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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20313A it is the complementary color #DFCEC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20313A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20313A shade: #253135, #364348, #47555B, #58676E and #697981

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20313A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20313A shade: #20313A, #0F1F27, #000D14 and #000001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20313A shade: #20313B, #202A3B, #20233B, #24203B and #2B203B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20313A shade: #20313B, #202A3B, #20233B and #20203B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20313A shade matches the following richer shades: #20313B, #193442, #11364A, #0A3851 and #023B58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20313A shade: #20313B, #282F33, #2F2D2C, #362B24 and #3E281D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20313A shade: #203B35, #20393B, #20323B, #202B3B and #20243B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20313A shade: #030505, #111B20, #20313B, #2F4855 and #3D5E70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20313A shade: #20313A, #2E203B and #3B3920

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20313A shade: #20313A, #3B2032 and #323B20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20313A shade: #20313A, #2E203B, #3B2920 and #2D3B20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20313A shade: #20313A, #36203B, #3B2920 and #253B20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 16 / 0 / 77

HEX #20313A

RGB 32 49 58

HSL 200.77, 0.29%, 0.18%

LAB 19.26, -4.14, -7.92

 

Complementary color

CMYK 0 / 8 / 12 / 13

HEX #DFCEC5

RGB 223 206 197

HSL 20.77, 0.29%, 0.82%

LAB 83.89, 4.4, 6.59

 

CMYK 30 / 8 / 0 / 79

HEX #253135

RGB 37 49 53

HSL 195, 0.18%, 0.18%

LAB 19.42, -3.9, -4.21

 

CMYK 25 / 7 / 0 / 72

HEX #364348

RGB 54 67 72

HSL 196.67, 0.14%, 0.25%

LAB 27.48, -3.92, -4.77

 

CMYK 22 / 7 / 0 / 64

HEX #47555B

RGB 71 85 91

HSL 198, 0.12%, 0.32%

LAB 35.19, -3.95, -5.31

 

CMYK 20 / 6 / 0 / 57

HEX #58676E

RGB 88 103 110

HSL 199.09, 0.11%, 0.39%

LAB 42.61, -4, -5.84

 

CMYK 19 / 6 / 0 / 49

HEX #697981

RGB 105 121 129

HSL 200, 0.1%, 0.46%

LAB 49.81, -4.05, -6.36

 

CMYK 45 / 16 / 0 / 77

HEX #20313A

RGB 32 49 58

HSL 200.77, 0.29%, 0.18%

LAB 19.26, -4.14, -7.92

 

CMYK 62 / 21 / 0 / 85

HEX #0F1F27

RGB 15 31 39

HSL 200, 0.44%, 0.11%

LAB 10.76, -3.88, -7.5

 

CMYK 100 / 35 / 0 / 92

HEX #000D14

RGB 0 13 20

HSL 201, 1%, 0.04%

LAB 3.06, -2.11, -4.93

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 46 / 17 / 0 / 77

HEX #20313B

RGB 32 49 59

HSL 202.22, 0.3%, 0.18%

LAB 19.31, -3.81, -8.54

 

CMYK 46 / 29 / 0 / 77

HEX #202A3B

RGB 32 42 59

HSL 217.78, 0.3%, 0.18%

LAB 16.89, 1.02, -12.25

 

CMYK 46 / 41 / 0 / 77

HEX #20233B

RGB 32 35 59

HSL 233.33, 0.3%, 0.18%

LAB 14.54, 6.08, -15.9

 

CMYK 39 / 46 / 0 / 77

HEX #24203B

RGB 36 32 59

HSL 248.89, 0.3%, 0.18%

LAB 13.97, 9.64, -16.78

 

CMYK 27 / 46 / 0 / 77

HEX #2B203B

RGB 43 32 59

HSL 264.44, 0.3%, 0.18%

LAB 14.75, 12.13, -15.49

 

CMYK 46 / 17 / 0 / 77

HEX #20313B

RGB 32 49 59

HSL 202.22, 0.3%, 0.18%

LAB 19.31, -3.81, -8.54

 

CMYK 46 / 29 / 0 / 77

HEX #202A3B

RGB 32 42 59

HSL 217.78, 0.3%, 0.18%

LAB 16.89, 1.02, -12.25

 

CMYK 46 / 41 / 0 / 77

HEX #20233B

RGB 32 35 59

HSL 233.33, 0.3%, 0.18%

LAB 14.54, 6.08, -15.9

 

CMYK 46 / 46 / 0 / 77

HEX #20203B

RGB 32 32 59

HSL 240, 0.3%, 0.18%

LAB 13.57, 8.29, -17.43

 

CMYK 46 / 17 / 0 / 77

HEX #20313B

RGB 32 49 59

HSL 202.22, 0.3%, 0.18%

LAB 19.31, -3.81, -8.54

 

CMYK 62 / 21 / 0 / 74

HEX #193442

RGB 25 52 66

HSL 200.49, 0.45%, 0.18%

LAB 20.27, -5.43, -11.88

 

CMYK 77 / 27 / 0 / 71

HEX #11364A

RGB 17 54 74

HSL 201.05, 0.63%, 0.18%

LAB 21.03, -5.42, -16.13

 

CMYK 88 / 31 / 0 / 68

HEX #0A3851

RGB 10 56 81

HSL 201.13, 0.78%, 0.18%

LAB 21.9, -4.91, -19.46

 

CMYK 98 / 33 / 0 / 65

HEX #023B58

RGB 2 59 88

HSL 200.23, 0.96%, 0.18%

LAB 23.15, -4.82, -22.12

 

CMYK 46 / 17 / 0 / 77

HEX #20313B

RGB 32 49 59

HSL 202.22, 0.3%, 0.18%

LAB 19.31, -3.81, -8.54

 

CMYK 22 / 8 / 0 / 80

HEX #282F33

RGB 40 47 51

HSL 201.82, 0.12%, 0.18%

LAB 18.9, -1.95, -3.58

 

CMYK 0 / 4 / 6 / 82

HEX #2F2D2C

RGB 47 45 44

HSL 20, 0.03%, 0.18%

LAB 18.64, 0.67, 0.96

 

CMYK 0 / 20 / 33 / 79

HEX #362B24

RGB 54 43 36

HSL 23.33, 0.2%, 0.18%

LAB 18.54, 3.76, 6.46

 

CMYK 0 / 35 / 53 / 76

HEX #3E281D

RGB 62 40 29

HSL 20, 0.36%, 0.18%

LAB 18.5, 8.74, 11.39

 

CMYK 46 / 0 / 10 / 77

HEX #203B35

RGB 32 59 53

HSL 166.67, 0.3%, 0.18%

LAB 22.63, -12.03, 0.48

 

CMYK 46 / 3 / 0 / 77

HEX #20393B

RGB 32 57 59

HSL 184.44, 0.3%, 0.18%

LAB 22.12, -9.01, -4.3

 

CMYK 46 / 15 / 0 / 77

HEX #20323B

RGB 32 50 59

HSL 200, 0.3%, 0.18%

LAB 19.66, -4.48, -8.01

 

CMYK 46 / 27 / 0 / 77

HEX #202B3B

RGB 32 43 59

HSL 215.56, 0.3%, 0.18%

LAB 17.23, 0.32, -11.72

 

CMYK 46 / 39 / 0 / 77

HEX #20243B

RGB 32 36 59

HSL 231.11, 0.3%, 0.18%

LAB 14.87, 5.35, -15.38

 

CMYK 40 / 0 / 0 / 98

HEX #030505

RGB 3 5 5

HSL 180, 0.25%, 0.02%

LAB 1.25, -0.52, -0.18

 

CMYK 47 / 16 / 0 / 87

HEX #111B20

RGB 17 27 32

HSL 200, 0.31%, 0.1%

LAB 9.05, -2.84, -4.9

 

CMYK 46 / 17 / 0 / 77

HEX #20313B

RGB 32 49 59

HSL 202.22, 0.3%, 0.18%

LAB 19.31, -3.81, -8.54

 

CMYK 45 / 15 / 0 / 67

HEX #2F4855

RGB 47 72 85

HSL 200.53, 0.29%, 0.26%

LAB 29.15, -5.65, -10.75

 

CMYK 46 / 16 / 0 / 56

HEX #3D5E70

RGB 61 94 112

HSL 201.18, 0.29%, 0.34%

LAB 38.14, -6.73, -13.98

 

CMYK 45 / 16 / 0 / 77

HEX #20313A

RGB 32 49 58

HSL 200.77, 0.29%, 0.18%

LAB 19.26, -4.14, -7.92

 

CMYK 22 / 46 / 0 / 77

HEX #2E203B

RGB 46 32 59

HSL 271.11, 0.3%, 0.18%

LAB 15.11, 13.24, -14.89

 

CMYK 0 / 3 / 46 / 77

HEX #3B3920

RGB 59 57 32

HSL 55.56, 0.3%, 0.18%

LAB 23.54, -3.65, 15.89

 

CMYK 45 / 16 / 0 / 77

HEX #20313A

RGB 32 49 58

HSL 200.77, 0.29%, 0.18%

LAB 19.26, -4.14, -7.92

 

CMYK 0 / 46 / 15 / 77

HEX #3B2032

RGB 59 32 50

HSL 320, 0.3%, 0.18%

LAB 16.47, 16.21, -6.3

 

CMYK 15 / 0 / 46 / 77

HEX #323B20

RGB 50 59 32

HSL 80, 0.3%, 0.18%

LAB 23.37, -9.27, 15.51

 

CMYK 45 / 16 / 0 / 77

HEX #20313A

RGB 32 49 58

HSL 200.77, 0.29%, 0.18%

LAB 19.26, -4.14, -7.92

 

CMYK 22 / 46 / 0 / 77

HEX #2E203B

RGB 46 32 59

HSL 271.11, 0.3%, 0.18%

LAB 15.11, 13.24, -14.89

 

CMYK 0 / 31 / 46 / 77

HEX #3B2920

RGB 59 41 32

HSL 20, 0.3%, 0.18%

LAB 18.45, 6.97, 9.2

 

CMYK 24 / 0 / 46 / 77

HEX #2D3B20

RGB 45 59 32

HSL 91.11, 0.3%, 0.18%

LAB 22.97, -11.59, 14.9

 

CMYK 45 / 16 / 0 / 77

HEX #20313A

RGB 32 49 58

HSL 200.77, 0.29%, 0.18%

LAB 19.26, -4.14, -7.92

 

CMYK 8 / 46 / 0 / 77

HEX #36203B

RGB 54 32 59

HSL 288.89, 0.3%, 0.18%

LAB 16.17, 16.26, -13.17

 

CMYK 0 / 31 / 46 / 77

HEX #3B2920

RGB 59 41 32

HSL 20, 0.3%, 0.18%

LAB 18.45, 6.97, 9.2

 

CMYK 37 / 0 / 46 / 77

HEX #253B20

RGB 37 59 32

HSL 108.89, 0.3%, 0.18%

LAB 22.39, -15.07, 14.05

 

Description

Color code: HEX #20313A | qconv.com Color code: HEX #20313A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 49 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 49 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 16 magenta, none yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 16% 0% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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