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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #211178 it is the complementary color #DEEE87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #211178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #211178 shade: #261173, #372386, #483599, #5947AC and #6A59BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #211178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #211178 shade: #211178, #100065, #000052, #00003F and #00002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #211178 shade: #211178, #3D1178, #581178, #741178 and #781160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #211178 shade: #211178 and #111178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #211178 shade matches the following richer shades: #211178 and #190683

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #211178 shade: #211178, #281C6D, #302762, #383257 and #3F3D4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #211178 shade: #113878, #111D78, #201178, #3C1178 and #571178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #211178 shade: #0D0630, #170C54, #211178, #2B169C and #351BC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #211178 shade: #211178, #781154 and #2B7811

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #211178 shade: #211178, #782011 and #117820

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #211178 shade: #211178, #781154, #687811 and #117835

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #211178 shade: #211178, #781135, #687811 and #117854

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 86 / 0 / 53

HEX #211178

RGB 33 17 120

HSL 249.32, 0.75%, 0.27%

LAB 15.9, 39.51, -54.66

 

Complementary color

CMYK 7 / 0 / 43 / 7

HEX #DEEE87

RGB 222 238 135

HSL 69.32, 0.75%, 0.73%

LAB 90.97, -20.42, 47.92

 

CMYK 67 / 85 / 0 / 55

HEX #261173

RGB 38 17 115

HSL 252.86, 0.74%, 0.26%

LAB 15.75, 38.41, -51.67

 

CMYK 59 / 74 / 0 / 47

HEX #372386

RGB 55 35 134

HSL 252.12, 0.59%, 0.33%

LAB 22.78, 37.11, -52.14

 

CMYK 53 / 65 / 0 / 40

HEX #483599

RGB 72 53 153

HSL 251.4, 0.49%, 0.4%

LAB 29.97, 35.47, -52.07

 

CMYK 48 / 59 / 0 / 33

HEX #5947AC

RGB 89 71 172

HSL 250.69, 0.42%, 0.48%

LAB 37.13, 33.9, -51.82

 

CMYK 45 / 53 / 0 / 25

HEX #6A59BF

RGB 106 89 191

HSL 250, 0.44%, 0.55%

LAB 44.19, 32.5, -51.53

 

CMYK 73 / 86 / 0 / 53

HEX #211178

RGB 33 17 120

HSL 249.32, 0.75%, 0.27%

LAB 15.9, 39.51, -54.66

 

CMYK 84 / 100 / 0 / 60

HEX #100065

RGB 16 0 101

HSL 249.5, 1%, 0.2%

LAB 9.4, 40.45, -53.1

 

CMYK 100 / 100 / 0 / 68

HEX #000052

RGB 0 0 82

HSL 240, 1%, 0.16%

LAB 5.5, 33.37, -46.76

 

CMYK 100 / 100 / 0 / 75

HEX #00003F

RGB 0 0 63

HSL 240, 1%, 0.12%

LAB 3.24, 22.73, -37.1

 

CMYK 100 / 100 / 0 / 83

HEX #00002C

RGB 0 0 44

HSL 240, 1%, 0.09%

LAB 1.64, 11.54, -25.61

 

CMYK 73 / 86 / 0 / 53

HEX #211178

RGB 33 17 120

HSL 249.32, 0.75%, 0.27%

LAB 15.9, 39.51, -54.66

 

CMYK 49 / 86 / 0 / 53

HEX #3D1178

RGB 61 17 120

HSL 265.63, 0.75%, 0.27%

LAB 19.01, 42.67, -49.42

 

CMYK 27 / 86 / 0 / 53

HEX #581178

RGB 88 17 120

HSL 281.36, 0.75%, 0.27%

LAB 23.11, 46.99, -42.56

 

CMYK 3 / 86 / 0 / 53

HEX #741178

RGB 116 17 120

HSL 297.67, 0.75%, 0.27%

LAB 28.03, 52.32, -34.36

 

CMYK 0 / 86 / 20 / 53

HEX #781160

RGB 120 17 96

HSL 313.98, 0.75%, 0.27%

LAB 27.4, 49.41, -19.83

 

CMYK 73 / 86 / 0 / 53

HEX #211178

RGB 33 17 120

HSL 249.32, 0.75%, 0.27%

LAB 15.9, 39.51, -54.66

 

CMYK 86 / 86 / 0 / 53

HEX #111178

RGB 17 17 120

HSL 240, 0.75%, 0.27%

LAB 14.82, 38.44, -56.48

 

CMYK 73 / 86 / 0 / 53

HEX #211178

RGB 33 17 120

HSL 249.32, 0.75%, 0.27%

LAB 15.9, 39.51, -54.66

 

CMYK 81 / 95 / 0 / 49

HEX #190683

RGB 25 6 131

HSL 249.12, 0.91%, 0.27%

LAB 15.36, 46.55, -62.6

 

CMYK 73 / 86 / 0 / 53

HEX #211178

RGB 33 17 120

HSL 249.32, 0.75%, 0.27%

LAB 15.9, 39.51, -54.66

 

CMYK 63 / 74 / 0 / 57

HEX #281C6D

RGB 40 28 109

HSL 248.89, 0.59%, 0.27%

LAB 17.39, 30.71, -45.06

 

CMYK 51 / 60 / 0 / 62

HEX #302762

RGB 48 39 98

HSL 249.15, 0.43%, 0.27%

LAB 19.89, 21.36, -33.77

 

CMYK 36 / 43 / 0 / 66

HEX #383257

RGB 56 50 87

HSL 249.73, 0.27%, 0.27%

LAB 23.03, 12.52, -21.45

 

CMYK 16 / 19 / 0 / 71

HEX #3F3D4B

RGB 63 61 75

HSL 248.57, 0.1%, 0.27%

LAB 26.45, 4.21, -8.2

 

CMYK 86 / 53 / 0 / 53

HEX #113878

RGB 17 56 120

HSL 217.28, 0.75%, 0.27%

LAB 24.65, 12.57, -40.35

 

CMYK 86 / 76 / 0 / 53

HEX #111D78

RGB 17 29 120

HSL 233.01, 0.75%, 0.27%

LAB 17.24, 31.5, -52.47

 

CMYK 73 / 86 / 0 / 53

HEX #201178

RGB 32 17 120

HSL 248.74, 0.75%, 0.27%

LAB 15.82, 39.42, -54.8

 

CMYK 50 / 86 / 0 / 53

HEX #3C1178

RGB 60 17 120

HSL 265.05, 0.75%, 0.27%

LAB 18.88, 42.53, -49.65

 

CMYK 28 / 86 / 0 / 53

HEX #571178

RGB 87 17 120

HSL 280.78, 0.75%, 0.27%

LAB 22.94, 46.81, -42.83

 

CMYK 73 / 88 / 0 / 81

HEX #0D0630

RGB 13 6 48

HSL 250, 0.78%, 0.11%

LAB 3.88, 14.61, -25.03

 

CMYK 73 / 86 / 0 / 67

HEX #170C54

RGB 23 12 84

HSL 249.17, 0.75%, 0.19%

LAB 9.68, 29.27, -41.15

 

CMYK 73 / 86 / 0 / 53

HEX #211178

RGB 33 17 120

HSL 249.32, 0.75%, 0.27%

LAB 15.9, 39.51, -54.66

 

CMYK 72 / 86 / 0 / 39

HEX #2B169C

RGB 43 22 156

HSL 249.4, 0.75%, 0.35%

LAB 21.9, 49.02, -67.27

 

CMYK 72 / 86 / 0 / 25

HEX #351BC0

RGB 53 27 192

HSL 249.45, 0.75%, 0.43%

LAB 27.7, 58.03, -79.27

 

CMYK 73 / 86 / 0 / 53

HEX #211178

RGB 33 17 120

HSL 249.32, 0.75%, 0.27%

LAB 15.9, 39.51, -54.66

 

CMYK 0 / 86 / 30 / 53

HEX #781154

RGB 120 17 84

HSL 320.97, 0.75%, 0.27%

LAB 26.83, 47.8, -12.81

 

CMYK 64 / 0 / 86 / 53

HEX #2B7811

RGB 43 120 17

HSL 104.85, 0.75%, 0.27%

LAB 44.21, -42.13, 44.66

 

CMYK 73 / 86 / 0 / 53

HEX #211178

RGB 33 17 120

HSL 249.32, 0.75%, 0.27%

LAB 15.9, 39.51, -54.66

 

CMYK 0 / 73 / 86 / 53

HEX #782011

RGB 120 32 17

HSL 8.74, 0.75%, 0.27%

LAB 26.92, 37.38, 31.2

 

CMYK 86 / 0 / 73 / 53

HEX #117820

RGB 17 120 32

HSL 128.74, 0.75%, 0.27%

LAB 43.74, -45.84, 38.67

 

CMYK 73 / 86 / 0 / 53

HEX #211178

RGB 33 17 120

HSL 249.32, 0.75%, 0.27%

LAB 15.9, 39.51, -54.66

 

CMYK 0 / 86 / 30 / 53

HEX #781154

RGB 120 17 84

HSL 320.97, 0.75%, 0.27%

LAB 26.83, 47.8, -12.81

 

CMYK 13 / 0 / 86 / 53

HEX #687811

RGB 104 120 17

HSL 69.32, 0.75%, 0.27%

LAB 47.52, -19.33, 48.84

 

CMYK 86 / 0 / 56 / 53

HEX #117835

RGB 17 120 53

HSL 140.97, 0.75%, 0.27%

LAB 43.96, -43.12, 28.85

 

CMYK 73 / 86 / 0 / 53

HEX #211178

RGB 33 17 120

HSL 249.32, 0.75%, 0.27%

LAB 15.9, 39.51, -54.66

 

CMYK 0 / 86 / 56 / 53

HEX #781135

RGB 120 17 53

HSL 339.03, 0.75%, 0.27%

LAB 25.72, 44.56, 6.49

 

CMYK 13 / 0 / 86 / 53

HEX #687811

RGB 104 120 17

HSL 69.32, 0.75%, 0.27%

LAB 47.52, -19.33, 48.84

 

CMYK 86 / 0 / 30 / 53

HEX #117854

RGB 17 120 84

HSL 159.03, 0.75%, 0.27%

LAB 44.51, -36.79, 12.1

 

Description

Color code: HEX #211178 | qconv.com Color code: HEX #211178 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 17 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 17 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 86 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 86% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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