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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20BBC9 it is the complementary color #DF4436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20BBC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20BBC9 shade: #25BBC4, #36CDD7, #47DFEA, #58F1FD and #69FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20BBC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20BBC9 shade: #20BBC9, #0FA9B6, #0097A3, #008590 and #00737D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20BBC9 shade: #1FBCCA, #1F8ECA, #1F60CA, #1F32CA and #3B1FCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20BBC9 shade: #1FBCCA, #1F8ECA, #1F60CA, #1F32CA and #1F1FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20BBC9 shade matches the following richer shades: #1FBCCA and #0CCCDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20BBC9 shade: #1FBCCA, #32ACB7, #459DA4, #588D91 and #6B7D7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20BBC9 shade: #1FCA7B, #1FCAA8, #1FBFCA, #1F91CA and #1F64CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20BBC9 shade: #147A83, #1A9BA7, #1FBCCA, #34D1DF and #58D9E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20BBC9 shade: #20BBC9, #4D1FCA and #CA911F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20BBC9 shade: #20BBC9, #CA1FBF and #BFCA1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20BBC9 shade: #20BBC9, #4D1FCA, #CA2B1F and #9DCA1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20BBC9 shade: #20BBC9, #801FCA, #CA2B1F and #69CA1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 7 / 0 / 21

HEX #20BBC9

RGB 32 187 201

HSL 184.97, 0.73%, 0.46%

LAB 69.52, -32.35, -17.85

 

Complementary color

CMYK 0 / 70 / 76 / 13

HEX #DF4436

RGB 223 68 54

HSL 4.97, 0.73%, 0.54%

LAB 51.94, 59.17, 42.67

 

CMYK 81 / 5 / 0 / 23

HEX #25BBC4

RGB 37 187 196

HSL 183.4, 0.68%, 0.46%

LAB 69.41, -33.51, -15.26

 

CMYK 75 / 5 / 0 / 16

HEX #36CDD7

RGB 54 205 215

HSL 183.73, 0.67%, 0.53%

LAB 75.67, -34.65, -16.14

 

CMYK 70 / 5 / 0 / 8

HEX #47DFEA

RGB 71 223 234

HSL 184.05, 0.8%, 0.6%

LAB 81.87, -35.53, -16.94

 

CMYK 65 / 5 / 0 / 1

HEX #58F1FD

RGB 88 241 253

HSL 184.36, 0.98%, 0.67%

LAB 88.01, -36.22, -17.67

 

CMYK 59 / 0 / 0 / 0

HEX #69FFFF

RGB 105 255 255

HSL 180, 1%, 0.71%

LAB 92.46, -39.46, -11.99

 

CMYK 84 / 7 / 0 / 21

HEX #20BBC9

RGB 32 187 201

HSL 184.97, 0.73%, 0.46%

LAB 69.52, -32.35, -17.85

 

CMYK 92 / 7 / 0 / 29

HEX #0FA9B6

RGB 15 169 182

HSL 184.67, 0.85%, 0.39%

LAB 63.22, -30.68, -16.88

 

CMYK 100 / 7 / 0 / 36

HEX #0097A3

RGB 0 151 163

HSL 184.42, 1%, 0.32%

LAB 56.86, -28.64, -15.81

 

CMYK 100 / 8 / 0 / 44

HEX #008590

RGB 0 133 144

HSL 184.58, 1%, 0.28%

LAB 50.44, -26, -14.58

 

CMYK 100 / 8 / 0 / 51

HEX #00737D

RGB 0 115 125

HSL 184.8, 1%, 0.25%

LAB 43.86, -23.3, -13.32

 

CMYK 85 / 7 / 0 / 21

HEX #1FBCCA

RGB 31 188 202

HSL 184.91, 0.73%, 0.46%

LAB 69.84, -32.59, -17.91

 

CMYK 85 / 30 / 0 / 21

HEX #1F8ECA

RGB 31 142 202

HSL 201.05, 0.73%, 0.46%

LAB 55.99, -8.51, -39.29

 

CMYK 85 / 52 / 0 / 21

HEX #1F60CA

RGB 31 96 202

HSL 217.19, 0.73%, 0.46%

LAB 42.64, 19.86, -60.6

 

CMYK 85 / 75 / 0 / 21

HEX #1F32CA

RGB 31 50 202

HSL 233.33, 0.73%, 0.46%

LAB 31.43, 48.91, -78.98

 

CMYK 71 / 85 / 0 / 21

HEX #3B1FCA

RGB 59 31 202

HSL 249.82, 0.73%, 0.46%

LAB 29.85, 59.69, -81.56

 

CMYK 85 / 7 / 0 / 21

HEX #1FBCCA

RGB 31 188 202

HSL 184.91, 0.73%, 0.46%

LAB 69.84, -32.59, -17.91

 

CMYK 85 / 30 / 0 / 21

HEX #1F8ECA

RGB 31 142 202

HSL 201.05, 0.73%, 0.46%

LAB 55.99, -8.51, -39.29

 

CMYK 85 / 52 / 0 / 21

HEX #1F60CA

RGB 31 96 202

HSL 217.19, 0.73%, 0.46%

LAB 42.64, 19.86, -60.6

 

CMYK 85 / 75 / 0 / 21

HEX #1F32CA

RGB 31 50 202

HSL 233.33, 0.73%, 0.46%

LAB 31.43, 48.91, -78.98

 

CMYK 85 / 85 / 0 / 21

HEX #1F1FCA

RGB 31 31 202

HSL 240, 0.73%, 0.46%

LAB 28.21, 58.28, -84.33

 

CMYK 85 / 7 / 0 / 21

HEX #1FBCCA

RGB 31 188 202

HSL 184.91, 0.73%, 0.46%

LAB 69.84, -32.59, -17.91

 

CMYK 95 / 8 / 0 / 13

HEX #0CCCDD

RGB 12 204 221

HSL 184.88, 0.9%, 0.46%

LAB 75.13, -35.12, -20.24

 

CMYK 85 / 7 / 0 / 21

HEX #1FBCCA

RGB 31 188 202

HSL 184.91, 0.73%, 0.46%

LAB 69.84, -32.59, -17.91

 

CMYK 73 / 6 / 0 / 28

HEX #32ACB7

RGB 50 172 183

HSL 184.96, 0.57%, 0.46%

LAB 64.65, -28.9, -15.24

 

CMYK 58 / 4 / 0 / 36

HEX #459DA4

RGB 69 157 164

HSL 184.42, 0.41%, 0.46%

LAB 59.94, -24.05, -11.61

 

CMYK 39 / 3 / 0 / 43

HEX #588D91

RGB 88 141 145

HSL 184.21, 0.24%, 0.46%

LAB 55.25, -16.49, -7.7

 

CMYK 16 / 2 / 0 / 50

HEX #6B7D7F

RGB 107 125 127

HSL 186, 0.09%, 0.46%

LAB 51.07, -6.11, -3.31

 

CMYK 85 / 0 / 39 / 21

HEX #1FCA7B

RGB 31 202 123

HSL 152.28, 0.73%, 0.46%

LAB 72.2, -58.72, 28.17

 

CMYK 85 / 0 / 17 / 21

HEX #1FCAA8

RGB 31 202 168

HSL 168.07, 0.73%, 0.46%

LAB 73.13, -48.52, 5.49

 

CMYK 85 / 5 / 0 / 21

HEX #1FBFCA

RGB 31 191 202

HSL 183.86, 0.73%, 0.46%

LAB 70.74, -34.01, -16.54

 

CMYK 85 / 28 / 0 / 21

HEX #1F91CA

RGB 31 145 202

HSL 200, 0.73%, 0.46%

LAB 56.89, -10.22, -37.88

 

CMYK 85 / 50 / 0 / 21

HEX #1F64CA

RGB 31 100 202

HSL 215.79, 0.73%, 0.46%

LAB 43.76, 17.25, -58.8

 

CMYK 85 / 7 / 0 / 49

HEX #147A83

RGB 20 122 131

HSL 184.86, 0.74%, 0.3%

LAB 46.59, -23.59, -12.75

 

CMYK 84 / 7 / 0 / 35

HEX #1A9BA7

RGB 26 155 167

HSL 185.11, 0.73%, 0.38%

LAB 58.46, -27.99, -15.63

 

CMYK 85 / 7 / 0 / 21

HEX #1FBCCA

RGB 31 188 202

HSL 184.91, 0.73%, 0.46%

LAB 69.84, -32.59, -17.91

 

CMYK 77 / 6 / 0 / 13

HEX #34D1DF

RGB 52 209 223

HSL 184.91, 0.73%, 0.54%

LAB 77.08, -34.35, -18.33

 

CMYK 61 / 5 / 0 / 11

HEX #58D9E4

RGB 88 217 228

HSL 184.71, 0.72%, 0.62%

LAB 80.35, -31.93, -15.99

 

CMYK 84 / 7 / 0 / 21

HEX #20BBC9

RGB 32 187 201

HSL 184.97, 0.73%, 0.46%

LAB 69.52, -32.35, -17.85

 

CMYK 62 / 85 / 0 / 21

HEX #4D1FCA

RGB 77 31 202

HSL 256.14, 0.73%, 0.46%

LAB 31.4, 61.08, -78.94

 

CMYK 0 / 28 / 85 / 21

HEX #CA911F

RGB 202 145 31

HSL 40, 0.73%, 0.46%

LAB 64.08, 12.26, 62.75

 

CMYK 84 / 7 / 0 / 21

HEX #20BBC9

RGB 32 187 201

HSL 184.97, 0.73%, 0.46%

LAB 69.52, -32.35, -17.85

 

CMYK 0 / 85 / 5 / 21

HEX #CA1FBF

RGB 202 31 191

HSL 303.86, 0.73%, 0.46%

LAB 48.63, 77.22, -43.71

 

CMYK 5 / 0 / 85 / 21

HEX #BFCA1F

RGB 191 202 31

HSL 63.86, 0.73%, 0.46%

LAB 78.12, -22.29, 74.05

 

CMYK 84 / 7 / 0 / 21

HEX #20BBC9

RGB 32 187 201

HSL 184.97, 0.73%, 0.46%

LAB 69.52, -32.35, -17.85

 

CMYK 62 / 85 / 0 / 21

HEX #4D1FCA

RGB 77 31 202

HSL 256.14, 0.73%, 0.46%

LAB 31.4, 61.08, -78.94

 

CMYK 0 / 79 / 85 / 21

HEX #CA2B1F

RGB 202 43 31

HSL 4.21, 0.73%, 0.46%

LAB 44.78, 60.37, 46.25

 

CMYK 22 / 0 / 85 / 21

HEX #9DCA1F

RGB 157 202 31

HSL 75.79, 0.73%, 0.46%

LAB 75.77, -36.23, 71.12

 

CMYK 84 / 7 / 0 / 21

HEX #20BBC9

RGB 32 187 201

HSL 184.97, 0.73%, 0.46%

LAB 69.52, -32.35, -17.85

 

CMYK 37 / 85 / 0 / 21

HEX #801FCA

RGB 128 31 202

HSL 274.04, 0.73%, 0.46%

LAB 37.54, 66.87, -68.61

 

CMYK 0 / 79 / 85 / 21

HEX #CA2B1F

RGB 202 43 31

HSL 4.21, 0.73%, 0.46%

LAB 44.78, 60.37, 46.25

 

CMYK 48 / 0 / 85 / 21

HEX #69CA1F

RGB 105 202 31

HSL 94.04, 0.73%, 0.46%

LAB 73.12, -54.66, 67.79

 

Description

Color code: HEX #20BBC9 | qconv.com Color code: HEX #20BBC9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 187 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 187 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 7 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 7% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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