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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2066B6 it is the complementary color #DF9949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2066B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2066B6 shade: #2566B1, #3678C4, #478AD7, #589CEA and #69AEFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2066B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2066B6 shade: #2066B6, #0F54A3, #004290, #00307D and #001E6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2066B6 shade: #2066B6, #203DB6, #2B20B6, #5320B6 and #7B20B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2066B6 shade: #2066B6, #203DB6 and #2020B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2066B6 shade matches the following richer shades: #2066B6 and #0E64C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2066B6 shade: #2066B6, #3167A4, #426893, #546982 and #656A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2066B6 shade: #20B6B6, #208EB6, #2066B6, #203EB6 and #2A20B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2066B6 shade: #133E6F, #195292, #2066B6, #2679D8 and #498FDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2066B6 shade: #2066B6, #8E20B6 and #A2B620

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2066B6 shade: #2066B6, #B62066 and #66B620

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2066B6 shade: #2066B6, #8E20B6, #B67020 and #48B620

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2066B6 shade: #2066B6, #B620B1, #B67020 and #20B625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

Complementary color

CMYK 0 / 31 / 67 / 13

HEX #DF9949

RGB 223 153 73

HSL 32, 0.7%, 0.58%

LAB 68.72, 18.76, 51.38

 

CMYK 79 / 42 / 0 / 31

HEX #2566B1

RGB 37 102 177

HSL 212.14, 0.65%, 0.42%

LAB 42.87, 6.81, -45.7

 

CMYK 72 / 39 / 0 / 23

HEX #3678C4

RGB 54 120 196

HSL 212.11, 0.57%, 0.49%

LAB 49.74, 4.83, -45.72

 

CMYK 67 / 36 / 0 / 16

HEX #478AD7

RGB 71 138 215

HSL 212.08, 0.64%, 0.56%

LAB 56.51, 3.28, -45.72

 

CMYK 62 / 33 / 0 / 8

HEX #589CEA

RGB 88 156 234

HSL 212.05, 0.78%, 0.63%

LAB 63.17, 2.05, -45.72

 

CMYK 58 / 31 / 0 / 1

HEX #69AEFD

RGB 105 174 253

HSL 212.03, 0.97%, 0.7%

LAB 69.73, 1.04, -45.74

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

CMYK 91 / 48 / 0 / 36

HEX #0F54A3

RGB 15 84 163

HSL 212.03, 0.83%, 0.35%

LAB 36.15, 11.08, -48.23

 

CMYK 100 / 54 / 0 / 44

HEX #004290

RGB 0 66 144

HSL 212.5, 1%, 0.28%

LAB 29.18, 14.65, -47.99

 

CMYK 100 / 62 / 0 / 51

HEX #00307D

RGB 0 48 125

HSL 216.96, 1%, 0.25%

LAB 22.28, 19.27, -47.39

 

CMYK 100 / 72 / 0 / 58

HEX #001E6A

RGB 0 30 106

HSL 223.02, 1%, 0.21%

LAB 15.32, 24.14, -46.59

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

CMYK 82 / 66 / 0 / 29

HEX #203DB6

RGB 32 61 182

HSL 228.4, 0.7%, 0.42%

LAB 31.86, 35.21, -66.52

 

CMYK 76 / 82 / 0 / 29

HEX #2B20B6

RGB 43 32 182

HSL 244.4, 0.7%, 0.42%

LAB 26.52, 52.43, -75.32

 

CMYK 54 / 82 / 0 / 29

HEX #5320B6

RGB 83 32 182

HSL 260.4, 0.7%, 0.42%

LAB 30.03, 56.04, -69.39

 

CMYK 32 / 82 / 0 / 29

HEX #7B20B6

RGB 123 32 182

HSL 276.4, 0.7%, 0.42%

LAB 35.24, 61.54, -60.64

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

CMYK 82 / 66 / 0 / 29

HEX #203DB6

RGB 32 61 182

HSL 228.4, 0.7%, 0.42%

LAB 31.86, 35.21, -66.52

 

CMYK 82 / 82 / 0 / 29

HEX #2020B6

RGB 32 32 182

HSL 240, 0.7%, 0.42%

LAB 25.91, 51.83, -76.34

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

CMYK 93 / 50 / 0 / 22

HEX #0E64C7

RGB 14 100 199

HSL 212.11, 0.87%, 0.42%

LAB 43.26, 15.06, -57.89

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

CMYK 70 / 37 / 0 / 36

HEX #3167A4

RGB 49 103 164

HSL 211.83, 0.54%, 0.42%

LAB 42.81, 2.9, -38.11

 

CMYK 55 / 29 / 0 / 42

HEX #426893

RGB 66 104 147

HSL 211.85, 0.38%, 0.42%

LAB 43.01, -0.34, -27.65

 

CMYK 35 / 19 / 0 / 49

HEX #546982

RGB 84 105 130

HSL 212.61, 0.21%, 0.42%

LAB 43.65, -1.26, -16.39

 

CMYK 10 / 5 / 0 / 56

HEX #656A70

RGB 101 106 112

HSL 212.73, 0.05%, 0.42%

LAB 44.58, -0.6, -4.02

 

CMYK 82 / 0 / 0 / 29

HEX #20B6B6

RGB 32 182 182

HSL 180, 0.7%, 0.42%

LAB 67.38, -35.8, -10.61

 

CMYK 82 / 22 / 0 / 29

HEX #208EB6

RGB 32 142 182

HSL 196, 0.7%, 0.42%

LAB 55.1, -15.61, -29.32

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

CMYK 82 / 66 / 0 / 29

HEX #203EB6

RGB 32 62 182

HSL 228, 0.7%, 0.42%

LAB 32.1, 34.56, -66.12

 

CMYK 77 / 82 / 0 / 29

HEX #2A20B6

RGB 42 32 182

HSL 244, 0.7%, 0.42%

LAB 26.46, 52.37, -75.42

 

CMYK 83 / 44 / 0 / 56

HEX #133E6F

RGB 19 62 111

HSL 211.96, 0.71%, 0.25%

LAB 25.96, 4.75, -32.53

 

CMYK 83 / 44 / 0 / 43

HEX #195292

RGB 25 82 146

HSL 211.74, 0.71%, 0.34%

LAB 34.63, 6.28, -40.4

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

CMYK 82 / 44 / 0 / 15

HEX #2679D8

RGB 38 121 216

HSL 212.02, 0.7%, 0.5%

LAB 50.74, 9.88, -55.54

 

CMYK 67 / 36 / 0 / 13

HEX #498FDF

RGB 73 143 223

HSL 212, 0.7%, 0.58%

LAB 58.4, 3.4, -47.19

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

CMYK 22 / 82 / 0 / 29

HEX #8E20B6

RGB 142 32 182

HSL 284, 0.7%, 0.42%

LAB 38.13, 64.65, -55.82

 

CMYK 11 / 0 / 82 / 29

HEX #A2B620

RGB 162 182 32

HSL 68, 0.7%, 0.42%

LAB 70.34, -24.74, 66.36

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

CMYK 0 / 82 / 44 / 29

HEX #B62066

RGB 182 32 102

HSL 332, 0.7%, 0.42%

LAB 41.12, 61.76, -1.75

 

CMYK 44 / 0 / 82 / 29

HEX #66B620

RGB 102 182 32

HSL 92, 0.7%, 0.42%

LAB 66.81, -47.8, 61.88

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

CMYK 22 / 82 / 0 / 29

HEX #8E20B6

RGB 142 32 182

HSL 284, 0.7%, 0.42%

LAB 38.13, 64.65, -55.82

 

CMYK 0 / 38 / 82 / 29

HEX #B67020

RGB 182 112 32

HSL 32, 0.7%, 0.42%

LAB 53.64, 21.66, 52.46

 

CMYK 60 / 0 / 82 / 29

HEX #48B620

RGB 72 182 32

HSL 104, 0.7%, 0.42%

LAB 65.7, -56.45, 60.46

 

CMYK 82 / 44 / 0 / 29

HEX #2066B6

RGB 32 102 182

HSL 212, 0.7%, 0.42%

LAB 43.04, 8.23, -48.35

 

CMYK 0 / 82 / 3 / 29

HEX #B620B1

RGB 182 32 177

HSL 302, 0.7%, 0.42%

LAB 44.45, 71.11, -42.35

 

CMYK 0 / 38 / 82 / 29

HEX #B67020

RGB 182 112 32

HSL 32, 0.7%, 0.42%

LAB 53.64, 21.66, 52.46

 

CMYK 82 / 0 / 80 / 29

HEX #20B625

RGB 32 182 37

HSL 122, 0.7%, 0.42%

LAB 64.88, -63.32, 57.97

 

Description

Color code: HEX #2066B6 | qconv.com Color code: HEX #2066B6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 102 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 102 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 44 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 44% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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