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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23F963 it is the complementary color #DC069C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23F963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23F963 shade: #28F95E, #39FF71, #4AFF84, #5BFF97 and #6CFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23F963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23F963 shade: #23F963, #12E750, #01D53D, #00C32A and #00B117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23F963 shade: #24F963, #24F92A, #57F924, #90F924 and #CAF924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23F963 shade: #24F963, #24F99D, #24F9D6, #24E2F9 and #24A8F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23F963 shade matches the following richer shades: #24F963

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23F963 shade: #24F963, #36E76B, #48D572, #5AC279 and #6CB081

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23F963 shade: #59F924, #24F927, #24F960, #24F999 and #24F9D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23F963 shade: #05C63E, #06EE4B, #24F963, #4CFA80 and #74FB9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23F963 shade: #23F963, #2492F9 and #F9243D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23F963 shade: #23F963, #6024F9 and #F96024

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23F963 shade: #23F963, #2492F9, #F924BC and #F98B24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23F963 shade: #23F963, #2452F9, #F924BC and #F9CB24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 60 / 2

HEX #23F963

RGB 35 249 99

HSL 137.94, 0.95%, 0.56%

LAB 86.51, -77.36, 57.31

 

Complementary color

CMYK 0 / 97 / 29 / 14

HEX #DC069C

RGB 220 6 156

HSL 317.94, 0.95%, 0.44%

LAB 49.19, 79.38, -21.96

 

CMYK 84 / 0 / 62 / 2

HEX #28F95E

RGB 40 249 94

HSL 135.5, 0.95%, 0.57%

LAB 86.51, -77.52, 59.43

 

CMYK 78 / 0 / 56 / 0

HEX #39FF71

RGB 57 255 113

HSL 136.97, 1%, 0.61%

LAB 88.72, -75.37, 53.84

 

CMYK 71 / 0 / 48 / 0

HEX #4AFF84

RGB 74 255 132

HSL 139.23, 1%, 0.65%

LAB 89.22, -70.47, 45.76

 

CMYK 64 / 0 / 41 / 0

HEX #5BFF97

RGB 91 255 151

HSL 141.95, 1%, 0.68%

LAB 89.85, -64.65, 37.45

 

CMYK 58 / 0 / 33 / 0

HEX #6CFFAA

RGB 108 255 170

HSL 145.31, 1%, 0.71%

LAB 90.6, -58.03, 29.07

 

CMYK 86 / 0 / 60 / 2

HEX #23F963

RGB 35 249 99

HSL 137.94, 0.95%, 0.56%

LAB 86.51, -77.36, 57.31

 

CMYK 92 / 0 / 65 / 9

HEX #12E750

RGB 18 231 80

HSL 137.46, 0.86%, 0.49%

LAB 80.66, -75.18, 58.62

 

CMYK 100 / 0 / 71 / 16

HEX #01D53D

RGB 1 213 61

HSL 136.98, 0.99%, 0.42%

LAB 74.78, -72.45, 59.66

 

CMYK 100 / 0 / 78 / 24

HEX #00C32A

RGB 0 195 42

HSL 132.92, 1%, 0.38%

LAB 68.89, -68.86, 60.21

 

CMYK 100 / 0 / 87 / 31

HEX #00B117

RGB 0 177 23

HSL 127.8, 1%, 0.35%

LAB 62.93, -64.86, 59.75

 

CMYK 86 / 0 / 60 / 2

HEX #24F963

RGB 36 249 99

HSL 137.75, 0.95%, 0.56%

LAB 86.52, -77.28, 57.32

 

CMYK 86 / 0 / 83 / 2

HEX #24F92A

RGB 36 249 42

HSL 121.69, 0.95%, 0.56%

LAB 86.15, -81.86, 76.33

 

CMYK 65 / 0 / 86 / 2

HEX #57F924

RGB 87 249 36

HSL 105.63, 0.95%, 0.56%

LAB 86.95, -75.01, 78.63

 

CMYK 42 / 0 / 86 / 2

HEX #90F924

RGB 144 249 36

HSL 89.58, 0.95%, 0.56%

LAB 88.83, -60.16, 81

 

CMYK 19 / 0 / 86 / 2

HEX #CAF924

RGB 202 249 36

HSL 73.24, 0.95%, 0.56%

LAB 91.88, -39.56, 84.79

 

CMYK 86 / 0 / 60 / 2

HEX #24F963

RGB 36 249 99

HSL 137.75, 0.95%, 0.56%

LAB 86.52, -77.28, 57.32

 

CMYK 86 / 0 / 37 / 2

HEX #24F99D

RGB 36 249 157

HSL 154.08, 0.95%, 0.56%

LAB 87.27, -68.3, 30.9

 

CMYK 86 / 0 / 14 / 2

HEX #24F9D6

RGB 36 249 214

HSL 170.14, 0.95%, 0.56%

LAB 88.44, -55.51, 3.25

 

CMYK 86 / 9 / 0 / 2

HEX #24E2F9

RGB 36 226 249

HSL 186.48, 0.95%, 0.56%

LAB 82.7, -35.69, -23.67

 

CMYK 86 / 33 / 0 / 2

HEX #24A8F9

RGB 36 168 249

HSL 202.82, 0.95%, 0.56%

LAB 65.92, -5.89, -49.7

 

CMYK 86 / 0 / 60 / 2

HEX #24F963

RGB 36 249 99

HSL 137.75, 0.95%, 0.56%

LAB 86.52, -77.28, 57.32

 

CMYK 86 / 0 / 60 / 2

HEX #24F963

RGB 36 249 99

HSL 137.75, 0.95%, 0.56%

LAB 86.52, -77.28, 57.32

 

CMYK 77 / 0 / 54 / 9

HEX #36E76B

RGB 54 231 107

HSL 137.97, 0.79%, 0.56%

LAB 81.29, -68.82, 47.65

 

CMYK 66 / 0 / 46 / 16

HEX #48D572

RGB 72 213 114

HSL 137.87, 0.63%, 0.56%

LAB 76.18, -58.78, 38.03

 

CMYK 54 / 0 / 38 / 24

HEX #5AC279

RGB 90 194 121

HSL 137.88, 0.46%, 0.56%

LAB 70.97, -46.33, 27.8

 

CMYK 39 / 0 / 27 / 31

HEX #6CB081

RGB 108 176 129

HSL 138.53, 0.3%, 0.56%

LAB 66.39, -31.9, 17.44

 

CMYK 64 / 0 / 86 / 2

HEX #59F924

RGB 89 249 36

HSL 105.07, 0.95%, 0.56%

LAB 87, -74.6, 78.69

 

CMYK 86 / 0 / 84 / 2

HEX #24F927

RGB 36 249 39

HSL 120.85, 0.95%, 0.56%

LAB 86.14, -81.99, 76.99

 

CMYK 86 / 0 / 61 / 2

HEX #24F960

RGB 36 249 96

HSL 136.9, 0.95%, 0.56%

LAB 86.49, -77.62, 58.56

 

CMYK 86 / 0 / 39 / 2

HEX #24F999

RGB 36 249 153

HSL 152.96, 0.95%, 0.56%

LAB 87.21, -69.06, 32.81

 

CMYK 86 / 0 / 16 / 2

HEX #24F9D2

RGB 36 249 210

HSL 169.01, 0.95%, 0.56%

LAB 88.34, -56.52, 5.19

 

CMYK 97 / 0 / 69 / 22

HEX #05C63E

RGB 5 198 62

HSL 137.72, 0.95%, 0.4%

LAB 70.01, -67.87, 54.28

 

CMYK 97 / 0 / 68 / 7

HEX #06EE4B

RGB 6 238 75

HSL 137.84, 0.95%, 0.48%

LAB 82.75, -78.11, 62.81

 

CMYK 86 / 0 / 60 / 2

HEX #24F963

RGB 36 249 99

HSL 137.75, 0.95%, 0.56%

LAB 86.52, -77.28, 57.32

 

CMYK 70 / 0 / 49 / 2

HEX #4CFA80

RGB 76 250 128

HSL 137.93, 0.95%, 0.64%

LAB 87.71, -69.05, 45.77

 

CMYK 54 / 0 / 38 / 2

HEX #74FB9C

RGB 116 251 156

HSL 137.78, 0.94%, 0.72%

LAB 89.44, -57.16, 34.57

 

CMYK 86 / 0 / 60 / 2

HEX #23F963

RGB 35 249 99

HSL 137.94, 0.95%, 0.56%

LAB 86.51, -77.36, 57.31

 

CMYK 86 / 41 / 0 / 2

HEX #2492F9

RGB 36 146 249

HSL 209.01, 0.95%, 0.56%

LAB 59.68, 6.89, -59.61

 

CMYK 0 / 86 / 76 / 2

HEX #F9243D

RGB 249 36 61

HSL 352.96, 0.95%, 0.56%

LAB 53.75, 75.73, 42.19

 

CMYK 86 / 0 / 60 / 2

HEX #23F963

RGB 35 249 99

HSL 137.94, 0.95%, 0.56%

LAB 86.51, -77.36, 57.31

 

CMYK 61 / 86 / 0 / 2

HEX #6024F9

RGB 96 36 249

HSL 256.9, 0.95%, 0.56%

LAB 38.88, 73.01, -93.41

 

CMYK 0 / 61 / 86 / 2

HEX #F96024

RGB 249 96 36

HSL 16.9, 0.95%, 0.56%

LAB 60.46, 55.97, 60.68

 

CMYK 86 / 0 / 60 / 2

HEX #23F963

RGB 35 249 99

HSL 137.94, 0.95%, 0.56%

LAB 86.51, -77.36, 57.31

 

CMYK 86 / 41 / 0 / 2

HEX #2492F9

RGB 36 146 249

HSL 209.01, 0.95%, 0.56%

LAB 59.68, 6.89, -59.61

 

CMYK 0 / 86 / 24 / 2

HEX #F924BC

RGB 249 36 188

HSL 317.18, 0.95%, 0.56%

LAB 57.11, 85.19, -28.09

 

CMYK 0 / 44 / 86 / 2

HEX #F98B24

RGB 249 139 36

HSL 29.01, 0.95%, 0.56%

LAB 68.56, 35.4, 67.29

 

CMYK 86 / 0 / 60 / 2

HEX #23F963

RGB 35 249 99

HSL 137.94, 0.95%, 0.56%

LAB 86.51, -77.36, 57.31

 

CMYK 86 / 67 / 0 / 2

HEX #2452F9

RGB 36 82 249

HSL 227.04, 0.95%, 0.56%

LAB 43.14, 46.62, -86.49

 

CMYK 0 / 86 / 24 / 2

HEX #F924BC

RGB 249 36 188

HSL 317.18, 0.95%, 0.56%

LAB 57.11, 85.19, -28.09

 

CMYK 0 / 18 / 86 / 2

HEX #F9CB24

RGB 249 203 36

HSL 47.04, 0.95%, 0.56%

LAB 83.43, 2.09, 79.36

 

Description

Color code: HEX #23F963 | qconv.com Color code: HEX #23F963 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 249 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 249 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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