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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20618D it is the complementary color #DF9E72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20618D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20618D shade: #256188, #36739B, #4785AE, #5897C1 and #69A9D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20618D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20618D shade: #20618D, #0F4F7A, #003D67, #002B54 and #001941

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20618D shade: #20618D, #20438D, #20268D, #37208D and #54208D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20618D shade: #20618D, #20438D, #20268D and #20208D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20618D shade matches the following richer shades: #20618D, #12639B and #0466A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20618D shade: #20618D, #2E5E7F, #3C5B71, #4A5963 and #585655

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20618D shade: #208D7E, #207E8D, #20618D, #20448D and #20278D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20618D shade: #10324A, #184A6B, #20618D, #2778AE and #2F8FCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20618D shade: #20618D, #61208D and #8D8D20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20618D shade: #20618D, #8D2061 and #618D20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20618D shade: #20618D, #61208D, #8D4B20 and #4B8D20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20618D shade: #20618D, #82208D, #8D4B20 and #2B8D20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

Complementary color

CMYK 0 / 29 / 49 / 13

HEX #DF9E72

RGB 223 158 114

HSL 24.22, 0.63%, 0.66%

LAB 70.43, 19.17, 32.56

 

CMYK 73 / 29 / 0 / 47

HEX #256188

RGB 37 97 136

HSL 203.64, 0.57%, 0.34%

LAB 39.11, -5.63, -27.23

 

CMYK 65 / 26 / 0 / 39

HEX #36739B

RGB 54 115 155

HSL 203.76, 0.48%, 0.41%

LAB 46.19, -6.76, -27.48

 

CMYK 59 / 24 / 0 / 32

HEX #4785AE

RGB 71 133 174

HSL 203.88, 0.42%, 0.48%

LAB 53.14, -7.58, -27.7

 

CMYK 54 / 22 / 0 / 24

HEX #5897C1

RGB 88 151 193

HSL 204, 0.46%, 0.55%

LAB 59.94, -8.19, -27.93

 

CMYK 50 / 20 / 0 / 17

HEX #69A9D4

RGB 105 169 212

HSL 204.11, 0.55%, 0.62%

LAB 66.62, -8.66, -28.15

 

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

CMYK 88 / 35 / 0 / 52

HEX #0F4F7A

RGB 15 79 122

HSL 204.11, 0.78%, 0.27%

LAB 32.03, -2.5, -29.81

 

CMYK 100 / 41 / 0 / 60

HEX #003D67

RGB 0 61 103

HSL 204.47, 1%, 0.2%

LAB 24.69, 0.2, -29.44

 

CMYK 100 / 49 / 0 / 67

HEX #002B54

RGB 0 43 84

HSL 209.29, 1%, 0.16%

LAB 17.31, 4.4, -28.76

 

CMYK 100 / 62 / 0 / 75

HEX #001941

RGB 0 25 65

HSL 216.92, 1%, 0.13%

LAB 9.62, 9.21, -28.12

 

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

CMYK 77 / 52 / 0 / 45

HEX #20438D

RGB 32 67 141

HSL 220.73, 0.63%, 0.34%

LAB 30.02, 15.24, -44.76

 

CMYK 77 / 73 / 0 / 45

HEX #20268D

RGB 32 38 141

HSL 236.7, 0.63%, 0.34%

LAB 22.36, 34.8, -57.26

 

CMYK 61 / 77 / 0 / 45

HEX #37208D

RGB 55 32 141

HSL 252.66, 0.63%, 0.34%

LAB 22.89, 40.95, -56.33

 

CMYK 40 / 77 / 0 / 45

HEX #54208D

RGB 84 32 141

HSL 268.62, 0.63%, 0.34%

LAB 26.28, 45.5, -50.65

 

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

CMYK 77 / 52 / 0 / 45

HEX #20438D

RGB 32 67 141

HSL 220.73, 0.63%, 0.34%

LAB 30.02, 15.24, -44.76

 

CMYK 77 / 73 / 0 / 45

HEX #20268D

RGB 32 38 141

HSL 236.7, 0.63%, 0.34%

LAB 22.36, 34.8, -57.26

 

CMYK 77 / 77 / 0 / 45

HEX #20208D

RGB 32 32 141

HSL 240, 0.63%, 0.34%

LAB 21.07, 38.42, -59.4

 

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

CMYK 88 / 36 / 0 / 39

HEX #12639B

RGB 18 99 155

HSL 204.53, 0.79%, 0.34%

LAB 40.28, -1.69, -36.84

 

CMYK 98 / 40 / 0 / 34

HEX #0466A9

RGB 4 102 169

HSL 204.36, 0.95%, 0.34%

LAB 41.83, 1.29, -42.68

 

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

CMYK 64 / 26 / 0 / 50

HEX #2E5E7F

RGB 46 94 127

HSL 204.44, 0.47%, 0.34%

LAB 38.05, -5.43, -23.37

 

CMYK 47 / 19 / 0 / 56

HEX #3C5B71

RGB 60 91 113

HSL 204.91, 0.31%, 0.34%

LAB 37.18, -4.88, -16.07

 

CMYK 25 / 10 / 0 / 61

HEX #4A5963

RGB 74 89 99

HSL 204, 0.14%, 0.34%

LAB 36.93, -3.27, -7.68

 

CMYK 0 / 2 / 3 / 65

HEX #585655

RGB 88 86 85

HSL 20, 0.02%, 0.34%

LAB 36.72, 0.6, 0.86

 

CMYK 77 / 0 / 11 / 45

HEX #208D7E

RGB 32 141 126

HSL 171.74, 0.63%, 0.34%

LAB 52.8, -33.21, -0.55

 

CMYK 77 / 11 / 0 / 45

HEX #207E8D

RGB 32 126 141

HSL 188.26, 0.63%, 0.34%

LAB 48.45, -21.09, -15.81

 

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

CMYK 77 / 52 / 0 / 45

HEX #20448D

RGB 32 68 141

HSL 220.18, 0.63%, 0.34%

LAB 30.31, 14.55, -44.28

 

CMYK 77 / 72 / 0 / 45

HEX #20278D

RGB 32 39 141

HSL 236.15, 0.63%, 0.34%

LAB 22.59, 34.17, -56.89

 

CMYK 78 / 32 / 0 / 71

HEX #10324A

RGB 16 50 74

HSL 204.83, 0.64%, 0.18%

LAB 19.58, -2.9, -18.39

 

CMYK 78 / 31 / 0 / 58

HEX #184A6B

RGB 24 74 107

HSL 203.86, 0.63%, 0.26%

LAB 29.8, -4.24, -23.89

 

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

CMYK 78 / 31 / 0 / 32

HEX #2778AE

RGB 39 120 174

HSL 204, 0.63%, 0.42%

LAB 48.16, -5.19, -35.56

 

CMYK 77 / 31 / 0 / 19

HEX #2F8FCF

RGB 47 143 207

HSL 204, 0.63%, 0.5%

LAB 56.84, -5.76, -40.76

 

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

CMYK 31 / 77 / 0 / 45

HEX #61208D

RGB 97 32 141

HSL 275.78, 0.63%, 0.34%

LAB 28.11, 47.91, -47.59

 

CMYK 0 / 0 / 77 / 45

HEX #8D8D20

RGB 141 141 32

HSL 60, 0.63%, 0.34%

LAB 56.9, -13.04, 53.77

 

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

CMYK 0 / 77 / 31 / 45

HEX #8D2061

RGB 141 32 97

HSL 324.22, 0.63%, 0.34%

LAB 33.05, 50.49, -11.45

 

CMYK 31 / 0 / 77 / 45

HEX #618D20

RGB 97 141 32

HSL 84.22, 0.63%, 0.34%

LAB 53.7, -31.96, 49.63

 

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

CMYK 31 / 77 / 0 / 45

HEX #61208D

RGB 97 32 141

HSL 275.78, 0.63%, 0.34%

LAB 28.11, 47.91, -47.59

 

CMYK 0 / 47 / 77 / 45

HEX #8D4B20

RGB 141 75 32

HSL 23.67, 0.63%, 0.34%

LAB 39.24, 24.44, 36.74

 

CMYK 47 / 0 / 77 / 45

HEX #4B8D20

RGB 75 141 32

HSL 96.33, 0.63%, 0.34%

LAB 52.56, -40, 48.14

 

CMYK 77 / 31 / 0 / 45

HEX #20618D

RGB 32 97 141

HSL 204.22, 0.63%, 0.34%

LAB 39.21, -4.48, -30.11

 

CMYK 8 / 77 / 0 / 45

HEX #82208D

RGB 130 32 141

HSL 293.94, 0.63%, 0.34%

LAB 33.35, 54.62, -38.86

 

CMYK 0 / 47 / 77 / 45

HEX #8D4B20

RGB 141 75 32

HSL 23.67, 0.63%, 0.34%

LAB 39.24, 24.44, 36.74

 

CMYK 70 / 0 / 77 / 45

HEX #2B8D20

RGB 43 141 32

HSL 113.94, 0.63%, 0.34%

LAB 51.46, -48.73, 46.68

 

Description

Color code: HEX #20618D | qconv.com Color code: HEX #20618D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 97 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 97 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 31 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 31% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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