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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20B04E it is the complementary color #DF4FB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20B04E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20B04E shade: #25B049, #36C25C, #47D46F, #58E682 and #69F895

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20B04E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20B04E shade: #20B04E, #0F9E3B, #008C28, #007A15 and #006802

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20B04E shade: #20B04E, #20B027, #40B020, #67B020 and #8DB020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20B04E shade: #20B04E, #20B075, #20B09C, #209EB0 and #2077B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20B04E shade matches the following richer shades: #20B04E and #0FC148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20B04E shade: #20B04E, #319F54, #428E5A, #537D60 and #646D66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20B04E shade: #3FB020, #20B027, #20B04E, #20B074 and #20B09B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20B04E shade: #136A2F, #1A8D3F, #20B04E, #26D35D and #46DD76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20B04E shade: #20B04E, #2066B0 and #B0202C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20B04E shade: #20B04E, #4E20B0 and #B04E20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20B04E shade: #20B04E, #2066B0, #B02083 and #B06A20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20B04E shade: #20B04E, #203AB0, #B02083 and #B09620

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

Complementary color

CMYK 0 / 65 / 21 / 13

HEX #DF4FB1

RGB 223 79 177

HSL 319.17, 0.69%, 0.59%

LAB 56.54, 65.62, -22.96

 

CMYK 79 / 0 / 59 / 31

HEX #25B049

RGB 37 176 73

HSL 135.54, 0.65%, 0.42%

LAB 63.28, -57.33, 42.03

 

CMYK 72 / 0 / 53 / 24

HEX #36C25C

RGB 54 194 92

HSL 136.29, 0.56%, 0.49%

LAB 69.57, -58.41, 40.53

 

CMYK 67 / 0 / 48 / 17

HEX #47D46F

RGB 71 212 111

HSL 137.02, 0.62%, 0.55%

LAB 75.81, -59.07, 39.04

 

CMYK 62 / 0 / 43 / 10

HEX #58E682

RGB 88 230 130

HSL 137.75, 0.74%, 0.62%

LAB 81.99, -59.44, 37.61

 

CMYK 58 / 0 / 40 / 3

HEX #69F895

RGB 105 248 149

HSL 138.46, 0.91%, 0.69%

LAB 88.12, -59.61, 36.24

 

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

CMYK 91 / 0 / 63 / 38

HEX #0F9E3B

RGB 15 158 59

HSL 138.46, 0.83%, 0.34%

LAB 56.95, -55.42, 41.17

 

CMYK 100 / 0 / 71 / 45

HEX #008C28

RGB 0 140 40

HSL 137.14, 1%, 0.27%

LAB 50.58, -52.84, 42.5

 

CMYK 100 / 0 / 83 / 52

HEX #007A15

RGB 0 122 21

HSL 130.33, 1%, 0.24%

LAB 44.19, -48.93, 43.16

 

CMYK 100 / 0 / 98 / 59

HEX #006802

RGB 0 104 2

HSL 121.15, 1%, 0.2%

LAB 37.67, -44.48, 42.47

 

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

CMYK 82 / 0 / 78 / 31

HEX #20B027

RGB 32 176 39

HSL 122.92, 0.69%, 0.41%

LAB 62.93, -61.37, 55.47

 

CMYK 64 / 0 / 82 / 31

HEX #40B020

RGB 64 176 32

HSL 106.67, 0.69%, 0.41%

LAB 63.54, -56.26, 58.4

 

CMYK 41 / 0 / 82 / 31

HEX #67B020

RGB 103 176 32

HSL 90.42, 0.69%, 0.41%

LAB 64.99, -45.03, 60.26

 

CMYK 20 / 0 / 82 / 31

HEX #8DB020

RGB 141 176 32

HSL 74.58, 0.69%, 0.41%

LAB 67.14, -30.61, 62.99

 

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

CMYK 82 / 0 / 34 / 31

HEX #20B075

RGB 32 176 117

HSL 155.42, 0.69%, 0.41%

LAB 63.87, -50.22, 20.15

 

CMYK 82 / 0 / 11 / 31

HEX #20B09C

RGB 32 176 156

HSL 171.67, 0.69%, 0.41%

LAB 64.77, -40.59, -0.06

 

CMYK 82 / 10 / 0 / 31

HEX #209EB0

RGB 32 158 176

HSL 187.5, 0.69%, 0.41%

LAB 59.79, -26.07, -18.7

 

CMYK 82 / 32 / 0 / 31

HEX #2077B0

RGB 32 119 176

HSL 203.75, 0.69%, 0.41%

LAB 47.8, -4.61, -37.3

 

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

CMYK 92 / 0 / 63 / 24

HEX #0FC148

RGB 15 193 72

HSL 139.21, 0.86%, 0.41%

LAB 68.54, -64.85, 48.49

 

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

CMYK 69 / 0 / 47 / 38

HEX #319F54

RGB 49 159 84

HSL 139.09, 0.53%, 0.41%

LAB 58.12, -47.71, 30.29

 

CMYK 54 / 0 / 37 / 44

HEX #428E5A

RGB 66 142 90

HSL 138.95, 0.37%, 0.41%

LAB 53.21, -35.76, 20.73

 

CMYK 34 / 0 / 23 / 51

HEX #537D60

RGB 83 125 96

HSL 138.57, 0.2%, 0.41%

LAB 48.7, -21.18, 11.26

 

CMYK 8 / 0 / 6 / 57

HEX #646D66

RGB 100 109 102

HSL 133.33, 0.04%, 0.41%

LAB 45.09, -4.9, 2.73

 

CMYK 64 / 0 / 82 / 31

HEX #3FB020

RGB 63 176 32

HSL 107.08, 0.69%, 0.41%

LAB 63.52, -56.49, 58.36

 

CMYK 82 / 0 / 78 / 31

HEX #20B027

RGB 32 176 39

HSL 122.92, 0.69%, 0.41%

LAB 62.93, -61.37, 55.47

 

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

CMYK 82 / 0 / 34 / 31

HEX #20B074

RGB 32 176 116

HSL 155, 0.69%, 0.41%

LAB 63.85, -50.44, 20.67

 

CMYK 82 / 0 / 12 / 31

HEX #20B09B

RGB 32 176 155

HSL 171.25, 0.69%, 0.41%

LAB 64.74, -40.86, 0.46

 

CMYK 82 / 0 / 56 / 58

HEX #136A2F

RGB 19 106 47

HSL 139.31, 0.7%, 0.25%

LAB 38.99, -38.64, 26.01

 

CMYK 82 / 0 / 55 / 45

HEX #1A8D3F

RGB 26 141 63

HSL 139.3, 0.69%, 0.33%

LAB 51.41, -48.04, 32.75

 

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

CMYK 82 / 0 / 56 / 17

HEX #26D35D

RGB 38 211 93

HSL 139.08, 0.69%, 0.49%

LAB 74.69, -66.05, 46.18

 

CMYK 68 / 0 / 47 / 13

HEX #46DD76

RGB 70 221 118

HSL 139.07, 0.69%, 0.57%

LAB 78.65, -61.4, 39.18

 

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

CMYK 82 / 42 / 0 / 31

HEX #2066B0

RGB 32 102 176

HSL 210.83, 0.69%, 0.41%

LAB 42.68, 5.89, -45.42

 

CMYK 0 / 82 / 75 / 31

HEX #B0202C

RGB 176 32 44

HSL 355, 0.69%, 0.41%

LAB 38.63, 56.24, 31.18

 

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

CMYK 56 / 82 / 0 / 31

HEX #4E20B0

RGB 78 32 176

HSL 259.17, 0.69%, 0.41%

LAB 28.87, 53.86, -67.75

 

CMYK 0 / 56 / 82 / 31

HEX #B04E20

RGB 176 78 32

HSL 19.17, 0.69%, 0.41%

LAB 45.34, 37.36, 44.56

 

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

CMYK 82 / 42 / 0 / 31

HEX #2066B0

RGB 32 102 176

HSL 210.83, 0.69%, 0.41%

LAB 42.68, 5.89, -45.42

 

CMYK 0 / 82 / 26 / 31

HEX #B02083

RGB 176 32 131

HSL 318.75, 0.69%, 0.41%

LAB 41.06, 63.44, -20.01

 

CMYK 0 / 40 / 82 / 31

HEX #B06A20

RGB 176 106 32

HSL 30.83, 0.69%, 0.41%

LAB 51.43, 22.36, 50.17

 

CMYK 82 / 0 / 56 / 31

HEX #20B04E

RGB 32 176 78

HSL 139.17, 0.69%, 0.41%

LAB 63.27, -57.24, 39.61

 

CMYK 82 / 67 / 0 / 31

HEX #203AB0

RGB 32 58 176

HSL 229.17, 0.69%, 0.41%

LAB 30.56, 34.91, -65.07

 

CMYK 0 / 82 / 26 / 31

HEX #B02083

RGB 176 32 131

HSL 318.75, 0.69%, 0.41%

LAB 41.06, 63.44, -20.01

 

CMYK 0 / 15 / 82 / 31

HEX #B09620

RGB 176 150 32

HSL 49.17, 0.69%, 0.41%

LAB 62.63, -2.05, 60.12

 

Description

Color code: HEX #20B04E | qconv.com Color code: HEX #20B04E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 176 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 176 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 56 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 56% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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