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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20EE3B it is the complementary color #DF11C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20EE3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20EE3B shade: #25EE36, #36FF49, #47FF5C, #58FF6F and #69FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20EE3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20EE3B shade: #20EE3B, #0FDC28, #00CA15, #00B802 and #00A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20EE3B shade: #20EE3B, #3CEE20, #74EE20, #ABEE20 and #E3EE20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20EE3B shade: #20EE3B, #20EE72, #20EEAA, #20EEE1 and #20C2EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20EE3B shade matches the following richer shades: #20EE3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20EE3B shade: #20EE3B, #33DA49, #46C757, #5AB466 and #6DA074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20EE3B shade: #75EE20, #3FEE20, #20EE38, #20EE6F and #20EEA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20EE3B shade: #0DAE22, #10D529, #20EE3B, #46F15C and #6CF37E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20EE3B shade: #20EE3B, #20ACEE and #EE205A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20EE3B shade: #20EE3B, #3820EE and #EE3820

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20EE3B shade: #20EE3B, #20ACEE, #EE20D6 and #EE6120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20EE3B shade: #20EE3B, #206FEE, #EE20D6 and #EE9F20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 75 / 7

HEX #20EE3B

RGB 32 238 59

HSL 127.86, 0.86%, 0.53%

LAB 82.79, -78.14, 68.49

 

Complementary color

CMYK 0 / 92 / 12 / 13

HEX #DF11C4

RGB 223 17 196

HSL 307.86, 0.86%, 0.47%

LAB 51.92, 83.78, -41.16

 

CMYK 84 / 0 / 77 / 7

HEX #25EE36

RGB 37 238 54

HSL 125.07, 0.86%, 0.54%

LAB 82.81, -78.06, 70.06

 

CMYK 79 / 0 / 71 / 0

HEX #36FF49

RGB 54 255 73

HSL 125.67, 1%, 0.61%

LAB 88.35, -79.86, 69.48

 

CMYK 72 / 0 / 64 / 0

HEX #47FF5C

RGB 71 255 92

HSL 126.85, 1%, 0.64%

LAB 88.75, -75.9, 62.86

 

CMYK 65 / 0 / 56 / 0

HEX #58FF6F

RGB 88 255 111

HSL 128.26, 1%, 0.67%

LAB 89.27, -70.96, 55.52

 

CMYK 59 / 0 / 49 / 0

HEX #69FF82

RGB 105 255 130

HSL 130, 1%, 0.71%

LAB 89.92, -65.1, 47.73

 

CMYK 87 / 0 / 75 / 7

HEX #20EE3B

RGB 32 238 59

HSL 127.86, 0.86%, 0.53%

LAB 82.79, -78.14, 68.49

 

CMYK 93 / 0 / 82 / 14

HEX #0FDC28

RGB 15 220 40

HSL 127.32, 0.87%, 0.46%

LAB 76.95, -75.33, 68.37

 

CMYK 100 / 0 / 90 / 21

HEX #00CA15

RGB 0 202 21

HSL 126.24, 1%, 0.4%

LAB 71.07, -71.82, 67.23

 

CMYK 100 / 0 / 99 / 28

HEX #00B802

RGB 0 184 2

HSL 120.65, 1%, 0.36%

LAB 65.19, -67.4, 64.85

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 87 / 0 / 75 / 7

HEX #20EE3B

RGB 32 238 59

HSL 127.86, 0.86%, 0.53%

LAB 82.79, -78.14, 68.49

 

CMYK 75 / 0 / 87 / 7

HEX #3CEE20

RGB 60 238 32

HSL 111.84, 0.86%, 0.53%

LAB 83.03, -76.49, 75.78

 

CMYK 51 / 0 / 87 / 7

HEX #74EE20

RGB 116 238 32

HSL 95.53, 0.86%, 0.53%

LAB 84.47, -64.58, 77.59

 

CMYK 28 / 0 / 87 / 7

HEX #ABEE20

RGB 171 238 32

HSL 79.51, 0.86%, 0.53%

LAB 86.95, -46.62, 80.69

 

CMYK 5 / 0 / 87 / 7

HEX #E3EE20

RGB 227 238 32

HSL 63.2, 0.86%, 0.53%

LAB 90.59, -24.61, 85.18

 

CMYK 87 / 0 / 75 / 7

HEX #20EE3B

RGB 32 238 59

HSL 127.86, 0.86%, 0.53%

LAB 82.79, -78.14, 68.49

 

CMYK 87 / 0 / 52 / 7

HEX #20EE72

RGB 32 238 114

HSL 143.88, 0.86%, 0.53%

LAB 83.27, -72.23, 46.74

 

CMYK 87 / 0 / 29 / 7

HEX #20EEAA

RGB 32 238 170

HSL 160.19, 0.86%, 0.53%

LAB 84.15, -61.98, 20.01

 

CMYK 87 / 0 / 5 / 7

HEX #20EEE1

RGB 32 238 225

HSL 176.21, 0.86%, 0.53%

LAB 85.45, -48.28, -6.89

 

CMYK 87 / 18 / 0 / 7

HEX #20C2EE

RGB 32 194 238

HSL 192.82, 0.86%, 0.53%

LAB 72.93, -23.86, -32.77

 

CMYK 87 / 0 / 75 / 7

HEX #20EE3B

RGB 32 238 59

HSL 127.86, 0.86%, 0.53%

LAB 82.79, -78.14, 68.49

 

CMYK 87 / 0 / 75 / 7

HEX #20EE3B

RGB 32 238 59

HSL 127.86, 0.86%, 0.53%

LAB 82.79, -78.14, 68.49

 

CMYK 77 / 0 / 67 / 15

HEX #33DA49

RGB 51 218 73

HSL 127.9, 0.69%, 0.53%

LAB 76.88, -69.07, 57.41

 

CMYK 65 / 0 / 56 / 22

HEX #46C757

RGB 70 199 87

HSL 127.91, 0.54%, 0.53%

LAB 71.44, -57.97, 45.26

 

CMYK 50 / 0 / 43 / 29

HEX #5AB466

RGB 90 180 102

HSL 128, 0.38%, 0.53%

LAB 66.35, -43.66, 31.67

 

CMYK 32 / 0 / 28 / 37

HEX #6DA074

RGB 109 160 116

HSL 128.24, 0.21%, 0.53%

LAB 61.35, -26.29, 17.66

 

CMYK 51 / 0 / 87 / 7

HEX #75EE20

RGB 117 238 32

HSL 95.24, 0.86%, 0.53%

LAB 84.5, -64.3, 77.64

 

CMYK 74 / 0 / 87 / 7

HEX #3FEE20

RGB 63 238 32

HSL 110.97, 0.86%, 0.53%

LAB 83.08, -76.05, 75.85

 

CMYK 87 / 0 / 76 / 7

HEX #20EE38

RGB 32 238 56

HSL 126.99, 0.86%, 0.53%

LAB 82.78, -78.34, 69.41

 

CMYK 87 / 0 / 53 / 7

HEX #20EE6F

RGB 32 238 111

HSL 143.01, 0.86%, 0.53%

LAB 83.23, -72.66, 48.09

 

CMYK 87 / 0 / 30 / 7

HEX #20EEA6

RGB 32 238 166

HSL 159.03, 0.86%, 0.53%

LAB 84.07, -62.84, 21.97

 

CMYK 93 / 0 / 80 / 32

HEX #0DAE22

RGB 13 174 34

HSL 127.83, 0.86%, 0.37%

LAB 62.06, -62.76, 56.13

 

CMYK 92 / 0 / 81 / 16

HEX #10D529

RGB 16 213 41

HSL 127.61, 0.86%, 0.45%

LAB 74.74, -73.29, 66.06

 

CMYK 87 / 0 / 75 / 7

HEX #20EE3B

RGB 32 238 59

HSL 127.86, 0.86%, 0.53%

LAB 82.79, -78.14, 68.49

 

CMYK 71 / 0 / 62 / 5

HEX #46F15C

RGB 70 241 92

HSL 127.72, 0.86%, 0.61%

LAB 84.48, -71.62, 58.09

 

CMYK 56 / 0 / 48 / 5

HEX #6CF37E

RGB 108 243 126

HSL 128, 0.85%, 0.69%

LAB 86.4, -60.55, 45.26

 

CMYK 87 / 0 / 75 / 7

HEX #20EE3B

RGB 32 238 59

HSL 127.86, 0.86%, 0.53%

LAB 82.79, -78.14, 68.49

 

CMYK 87 / 28 / 0 / 7

HEX #20ACEE

RGB 32 172 238

HSL 199.22, 0.86%, 0.53%

LAB 66.51, -12.28, -42.77

 

CMYK 0 / 87 / 62 / 7

HEX #EE205A

RGB 238 32 90

HSL 343.11, 0.86%, 0.53%

LAB 51.78, 74.97, 22.21

 

CMYK 87 / 0 / 75 / 7

HEX #20EE3B

RGB 32 238 59

HSL 127.86, 0.86%, 0.53%

LAB 82.79, -78.14, 68.49

 

CMYK 76 / 87 / 0 / 7

HEX #3820EE

RGB 56 32 238

HSL 246.99, 0.86%, 0.53%

LAB 34.08, 69.02, -95.26

 

CMYK 0 / 76 / 87 / 7

HEX #EE3820

RGB 238 56 32

HSL 6.99, 0.86%, 0.53%

LAB 53.07, 67.15, 55.53

 

CMYK 87 / 0 / 75 / 7

HEX #20EE3B

RGB 32 238 59

HSL 127.86, 0.86%, 0.53%

LAB 82.79, -78.14, 68.49

 

CMYK 87 / 28 / 0 / 7

HEX #20ACEE

RGB 32 172 238

HSL 199.22, 0.86%, 0.53%

LAB 66.51, -12.28, -42.77

 

CMYK 0 / 87 / 10 / 7

HEX #EE20D6

RGB 238 32 214

HSL 306.99, 0.86%, 0.53%

LAB 56.15, 86.93, -44.64

 

CMYK 0 / 59 / 87 / 7

HEX #EE6120

RGB 238 97 32

HSL 18.93, 0.86%, 0.53%

LAB 58.82, 51.57, 60.12

 

CMYK 87 / 0 / 75 / 7

HEX #20EE3B

RGB 32 238 59

HSL 127.86, 0.86%, 0.53%

LAB 82.79, -78.14, 68.49

 

CMYK 87 / 53 / 0 / 7

HEX #206FEE

RGB 32 111 238

HSL 216.99, 0.86%, 0.53%

LAB 49.31, 24.13, -70.23

 

CMYK 0 / 87 / 10 / 7

HEX #EE20D6

RGB 238 32 214

HSL 306.99, 0.86%, 0.53%

LAB 56.15, 86.93, -44.64

 

CMYK 0 / 33 / 87 / 7

HEX #EE9F20

RGB 238 159 32

HSL 36.99, 0.86%, 0.53%

LAB 71.61, 20.33, 70.34

 

Description

Color code: HEX #20EE3B | qconv.com Color code: HEX #20EE3B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 238 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 238 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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