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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23D0AD it is the complementary color #DC2F52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23D0AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23D0AD shade: #28D0A8, #39E2BB, #4AF4CE, #5BFFE1 and #6CFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23D0AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23D0AD shade: #23D0AD, #12BE9A, #01AC87, #009A74 and #008861

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23D0AD shade: #23D1AE, #23D17F, #23D150, #25D123 and #54D123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23D0AD shade: #23D1AE, #23C5D1, #2396D1, #2367D1 and #2338D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23D0AD shade matches the following richer shades: #23D1AE and #0FE5B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23D0AD shade: #23D1AE, #37BDA2, #4BA996, #5E958A and #72827E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23D0AD shade: #23D14E, #23D17D, #23D1AB, #23C8D1 and #239AD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23D0AD shade: #178A73, #1DAE90, #23D1AE, #3FDEBE and #62E4CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23D0AD shade: #23D0AD, #2326D1 and #D16623

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23D0AD shade: #23D0AD, #AB23D1 and #D1AB23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23D0AD shade: #23D0AD, #2326D1, #D12349 and #D1CE23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23D0AD shade: #23D0AD, #5423D1, #D12349 and #A0D123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 17 / 18

HEX #23D0AD

RGB 35 208 173

HSL 167.86, 0.71%, 0.48%

LAB 75.13, -49.4, 5.68

 

Complementary color

CMYK 0 / 79 / 63 / 14

HEX #DC2F52

RGB 220 47 82

HSL 347.86, 0.71%, 0.52%

LAB 49.32, 66.47, 23.18

 

CMYK 81 / 0 / 19 / 18

HEX #28D0A8

RGB 40 208 168

HSL 165.71, 0.68%, 0.49%

LAB 75.07, -50.24, 8.29

 

CMYK 75 / 0 / 17 / 11

HEX #39E2BB

RGB 57 226 187

HSL 166.15, 0.74%, 0.55%

LAB 81.21, -51.14, 7

 

CMYK 70 / 0 / 16 / 4

HEX #4AF4CE

RGB 74 244 206

HSL 166.59, 0.89%, 0.62%

LAB 87.3, -51.79, 5.83

 

CMYK 64 / 0 / 12 / 0

HEX #5BFFE1

RGB 91 255 225

HSL 169.02, 1%, 0.68%

LAB 91.32, -49.31, 1.82

 

CMYK 58 / 0 / 4 / 0

HEX #6CFFF4

RGB 108 255 244

HSL 175.51, 1%, 0.71%

LAB 92.24, -41.78, -6.61

 

CMYK 83 / 0 / 17 / 18

HEX #23D0AD

RGB 35 208 173

HSL 167.86, 0.71%, 0.48%

LAB 75.13, -49.4, 5.68

 

CMYK 91 / 0 / 19 / 25

HEX #12BE9A

RGB 18 190 154

HSL 167.44, 0.83%, 0.41%

LAB 68.96, -48.02, 7.09

 

CMYK 99 / 0 / 22 / 33

HEX #01AC87

RGB 1 172 135

HSL 167.02, 0.99%, 0.34%

LAB 62.73, -46.28, 8.63

 

CMYK 100 / 0 / 25 / 40

HEX #009A74

RGB 0 154 116

HSL 165.19, 1%, 0.3%

LAB 56.46, -43.88, 10.39

 

CMYK 100 / 0 / 29 / 47

HEX #008861

RGB 0 136 97

HSL 162.79, 1%, 0.27%

LAB 50.06, -41.37, 12.25

 

CMYK 83 / 0 / 17 / 18

HEX #23D1AE

RGB 35 209 174

HSL 167.93, 0.71%, 0.48%

LAB 75.46, -49.56, 5.62

 

CMYK 83 / 0 / 39 / 18

HEX #23D17F

RGB 35 209 127

HSL 151.72, 0.71%, 0.48%

LAB 74.5, -60.1, 29.15

 

CMYK 83 / 0 / 62 / 18

HEX #23D150

RGB 35 209 80

HSL 135.52, 0.71%, 0.48%

LAB 73.89, -67.36, 51.11

 

CMYK 82 / 0 / 83 / 18

HEX #25D123

RGB 37 209 35

HSL 119.31, 0.71%, 0.48%

LAB 73.62, -70.85, 66.65

 

CMYK 60 / 0 / 83 / 18

HEX #54D123

RGB 84 209 35

HSL 103.1, 0.71%, 0.48%

LAB 74.58, -62.71, 67.87

 

CMYK 83 / 0 / 17 / 18

HEX #23D1AE

RGB 35 209 174

HSL 167.93, 0.71%, 0.48%

LAB 75.46, -49.56, 5.62

 

CMYK 83 / 6 / 0 / 18

HEX #23C5D1

RGB 35 197 209

HSL 184.14, 0.71%, 0.48%

LAB 72.82, -34.41, -17.22

 

CMYK 83 / 28 / 0 / 18

HEX #2396D1

RGB 35 150 209

HSL 200.34, 0.71%, 0.48%

LAB 58.76, -10.19, -38.87

 

CMYK 83 / 51 / 0 / 18

HEX #2367D1

RGB 35 103 209

HSL 216.55, 0.71%, 0.48%

LAB 45.17, 18.35, -60.54

 

CMYK 83 / 73 / 0 / 18

HEX #2338D1

RGB 35 56 209

HSL 232.76, 0.71%, 0.48%

LAB 33.54, 48.09, -79.56

 

CMYK 83 / 0 / 17 / 18

HEX #23D1AE

RGB 35 209 174

HSL 167.93, 0.71%, 0.48%

LAB 75.46, -49.56, 5.62

 

CMYK 93 / 0 / 19 / 10

HEX #0FE5B9

RGB 15 229 185

HSL 167.66, 0.88%, 0.48%

LAB 81.64, -55.88, 8.62

 

CMYK 83 / 0 / 17 / 18

HEX #23D1AE

RGB 35 209 174

HSL 167.93, 0.71%, 0.48%

LAB 75.46, -49.56, 5.62

 

CMYK 71 / 0 / 14 / 26

HEX #37BDA2

RGB 55 189 162

HSL 167.91, 0.55%, 0.48%

LAB 69.34, -42.04, 3.32

 

CMYK 56 / 0 / 11 / 34

HEX #4BA996

RGB 75 169 150

HSL 167.87, 0.39%, 0.48%

LAB 63.4, -32.52, 1.41

 

CMYK 37 / 0 / 7 / 42

HEX #5E958A

RGB 94 149 138

HSL 168, 0.23%, 0.48%

LAB 57.76, -20.78, 0.06

 

CMYK 12 / 0 / 3 / 49

HEX #72827E

RGB 114 130 126

HSL 165, 0.07%, 0.48%

LAB 53, -6.68, 0.18

 

CMYK 83 / 0 / 63 / 18

HEX #23D14E

RGB 35 209 78

HSL 134.83, 0.71%, 0.48%

LAB 73.87, -67.59, 51.95

 

CMYK 83 / 0 / 40 / 18

HEX #23D17D

RGB 35 209 125

HSL 151.03, 0.71%, 0.48%

LAB 74.47, -60.48, 30.14

 

CMYK 83 / 0 / 18 / 18

HEX #23D1AB

RGB 35 209 171

HSL 166.9, 0.71%, 0.48%

LAB 75.39, -50.32, 7.13

 

CMYK 83 / 4 / 0 / 18

HEX #23C8D1

RGB 35 200 209

HSL 183.1, 0.71%, 0.48%

LAB 73.72, -35.81, -15.86

 

CMYK 83 / 26 / 0 / 18

HEX #239AD1

RGB 35 154 209

HSL 198.97, 0.71%, 0.48%

LAB 59.95, -12.43, -37

 

CMYK 83 / 0 / 17 / 46

HEX #178A73

RGB 23 138 115

HSL 168, 0.71%, 0.32%

LAB 51.38, -35.91, 3.74

 

CMYK 83 / 0 / 17 / 32

HEX #1DAE90

RGB 29 174 144

HSL 167.59, 0.71%, 0.4%

LAB 63.79, -43.22, 5.19

 

CMYK 83 / 0 / 17 / 18

HEX #23D1AE

RGB 35 209 174

HSL 167.93, 0.71%, 0.48%

LAB 75.46, -49.56, 5.62

 

CMYK 72 / 0 / 14 / 13

HEX #3FDEBE

RGB 63 222 190

HSL 167.92, 0.71%, 0.56%

LAB 80.19, -48, 3.95

 

CMYK 57 / 0 / 11 / 11

HEX #62E4CA

RGB 98 228 202

HSL 168, 0.71%, 0.64%

LAB 83.1, -42, 1.92

 

CMYK 83 / 0 / 17 / 18

HEX #23D0AD

RGB 35 208 173

HSL 167.86, 0.71%, 0.48%

LAB 75.13, -49.4, 5.68

 

CMYK 83 / 82 / 0 / 18

HEX #2326D1

RGB 35 38 209

HSL 238.97, 0.71%, 0.48%

LAB 30.27, 57.47, -84.98

 

CMYK 0 / 51 / 83 / 18

HEX #D16623

RGB 209 102 35

HSL 23.1, 0.71%, 0.48%

LAB 55.26, 38.32, 54.16

 

CMYK 83 / 0 / 17 / 18

HEX #23D0AD

RGB 35 208 173

HSL 167.86, 0.71%, 0.48%

LAB 75.13, -49.4, 5.68

 

CMYK 18 / 83 / 0 / 18

HEX #AB23D1

RGB 171 35 209

HSL 286.9, 0.71%, 0.48%

LAB 44.89, 73.78, -60.42

 

CMYK 0 / 18 / 83 / 18

HEX #D1AB23

RGB 209 171 35

HSL 46.9, 0.71%, 0.48%

LAB 71.42, 1.47, 68.08

 

CMYK 83 / 0 / 17 / 18

HEX #23D0AD

RGB 35 208 173

HSL 167.86, 0.71%, 0.48%

LAB 75.13, -49.4, 5.68

 

CMYK 83 / 82 / 0 / 18

HEX #2326D1

RGB 35 38 209

HSL 238.97, 0.71%, 0.48%

LAB 30.27, 57.47, -84.98

 

CMYK 0 / 83 / 65 / 18

HEX #D12349

RGB 209 35 73

HSL 346.9, 0.71%, 0.48%

LAB 45.96, 66.02, 23.89

 

CMYK 0 / 1 / 83 / 18

HEX #D1CE23

RGB 209 206 35

HSL 58.97, 0.71%, 0.48%

LAB 80.64, -16.53, 75.83

 

CMYK 83 / 0 / 17 / 18

HEX #23D0AD

RGB 35 208 173

HSL 167.86, 0.71%, 0.48%

LAB 75.13, -49.4, 5.68

 

CMYK 60 / 83 / 0 / 18

HEX #5423D1

RGB 84 35 209

HSL 256.9, 0.71%, 0.48%

LAB 33.33, 62.1, -79.8

 

CMYK 0 / 83 / 65 / 18

HEX #D12349

RGB 209 35 73

HSL 346.9, 0.71%, 0.48%

LAB 45.96, 66.02, 23.89

 

CMYK 23 / 0 / 83 / 18

HEX #A0D123

RGB 160 209 35

HSL 76.9, 0.71%, 0.48%

LAB 77.99, -38.08, 72.19

 

Description

Color code: HEX #23D0AD | qconv.com Color code: HEX #23D0AD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 208 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 208 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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