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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20553C it is the complementary color #DFAAC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20553C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20553C shade: #255537, #36674A, #47795D, #588B70 and #699D83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20553C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20553C shade: #20553C, #0F4329, #003116, #001F03 and #000D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20553C shade: #20553C, #20552D, #205520, #2F5520 and #3D5520

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20553C shade: #20553C, #20554A, #205155, #204355 and #203555

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20553C shade matches the following richer shades: #20553C, #165E3C, #0D683D and #03713D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20553C shade: #20553C, #294B3B, #33423B, #3C383A and #462F39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20553C shade: #215520, #20552D, #20553B, #205549 and #205255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20553C shade: #091911, #143726, #20553C, #2B7251 and #369066

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20553C shade: #20553C, #202F55 and #552620

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20553C shade: #20553C, #3B2055 and #553B20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20553C shade: #20553C, #202F55, #552039 and #554620

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20553C shade: #20553C, #212055, #552039 and #545520

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 29 / 67

HEX #20553C

RGB 32 85 60

HSL 151.7, 0.45%, 0.23%

LAB 32.1, -24.34, 9.43

 

Complementary color

CMYK 0 / 24 / 13 / 13

HEX #DFAAC3

RGB 223 170 195

HSL 331.7, 0.45%, 0.77%

LAB 75.06, 23.28, -5.2

 

CMYK 56 / 0 / 35 / 67

HEX #255537

RGB 37 85 55

HSL 142.5, 0.39%, 0.24%

LAB 32.18, -24.15, 12.67

 

CMYK 48 / 0 / 28 / 60

HEX #36674A

RGB 54 103 74

HSL 144.49, 0.31%, 0.31%

LAB 39.55, -23.94, 11.32

 

CMYK 41 / 0 / 23 / 53

HEX #47795D

RGB 71 121 93

HSL 146.4, 0.26%, 0.38%

LAB 46.72, -23.67, 10.15

 

CMYK 37 / 0 / 19 / 45

HEX #588B70

RGB 88 139 112

HSL 148.24, 0.22%, 0.45%

LAB 53.72, -23.39, 9.1

 

CMYK 33 / 0 / 17 / 38

HEX #699D83

RGB 105 157 131

HSL 150, 0.21%, 0.51%

LAB 60.57, -23.12, 8.15

 

CMYK 62 / 0 / 29 / 67

HEX #20553C

RGB 32 85 60

HSL 151.7, 0.45%, 0.23%

LAB 32.1, -24.34, 9.43

 

CMYK 78 / 0 / 39 / 74

HEX #0F4329

RGB 15 67 41

HSL 150, 0.63%, 0.16%

LAB 24.56, -24.1, 11

 

CMYK 100 / 0 / 55 / 81

HEX #003116

RGB 0 49 22

HSL 146.94, 1%, 0.1%

LAB 16.77, -23.45, 12.89

 

CMYK 100 / 0 / 90 / 88

HEX #001F03

RGB 0 31 3

HSL 125.81, 1%, 0.06%

LAB 8.88, -17.53, 11.73

 

CMYK 100 / 0 / 100 / 95

HEX #000D00

RGB 0 13 0

HSL 120, 1%, 0.03%

LAB 2.6, -5.31, 3.8

 

CMYK 62 / 0 / 29 / 67

HEX #20553C

RGB 32 85 60

HSL 151.7, 0.45%, 0.23%

LAB 32.1, -24.34, 9.43

 

CMYK 62 / 0 / 47 / 67

HEX #20552D

RGB 32 85 45

HSL 134.72, 0.45%, 0.23%

LAB 31.79, -27.59, 18.18

 

CMYK 62 / 0 / 62 / 67

HEX #205520

RGB 32 85 32

HSL 120, 0.45%, 0.23%

LAB 31.6, -29.74, 25.34

 

CMYK 45 / 0 / 62 / 67

HEX #2F5520

RGB 47 85 32

HSL 103.02, 0.45%, 0.23%

LAB 32.27, -24.78, 26.3

 

CMYK 28 / 0 / 62 / 67

HEX #3D5520

RGB 61 85 32

HSL 87.17, 0.45%, 0.23%

LAB 33.12, -19.12, 27.5

 

CMYK 62 / 0 / 29 / 67

HEX #20553C

RGB 32 85 60

HSL 151.7, 0.45%, 0.23%

LAB 32.1, -24.34, 9.43

 

CMYK 62 / 0 / 13 / 67

HEX #20554A

RGB 32 85 74

HSL 167.55, 0.45%, 0.23%

LAB 32.48, -20.61, 1.16

 

CMYK 62 / 5 / 0 / 67

HEX #205155

RGB 32 81 85

HSL 184.53, 0.45%, 0.23%

LAB 31.46, -15.02, -7.33

 

CMYK 62 / 21 / 0 / 67

HEX #204355

RGB 32 67 85

HSL 200.38, 0.45%, 0.23%

LAB 26.67, -6.56, -14.61

 

CMYK 62 / 38 / 0 / 67

HEX #203555

RGB 32 53 85

HSL 216.23, 0.45%, 0.23%

LAB 21.98, 2.78, -21.92

 

CMYK 62 / 0 / 29 / 67

HEX #20553C

RGB 32 85 60

HSL 151.7, 0.45%, 0.23%

LAB 32.1, -24.34, 9.43

 

CMYK 77 / 0 / 36 / 63

HEX #165E3C

RGB 22 94 60

HSL 151.67, 0.62%, 0.23%

LAB 35.01, -30.67, 13.37

 

CMYK 88 / 0 / 41 / 59

HEX #0D683D

RGB 13 104 61

HSL 151.65, 0.78%, 0.23%

LAB 38.42, -35.93, 17.32

 

CMYK 97 / 0 / 46 / 56

HEX #03713D

RGB 3 113 61

HSL 151.64, 0.95%, 0.23%

LAB 41.48, -40.34, 21.32

 

CMYK 62 / 0 / 29 / 67

HEX #20553C

RGB 32 85 60

HSL 151.7, 0.45%, 0.23%

LAB 32.1, -24.34, 9.43

 

CMYK 45 / 0 / 21 / 71

HEX #294B3B

RGB 41 75 59

HSL 151.76, 0.29%, 0.23%

LAB 28.95, -16.71, 5.7

 

CMYK 23 / 0 / 11 / 74

HEX #33423B

RGB 51 66 59

HSL 152, 0.13%, 0.23%

LAB 26.49, -7.77, 2.27

 

CMYK 0 / 7 / 3 / 76

HEX #3C383A

RGB 60 56 58

HSL 330, 0.03%, 0.23%

LAB 23.98, 2.18, -0.62

 

CMYK 0 / 33 / 19 / 73

HEX #462F39

RGB 70 47 57

HSL 333.91, 0.2%, 0.23%

LAB 22.41, 12.33, -2.13

 

CMYK 61 / 0 / 62 / 67

HEX #215520

RGB 33 85 32

HSL 118.87, 0.45%, 0.23%

LAB 31.63, -29.45, 25.4

 

CMYK 62 / 0 / 47 / 67

HEX #20552D

RGB 32 85 45

HSL 134.72, 0.45%, 0.23%

LAB 31.79, -27.59, 18.18

 

CMYK 62 / 0 / 31 / 67

HEX #20553B

RGB 32 85 59

HSL 150.57, 0.45%, 0.23%

LAB 32.08, -24.58, 10.02

 

CMYK 62 / 0 / 14 / 67

HEX #205549

RGB 32 85 73

HSL 166.42, 0.45%, 0.23%

LAB 32.45, -20.9, 1.75

 

CMYK 62 / 4 / 0 / 67

HEX #205255

RGB 32 82 85

HSL 183.4, 0.45%, 0.23%

LAB 31.8, -15.59, -6.81

 

CMYK 64 / 0 / 32 / 90

HEX #091911

RGB 9 25 17

HSL 150, 0.47%, 0.07%

LAB 7.17, -7.91, 3.01

 

CMYK 64 / 0 / 31 / 78

HEX #143726

RGB 20 55 38

HSL 150.86, 0.47%, 0.15%

LAB 20.13, -17.58, 6.91

 

CMYK 62 / 0 / 29 / 67

HEX #20553C

RGB 32 85 60

HSL 151.7, 0.45%, 0.23%

LAB 32.1, -24.34, 9.43

 

CMYK 62 / 0 / 29 / 55

HEX #2B7251

RGB 43 114 81

HSL 152.11, 0.45%, 0.31%

LAB 42.98, -30.63, 11.83

 

CMYK 63 / 0 / 29 / 44

HEX #369066

RGB 54 144 102

HSL 152, 0.45%, 0.39%

LAB 53.7, -37.03, 14.57

 

CMYK 62 / 0 / 29 / 67

HEX #20553C

RGB 32 85 60

HSL 151.7, 0.45%, 0.23%

LAB 32.1, -24.34, 9.43

 

CMYK 62 / 45 / 0 / 67

HEX #202F55

RGB 32 47 85

HSL 223.02, 0.45%, 0.23%

LAB 20.03, 7.03, -25.01

 

CMYK 0 / 55 / 62 / 67

HEX #552620

RGB 85 38 32

HSL 6.79, 0.45%, 0.23%

LAB 21.66, 21.2, 14.18

 

CMYK 62 / 0 / 29 / 67

HEX #20553C

RGB 32 85 60

HSL 151.7, 0.45%, 0.23%

LAB 32.1, -24.34, 9.43

 

CMYK 31 / 62 / 0 / 67

HEX #3B2055

RGB 59 32 85

HSL 270.57, 0.45%, 0.23%

LAB 18.45, 24.85, -27.38

 

CMYK 0 / 31 / 62 / 67

HEX #553B20

RGB 85 59 32

HSL 30.57, 0.45%, 0.23%

LAB 27.2, 8.04, 21.1

 

CMYK 62 / 0 / 29 / 67

HEX #20553C

RGB 32 85 60

HSL 151.7, 0.45%, 0.23%

LAB 32.1, -24.34, 9.43

 

CMYK 62 / 45 / 0 / 67

HEX #202F55

RGB 32 47 85

HSL 223.02, 0.45%, 0.23%

LAB 20.03, 7.03, -25.01

 

CMYK 0 / 62 / 33 / 67

HEX #552039

RGB 85 32 57

HSL 331.7, 0.45%, 0.23%

LAB 21.06, 27.64, -3.88

 

CMYK 0 / 18 / 62 / 67

HEX #554620

RGB 85 70 32

HSL 43.02, 0.45%, 0.23%

LAB 30.44, 1.08, 24.95

 

CMYK 62 / 0 / 29 / 67

HEX #20553C

RGB 32 85 60

HSL 151.7, 0.45%, 0.23%

LAB 32.1, -24.34, 9.43

 

CMYK 61 / 62 / 0 / 67

HEX #212055

RGB 33 32 85

HSL 241.13, 0.45%, 0.23%

LAB 15.55, 18.12, -32.19

 

CMYK 0 / 62 / 33 / 67

HEX #552039

RGB 85 32 57

HSL 331.7, 0.45%, 0.23%

LAB 21.06, 27.64, -3.88

 

CMYK 1 / 0 / 62 / 67

HEX #545520

RGB 84 85 32

HSL 61.13, 0.45%, 0.23%

LAB 34.98, -8.5, 30.1

 

Description

Color code: HEX #20553C | qconv.com Color code: HEX #20553C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 85 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 85 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 29 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 29% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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