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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2080A1 it is the complementary color #DF7F5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2080A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2080A1 shade: #25809C, #3692AF, #47A4C2, #58B6D5 and #69C8E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2080A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2080A1 shade: #2080A1, #0F6E8E, #005C7B, #004A68 and #003855

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2080A1 shade: #1F80A1, #1F5DA1, #1F3AA1, #281FA1 and #4B1FA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2080A1 shade: #1F80A1, #1F5DA1, #1F3AA1 and #1F1FA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2080A1 shade matches the following richer shades: #1F80A1, #1088B1 and #008FC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2080A1 shade: #1F80A1, #2F7892, #3F7182, #4F6972 and #5E6163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2080A1 shade: #1FA17D, #1FA19F, #1F81A1, #1F5EA1 and #1F3CA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2080A1 shade: #12495C, #19657F, #1F80A1, #269BC4 and #3BB0D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2080A1 shade: #2080A1, #5A1FA1 and #A18E1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2080A1 shade: #2080A1, #A11F81 and #81A11F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2080A1 shade: #2080A1, #5A1FA1, #A1401F and #67A11F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2080A1 shade: #2080A1, #811FA1, #A1401F and #40A11F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 20 / 0 / 37

HEX #2080A1

RGB 32 128 161

HSL 195.35, 0.67%, 0.38%

LAB 49.88, -15.29, -25.32

 

Complementary color

CMYK 0 / 43 / 58 / 13

HEX #DF7F5E

RGB 223 127 94

HSL 15.35, 0.67%, 0.62%

LAB 63.07, 33.99, 33.98

 

CMYK 76 / 18 / 0 / 39

HEX #25809C

RGB 37 128 156

HSL 194.12, 0.62%, 0.38%

LAB 49.78, -16.46, -22.56

 

CMYK 69 / 17 / 0 / 31

HEX #3692AF

RGB 54 146 175

HSL 194.38, 0.53%, 0.45%

LAB 56.52, -17.51, -23.1

 

CMYK 63 / 15 / 0 / 24

HEX #47A4C2

RGB 71 164 194

HSL 194.63, 0.5%, 0.52%

LAB 63.17, -18.28, -23.58

 

CMYK 59 / 15 / 0 / 16

HEX #58B6D5

RGB 88 182 213

HSL 194.88, 0.6%, 0.59%

LAB 69.71, -18.85, -24.02

 

CMYK 55 / 14 / 0 / 9

HEX #69C8E8

RGB 105 200 232

HSL 195.12, 0.73%, 0.66%

LAB 76.15, -19.28, -24.44

 

CMYK 80 / 20 / 0 / 37

HEX #2080A1

RGB 32 128 161

HSL 195.35, 0.67%, 0.38%

LAB 49.88, -15.29, -25.32

 

CMYK 89 / 23 / 0 / 44

HEX #0F6E8E

RGB 15 110 142

HSL 195.12, 0.81%, 0.31%

LAB 43.07, -13.53, -24.69

 

CMYK 100 / 25 / 0 / 52

HEX #005C7B

RGB 0 92 123

HSL 195.12, 1%, 0.24%

LAB 36.15, -11.24, -23.98

 

CMYK 100 / 29 / 0 / 59

HEX #004A68

RGB 0 74 104

HSL 197.31, 1%, 0.2%

LAB 29.15, -7.93, -23.04

 

CMYK 100 / 34 / 0 / 67

HEX #003855

RGB 0 56 85

HSL 200.47, 1%, 0.17%

LAB 21.89, -4.35, -22.14

 

CMYK 81 / 20 / 0 / 37

HEX #1F80A1

RGB 31 128 161

HSL 195.23, 0.68%, 0.38%

LAB 49.86, -15.39, -25.35

 

CMYK 81 / 42 / 0 / 37

HEX #1F5DA1

RGB 31 93 161

HSL 211.38, 0.68%, 0.38%

LAB 39.06, 5.69, -42.34

 

CMYK 81 / 64 / 0 / 37

HEX #1F3AA1

RGB 31 58 161

HSL 227.54, 0.68%, 0.38%

LAB 29.13, 29.15, -58.41

 

CMYK 75 / 81 / 0 / 37

HEX #281FA1

RGB 40 31 161

HSL 244.15, 0.68%, 0.38%

LAB 23.69, 46.2, -67.37

 

CMYK 53 / 81 / 0 / 37

HEX #4B1FA1

RGB 75 31 161

HSL 260.31, 0.68%, 0.38%

LAB 26.87, 49.85, -62

 

CMYK 81 / 20 / 0 / 37

HEX #1F80A1

RGB 31 128 161

HSL 195.23, 0.68%, 0.38%

LAB 49.86, -15.39, -25.35

 

CMYK 81 / 42 / 0 / 37

HEX #1F5DA1

RGB 31 93 161

HSL 211.38, 0.68%, 0.38%

LAB 39.06, 5.69, -42.34

 

CMYK 81 / 64 / 0 / 37

HEX #1F3AA1

RGB 31 58 161

HSL 227.54, 0.68%, 0.38%

LAB 29.13, 29.15, -58.41

 

CMYK 81 / 81 / 0 / 37

HEX #1F1FA1

RGB 31 31 161

HSL 240, 0.68%, 0.38%

LAB 23.15, 45.59, -68.27

 

CMYK 81 / 20 / 0 / 37

HEX #1F80A1

RGB 31 128 161

HSL 195.23, 0.68%, 0.38%

LAB 49.86, -15.39, -25.35

 

CMYK 91 / 23 / 0 / 31

HEX #1088B1

RGB 16 136 177

HSL 195.28, 0.83%, 0.38%

LAB 52.83, -15.23, -30.01

 

CMYK 100 / 26 / 0 / 24

HEX #008FC1

RGB 0 143 193

HSL 195.54, 1%, 0.38%

LAB 55.58, -13.9, -34.86

 

CMYK 81 / 20 / 0 / 37

HEX #1F80A1

RGB 31 128 161

HSL 195.23, 0.68%, 0.38%

LAB 49.86, -15.39, -25.35

 

CMYK 68 / 18 / 0 / 43

HEX #2F7892

RGB 47 120 146

HSL 195.76, 0.51%, 0.38%

LAB 47.12, -13.95, -20.75

 

CMYK 52 / 13 / 0 / 49

HEX #3F7182

RGB 63 113 130

HSL 195.22, 0.35%, 0.38%

LAB 44.91, -11.83, -14.58

 

CMYK 31 / 8 / 0 / 55

HEX #4F6972

RGB 79 105 114

HSL 195.43, 0.18%, 0.38%

LAB 42.73, -7.21, -8.15

 

CMYK 5 / 2 / 0 / 61

HEX #5E6163

RGB 94 97 99

HSL 204, 0.03%, 0.38%

LAB 40.94, -0.74, -1.55

 

CMYK 81 / 0 / 22 / 37

HEX #1FA17D

RGB 31 161 125

HSL 163.38, 0.68%, 0.38%

LAB 59.22, -42.43, 9.26

 

CMYK 81 / 0 / 1 / 37

HEX #1FA19F

RGB 31 161 159

HSL 179.08, 0.68%, 0.38%

LAB 60.14, -32.97, -8.57

 

CMYK 81 / 20 / 0 / 37

HEX #1F81A1

RGB 31 129 161

HSL 194.77, 0.68%, 0.38%

LAB 50.17, -15.95, -24.86

 

CMYK 81 / 42 / 0 / 37

HEX #1F5EA1

RGB 31 94 161

HSL 210.92, 0.68%, 0.38%

LAB 39.36, 5.05, -41.86

 

CMYK 81 / 63 / 0 / 37

HEX #1F3CA1

RGB 31 60 161

HSL 226.62, 0.68%, 0.38%

LAB 29.65, 27.81, -57.56

 

CMYK 80 / 21 / 0 / 64

HEX #12495C

RGB 18 73 92

HSL 195.41, 0.67%, 0.22%

LAB 28.55, -10.31, -16.27

 

CMYK 80 / 20 / 0 / 50

HEX #19657F

RGB 25 101 127

HSL 195.29, 0.67%, 0.3%

LAB 39.66, -12.98, -20.94

 

CMYK 81 / 20 / 0 / 37

HEX #1F80A1

RGB 31 128 161

HSL 195.23, 0.68%, 0.38%

LAB 49.86, -15.39, -25.35

 

CMYK 81 / 21 / 0 / 23

HEX #269BC4

RGB 38 155 196

HSL 195.57, 0.68%, 0.46%

LAB 59.74, -17.25, -30.04

 

CMYK 73 / 19 / 0 / 15

HEX #3BB0D8

RGB 59 176 216

HSL 195.29, 0.67%, 0.54%

LAB 67.23, -19.37, -29.55

 

CMYK 80 / 20 / 0 / 37

HEX #2080A1

RGB 32 128 161

HSL 195.35, 0.67%, 0.38%

LAB 49.88, -15.29, -25.32

 

CMYK 44 / 81 / 0 / 37

HEX #5A1FA1

RGB 90 31 161

HSL 267.23, 0.68%, 0.38%

LAB 28.71, 51.96, -58.91

 

CMYK 0 / 12 / 81 / 37

HEX #A18E1F

RGB 161 142 31

HSL 51.23, 0.68%, 0.38%

LAB 58.99, -4.53, 56.67

 

CMYK 80 / 20 / 0 / 37

HEX #2080A1

RGB 32 128 161

HSL 195.35, 0.67%, 0.38%

LAB 49.88, -15.29, -25.32

 

CMYK 0 / 81 / 20 / 37

HEX #A11F81

RGB 161 31 129

HSL 314.77, 0.68%, 0.38%

LAB 38.1, 59.95, -23.58

 

CMYK 20 / 0 / 81 / 37

HEX #81A11F

RGB 129 161 31

HSL 74.77, 0.68%, 0.38%

LAB 61.87, -28.46, 58.27

 

CMYK 80 / 20 / 0 / 37

HEX #2080A1

RGB 32 128 161

HSL 195.35, 0.67%, 0.38%

LAB 49.88, -15.29, -25.32

 

CMYK 44 / 81 / 0 / 37

HEX #5A1FA1

RGB 90 31 161

HSL 267.23, 0.68%, 0.38%

LAB 28.71, 51.96, -58.91

 

CMYK 0 / 60 / 81 / 37

HEX #A1401F

RGB 161 64 31

HSL 15.23, 0.68%, 0.38%

LAB 40.15, 38.45, 39.21

 

CMYK 36 / 0 / 81 / 37

HEX #67A11F

RGB 103 161 31

HSL 86.77, 0.68%, 0.38%

LAB 60.31, -38.72, 56.27

 

CMYK 80 / 20 / 0 / 37

HEX #2080A1

RGB 32 128 161

HSL 195.35, 0.67%, 0.38%

LAB 49.88, -15.29, -25.32

 

CMYK 20 / 81 / 0 / 37

HEX #811FA1

RGB 129 31 161

HSL 285.23, 0.68%, 0.38%

LAB 34.44, 58.54, -49.34

 

CMYK 0 / 60 / 81 / 37

HEX #A1401F

RGB 161 64 31

HSL 15.23, 0.68%, 0.38%

LAB 40.15, 38.45, 39.21

 

CMYK 60 / 0 / 81 / 37

HEX #40A11F

RGB 64 161 31

HSL 104.77, 0.68%, 0.38%

LAB 58.68, -51.04, 54.16

 

Description

Color code: HEX #2080A1 | qconv.com Color code: HEX #2080A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 128 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 128 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 20 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 20% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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