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Color name
HEX #20B598

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20B598 it is the complementary color #DF4A67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20B598. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20B598 shade: #25B593, #36C7A6, #47D9B9, #58EBCC and #69FDDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20B598. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20B598 shade: #20B598, #0FA385, #009172, #007F5F and #006D4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20B598 shade: #20B698, #20B670, #20B648, #20B620 and #49B620

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20B598 shade: #20B698, #20AAB6, #2082B6, #2059B6 and #2031B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20B598 shade matches the following richer shades: #20B698 and #0EC7A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20B598 shade: #20B698, #31A48E, #429383, #548279 and #65706E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20B598 shade: #20B648, #20B670, #20B698, #20ACB6 and #2084B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20B598 shade: #136F5D, #19927B, #20B698, #26D8B6 and #49DFC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20B598 shade: #20B598, #2020B6 and #B65C20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20B598 shade: #20B598, #9820B6 and #B69820

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20B598 shade: #20B598, #2020B6, #B6203E and #B6B620

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20B598 shade: #20B598, #4D20B6, #B6203E and #89B620

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 16 / 29

HEX #20B598

RGB 32 181 152

HSL 168.32, 0.7%, 0.42%

LAB 66.23, -43.83, 4.28

 

Complementary color

CMYK 0 / 67 / 54 / 13

HEX #DF4A67

RGB 223 74 103

HSL 348.32, 0.7%, 0.58%

LAB 53.56, 59.66, 16.34

 

CMYK 80 / 0 / 19 / 29

HEX #25B593

RGB 37 181 147

HSL 165.83, 0.66%, 0.43%

LAB 66.17, -44.65, 6.96

 

CMYK 73 / 0 / 17 / 22

HEX #36C7A6

RGB 54 199 166

HSL 166.34, 0.57%, 0.5%

LAB 72.48, -45.46, 5.68

 

CMYK 67 / 0 / 15 / 15

HEX #47D9B9

RGB 71 217 185

HSL 166.85, 0.66%, 0.56%

LAB 78.73, -46.01, 4.53

 

CMYK 63 / 0 / 13 / 8

HEX #58EBCC

RGB 88 235 204

HSL 167.35, 0.79%, 0.63%

LAB 84.92, -46.37, 3.48

 

CMYK 58 / 0 / 12 / 1

HEX #69FDDF

RGB 105 253 223

HSL 167.84, 0.97%, 0.7%

LAB 91.04, -46.59, 2.51

 

CMYK 82 / 0 / 16 / 29

HEX #20B598

RGB 32 181 152

HSL 168.32, 0.7%, 0.42%

LAB 66.23, -43.83, 4.28

 

CMYK 91 / 0 / 18 / 36

HEX #0FA385

RGB 15 163 133

HSL 167.84, 0.83%, 0.35%

LAB 59.88, -42.47, 5.69

 

CMYK 100 / 0 / 21 / 43

HEX #009172

RGB 0 145 114

HSL 167.17, 1%, 0.28%

LAB 53.46, -40.69, 7.27

 

CMYK 100 / 0 / 25 / 50

HEX #007F5F

RGB 0 127 95

HSL 164.88, 1%, 0.25%

LAB 46.98, -38.17, 9.09

 

CMYK 100 / 0 / 30 / 57

HEX #006D4C

RGB 0 109 76

HSL 161.83, 1%, 0.21%

LAB 40.34, -35.56, 11.03

 

CMYK 82 / 0 / 16 / 29

HEX #20B698

RGB 32 182 152

HSL 168, 0.7%, 0.42%

LAB 66.54, -44.25, 4.73

 

CMYK 82 / 0 / 38 / 29

HEX #20B670

RGB 32 182 112

HSL 152, 0.7%, 0.42%

LAB 65.7, -53.52, 25.29

 

CMYK 82 / 0 / 60 / 29

HEX #20B648

RGB 32 182 72

HSL 136, 0.7%, 0.42%

LAB 65.15, -60.03, 44.65

 

CMYK 82 / 0 / 82 / 29

HEX #20B620

RGB 32 182 32

HSL 120, 0.7%, 0.42%

LAB 64.86, -63.62, 59.38

 

CMYK 60 / 0 / 82 / 29

HEX #49B620

RGB 73 182 32

HSL 103.6, 0.7%, 0.42%

LAB 65.73, -56.2, 60.5

 

CMYK 82 / 0 / 16 / 29

HEX #20B698

RGB 32 182 152

HSL 168, 0.7%, 0.42%

LAB 66.54, -44.25, 4.73

 

CMYK 82 / 7 / 0 / 29

HEX #20AAB6

RGB 32 170 182

HSL 184.8, 0.7%, 0.42%

LAB 63.7, -30.1, -16.14

 

CMYK 82 / 29 / 0 / 29

HEX #2082B6

RGB 32 130 182

HSL 200.8, 0.7%, 0.42%

LAB 51.44, -8.85, -35.04

 

CMYK 82 / 51 / 0 / 29

HEX #2059B6

RGB 32 89 182

HSL 217.2, 0.7%, 0.42%

LAB 39.29, 16.7, -54.39

 

CMYK 82 / 73 / 0 / 29

HEX #2031B6

RGB 32 49 182

HSL 233.2, 0.7%, 0.42%

LAB 29.11, 42.68, -71.04

 

CMYK 82 / 0 / 16 / 29

HEX #20B698

RGB 32 182 152

HSL 168, 0.7%, 0.42%

LAB 66.54, -44.25, 4.73

 

CMYK 93 / 0 / 18 / 22

HEX #0EC7A3

RGB 14 199 163

HSL 168.32, 0.87%, 0.42%

LAB 71.95, -49.54, 6.48

 

CMYK 82 / 0 / 16 / 29

HEX #20B698

RGB 32 182 152

HSL 168, 0.7%, 0.42%

LAB 66.54, -44.25, 4.73

 

CMYK 70 / 0 / 13 / 36

HEX #31A48E

RGB 49 164 142

HSL 168.52, 0.54%, 0.42%

LAB 60.92, -37.04, 2.2

 

CMYK 55 / 0 / 11 / 42

HEX #429383

RGB 66 147 131

HSL 168.15, 0.38%, 0.42%

LAB 55.75, -28.79, 0.98

 

CMYK 35 / 0 / 7 / 49

HEX #548279

RGB 84 130 121

HSL 168.26, 0.21%, 0.42%

LAB 50.96, -17.86, -0.12

 

CMYK 10 / 0 / 2 / 56

HEX #65706E

RGB 101 112 110

HSL 169.09, 0.05%, 0.42%

LAB 46.29, -4.57, -0.31

 

CMYK 82 / 0 / 60 / 29

HEX #20B648

RGB 32 182 72

HSL 136, 0.7%, 0.42%

LAB 65.15, -60.03, 44.65

 

CMYK 82 / 0 / 38 / 29

HEX #20B670

RGB 32 182 112

HSL 152, 0.7%, 0.42%

LAB 65.7, -53.52, 25.29

 

CMYK 82 / 0 / 16 / 29

HEX #20B698

RGB 32 182 152

HSL 168, 0.7%, 0.42%

LAB 66.54, -44.25, 4.73

 

CMYK 82 / 5 / 0 / 29

HEX #20ACB6

RGB 32 172 182

HSL 184, 0.7%, 0.42%

LAB 64.31, -31.07, -15.22

 

CMYK 82 / 27 / 0 / 29

HEX #2084B6

RGB 32 132 182

HSL 200, 0.7%, 0.42%

LAB 52.05, -10, -34.08

 

CMYK 83 / 0 / 16 / 56

HEX #136F5D

RGB 19 111 93

HSL 168.26, 0.71%, 0.25%

LAB 41.69, -30.17, 2.74

 

CMYK 83 / 0 / 16 / 43

HEX #19927B

RGB 25 146 123

HSL 168.6, 0.71%, 0.34%

LAB 54.23, -37.08, 3.25

 

CMYK 82 / 0 / 16 / 29

HEX #20B698

RGB 32 182 152

HSL 168, 0.7%, 0.42%

LAB 66.54, -44.25, 4.73

 

CMYK 82 / 0 / 16 / 15

HEX #26D8B6

RGB 38 216 182

HSL 168.54, 0.7%, 0.5%

LAB 77.82, -50.15, 4.74

 

CMYK 67 / 0 / 13 / 13

HEX #49DFC1

RGB 73 223 193

HSL 168, 0.7%, 0.58%

LAB 80.76, -46.29, 3.22

 

CMYK 82 / 0 / 16 / 29

HEX #20B598

RGB 32 181 152

HSL 168.32, 0.7%, 0.42%

LAB 66.23, -43.83, 4.28

 

CMYK 82 / 82 / 0 / 29

HEX #2020B6

RGB 32 32 182

HSL 240, 0.7%, 0.42%

LAB 25.91, 51.83, -76.34

 

CMYK 0 / 49 / 82 / 29

HEX #B65C20

RGB 182 92 32

HSL 24, 0.7%, 0.42%

LAB 49.13, 32.53, 48.4

 

CMYK 82 / 0 / 16 / 29

HEX #20B598

RGB 32 181 152

HSL 168.32, 0.7%, 0.42%

LAB 66.23, -43.83, 4.28

 

CMYK 16 / 82 / 0 / 29

HEX #9820B6

RGB 152 32 182

HSL 288, 0.7%, 0.42%

LAB 39.72, 66.38, -53.16

 

CMYK 0 / 16 / 82 / 29

HEX #B69820

RGB 182 152 32

HSL 48, 0.7%, 0.42%

LAB 63.76, -0.43, 61.33

 

CMYK 82 / 0 / 16 / 29

HEX #20B598

RGB 32 181 152

HSL 168.32, 0.7%, 0.42%

LAB 66.23, -43.83, 4.28

 

CMYK 82 / 82 / 0 / 29

HEX #2020B6

RGB 32 32 182

HSL 240, 0.7%, 0.42%

LAB 25.91, 51.83, -76.34

 

CMYK 0 / 82 / 66 / 29

HEX #B6203E

RGB 182 32 62

HSL 348, 0.7%, 0.42%

LAB 40.12, 58.8, 22.15

 

CMYK 0 / 0 / 82 / 29

HEX #B6B620

RGB 182 182 32

HSL 60, 0.7%, 0.42%

LAB 71.9, -16.17, 68.3

 

CMYK 82 / 0 / 16 / 29

HEX #20B598

RGB 32 181 152

HSL 168.32, 0.7%, 0.42%

LAB 66.23, -43.83, 4.28

 

CMYK 58 / 82 / 0 / 29

HEX #4D20B6

RGB 77 32 182

HSL 258, 0.7%, 0.42%

LAB 29.38, 55.36, -70.48

 

CMYK 0 / 82 / 66 / 29

HEX #B6203E

RGB 182 32 62

HSL 348, 0.7%, 0.42%

LAB 40.12, 58.8, 22.15

 

CMYK 25 / 0 / 82 / 29

HEX #89B620

RGB 137 182 32

HSL 78, 0.7%, 0.42%

LAB 68.66, -35.01, 64.24

 

Description

Color code: HEX #20B598 | qconv.com Color code: HEX #20B598 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 181 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 181 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 16 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 16% 29% C M Y K

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Provide designers and agencies with accurate color values.

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