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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #213F32 it is the complementary color #DEC0CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #213F32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #213F32 shade: #263F2D, #375140, #486353, #597566 and #6A8779

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #213F32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #213F32 shade: #213F32, #102D1F, #001B0C and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #213F32 shade: #213F32, #213F2A, #213F22, #283F21 and #303F21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #213F32 shade: #213F32, #213F3A, #213C3F, #21343F and #212C3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #213F32 shade matches the following richer shades: #213F32, #194733, #114F34, #095635 and #025E36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #213F32 shade: #213F32, #293731, #312F30, #38272F and #40202E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #213F32 shade: #213F22, #213F2A, #213F32, #213F3A and #213C3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #213F32 shade: #040907, #13241C, #213F32, #2F5A47 and #3D755D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #213F32 shade: #213F32, #21283F and #3F2621

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #213F32 shade: #213F32, #32213F and #3F3221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #213F32 shade: #213F32, #21283F, #3F212E and #3F3821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #213F32 shade: #213F32, #23213F, #3F212E and #3D3F21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

Complementary color

CMYK 0 / 14 / 8 / 13

HEX #DEC0CD

RGB 222 192 205

HSL 334, 0.31%, 0.81%

LAB 80.54, 12.8, -2.58

 

CMYK 40 / 0 / 29 / 75

HEX #263F2D

RGB 38 63 45

HSL 136.8, 0.25%, 0.2%

LAB 24.18, -14.3, 8.05

 

CMYK 32 / 0 / 21 / 68

HEX #375140

RGB 55 81 64

HSL 140.77, 0.19%, 0.27%

LAB 31.96, -13.99, 6.89

 

CMYK 27 / 0 / 16 / 61

HEX #486353

RGB 72 99 83

HSL 144.44, 0.16%, 0.34%

LAB 39.46, -13.73, 5.88

 

CMYK 24 / 0 / 13 / 54

HEX #597566

RGB 89 117 102

HSL 147.86, 0.14%, 0.4%

LAB 46.72, -13.52, 4.97

 

CMYK 21 / 0 / 10 / 47

HEX #6A8779

RGB 106 135 121

HSL 151.03, 0.12%, 0.47%

LAB 53.78, -13.35, 4.15

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 64 / 0 / 31 / 82

HEX #102D1F

RGB 16 45 31

HSL 151.03, 0.48%, 0.12%

LAB 15.93, -15.09, 5.81

 

CMYK 100 / 0 / 56 / 89

HEX #001B0C

RGB 0 27 12

HSL 146.67, 1%, 0.05%

LAB 7.32, -12.78, 5.75

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 48 / 0 / 33 / 75

HEX #213F2A

RGB 33 63 42

HSL 138, 0.31%, 0.19%

LAB 23.82, -16.81, 9.47

 

CMYK 48 / 0 / 46 / 75

HEX #213F22

RGB 33 63 34

HSL 122, 0.31%, 0.19%

LAB 23.65, -18.47, 14.37

 

CMYK 37 / 0 / 48 / 75

HEX #283F21

RGB 40 63 33

HSL 106, 0.31%, 0.19%

LAB 24.05, -15.91, 15.6

 

CMYK 24 / 0 / 48 / 75

HEX #303F21

RGB 48 63 33

HSL 90, 0.31%, 0.19%

LAB 24.62, -12.44, 16.44

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 48 / 0 / 8 / 75

HEX #213F3A

RGB 33 63 58

HSL 170, 0.31%, 0.19%

LAB 24.27, -12.66, -0.44

 

CMYK 48 / 5 / 0 / 75

HEX #213C3F

RGB 33 60 63

HSL 186, 0.31%, 0.19%

LAB 23.38, -9.32, -5.09

 

CMYK 48 / 17 / 0 / 75

HEX #21343F

RGB 33 52 63

HSL 202, 0.31%, 0.19%

LAB 20.59, -4.17, -9.31

 

CMYK 48 / 30 / 0 / 75

HEX #212C3F

RGB 33 44 63

HSL 218, 0.31%, 0.19%

LAB 17.84, 1.32, -13.53

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 65 / 0 / 28 / 72

HEX #194733

RGB 25 71 51

HSL 153.91, 0.48%, 0.19%

LAB 26.6, -21.3, 7.43

 

CMYK 78 / 0 / 34 / 69

HEX #114F34

RGB 17 79 52

HSL 153.87, 0.65%, 0.19%

LAB 29.31, -26.65, 10.51

 

CMYK 90 / 0 / 38 / 66

HEX #095635

RGB 9 86 53

HSL 154.29, 0.81%, 0.19%

LAB 31.74, -30.66, 13.17

 

CMYK 98 / 0 / 43 / 63

HEX #025E36

RGB 2 94 54

HSL 153.91, 0.96%, 0.19%

LAB 34.57, -34.53, 16.33

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 25 / 0 / 11 / 78

HEX #293731

RGB 41 55 49

HSL 154.29, 0.15%, 0.19%

LAB 21.67, -7.32, 1.87

 

CMYK 0 / 4 / 2 / 81

HEX #312F30

RGB 49 47 48

HSL 330, 0.02%, 0.19%

LAB 19.64, 1.12, -0.33

 

CMYK 0 / 30 / 16 / 78

HEX #38272F

RGB 56 39 47

HSL 331.76, 0.18%, 0.19%

LAB 17.91, 9.55, -2.08

 

CMYK 0 / 50 / 28 / 75

HEX #40202E

RGB 64 32 46

HSL 333.75, 0.33%, 0.19%

LAB 17.09, 17.55, -2.46

 

CMYK 48 / 0 / 46 / 75

HEX #213F22

RGB 33 63 34

HSL 122, 0.31%, 0.19%

LAB 23.65, -18.47, 14.37

 

CMYK 48 / 0 / 33 / 75

HEX #213F2A

RGB 33 63 42

HSL 138, 0.31%, 0.19%

LAB 23.82, -16.81, 9.47

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 48 / 0 / 8 / 75

HEX #213F3A

RGB 33 63 58

HSL 170, 0.31%, 0.19%

LAB 24.27, -12.66, -0.44

 

CMYK 48 / 5 / 0 / 75

HEX #213C3F

RGB 33 60 63

HSL 186, 0.31%, 0.19%

LAB 23.38, -9.32, -5.09

 

CMYK 56 / 0 / 22 / 96

HEX #040907

RGB 4 9 7

HSL 156, 0.38%, 0.03%

LAB 2.14, -1.59, 0.3

 

CMYK 47 / 0 / 22 / 86

HEX #13241C

RGB 19 36 28

HSL 151.76, 0.31%, 0.11%

LAB 12.51, -9.46, 3.13

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 48 / 0 / 21 / 65

HEX #2F5A47

RGB 47 90 71

HSL 153.49, 0.31%, 0.27%

LAB 34.75, -20.02, 6.38

 

CMYK 48 / 0 / 21 / 54

HEX #3D755D

RGB 61 117 93

HSL 154.29, 0.31%, 0.35%

LAB 44.95, -24.63, 7.58

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 48 / 37 / 0 / 75

HEX #21283F

RGB 33 40 63

HSL 226, 0.31%, 0.19%

LAB 16.5, 4.17, -15.61

 

CMYK 0 / 40 / 48 / 75

HEX #3F2621

RGB 63 38 33

HSL 10, 0.31%, 0.19%

LAB 18.16, 11.1, 8.2

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 21 / 48 / 0 / 75

HEX #32213F

RGB 50 33 63

HSL 274, 0.31%, 0.19%

LAB 16.13, 15.13, -16.07

 

CMYK 0 / 21 / 48 / 75

HEX #3F3221

RGB 63 50 33

HSL 34, 0.31%, 0.19%

LAB 21.75, 3.05, 13.02

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 48 / 37 / 0 / 75

HEX #21283F

RGB 33 40 63

HSL 226, 0.31%, 0.19%

LAB 16.5, 4.17, -15.61

 

CMYK 0 / 48 / 27 / 75

HEX #3F212E

RGB 63 33 46

HSL 334, 0.31%, 0.19%

LAB 17.19, 16.48, -2.33

 

CMYK 0 / 11 / 48 / 75

HEX #3F3821

RGB 63 56 33

HSL 46, 0.31%, 0.19%

LAB 23.65, -0.88, 15.49

 

CMYK 48 / 0 / 21 / 75

HEX #213F32

RGB 33 63 50

HSL 154, 0.31%, 0.19%

LAB 24.03, -14.86, 4.5

 

CMYK 44 / 48 / 0 / 75

HEX #23213F

RGB 35 33 63

HSL 244, 0.31%, 0.19%

LAB 14.42, 9.93, -18.87

 

CMYK 0 / 48 / 27 / 75

HEX #3F212E

RGB 63 33 46

HSL 334, 0.31%, 0.19%

LAB 17.19, 16.48, -2.33

 

CMYK 3 / 0 / 48 / 75

HEX #3D3F21

RGB 61 63 33

HSL 64, 0.31%, 0.19%

LAB 25.73, -6.31, 18.08

 

Description

Color code: HEX #213F32 | qconv.com Color code: HEX #213F32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 63 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 63 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 21 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 21% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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