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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #208DED it is the complementary color #DF7212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #208DED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #208DED shade: #258DE8, #369FFB, #47B1FF, #58C3FF and #69D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #208DED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #208DED shade: #208DED, #0F7BDA, #0069C7, #0057B4 and #0045A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #208DED shade: #218DED, #2156ED, #2221ED, #5921ED and #9021ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #208DED shade: #218DED, #2156ED and #2121ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #208DED shade matches the following richer shades: #218DED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #208DED shade: #218DED, #348CD9, #488BC6, #5B89B2 and #6E889F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #208DED shade: #21EDDF, #21C4ED, #218DED, #2157ED and #2121ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #208DED shade: #0E62AD, #1178D3, #218DED, #47A1F0 and #6DB4F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #208DED shade: #208DED, #A921ED and #DFED21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #208DED shade: #208DED, #ED218D and #8DED21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #208DED shade: #208DED, #A921ED, #ED8021 and #65ED21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #208DED shade: #208DED, #E621ED, #ED8021 and #28ED21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 41 / 0 / 7

HEX #208DED

RGB 32 141 237

HSL 208.1, 0.85%, 0.53%

LAB 57.53, 5.14, -56.43

 

Complementary color

CMYK 0 / 49 / 92 / 13

HEX #DF7212

RGB 223 114 18

HSL 28.1, 0.85%, 0.47%

LAB 59.68, 37.43, 63.96

 

CMYK 84 / 39 / 0 / 9

HEX #258DE8

RGB 37 141 232

HSL 208, 0.81%, 0.53%

LAB 57.34, 3.62, -53.96

 

CMYK 78 / 37 / 0 / 2

HEX #369FFB

RGB 54 159 251

HSL 208.02, 0.96%, 0.6%

LAB 63.79, 1.47, -54.14

 

CMYK 72 / 31 / 0 / 0

HEX #47B1FF

RGB 71 177 255

HSL 205.43, 1%, 0.64%

LAB 69.47, -5.41, -47.31

 

CMYK 65 / 24 / 0 / 0

HEX #58C3FF

RGB 88 195 255

HSL 201.56, 1%, 0.67%

LAB 75.03, -12.77, -38.58

 

CMYK 59 / 16 / 0 / 0

HEX #69D5FF

RGB 105 213 255

HSL 196.8, 1%, 0.71%

LAB 80.63, -19.27, -29.88

 

CMYK 86 / 41 / 0 / 7

HEX #208DED

RGB 32 141 237

HSL 208.1, 0.85%, 0.53%

LAB 57.53, 5.14, -56.43

 

CMYK 93 / 44 / 0 / 15

HEX #0F7BDA

RGB 15 123 218

HSL 208.08, 0.87%, 0.46%

LAB 51.07, 7.98, -56.16

 

CMYK 100 / 47 / 0 / 22

HEX #0069C7

RGB 0 105 199

HSL 208.34, 1%, 0.39%

LAB 44.56, 11.33, -55.8

 

CMYK 100 / 52 / 0 / 29

HEX #0057B4

RGB 0 87 180

HSL 211, 1%, 0.35%

LAB 38.04, 15.4, -55.27

 

CMYK 100 / 57 / 0 / 37

HEX #0045A1

RGB 0 69 161

HSL 214.29, 1%, 0.32%

LAB 31.42, 19.75, -54.71

 

CMYK 86 / 41 / 0 / 7

HEX #218DED

RGB 33 141 237

HSL 208.24, 0.85%, 0.53%

LAB 57.55, 5.21, -56.41

 

CMYK 86 / 64 / 0 / 7

HEX #2156ED

RGB 33 86 237

HSL 224.41, 0.85%, 0.53%

LAB 42.9, 39.69, -80.13

 

CMYK 86 / 86 / 0 / 7

HEX #2221ED

RGB 34 33 237

HSL 240.29, 0.85%, 0.53%

LAB 33.01, 67.61, -96.5

 

CMYK 62 / 86 / 0 / 7

HEX #5921ED

RGB 89 33 237

HSL 256.47, 0.85%, 0.53%

LAB 36.6, 70.4, -90.42

 

CMYK 39 / 86 / 0 / 7

HEX #9021ED

RGB 144 33 237

HSL 272.65, 0.85%, 0.53%

LAB 42.96, 75.88, -79.72

 

CMYK 86 / 41 / 0 / 7

HEX #218DED

RGB 33 141 237

HSL 208.24, 0.85%, 0.53%

LAB 57.55, 5.21, -56.41

 

CMYK 86 / 64 / 0 / 7

HEX #2156ED

RGB 33 86 237

HSL 224.41, 0.85%, 0.53%

LAB 42.9, 39.69, -80.13

 

CMYK 86 / 86 / 0 / 7

HEX #2121ED

RGB 33 33 237

HSL 240, 0.85%, 0.53%

LAB 32.97, 67.59, -96.56

 

CMYK 86 / 41 / 0 / 7

HEX #218DED

RGB 33 141 237

HSL 208.24, 0.85%, 0.53%

LAB 57.55, 5.21, -56.41

 

CMYK 86 / 41 / 0 / 7

HEX #218DED

RGB 33 141 237

HSL 208.24, 0.85%, 0.53%

LAB 57.55, 5.21, -56.41

 

CMYK 76 / 35 / 0 / 15

HEX #348CD9

RGB 52 140 217

HSL 208, 0.68%, 0.53%

LAB 56.58, 0.16, -46.77

 

CMYK 64 / 30 / 0 / 22

HEX #488BC6

RGB 72 139 198

HSL 208.1, 0.53%, 0.53%

LAB 56.01, -2.93, -36.92

 

CMYK 49 / 23 / 0 / 30

HEX #5B89B2

RGB 91 137 178

HSL 208.28, 0.36%, 0.53%

LAB 55.41, -4.12, -26.4

 

CMYK 31 / 14 / 0 / 38

HEX #6E889F

RGB 110 136 159

HSL 208.16, 0.2%, 0.53%

LAB 55.51, -3.61, -15.25

 

CMYK 86 / 0 / 6 / 7

HEX #21EDDF

RGB 33 237 223

HSL 175.88, 0.85%, 0.53%

LAB 85.11, -48.35, -6.34

 

CMYK 86 / 17 / 0 / 7

HEX #21C4ED

RGB 33 196 237

HSL 192.06, 0.85%, 0.53%

LAB 73.49, -25.14, -31.37

 

CMYK 86 / 41 / 0 / 7

HEX #218DED

RGB 33 141 237

HSL 208.24, 0.85%, 0.53%

LAB 57.55, 5.21, -56.41

 

CMYK 86 / 63 / 0 / 7

HEX #2157ED

RGB 33 87 237

HSL 224.12, 0.85%, 0.53%

LAB 43.14, 39.06, -79.74

 

CMYK 86 / 86 / 0 / 7

HEX #2121ED

RGB 33 33 237

HSL 240, 0.85%, 0.53%

LAB 32.97, 67.59, -96.56

 

CMYK 92 / 43 / 0 / 32

HEX #0E62AD

RGB 14 98 173

HSL 208.3, 0.85%, 0.37%

LAB 40.97, 5.91, -46.42

 

CMYK 92 / 43 / 0 / 17

HEX #1178D3

RGB 17 120 211

HSL 208.14, 0.85%, 0.45%

LAB 49.8, 7.2, -54.22

 

CMYK 86 / 41 / 0 / 7

HEX #218DED

RGB 33 141 237

HSL 208.24, 0.85%, 0.53%

LAB 57.55, 5.21, -56.41

 

CMYK 70 / 33 / 0 / 6

HEX #47A1F0

RGB 71 161 240

HSL 208.05, 0.85%, 0.61%

LAB 64.26, -1.5, -47.35

 

CMYK 55 / 26 / 0 / 5

HEX #6DB4F3

RGB 109 180 243

HSL 208.21, 0.85%, 0.69%

LAB 71.12, -4.6, -38.13

 

CMYK 86 / 41 / 0 / 7

HEX #208DED

RGB 32 141 237

HSL 208.1, 0.85%, 0.53%

LAB 57.53, 5.14, -56.43

 

CMYK 29 / 86 / 0 / 7

HEX #A921ED

RGB 169 33 237

HSL 280, 0.85%, 0.53%

LAB 46.49, 79.16, -73.8

 

CMYK 6 / 0 / 86 / 7

HEX #DFED21

RGB 223 237 33

HSL 64.12, 0.85%, 0.53%

LAB 90.03, -25.76, 84.42

 

CMYK 86 / 41 / 0 / 7

HEX #208DED

RGB 32 141 237

HSL 208.1, 0.85%, 0.53%

LAB 57.53, 5.14, -56.43

 

CMYK 0 / 86 / 41 / 7

HEX #ED218D

RGB 237 33 141

HSL 328.24, 0.85%, 0.53%

LAB 52.97, 78.29, -6.95

 

CMYK 41 / 0 / 86 / 7

HEX #8DED21

RGB 141 237 33

HSL 88.24, 0.85%, 0.53%

LAB 85.17, -56.63, 78.4

 

CMYK 86 / 41 / 0 / 7

HEX #208DED

RGB 32 141 237

HSL 208.1, 0.85%, 0.53%

LAB 57.53, 5.14, -56.43

 

CMYK 29 / 86 / 0 / 7

HEX #A921ED

RGB 169 33 237

HSL 280, 0.85%, 0.53%

LAB 46.49, 79.16, -73.8

 

CMYK 0 / 46 / 86 / 7

HEX #ED8021

RGB 237 128 33

HSL 27.94, 0.85%, 0.53%

LAB 64.61, 36.16, 64.36

 

CMYK 57 / 0 / 86 / 7

HEX #65ED21

RGB 101 237 33

HSL 100, 0.85%, 0.53%

LAB 83.68, -68.12, 76.52

 

CMYK 86 / 41 / 0 / 7

HEX #208DED

RGB 32 141 237

HSL 208.1, 0.85%, 0.53%

LAB 57.53, 5.14, -56.43

 

CMYK 3 / 86 / 0 / 7

HEX #E621ED

RGB 230 33 237

HSL 297.94, 0.85%, 0.53%

LAB 56.11, 88.62, -57.78

 

CMYK 0 / 46 / 86 / 7

HEX #ED8021

RGB 237 128 33

HSL 27.94, 0.85%, 0.53%

LAB 64.61, 36.16, 64.36

 

CMYK 83 / 0 / 86 / 7

HEX #28ED21

RGB 40 237 33

HSL 117.94, 0.85%, 0.53%

LAB 82.45, -78.57, 74.98

 

Description

Color code: HEX #208DED | qconv.com Color code: HEX #208DED | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 141 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 141 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 41 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 41% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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