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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23EF9E it is the complementary color #DC1061. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23EF9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23EF9E shade: #28EF99, #39FFAC, #4AFFBF, #5BFFD2 and #6CFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23EF9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23EF9E shade: #23EF9E, #12DD8B, #01CB78, #00B965 and #00A752

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23EF9E shade: #24EE9E, #24EE68, #24EE31, #4EEE24 and #84EE24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23EF9E shade: #24EE9E, #24EED4, #24D1EE, #249BEE and #2465EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23EF9E shade matches the following richer shades: #24EE9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23EF9E shade: #24EE9E, #37DB9A, #4AC896, #5DB592 and #70A28E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23EF9E shade: #24EE32, #24EE68, #24EE9D, #24EED3 and #24D3EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23EF9E shade: #0DB371, #10D989, #24EE9E, #4BF1AF and #71F4C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23EF9E shade: #23EF9E, #244DEE and #EE4D24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23EF9E shade: #23EF9E, #9D24EE and #EE9D24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23EF9E shade: #23EF9E, #244DEE, #EE2475 and #EEC624

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23EF9E shade: #23EF9E, #3824EE, #EE2475 and #DAEE24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 34 / 6

HEX #23EF9E

RGB 35 239 158

HSL 156.18, 0.86%, 0.54%

LAB 84.26, -64.67, 26.33

 

Complementary color

CMYK 0 / 93 / 56 / 14

HEX #DC1061

RGB 220 16 97

HSL 336.18, 0.86%, 0.46%

LAB 47.56, 73.36, 11.6

 

CMYK 83 / 0 / 36 / 6

HEX #28EF99

RGB 40 239 153

HSL 154.07, 0.86%, 0.55%

LAB 84.22, -65.28, 28.83

 

CMYK 78 / 0 / 33 / 0

HEX #39FFAC

RGB 57 255 172

HSL 154.85, 1%, 0.61%

LAB 89.57, -65.63, 26.47

 

CMYK 71 / 0 / 25 / 0

HEX #4AFFBF

RGB 74 255 191

HSL 158.78, 1%, 0.65%

LAB 90.2, -59.62, 17.72

 

CMYK 64 / 0 / 18 / 0

HEX #5BFFD2

RGB 91 255 210

HSL 163.54, 1%, 0.68%

LAB 90.96, -52.87, 9.07

 

CMYK 58 / 0 / 10 / 0

HEX #6CFFE5

RGB 108 255 229

HSL 169.39, 1%, 0.71%

LAB 91.85, -45.48, 0.58

 

CMYK 85 / 0 / 34 / 6

HEX #23EF9E

RGB 35 239 158

HSL 156.18, 0.86%, 0.54%

LAB 84.26, -64.67, 26.33

 

CMYK 92 / 0 / 37 / 13

HEX #12DD8B

RGB 18 221 139

HSL 155.76, 0.85%, 0.47%

LAB 78.29, -63.12, 27.99

 

CMYK 100 / 0 / 41 / 20

HEX #01CB78

RGB 1 203 120

HSL 155.35, 0.99%, 0.4%

LAB 72.28, -61.18, 29.78

 

CMYK 100 / 0 / 45 / 27

HEX #00B965

RGB 0 185 101

HSL 152.76, 1%, 0.36%

LAB 66.24, -58.6, 31.72

 

CMYK 100 / 0 / 51 / 35

HEX #00A752

RGB 0 167 82

HSL 149.46, 1%, 0.33%

LAB 60.11, -55.83, 33.7

 

CMYK 85 / 0 / 34 / 7

HEX #24EE9E

RGB 36 238 158

HSL 156.24, 0.86%, 0.54%

LAB 83.96, -64.24, 25.93

 

CMYK 85 / 0 / 56 / 7

HEX #24EE68

RGB 36 238 104

HSL 140.2, 0.86%, 0.54%

LAB 83.19, -73.31, 51.25

 

CMYK 85 / 0 / 79 / 7

HEX #24EE31

RGB 36 238 49

HSL 123.86, 0.86%, 0.54%

LAB 82.78, -78.45, 71.46

 

CMYK 67 / 0 / 85 / 7

HEX #4EEE24

RGB 78 238 36

HSL 107.52, 0.86%, 0.54%

LAB 83.39, -73.34, 75.43

 

CMYK 45 / 0 / 85 / 7

HEX #84EE24

RGB 132 238 36

HSL 91.49, 0.86%, 0.54%

LAB 85.09, -59.76, 77.57

 

CMYK 85 / 0 / 34 / 7

HEX #24EE9E

RGB 36 238 158

HSL 156.24, 0.86%, 0.54%

LAB 83.96, -64.24, 25.93

 

CMYK 85 / 0 / 11 / 7

HEX #24EED4

RGB 36 238 212

HSL 172.28, 0.86%, 0.54%

LAB 85.14, -51.55, -0.51

 

CMYK 85 / 12 / 0 / 7

HEX #24D1EE

RGB 36 209 238

HSL 188.61, 0.86%, 0.54%

LAB 77.37, -31.04, -25.95

 

CMYK 85 / 35 / 0 / 7

HEX #249BEE

RGB 36 155 238

HSL 204.65, 0.86%, 0.54%

LAB 61.65, -2.46, -50.43

 

CMYK 85 / 58 / 0 / 7

HEX #2465EE

RGB 36 101 238

HSL 220.69, 0.86%, 0.54%

LAB 46.78, 30.75, -74.34

 

CMYK 85 / 0 / 34 / 7

HEX #24EE9E

RGB 36 238 158

HSL 156.24, 0.86%, 0.54%

LAB 83.96, -64.24, 25.93

 

CMYK 85 / 0 / 34 / 7

HEX #24EE9E

RGB 36 238 158

HSL 156.24, 0.86%, 0.54%

LAB 83.96, -64.24, 25.93

 

CMYK 75 / 0 / 30 / 14

HEX #37DB9A

RGB 55 219 154

HSL 156.22, 0.69%, 0.54%

LAB 78.35, -56.18, 20.35

 

CMYK 63 / 0 / 25 / 22

HEX #4AC896

RGB 74 200 150

HSL 156.19, 0.53%, 0.54%

LAB 72.87, -46.52, 14.92

 

CMYK 49 / 0 / 19 / 29

HEX #5DB592

RGB 93 181 146

HSL 156.14, 0.37%, 0.54%

LAB 67.61, -34.89, 9.76

 

CMYK 31 / 0 / 12 / 36

HEX #70A28E

RGB 112 162 142

HSL 156, 0.21%, 0.54%

LAB 62.71, -21.12, 5.09

 

CMYK 85 / 0 / 79 / 7

HEX #24EE32

RGB 36 238 50

HSL 124.16, 0.86%, 0.54%

LAB 82.78, -78.4, 71.19

 

CMYK 85 / 0 / 56 / 7

HEX #24EE68

RGB 36 238 104

HSL 140.2, 0.86%, 0.54%

LAB 83.19, -73.31, 51.25

 

CMYK 85 / 0 / 34 / 7

HEX #24EE9D

RGB 36 238 157

HSL 155.94, 0.86%, 0.54%

LAB 83.94, -64.44, 26.41

 

CMYK 85 / 0 / 11 / 7

HEX #24EED3

RGB 36 238 211

HSL 171.98, 0.86%, 0.54%

LAB 85.11, -51.81, -0.03

 

CMYK 85 / 11 / 0 / 7

HEX #24D3EE

RGB 36 211 238

HSL 188.02, 0.86%, 0.54%

LAB 77.96, -32, -25.05

 

CMYK 93 / 0 / 37 / 30

HEX #0DB371

RGB 13 179 113

HSL 156.14, 0.86%, 0.38%

LAB 64.58, -53.6, 23.23

 

CMYK 93 / 0 / 37 / 15

HEX #10D989

RGB 16 217 137

HSL 156.12, 0.86%, 0.46%

LAB 77.01, -62.2, 27.3

 

CMYK 85 / 0 / 34 / 7

HEX #24EE9E

RGB 36 238 158

HSL 156.24, 0.86%, 0.54%

LAB 83.96, -64.24, 25.93

 

CMYK 69 / 0 / 27 / 5

HEX #4BF1AF

RGB 75 241 175

HSL 156.14, 0.86%, 0.62%

LAB 85.76, -57.48, 19.75

 

CMYK 54 / 0 / 21 / 4

HEX #71F4C0

RGB 113 244 192

HSL 156.18, 0.86%, 0.7%

LAB 87.98, -48.15, 14.21

 

CMYK 85 / 0 / 34 / 6

HEX #23EF9E

RGB 35 239 158

HSL 156.18, 0.86%, 0.54%

LAB 84.26, -64.67, 26.33

 

CMYK 85 / 68 / 0 / 7

HEX #244DEE

RGB 36 77 238

HSL 227.82, 0.86%, 0.54%

LAB 40.99, 45.77, -83.85

 

CMYK 0 / 68 / 85 / 7

HEX #EE4D24

RGB 238 77 36

HSL 12.18, 0.86%, 0.54%

LAB 55.7, 60.05, 55.98

 

CMYK 85 / 0 / 34 / 6

HEX #23EF9E

RGB 35 239 158

HSL 156.18, 0.86%, 0.54%

LAB 84.26, -64.67, 26.33

 

CMYK 34 / 85 / 0 / 7

HEX #9D24EE

RGB 157 36 238

HSL 275.94, 0.86%, 0.54%

LAB 45.09, 77.01, -76.74

 

CMYK 0 / 34 / 85 / 7

HEX #EE9D24

RGB 238 157 36

HSL 35.94, 0.86%, 0.54%

LAB 71.16, 21.48, 68.85

 

CMYK 85 / 0 / 34 / 6

HEX #23EF9E

RGB 35 239 158

HSL 156.18, 0.86%, 0.54%

LAB 84.26, -64.67, 26.33

 

CMYK 85 / 68 / 0 / 7

HEX #244DEE

RGB 36 77 238

HSL 227.82, 0.86%, 0.54%

LAB 40.99, 45.77, -83.85

 

CMYK 0 / 85 / 51 / 7

HEX #EE2475

RGB 238 36 117

HSL 335.94, 0.86%, 0.54%

LAB 52.65, 75.98, 7.05

 

CMYK 0 / 17 / 85 / 7

HEX #EEC624

RGB 238 198 36

HSL 48.12, 0.86%, 0.54%

LAB 81.12, -0.03, 77.04

 

CMYK 85 / 0 / 34 / 6

HEX #23EF9E

RGB 35 239 158

HSL 156.18, 0.86%, 0.54%

LAB 84.26, -64.67, 26.33

 

CMYK 76 / 85 / 0 / 7

HEX #3824EE

RGB 56 36 238

HSL 245.94, 0.86%, 0.54%

LAB 34.55, 67.61, -94.48

 

CMYK 0 / 85 / 51 / 7

HEX #EE2475

RGB 238 36 117

HSL 335.94, 0.86%, 0.54%

LAB 52.65, 75.98, 7.05

 

CMYK 8 / 0 / 85 / 7

HEX #DAEE24

RGB 218 238 36

HSL 65.94, 0.86%, 0.54%

LAB 89.94, -28.2, 83.62

 

Description

Color code: HEX #23EF9E | qconv.com Color code: HEX #23EF9E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 239 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 239 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 34 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 34% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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