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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #214439 it is the complementary color #DEBBC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #214439. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #214439 shade: #264434, #375647, #48685A, #597A6D and #6A8C80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #214439. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #214439 shade: #214439, #103226, #002013 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #214439 shade: #214439, #214430, #214426, #254421 and #2F4421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #214439 shade: #214439, #214443, #213C44, #213344 and #212944

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #214439 shade matches the following richer shades: #214439, #184D3C, #10553F, #085D42 and #006545

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #214439 shade: #214439, #293C36, #313433, #392C30 and #42232D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #214439 shade: #214426, #214430, #214439, #214443 and #213D44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #214439 shade: #060D0B, #132922, #214439, #2E6050 and #3B7C68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #214439 shade: #214439, #212544 and #442B21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #214439 shade: #214439, #392144 and #443921

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #214439 shade: #214439, #212544, #44212C and #444021

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #214439 shade: #214439, #272144, #44212C and #3E4421

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

Complementary color

CMYK 0 / 16 / 11 / 13

HEX #DEBBC6

RGB 222 187 198

HSL 341.14, 0.35%, 0.8%

LAB 79.13, 14.29, -0.87

 

CMYK 44 / 0 / 24 / 73

HEX #264434

RGB 38 68 52

HSL 148, 0.28%, 0.21%

LAB 26.14, -15.51, 6.22

 

CMYK 36 / 0 / 17 / 66

HEX #375647

RGB 55 86 71

HSL 150.97, 0.22%, 0.28%

LAB 33.82, -15.21, 5.13

 

CMYK 31 / 0 / 13 / 59

HEX #48685A

RGB 72 104 90

HSL 153.75, 0.18%, 0.35%

LAB 41.24, -14.95, 4.17

 

CMYK 27 / 0 / 11 / 52

HEX #597A6D

RGB 89 122 109

HSL 156.36, 0.16%, 0.41%

LAB 48.44, -14.73, 3.32

 

CMYK 24 / 0 / 9 / 45

HEX #6A8C80

RGB 106 140 128

HSL 158.82, 0.14%, 0.48%

LAB 55.46, -14.55, 2.53

 

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

CMYK 68 / 0 / 24 / 80

HEX #103226

RGB 16 50 38

HSL 158.82, 0.52%, 0.13%

LAB 18.06, -15.94, 3.98

 

CMYK 100 / 0 / 41 / 87

HEX #002013

RGB 0 32 19

HSL 155.63, 1%, 0.06%

LAB 9.64, -15.58, 5.31

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

CMYK 51 / 0 / 29 / 73

HEX #214430

RGB 33 68 48

HSL 145.71, 0.35%, 0.2%

LAB 25.78, -18.15, 8.27

 

CMYK 51 / 0 / 44 / 73

HEX #214426

RGB 33 68 38

HSL 128.57, 0.35%, 0.2%

LAB 25.56, -20.33, 14.35

 

CMYK 46 / 0 / 51 / 73

HEX #254421

RGB 37 68 33

HSL 113.14, 0.35%, 0.2%

LAB 25.68, -19.81, 17.63

 

CMYK 31 / 0 / 51 / 73

HEX #2F4421

RGB 47 68 33

HSL 96, 0.35%, 0.2%

LAB 26.3, -15.75, 18.54

 

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

CMYK 51 / 0 / 1 / 73

HEX #214443

RGB 33 68 67

HSL 178.29, 0.35%, 0.2%

LAB 26.34, -12.93, -3.33

 

CMYK 51 / 12 / 0 / 73

HEX #213C44

RGB 33 60 68

HSL 193.71, 0.35%, 0.2%

LAB 23.58, -7.71, -8.13

 

CMYK 51 / 25 / 0 / 73

HEX #213344

RGB 33 51 68

HSL 209.14, 0.35%, 0.2%

LAB 20.47, -1.79, -12.88

 

CMYK 51 / 40 / 0 / 73

HEX #212944

RGB 33 41 68

HSL 226.29, 0.35%, 0.2%

LAB 17.12, 5.23, -18.11

 

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

CMYK 69 / 0 / 22 / 70

HEX #184D3C

RGB 24 77 60

HSL 160.75, 0.52%, 0.2%

LAB 28.97, -22.2, 4.99

 

CMYK 81 / 0 / 26 / 67

HEX #10553F

RGB 16 85 63

HSL 160.87, 0.68%, 0.2%

LAB 31.73, -26.75, 6.96

 

CMYK 91 / 0 / 29 / 64

HEX #085D42

RGB 8 93 66

HSL 160.94, 0.84%, 0.2%

LAB 34.55, -30.55, 9.03

 

CMYK 100 / 0 / 32 / 60

HEX #006545

RGB 0 101 69

HSL 160.99, 1%, 0.2%

LAB 37.37, -34, 11.11

 

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

CMYK 32 / 0 / 10 / 76

HEX #293C36

RGB 41 60 54

HSL 161.05, 0.19%, 0.2%

LAB 23.57, -9.18, 1.26

 

CMYK 6 / 0 / 2 / 80

HEX #313433

RGB 49 52 51

HSL 160, 0.03%, 0.2%

LAB 21.39, -1.53, 0.18

 

CMYK 0 / 23 / 16 / 78

HEX #392C30

RGB 57 44 48

HSL 341.54, 0.13%, 0.2%

LAB 19.58, 6.78, -0.31

 

CMYK 0 / 47 / 32 / 74

HEX #42232D

RGB 66 35 45

HSL 340.65, 0.31%, 0.2%

LAB 18.14, 16.3, -0.17

 

CMYK 51 / 0 / 44 / 73

HEX #214426

RGB 33 68 38

HSL 128.57, 0.35%, 0.2%

LAB 25.56, -20.33, 14.35

 

CMYK 51 / 0 / 29 / 73

HEX #214430

RGB 33 68 48

HSL 145.71, 0.35%, 0.2%

LAB 25.78, -18.15, 8.27

 

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

CMYK 51 / 0 / 1 / 73

HEX #214443

RGB 33 68 67

HSL 178.29, 0.35%, 0.2%

LAB 26.34, -12.93, -3.33

 

CMYK 51 / 10 / 0 / 73

HEX #213D44

RGB 33 61 68

HSL 192, 0.35%, 0.2%

LAB 23.93, -8.34, -7.6

 

CMYK 54 / 0 / 15 / 95

HEX #060D0B

RGB 6 13 11

HSL 162.86, 0.37%, 0.04%

LAB 3.17, -2.21, 0.18

 

CMYK 54 / 0 / 17 / 84

HEX #132922

RGB 19 41 34

HSL 160.91, 0.37%, 0.12%

LAB 14.62, -10.9, 1.87

 

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

CMYK 52 / 0 / 17 / 62

HEX #2E6050

RGB 46 96 80

HSL 160.8, 0.35%, 0.28%

LAB 36.98, -21.22, 3.99

 

CMYK 52 / 0 / 16 / 51

HEX #3B7C68

RGB 59 124 104

HSL 161.54, 0.36%, 0.36%

LAB 47.42, -26.01, 4.6

 

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

CMYK 51 / 46 / 0 / 73

HEX #212544

RGB 33 37 68

HSL 233.14, 0.35%, 0.2%

LAB 15.82, 8.14, -20.15

 

CMYK 0 / 37 / 51 / 73

HEX #442B21

RGB 68 43 33

HSL 17.14, 0.35%, 0.2%

LAB 20.31, 10.2, 11.23

 

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

CMYK 16 / 51 / 0 / 73

HEX #392144

RGB 57 33 68

HSL 281.14, 0.35%, 0.2%

LAB 17.34, 18.97, -17.57

 

CMYK 0 / 16 / 51 / 73

HEX #443921

RGB 68 57 33

HSL 41.14, 0.35%, 0.2%

LAB 24.53, 0.97, 16.72

 

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

CMYK 51 / 46 / 0 / 73

HEX #212544

RGB 33 37 68

HSL 233.14, 0.35%, 0.2%

LAB 15.82, 8.14, -20.15

 

CMYK 0 / 51 / 35 / 73

HEX #44212C

RGB 68 33 44

HSL 341.14, 0.35%, 0.2%

LAB 17.91, 18.29, 0.24

 

CMYK 0 / 6 / 51 / 73

HEX #444021

RGB 68 64 33

HSL 53.14, 0.35%, 0.2%

LAB 26.75, -3.5, 19.5

 

CMYK 51 / 0 / 16 / 73

HEX #214439

RGB 33 68 57

HSL 161.14, 0.35%, 0.2%

LAB 26.02, -15.84, 2.75

 

CMYK 43 / 51 / 0 / 73

HEX #272144

RGB 39 33 68

HSL 250.29, 0.35%, 0.2%

LAB 15.15, 12.91, -21.18

 

CMYK 0 / 51 / 35 / 73

HEX #44212C

RGB 68 33 44

HSL 341.14, 0.35%, 0.2%

LAB 17.91, 18.29, 0.24

 

CMYK 9 / 0 / 51 / 73

HEX #3E4421

RGB 62 68 33

HSL 70.29, 0.35%, 0.2%

LAB 27.49, -8.89, 20.28

 

Description

Color code: HEX #214439 | qconv.com Color code: HEX #214439 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 68 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 68 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 16 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 16% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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