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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23CDEA it is the complementary color #DC3215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23CDEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23CDEA shade: #28CDE5, #39DFF8, #4AF1FF, #5BFFFF and #6CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23CDEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23CDEA shade: #23CDEA, #12BBD7, #01A9C4, #0097B1 and #00859E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23CDEA shade: #23CDEA, #2397EA, #2362EA, #232CEA and #5023EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23CDEA shade: #23CDEA, #2397EA, #2362EA, #232CEA and #2323EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23CDEA shade matches the following richer shades: #23CDEA and #10DBFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23CDEA shade: #23CDEA, #37BFD7, #4AB2C3, #5DA4B0 and #71969D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23CDEA shade: #23EA9B, #23EAD0, #23D0EA, #239BEA and #2365EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23CDEA shade: #0F95AB, #13B5D1, #23CDEA, #49D6EE and #6FDEF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23CDEA shade: #23CDEA, #6523EA and #EAB523

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23CDEA shade: #23CDEA, #EA23D0 and #D0EA23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23CDEA shade: #23CDEA, #6523EA, #EA3E23 and #A8EA23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23CDEA shade: #23CDEA, #A123EA, #EA3E23 and #6CEA23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 12 / 0 / 8

HEX #23CDEA

RGB 35 205 234

HSL 188.74, 0.83%, 0.53%

LAB 76.04, -30.43, -25.83

 

Complementary color

CMYK 0 / 77 / 90 / 14

HEX #DC3215

RGB 220 50 21

HSL 8.74, 0.83%, 0.47%

LAB 48.95, 63.46, 55.33

 

CMYK 83 / 10 / 0 / 10

HEX #28CDE5

RGB 40 205 229

HSL 187.62, 0.78%, 0.53%

LAB 75.93, -31.66, -23.31

 

CMYK 77 / 10 / 0 / 3

HEX #39DFF8

RGB 57 223 248

HSL 187.85, 0.93%, 0.6%

LAB 82.07, -32.95, -24.08

 

CMYK 71 / 5 / 0 / 0

HEX #4AF1FF

RGB 74 241 255

HSL 184.64, 1%, 0.65%

LAB 87.77, -37.48, -19.1

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 85 / 12 / 0 / 8

HEX #23CDEA

RGB 35 205 234

HSL 188.74, 0.83%, 0.53%

LAB 76.04, -30.43, -25.83

 

CMYK 92 / 13 / 0 / 16

HEX #12BBD7

RGB 18 187 215

HSL 188.53, 0.85%, 0.46%

LAB 69.88, -28.65, -24.98

 

CMYK 99 / 14 / 0 / 23

HEX #01A9C4

RGB 1 169 196

HSL 188.31, 0.99%, 0.39%

LAB 63.65, -26.55, -24.06

 

CMYK 100 / 15 / 0 / 31

HEX #0097B1

RGB 0 151 177

HSL 188.81, 1%, 0.35%

LAB 57.37, -23.9, -22.99

 

CMYK 100 / 16 / 0 / 38

HEX #00859E

RGB 0 133 158

HSL 189.49, 1%, 0.31%

LAB 50.97, -21.14, -21.92

 

CMYK 85 / 12 / 0 / 8

HEX #23CDEA

RGB 35 205 234

HSL 188.74, 0.83%, 0.53%

LAB 76.04, -30.43, -25.83

 

CMYK 85 / 35 / 0 / 8

HEX #2397EA

RGB 35 151 234

HSL 205.03, 0.83%, 0.53%

LAB 60.28, -1.68, -50.4

 

CMYK 85 / 58 / 0 / 8

HEX #2362EA

RGB 35 98 234

HSL 221.01, 0.83%, 0.53%

LAB 45.68, 31.1, -73.9

 

CMYK 85 / 81 / 0 / 8

HEX #232CEA

RGB 35 44 234

HSL 237.29, 0.83%, 0.53%

LAB 34.19, 62.28, -92.83

 

CMYK 66 / 85 / 0 / 8

HEX #5023EA

RGB 80 35 234

HSL 253.57, 0.83%, 0.53%

LAB 35.69, 68.32, -90.26

 

CMYK 85 / 12 / 0 / 8

HEX #23CDEA

RGB 35 205 234

HSL 188.74, 0.83%, 0.53%

LAB 76.04, -30.43, -25.83

 

CMYK 85 / 35 / 0 / 8

HEX #2397EA

RGB 35 151 234

HSL 205.03, 0.83%, 0.53%

LAB 60.28, -1.68, -50.4

 

CMYK 85 / 58 / 0 / 8

HEX #2362EA

RGB 35 98 234

HSL 221.01, 0.83%, 0.53%

LAB 45.68, 31.1, -73.9

 

CMYK 85 / 81 / 0 / 8

HEX #232CEA

RGB 35 44 234

HSL 237.29, 0.83%, 0.53%

LAB 34.19, 62.28, -92.83

 

CMYK 85 / 85 / 0 / 8

HEX #2323EA

RGB 35 35 234

HSL 240, 0.83%, 0.53%

LAB 32.92, 66.05, -94.95

 

CMYK 85 / 12 / 0 / 8

HEX #23CDEA

RGB 35 205 234

HSL 188.74, 0.83%, 0.53%

LAB 76.04, -30.43, -25.83

 

CMYK 94 / 14 / 0 / 0

HEX #10DBFE

RGB 16 219 254

HSL 188.82, 0.99%, 0.53%

LAB 80.7, -31.68, -29.39

 

CMYK 85 / 12 / 0 / 8

HEX #23CDEA

RGB 35 205 234

HSL 188.74, 0.83%, 0.53%

LAB 76.04, -30.43, -25.83

 

CMYK 74 / 11 / 0 / 16

HEX #37BFD7

RGB 55 191 215

HSL 189, 0.67%, 0.53%

LAB 71.54, -27.8, -22.4

 

CMYK 62 / 9 / 0 / 24

HEX #4AB2C3

RGB 74 178 195

HSL 188.43, 0.5%, 0.53%

LAB 67.45, -24.68, -17.59

 

CMYK 47 / 7 / 0 / 31

HEX #5DA4B0

RGB 93 164 176

HSL 188.67, 0.34%, 0.53%

LAB 63.35, -19.03, -13.15

 

CMYK 28 / 4 / 0 / 38

HEX #71969D

RGB 113 150 157

HSL 189.55, 0.18%, 0.53%

LAB 59.67, -11, -7.83

 

CMYK 85 / 0 / 34 / 8

HEX #23EA9B

RGB 35 234 155

HSL 156.18, 0.83%, 0.53%

LAB 82.68, -63.49, 25.73

 

CMYK 85 / 0 / 11 / 8

HEX #23EAD0

RGB 35 234 208

HSL 172.16, 0.83%, 0.53%

LAB 83.84, -51.02, -0.31

 

CMYK 85 / 11 / 0 / 8

HEX #23D0EA

RGB 35 208 234

HSL 187.84, 0.83%, 0.53%

LAB 76.93, -31.88, -24.48

 

CMYK 85 / 34 / 0 / 8

HEX #239BEA

RGB 35 155 234

HSL 203.82, 0.83%, 0.53%

LAB 61.43, -3.99, -48.57

 

CMYK 85 / 57 / 0 / 8

HEX #2365EA

RGB 35 101 234

HSL 220.1, 0.83%, 0.53%

LAB 46.45, 29.18, -72.64

 

CMYK 91 / 13 / 0 / 33

HEX #0F95AB

RGB 15 149 171

HSL 188.46, 0.84%, 0.36%

LAB 56.62, -24.33, -20.72

 

CMYK 91 / 13 / 0 / 18

HEX #13B5D1

RGB 19 181 209

HSL 188.84, 0.83%, 0.45%

LAB 67.87, -27.61, -24.77

 

CMYK 85 / 12 / 0 / 8

HEX #23CDEA

RGB 35 205 234

HSL 188.74, 0.83%, 0.53%

LAB 76.04, -30.43, -25.83

 

CMYK 69 / 10 / 0 / 7

HEX #49D6EE

RGB 73 214 238

HSL 188.73, 0.83%, 0.61%

LAB 79.43, -29.83, -22.75

 

CMYK 54 / 8 / 0 / 5

HEX #6FDEF1

RGB 111 222 241

HSL 188.77, 0.82%, 0.69%

LAB 82.9, -26.59, -18.99

 

CMYK 85 / 12 / 0 / 8

HEX #23CDEA

RGB 35 205 234

HSL 188.74, 0.83%, 0.53%

LAB 76.04, -30.43, -25.83

 

CMYK 57 / 85 / 0 / 8

HEX #6523EA

RGB 101 35 234

HSL 259.9, 0.83%, 0.53%

LAB 37.68, 70.03, -86.91

 

CMYK 0 / 23 / 85 / 8

HEX #EAB523

RGB 234 181 35

HSL 44.02, 0.83%, 0.53%

LAB 76.47, 7.07, 73.32

 

CMYK 85 / 12 / 0 / 8

HEX #23CDEA

RGB 35 205 234

HSL 188.74, 0.83%, 0.53%

LAB 76.04, -30.43, -25.83

 

CMYK 0 / 85 / 11 / 8

HEX #EA23D0

RGB 234 35 208

HSL 307.84, 0.83%, 0.53%

LAB 55.33, 84.88, -42.56

 

CMYK 11 / 0 / 85 / 8

HEX #D0EA23

RGB 208 234 35

HSL 67.84, 0.83%, 0.53%

LAB 88.15, -30.41, 82.05

 

CMYK 85 / 12 / 0 / 8

HEX #23CDEA

RGB 35 205 234

HSL 188.74, 0.83%, 0.53%

LAB 76.04, -30.43, -25.83

 

CMYK 57 / 85 / 0 / 8

HEX #6523EA

RGB 101 35 234

HSL 259.9, 0.83%, 0.53%

LAB 37.68, 70.03, -86.91

 

CMYK 0 / 74 / 85 / 8

HEX #EA3E23

RGB 234 62 35

HSL 8.14, 0.83%, 0.53%

LAB 53.01, 64.15, 53.86

 

CMYK 28 / 0 / 85 / 8

HEX #A8EA23

RGB 168 234 35

HSL 79.9, 0.83%, 0.53%

LAB 85.65, -45.94, 78.94

 

CMYK 85 / 12 / 0 / 8

HEX #23CDEA

RGB 35 205 234

HSL 188.74, 0.83%, 0.53%

LAB 76.04, -30.43, -25.83

 

CMYK 31 / 85 / 0 / 8

HEX #A123EA

RGB 161 35 234

HSL 277.99, 0.83%, 0.53%

LAB 45.25, 77, -74.19

 

CMYK 0 / 74 / 85 / 8

HEX #EA3E23

RGB 234 62 35

HSL 8.14, 0.83%, 0.53%

LAB 53.01, 64.15, 53.86

 

CMYK 54 / 0 / 85 / 8

HEX #6CEA23

RGB 108 234 35

HSL 97.99, 0.83%, 0.53%

LAB 83, -65.24, 75.61

 

Description

Color code: HEX #23CDEA | qconv.com Color code: HEX #23CDEA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 205 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 205 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 12 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 12% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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