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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20CF8F it is the complementary color #DF3070. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20CF8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20CF8F shade: #25CF8A, #36E19D, #47F3B0, #58FFC3 and #69FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20CF8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20CF8F shade: #20CF8F, #0FBD7C, #00AB69, #009956 and #008743

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20CF8F shade: #20CF8F, #20CF60, #20CF30, #3ECF20 and #6ECF20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20CF8F shade: #20CF8F, #20CFBE, #20B0CF, #2081CF and #2052CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20CF8F shade matches the following richer shades: #20CF8F and #0CE294

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20CF8F shade: #20CF8F, #33BB8A, #47A884, #5A957F and #6D817A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20CF8F shade: #20CF31, #20CF60, #20CF8F, #20CFBD and #20B2CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20CF8F shade: #15875E, #1AAB76, #20CF8F, #38E0A2 and #5CE5B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20CF8F shade: #20CF8F, #203DCF and #CF4920

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20CF8F shade: #20CF8F, #8F20CF and #CF8F20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20CF8F shade: #20CF8F, #203DCF, #CF2060 and #CFB220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20CF8F shade: #20CF8F, #3720CF, #CF2060 and #B8CF20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

Complementary color

CMYK 0 / 78 / 50 / 13

HEX #DF3070

RGB 223 48 112

HSL 338.06, 0.73%, 0.53%

LAB 50.65, 69.07, 6.85

 

CMYK 82 / 0 / 33 / 19

HEX #25CF8A

RGB 37 207 138

HSL 155.65, 0.7%, 0.48%

LAB 74.1, -56.99, 22.88

 

CMYK 76 / 0 / 30 / 12

HEX #36E19D

RGB 54 225 157

HSL 156.14, 0.74%, 0.55%

LAB 80.22, -57.96, 21.36

 

CMYK 71 / 0 / 28 / 5

HEX #47F3B0

RGB 71 243 176

HSL 156.63, 0.88%, 0.62%

LAB 86.29, -58.62, 19.97

 

CMYK 65 / 0 / 24 / 0

HEX #58FFC3

RGB 88 255 195

HSL 158.44, 1%, 0.67%

LAB 90.57, -56.7, 16.22

 

CMYK 59 / 0 / 16 / 0

HEX #69FFD6

RGB 105 255 214

HSL 163.6, 1%, 0.71%

LAB 91.41, -49.55, 7.69

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 92 / 0 / 34 / 26

HEX #0FBD7C

RGB 15 189 124

HSL 157.59, 0.85%, 0.4%

LAB 67.99, -54.86, 21.95

 

CMYK 100 / 0 / 39 / 33

HEX #00AB69

RGB 0 171 105

HSL 156.84, 1%, 0.34%

LAB 61.78, -52.92, 23.77

 

CMYK 100 / 0 / 44 / 40

HEX #009956

RGB 0 153 86

HSL 153.73, 1%, 0.3%

LAB 55.54, -50.27, 25.77

 

CMYK 100 / 0 / 50 / 47

HEX #008743

RGB 0 135 67

HSL 149.78, 1%, 0.26%

LAB 49.17, -47.43, 27.83

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 85 / 0 / 54 / 19

HEX #20CF60

RGB 32 207 96

HSL 141.94, 0.73%, 0.47%

LAB 73.4, -64.9, 43.2

 

CMYK 85 / 0 / 77 / 19

HEX #20CF30

RGB 32 207 48

HSL 125.49, 0.73%, 0.47%

LAB 72.99, -70.01, 62.37

 

CMYK 70 / 0 / 85 / 19

HEX #3ECF20

RGB 62 207 32

HSL 109.71, 0.73%, 0.47%

LAB 73.39, -66.81, 67.3

 

CMYK 47 / 0 / 85 / 19

HEX #6ECF20

RGB 110 207 32

HSL 93.26, 0.73%, 0.47%

LAB 74.85, -54.99, 69.16

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 85 / 0 / 8 / 19

HEX #20CFBE

RGB 32 207 190

HSL 174.17, 0.73%, 0.47%

LAB 75.23, -44.68, -3.33

 

CMYK 85 / 15 / 0 / 19

HEX #20B0CF

RGB 32 176 207

HSL 190.63, 0.73%, 0.47%

LAB 66.41, -25, -25.88

 

CMYK 85 / 38 / 0 / 19

HEX #2081CF

RGB 32 129 207

HSL 206.74, 0.73%, 0.47%

LAB 52.41, 1.06, -47.78

 

CMYK 85 / 60 / 0 / 19

HEX #2052CF

RGB 32 82 207

HSL 222.86, 0.73%, 0.47%

LAB 39.32, 31, -68.9

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 95 / 0 / 35 / 11

HEX #0CE294

RGB 12 226 148

HSL 158.13, 0.9%, 0.47%

LAB 79.96, -63.29, 25.6

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 73 / 0 / 26 / 27

HEX #33BB8A

RGB 51 187 138

HSL 158.38, 0.57%, 0.47%

LAB 68.08, -47.6, 14.61

 

CMYK 58 / 0 / 21 / 34

HEX #47A884

RGB 71 168 132

HSL 157.73, 0.41%, 0.47%

LAB 62.52, -37.29, 10.16

 

CMYK 40 / 0 / 15 / 42

HEX #5A957F

RGB 90 149 127

HSL 157.63, 0.25%, 0.47%

LAB 57.27, -24.52, 5.6

 

CMYK 16 / 0 / 5 / 49

HEX #6D817A

RGB 109 129 122

HSL 159, 0.08%, 0.47%

LAB 52.24, -8.77, 1.35

 

CMYK 85 / 0 / 76 / 19

HEX #20CF31

RGB 32 207 49

HSL 125.83, 0.73%, 0.47%

LAB 72.99, -69.94, 62.06

 

CMYK 85 / 0 / 54 / 19

HEX #20CF60

RGB 32 207 96

HSL 141.94, 0.73%, 0.47%

LAB 73.4, -64.9, 43.2

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 85 / 0 / 9 / 19

HEX #20CFBD

RGB 32 207 189

HSL 173.83, 0.73%, 0.47%

LAB 75.21, -44.95, -2.83

 

CMYK 85 / 14 / 0 / 19

HEX #20B2CF

RGB 32 178 207

HSL 189.94, 0.73%, 0.47%

LAB 67.02, -26.01, -24.96

 

CMYK 84 / 0 / 30 / 47

HEX #15875E

RGB 21 135 94

HSL 158.42, 0.73%, 0.31%

LAB 49.85, -40.23, 13.71

 

CMYK 85 / 0 / 31 / 33

HEX #1AAB76

RGB 26 171 118

HSL 158.07, 0.74%, 0.39%

LAB 62.21, -48.63, 17.33

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 75 / 0 / 28 / 12

HEX #38E0A2

RGB 56 224 162

HSL 157.86, 0.73%, 0.55%

LAB 80.04, -56.26, 18.52

 

CMYK 60 / 0 / 22 / 10

HEX #5CE5B3

RGB 92 229 179

HSL 158.1, 0.72%, 0.63%

LAB 82.68, -48.9, 13.42

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 85 / 71 / 0 / 19

HEX #203DCF

RGB 32 61 207

HSL 230.06, 0.73%, 0.47%

LAB 34.29, 44.27, -77.16

 

CMYK 0 / 65 / 85 / 19

HEX #CF4920

RGB 207 73 32

HSL 14.06, 0.73%, 0.47%

LAB 49.66, 51.16, 50.4

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 31 / 85 / 0 / 19

HEX #8F20CF

RGB 143 32 207

HSL 278.06, 0.73%, 0.47%

LAB 40.21, 69.78, -67.06

 

CMYK 0 / 31 / 85 / 19

HEX #CF8F20

RGB 207 143 32

HSL 38.06, 0.73%, 0.47%

LAB 64.17, 15.57, 62.76

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 85 / 71 / 0 / 19

HEX #203DCF

RGB 32 61 207

HSL 230.06, 0.73%, 0.47%

LAB 34.29, 44.27, -77.16

 

CMYK 0 / 85 / 54 / 19

HEX #CF2060

RGB 207 32 96

HSL 338.06, 0.73%, 0.47%

LAB 45.83, 67.61, 9.41

 

CMYK 0 / 14 / 85 / 19

HEX #CFB220

RGB 207 178 32

HSL 50.06, 0.73%, 0.47%

LAB 73.03, -3.18, 70.14

 

CMYK 85 / 0 / 31 / 19

HEX #20CF8F

RGB 32 207 143

HSL 158.06, 0.73%, 0.47%

LAB 74.14, -56.35, 20.29

 

CMYK 73 / 85 / 0 / 19

HEX #3720CF

RGB 55 32 207

HSL 247.89, 0.73%, 0.47%

LAB 30.28, 60.46, -83.77

 

CMYK 0 / 85 / 54 / 19

HEX #CF2060

RGB 207 32 96

HSL 338.06, 0.73%, 0.47%

LAB 45.83, 67.61, 9.41

 

CMYK 11 / 0 / 85 / 19

HEX #B8CF20

RGB 184 207 32

HSL 67.89, 0.73%, 0.47%

LAB 79, -27.6, 74.35

 

Description

Color code: HEX #20CF8F | qconv.com Color code: HEX #20CF8F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 207 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 207 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 31 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 31% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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