 56 / 22

HEX #0AC657

RGB 10 198 87

HSL 144.57, 0.9%, 0.41%

LAB 70.27, -64.69, 43.66

 

CMYK 95 / 0 / 31 / 22

HEX #0AC689

RGB 10 198 137

HSL 160.53, 0.9%, 0.41%

LAB 71.05, -55.56, 19.2

 

CMYK 95 / 0 / 5 / 22

HEX #0AC6BC

RGB 10 198 188

HSL 176.81, 0.9%, 0.41%

LAB 72.28, -42.4, -6.62

 

CMYK 82 / 0 / 95 / 22

HEX #23C60A

RGB 35 198 10

HSL 112.02, 0.9%, 0.41%

LAB 70.01, -68.75, 67.98

 

CMYK 82 / 0 / 95 / 22

HEX #23C60A

RGB 35 198 10

HSL 112.02, 0.9%, 0.41%

LAB 70.01, -68.75, 67.98

 

CMYK 74 / 0 / 85 / 29

HEX #2FB51B

RGB 47 181 27

HSL 112.21, 0.74%, 0.41%

LAB 64.75, -61.49, 60.64

 

CMYK 63 / 0 / 73 / 36

HEX #3CA42C

RGB 60 164 44

HSL 112, 0.58%, 0.41%

LAB 59.61, -52.19, 50.6

 

CMYK 51 / 0 / 59 / 42

HEX #48933D

RGB 72 147 61

HSL 112.33, 0.41%, 0.41%

LAB 54.64, -40.75, 37.89

 

CMYK 35 / 0 / 40 / 49

HEX #55824E

RGB 85 130 78

HSL 111.92, 0.25%, 0.41%

LAB 50.03, -26.33, 23.38

 

CMYK 32 / 0 / 95 / 22

HEX #87C60A

RGB 135 198 10

HSL 80.11, 0.9%, 0.41%

LAB 73.26, -43.4, 71.96

 

CMYK 57 / 0 / 95 / 22

HEX #55C60A

RGB 85 198 10

HSL 96.06, 0.9%, 0.41%

LAB 71.11, -59.45, 69.32

 

CMYK 82 / 0 / 95 / 22

HEX #23C60A

RGB 35 198 10

HSL 112.02, 0.9%, 0.41%

LAB 70.01, -68.75, 67.98

 

CMYK 95 / 0 / 82 / 22

HEX #0AC623

RGB 10 198 35

HSL 127.98, 0.9%, 0.41%

LAB 69.88, -69.71, 63.14

 

CMYK 95 / 0 / 57 / 22

HEX #0AC655

RGB 10 198 85

HSL 143.94, 0.9%, 0.41%

LAB 70.25, -64.97, 44.57

 

CMYK 83 / 0 / 95 / 53

HEX #157806

RGB 21 120 6

HSL 112.11, 0.9%, 0.25%

LAB 43.66, -47, 46.58

 

CMYK 82 / 0 / 95 / 38

HEX #1C9F08

RGB 28 159 8

HSL 112.05, 0.9%, 0.33%

LAB 57.13, -58.14, 57.54

 

CMYK 82 / 0 / 95 / 22

HEX #23C60A

RGB 35 198 10

HSL 112.02, 0.9%, 0.41%

LAB 70.01, -68.75, 67.98

 

CMYK 82 / 0 / 95 / 7

HEX #2AED0C

RGB 42 237 12

HSL 112, 0.9%, 0.49%

LAB 82.43, -78.95, 78.02

 

CMYK 70 / 0 / 81 / 4

HEX #49F42F

RGB 73 244 47

HSL 112.08, 0.9%, 0.57%

LAB 85.16, -75.58, 74.41

 

CMYK 82 / 0 / 95 / 22

HEX #23C70A

RGB 35 199 10

HSL 112.06, 0.9%, 0.41%

LAB 70.33, -69.04, 68.24

 

CMYK 95 / 6 / 0 / 22

HEX #0ABAC6

RGB 10 186 198

HSL 183.83, 0.9%, 0.41%

LAB 68.94, -33.91, -17.1

 

CMYK 0 / 95 / 44 / 22

HEX #C60A6E

RGB 198 10 110

HSL 328.09, 0.9%, 0.41%

LAB 43.28, 69.92, -3.21

 

CMYK 82 / 0 / 95 / 22

HEX #23C70A

RGB 35 199 10

HSL 112.06, 0.9%, 0.41%

LAB 70.33, -69.04, 68.24

 

CMYK 95 / 82 / 0 / 22

HEX #0A23C6

RGB 10 35 198

HSL 232.02, 0.9%, 0.41%

LAB 27.69, 54.73, -82.86

 

CMYK 0 / 95 / 82 / 22

HEX #C60A23

RGB 198 10 35

HSL 352.02, 0.9%, 0.41%

LAB 41.76, 65.75, 41.09

 

CMYK 82 / 0 / 95 / 22

HEX #23C70A

RGB 35 199 10

HSL 112.06, 0.9%, 0.41%

LAB 70.33, -69.04, 68.24

 

CMYK 95 / 6 / 0 / 22

HEX #0ABAC6

RGB 10 186 198

HSL 183.83, 0.9%, 0.41%

LAB 68.94, -33.91, -17.1

 

CMYK 13 / 95 / 0 / 22

HEX #AD0AC6

RGB 173 10 198

HSL 292.02, 0.9%, 0.41%

LAB 43.03, 76.4, -57.04

 

CMYK 0 / 88 / 95 / 22

HEX #C6170A

RGB 198 23 10

HSL 4.15, 0.9%, 0.41%

LAB 42.22, 63.55, 52.64

 

CMYK 82 / 0 / 95 / 22

HEX #23C70A

RGB 35 199 10

HSL 112.06, 0.9%, 0.41%

LAB 70.33, -69.04, 68.24

 

CMYK 95 / 35 / 0 / 22

HEX #0A81C6

RGB 10 129 198

HSL 202.02, 0.9%, 0.41%

LAB 51.66, -3.61, -43.87

 

CMYK 13 / 95 / 0 / 22

HEX #AD0AC6

RGB 173 10 198

HSL 292.02, 0.9%, 0.41%

LAB 43.03, 76.4, -57.04

 

CMYK 0 / 60 / 95 / 22

HEX #C64F0A

RGB 198 79 10

HSL 22.02, 0.9%, 0.41%

LAB 49.03, 44.85, 56.75

 

Description

Color code: HEX #23C70A | qconv.com Color code: HEX #23C70A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 199 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 199 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 95 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 95% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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