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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #208D63 it is the complementary color #DF729C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #208D63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #208D63 shade: #258D5E, #369F71, #47B184, #58C397 and #69D5AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #208D63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #208D63 shade: #208D63, #0F7B50, #00693D, #00572A and #004517

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #208D63 shade: #208D63, #208D45, #208D28, #358D20 and #528D20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #208D63 shade: #208D63, #208D80, #207C8D, #205F8D and #20418D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #208D63 shade matches the following richer shades: #208D63, #129B66 and #04A969

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #208D63 shade: #208D63, #2E7F60, #3C715C, #4A6359 and #585556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #208D63 shade: #208D27, #208D44, #208D61, #208D7E and #207E8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #208D63 shade: #104A34, #186B4B, #208D63, #27AE7A and #2FCF92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #208D63 shade: #208D63, #20358D and #8D3520

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #208D63 shade: #208D63, #61208D and #8D6120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #208D63 shade: #208D63, #20358D, #8D204B and #8D7720

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #208D63 shade: #208D63, #2B208D, #8D204B and #828D20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

Complementary color

CMYK 0 / 49 / 30 / 13

HEX #DF729C

RGB 223 114 156

HSL 336.88, 0.63%, 0.66%

LAB 61.76, 47.02, -2.97

 

CMYK 74 / 0 / 33 / 45

HEX #258D5E

RGB 37 141 94

HSL 152.88, 0.58%, 0.35%

LAB 52.12, -40.66, 16.87

 

CMYK 66 / 0 / 29 / 38

HEX #369F71

RGB 54 159 113

HSL 153.71, 0.49%, 0.42%

LAB 58.76, -41.1, 15.4

 

CMYK 60 / 0 / 25 / 31

HEX #47B184

RGB 71 177 132

HSL 154.53, 0.43%, 0.49%

LAB 65.32, -41.27, 14.1

 

CMYK 55 / 0 / 23 / 24

HEX #58C397

RGB 88 195 151

HSL 155.33, 0.47%, 0.55%

LAB 71.78, -41.29, 12.92

 

CMYK 51 / 0 / 20 / 16

HEX #69D5AA

RGB 105 213 170

HSL 156.11, 0.56%, 0.62%

LAB 78.17, -41.21, 11.84

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 88 / 0 / 35 / 52

HEX #0F7B50

RGB 15 123 80

HSL 156.11, 0.78%, 0.27%

LAB 45.42, -39.18, 15.68

 

CMYK 100 / 0 / 42 / 59

HEX #00693D

RGB 0 105 61

HSL 154.86, 1%, 0.21%

LAB 38.62, -37.53, 17.57

 

CMYK 100 / 0 / 52 / 66

HEX #00572A

RGB 0 87 42

HSL 148.97, 1%, 0.17%

LAB 31.77, -34.54, 19.77

 

CMYK 100 / 0 / 67 / 73

HEX #004517

RGB 0 69 23

HSL 140, 1%, 0.14%

LAB 24.7, -31.16, 21.97

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 77 / 0 / 51 / 45

HEX #208D45

RGB 32 141 69

HSL 140.37, 0.63%, 0.34%

LAB 51.59, -46.27, 29.88

 

CMYK 77 / 0 / 72 / 45

HEX #208D28

RGB 32 141 40

HSL 124.4, 0.63%, 0.34%

LAB 51.28, -50.05, 43.34

 

CMYK 62 / 0 / 77 / 45

HEX #358D20

RGB 53 141 32

HSL 108.44, 0.63%, 0.34%

LAB 51.74, -46.45, 47.05

 

CMYK 42 / 0 / 77 / 45

HEX #528D20

RGB 82 141 32

HSL 92.48, 0.63%, 0.34%

LAB 52.89, -37.59, 48.57

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 77 / 0 / 9 / 45

HEX #208D80

RGB 32 141 128

HSL 172.84, 0.63%, 0.34%

LAB 52.86, -32.63, -1.62

 

CMYK 77 / 12 / 0 / 45

HEX #207C8D

RGB 32 124 141

HSL 189.36, 0.63%, 0.34%

LAB 47.81, -20.02, -16.78

 

CMYK 77 / 33 / 0 / 45

HEX #205F8D

RGB 32 95 141

HSL 205.32, 0.63%, 0.34%

LAB 38.58, -3.24, -31.1

 

CMYK 77 / 54 / 0 / 45

HEX #20418D

RGB 32 65 141

HSL 221.83, 0.63%, 0.34%

LAB 29.44, 16.61, -45.7

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 88 / 0 / 34 / 39

HEX #129B66

RGB 18 155 102

HSL 156.79, 0.79%, 0.34%

LAB 56.62, -46.64, 18.47

 

CMYK 98 / 0 / 38 / 34

HEX #04A969

RGB 4 169 105

HSL 156.73, 0.95%, 0.34%

LAB 61.15, -52.02, 22.93

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 64 / 0 / 24 / 50

HEX #2E7F60

RGB 46 127 96

HSL 157.04, 0.47%, 0.34%

LAB 47.76, -32.43, 9.71

 

CMYK 47 / 0 / 19 / 56

HEX #3C715C

RGB 60 113 92

HSL 156.23, 0.31%, 0.34%

LAB 43.57, -23.11, 6.22

 

CMYK 25 / 0 / 10 / 61

HEX #4A6359

RGB 74 99 89

HSL 156, 0.14%, 0.34%

LAB 39.75, -11.65, 2.65

 

CMYK 0 / 3 / 2 / 65

HEX #585556

RGB 88 85 86

HSL 340, 0.02%, 0.34%

LAB 36.45, 1.42, -0.15

 

CMYK 77 / 0 / 72 / 45

HEX #208D27

RGB 32 141 39

HSL 123.85, 0.63%, 0.34%

LAB 51.27, -50.15, 43.74

 

CMYK 77 / 0 / 52 / 45

HEX #208D44

RGB 32 141 68

HSL 139.82, 0.63%, 0.34%

LAB 51.58, -46.43, 30.39

 

CMYK 77 / 0 / 31 / 45

HEX #208D61

RGB 32 141 97

HSL 155.78, 0.63%, 0.34%

LAB 52.08, -40.71, 15.1

 

CMYK 77 / 0 / 11 / 45

HEX #208D7E

RGB 32 141 126

HSL 171.74, 0.63%, 0.34%

LAB 52.8, -33.21, -0.55

 

CMYK 77 / 11 / 0 / 45

HEX #207E8D

RGB 32 126 141

HSL 188.26, 0.63%, 0.34%

LAB 48.45, -21.09, -15.81

 

CMYK 78 / 0 / 30 / 71

HEX #104A34

RGB 16 74 52

HSL 157.24, 0.64%, 0.18%

LAB 27.45, -24.47, 7.93

 

CMYK 78 / 0 / 30 / 58

HEX #186B4B

RGB 24 107 75

HSL 156.87, 0.63%, 0.26%

LAB 39.94, -32.52, 11.12

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 78 / 0 / 30 / 32

HEX #27AE7A

RGB 39 174 122

HSL 156.89, 0.63%, 0.42%

LAB 63.43, -47.56, 16.84

 

CMYK 77 / 0 / 29 / 19

HEX #2FCF92

RGB 47 207 146

HSL 157.13, 0.63%, 0.5%

LAB 74.38, -54.25, 19.08

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 77 / 62 / 0 / 45

HEX #20358D

RGB 32 53 141

HSL 228.44, 0.63%, 0.34%

LAB 26.09, 24.89, -51.15

 

CMYK 0 / 62 / 77 / 45

HEX #8D3520

RGB 141 53 32

HSL 11.56, 0.63%, 0.34%

LAB 34.63, 36.17, 31.91

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 31 / 77 / 0 / 45

HEX #61208D

RGB 97 32 141

HSL 275.78, 0.63%, 0.34%

LAB 28.11, 47.91, -47.59

 

CMYK 0 / 31 / 77 / 45

HEX #8D6120

RGB 141 97 32

HSL 35.78, 0.63%, 0.34%

LAB 44.68, 11.72, 42.2

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 77 / 62 / 0 / 45

HEX #20358D

RGB 32 53 141

HSL 228.44, 0.63%, 0.34%

LAB 26.09, 24.89, -51.15

 

CMYK 0 / 77 / 47 / 45

HEX #8D204B

RGB 141 32 75

HSL 336.33, 0.63%, 0.34%

LAB 32.27, 48.05, 1.7

 

CMYK 0 / 16 / 77 / 45

HEX #8D7720

RGB 141 119 32

HSL 47.89, 0.63%, 0.34%

LAB 50.64, -0.96, 47.94

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 70 / 77 / 0 / 45

HEX #2B208D

RGB 43 32 141

HSL 246.06, 0.63%, 0.34%

LAB 21.83, 39.49, -58.11

 

CMYK 0 / 77 / 47 / 45

HEX #8D204B

RGB 141 32 75

HSL 336.33, 0.63%, 0.34%

LAB 32.27, 48.05, 1.7

 

CMYK 8 / 0 / 77 / 45

HEX #828D20

RGB 130 141 32

HSL 66.06, 0.63%, 0.34%

LAB 55.99, -17.98, 52.6

 

Description

Color code: HEX #208D63 | qconv.com Color code: HEX #208D63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 141 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 141 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 30 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 30% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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