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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #213F21 it is the complementary color #DEC0DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #213F21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #213F21 shade: #263F1C, #37512F, #486342, #597555 and #6A8768

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #213F21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #213F21 shade: #213F21, #102D0E, #001B00 and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #213F21 shade: #213F21, #293F21, #313F21, #393F21 and #3F3D21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #213F21 shade: #213F21, #213F29, #213F31, #213F39 and #213D3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #213F21 shade matches the following richer shades: #213F21, #194719, #114F11, #095609 and #025E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #213F21 shade: #213F21, #293729, #312F31, #382738 and #402040

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #213F21 shade: #313F21, #293F21, #213F21, #213F29 and #213F31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #213F21 shade: #040904, #132413, #213F21, #2F5A2F and #3D753D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #213F21 shade: #213F21, #21393F and #3F212D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #213F21 shade: #213F21, #21213F and #3F2121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #213F21 shade: #213F21, #21393F, #3F213F and #3F2721

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #213F21 shade: #213F21, #21303F, #3F213F and #3F3021

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

Complementary color

CMYK 0 / 14 / 0 / 13

HEX #DEC0DE

RGB 222 192 222

HSL 300, 0.31%, 0.81%

LAB 81.02, 15.82, -11.01

 

CMYK 40 / 0 / 56 / 75

HEX #263F1C

RGB 38 63 28

HSL 102.86, 0.38%, 0.18%

LAB 23.84, -17.55, 18.37

 

CMYK 32 / 0 / 42 / 68

HEX #37512F

RGB 55 81 47

HSL 105.88, 0.27%, 0.25%

LAB 31.58, -17.37, 16.93

 

CMYK 27 / 0 / 33 / 61

HEX #486342

RGB 72 99 66

HSL 109.09, 0.2%, 0.32%

LAB 39.06, -17.14, 15.62

 

CMYK 24 / 0 / 27 / 54

HEX #597555

RGB 89 117 85

HSL 112.5, 0.16%, 0.4%

LAB 46.31, -16.93, 14.44

 

CMYK 21 / 0 / 23 / 47

HEX #6A8768

RGB 106 135 104

HSL 116.13, 0.13%, 0.47%

LAB 53.38, -16.73, 13.37

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 64 / 0 / 69 / 82

HEX #102D0E

RGB 16 45 14

HSL 116.13, 0.53%, 0.12%

LAB 15.58, -18.71, 16.28

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 35 / 0 / 48 / 75

HEX #293F21

RGB 41 63 33

HSL 104, 0.31%, 0.19%

LAB 24.12, -15.49, 15.7

 

CMYK 22 / 0 / 48 / 75

HEX #313F21

RGB 49 63 33

HSL 88, 0.31%, 0.19%

LAB 24.7, -11.99, 16.55

 

CMYK 10 / 0 / 48 / 75

HEX #393F21

RGB 57 63 33

HSL 72, 0.31%, 0.19%

LAB 25.37, -8.25, 17.54

 

CMYK 0 / 3 / 48 / 75

HEX #3F3D21

RGB 63 61 33

HSL 56, 0.31%, 0.19%

LAB 25.27, -4.08, 17.54

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 48 / 0 / 35 / 75

HEX #213F29

RGB 33 63 41

HSL 136, 0.31%, 0.19%

LAB 23.8, -17.03, 10.08

 

CMYK 48 / 0 / 22 / 75

HEX #213F31

RGB 33 63 49

HSL 152, 0.31%, 0.19%

LAB 24, -15.12, 5.13

 

CMYK 48 / 0 / 10 / 75

HEX #213F39

RGB 33 63 57

HSL 168, 0.31%, 0.19%

LAB 24.24, -12.95, 0.17

 

CMYK 48 / 3 / 0 / 75

HEX #213D3F

RGB 33 61 63

HSL 184, 0.31%, 0.19%

LAB 23.74, -9.94, -4.56

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 65 / 0 / 65 / 72

HEX #194719

RGB 25 71 25

HSL 120, 0.48%, 0.19%

LAB 26.11, -26.54, 22.67

 

CMYK 78 / 0 / 78 / 69

HEX #114F11

RGB 17 79 17

HSL 120, 0.65%, 0.19%

LAB 28.78, -32.77, 29.52

 

CMYK 90 / 0 / 90 / 66

HEX #095609

RGB 9 86 9

HSL 120, 0.81%, 0.19%

LAB 31.19, -37.23, 34.8

 

CMYK 98 / 0 / 98 / 63

HEX #025E02

RGB 2 94 2

HSL 120, 0.96%, 0.19%

LAB 34.03, -41.17, 39.48

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 25 / 0 / 25 / 78

HEX #293729

RGB 41 55 41

HSL 120, 0.15%, 0.19%

LAB 21.45, -9.2, 6.93

 

CMYK 0 / 4 / 0 / 81

HEX #312F31

RGB 49 47 49

HSL 300, 0.02%, 0.19%

LAB 19.67, 1.36, -0.96

 

CMYK 0 / 30 / 0 / 78

HEX #382738

RGB 56 39 56

HSL 300, 0.18%, 0.19%

LAB 18.26, 11.55, -7.83

 

CMYK 0 / 50 / 0 / 75

HEX #402040

RGB 64 32 64

HSL 300, 0.33%, 0.19%

LAB 17.89, 21.17, -13.88

 

CMYK 22 / 0 / 48 / 75

HEX #313F21

RGB 49 63 33

HSL 88, 0.31%, 0.19%

LAB 24.7, -11.99, 16.55

 

CMYK 35 / 0 / 48 / 75

HEX #293F21

RGB 41 63 33

HSL 104, 0.31%, 0.19%

LAB 24.12, -15.49, 15.7

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 48 / 0 / 35 / 75

HEX #213F29

RGB 33 63 41

HSL 136, 0.31%, 0.19%

LAB 23.8, -17.03, 10.08

 

CMYK 48 / 0 / 22 / 75

HEX #213F31

RGB 33 63 49

HSL 152, 0.31%, 0.19%

LAB 24, -15.12, 5.13

 

CMYK 56 / 0 / 56 / 96

HEX #040904

RGB 4 9 4

HSL 120, 0.38%, 0.03%

LAB 2.08, -2, 1.43

 

CMYK 47 / 0 / 47 / 86

HEX #132413

RGB 19 36 19

HSL 120, 0.31%, 0.11%

LAB 12.27, -11.67, 9.11

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 48 / 0 / 48 / 65

HEX #2F5A2F

RGB 47 90 47

HSL 120, 0.31%, 0.27%

LAB 34.24, -25.01, 20.26

 

CMYK 48 / 0 / 48 / 54

HEX #3D753D

RGB 61 117 61

HSL 120, 0.31%, 0.35%

LAB 44.31, -30.97, 25.23

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 48 / 10 / 0 / 75

HEX #21393F

RGB 33 57 63

HSL 192, 0.31%, 0.19%

LAB 22.33, -7.43, -6.67

 

CMYK 0 / 48 / 29 / 75

HEX #3F212D

RGB 63 33 45

HSL 336, 0.31%, 0.19%

LAB 17.15, 16.3, -1.68

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 48 / 48 / 0 / 75

HEX #21213F

RGB 33 33 63

HSL 240, 0.31%, 0.19%

LAB 14.23, 9.29, -19.19

 

CMYK 0 / 48 / 48 / 75

HEX #3F2121

RGB 63 33 33

HSL 0, 0.31%, 0.19%

LAB 16.77, 14.42, 6.29

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 48 / 10 / 0 / 75

HEX #21393F

RGB 33 57 63

HSL 192, 0.31%, 0.19%

LAB 22.33, -7.43, -6.67

 

CMYK 0 / 48 / 0 / 75

HEX #3F213F

RGB 63 33 63

HSL 300, 0.31%, 0.19%

LAB 17.93, 19.94, -13.12

 

CMYK 0 / 38 / 48 / 75

HEX #3F2721

RGB 63 39 33

HSL 12, 0.31%, 0.19%

LAB 18.44, 10.43, 8.59

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 48 / 24 / 0 / 75

HEX #21303F

RGB 33 48 63

HSL 210, 0.31%, 0.19%

LAB 19.21, -1.47, -11.42

 

CMYK 0 / 48 / 0 / 75

HEX #3F213F

RGB 63 33 63

HSL 300, 0.31%, 0.19%

LAB 17.93, 19.94, -13.12

 

CMYK 0 / 24 / 48 / 75

HEX #3F3021

RGB 63 48 33

HSL 30, 0.31%, 0.19%

LAB 21.13, 4.39, 12.2

 

Description

Color code: HEX #213F21 | qconv.com Color code: HEX #213F21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 63 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 63 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 48 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 48% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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