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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21433B it is the complementary color #DEBCC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21433B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21433B shade: #264336, #375549, #48675C, #59796F and #6A8B82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21433B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21433B shade: #21433B, #103128, #001F15 and #000D02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21433B shade: #21443C, #214432, #214429, #234421 and #2C4421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21433B shade: #21443C, #214344, #213944, #213044 and #212744

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21433B shade matches the following richer shades: #21443C, #194C40, #115444, #085D49 and #00654D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21433B shade: #21443C, #293C37, #323333, #3A2B2F and #42232A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21433B shade: #214429, #214432, #21443B, #214344 and #213A44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21433B shade: #060D0B, #142823, #21443C, #2F5F54 and #3C7B6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21433B shade: #21433B, #212344 and #442D21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21433B shade: #21433B, #3B2144 and #443B21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21433B shade: #21433B, #212344, #44212A and #444221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21433B shade: #21433B, #2A2144, #44212A and #3B4421

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 12 / 74

HEX #21433B

RGB 33 67 59

HSL 165.88, 0.34%, 0.2%

LAB 25.72, -14.71, 1.01

 

Complementary color

CMYK 0 / 15 / 12 / 13

HEX #DEBCC4

RGB 222 188 196

HSL 345.88, 0.34%, 0.8%

LAB 79.32, 13.42, 0.49

 

CMYK 43 / 0 / 19 / 74

HEX #264336

RGB 38 67 54

HSL 153.1, 0.28%, 0.21%

LAB 25.84, -14.44, 4.49

 

CMYK 35 / 0 / 14 / 67

HEX #375549

RGB 55 85 73

HSL 156, 0.21%, 0.27%

LAB 33.54, -14.16, 3.47

 

CMYK 30 / 0 / 11 / 60

HEX #48675C

RGB 72 103 92

HSL 158.71, 0.18%, 0.34%

LAB 40.98, -13.93, 2.58

 

CMYK 26 / 0 / 8 / 53

HEX #59796F

RGB 89 121 111

HSL 161.25, 0.15%, 0.41%

LAB 48.19, -13.73, 1.77

 

CMYK 24 / 0 / 6 / 45

HEX #6A8B82

RGB 106 139 130

HSL 163.64, 0.13%, 0.48%

LAB 55.22, -13.57, 1.02

 

CMYK 51 / 0 / 12 / 74

HEX #21433B

RGB 33 67 59

HSL 165.88, 0.34%, 0.2%

LAB 25.72, -14.71, 1.01

 

CMYK 67 / 0 / 18 / 81

HEX #103128

RGB 16 49 40

HSL 163.64, 0.51%, 0.13%

LAB 17.74, -14.79, 2.15

 

CMYK 100 / 0 / 32 / 88

HEX #001F15

RGB 0 31 21

HSL 160.65, 1%, 0.06%

LAB 9.27, -14.35, 3.46

 

CMYK 100 / 0 / 85 / 95

HEX #000D02

RGB 0 13 2

HSL 129.23, 1%, 0.03%

LAB 2.64, -5.03, 3.04

 

CMYK 51 / 0 / 12 / 73

HEX #21443C

RGB 33 68 60

HSL 166.29, 0.35%, 0.2%

LAB 26.11, -15, 0.92

 

CMYK 51 / 0 / 26 / 73

HEX #214432

RGB 33 68 50

HSL 149.14, 0.35%, 0.2%

LAB 25.83, -17.67, 7.04

 

CMYK 51 / 0 / 40 / 73

HEX #214429

RGB 33 68 41

HSL 133.71, 0.35%, 0.2%

LAB 25.62, -19.72, 12.54

 

CMYK 49 / 0 / 51 / 73

HEX #234421

RGB 35 68 33

HSL 116.57, 0.35%, 0.2%

LAB 25.57, -20.55, 17.47

 

CMYK 35 / 0 / 51 / 73

HEX #2C4421

RGB 44 68 33

HSL 101.14, 0.35%, 0.2%

LAB 26.1, -17.02, 18.25

 

CMYK 51 / 0 / 12 / 73

HEX #21443C

RGB 33 68 60

HSL 166.29, 0.35%, 0.2%

LAB 26.11, -15, 0.92

 

CMYK 51 / 1 / 0 / 73

HEX #214344

RGB 33 67 68

HSL 181.71, 0.35%, 0.2%

LAB 26.03, -12.03, -4.46

 

CMYK 51 / 16 / 0 / 73

HEX #213944

RGB 33 57 68

HSL 198.86, 0.35%, 0.2%

LAB 22.54, -5.79, -9.71

 

CMYK 51 / 29 / 0 / 73

HEX #213044

RGB 33 48 68

HSL 214.29, 0.35%, 0.2%

LAB 19.45, 0.27, -14.46

 

CMYK 51 / 43 / 0 / 73

HEX #212744

RGB 33 39 68

HSL 229.71, 0.35%, 0.2%

LAB 16.46, 6.68, -19.13

 

CMYK 51 / 0 / 12 / 73

HEX #21443C

RGB 33 68 60

HSL 166.29, 0.35%, 0.2%

LAB 26.11, -15, 0.92

 

CMYK 67 / 0 / 16 / 70

HEX #194C40

RGB 25 76 64

HSL 165.88, 0.5%, 0.2%

LAB 28.76, -20.32, 2.13

 

CMYK 80 / 0 / 19 / 67

HEX #115444

RGB 17 84 68

HSL 165.67, 0.66%, 0.2%

LAB 31.53, -24.71, 3.53

 

CMYK 91 / 0 / 22 / 64

HEX #085D49

RGB 8 93 73

HSL 165.88, 0.84%, 0.2%

LAB 34.72, -28.62, 4.96

 

CMYK 100 / 0 / 24 / 60

HEX #00654D

RGB 0 101 77

HSL 165.74, 1%, 0.2%

LAB 37.56, -31.85, 6.52

 

CMYK 51 / 0 / 12 / 73

HEX #21443C

RGB 33 68 60

HSL 166.29, 0.35%, 0.2%

LAB 26.11, -15, 0.92

 

CMYK 32 / 0 / 8 / 76

HEX #293C37

RGB 41 60 55

HSL 164.21, 0.19%, 0.2%

LAB 23.6, -8.91, 0.63

 

CMYK 2 / 0 / 0 / 80

HEX #323333

RGB 50 51 51

HSL 180, 0.01%, 0.2%

LAB 21.15, -0.43, -0.16

 

CMYK 0 / 26 / 19 / 77

HEX #3A2B2F

RGB 58 43 47

HSL 344, 0.15%, 0.2%

LAB 19.36, 7.71, 0.08

 

CMYK 0 / 47 / 36 / 74

HEX #42232A

RGB 66 35 42

HSL 346.45, 0.31%, 0.2%

LAB 18.04, 15.81, 1.8

 

CMYK 51 / 0 / 40 / 73

HEX #214429

RGB 33 68 41

HSL 133.71, 0.35%, 0.2%

LAB 25.62, -19.72, 12.54

 

CMYK 51 / 0 / 26 / 73

HEX #214432

RGB 33 68 50

HSL 149.14, 0.35%, 0.2%

LAB 25.83, -17.67, 7.04

 

CMYK 51 / 0 / 13 / 73

HEX #21443B

RGB 33 68 59

HSL 164.57, 0.35%, 0.2%

LAB 26.08, -15.29, 1.53

 

CMYK 51 / 1 / 0 / 73

HEX #214344

RGB 33 67 68

HSL 181.71, 0.35%, 0.2%

LAB 26.03, -12.03, -4.46

 

CMYK 51 / 15 / 0 / 73

HEX #213A44

RGB 33 58 68

HSL 197.14, 0.35%, 0.2%

LAB 22.89, -6.43, -9.18

 

CMYK 54 / 0 / 15 / 95

HEX #060D0B

RGB 6 13 11

HSL 162.86, 0.37%, 0.04%

LAB 3.17, -2.21, 0.18

 

CMYK 50 / 0 / 13 / 84

HEX #142823

RGB 20 40 35

HSL 165, 0.33%, 0.12%

LAB 14.33, -9.63, 0.75

 

CMYK 51 / 0 / 12 / 73

HEX #21443C

RGB 33 68 60

HSL 166.29, 0.35%, 0.2%

LAB 26.11, -15, 0.92

 

CMYK 51 / 0 / 12 / 63

HEX #2F5F54

RGB 47 95 84

HSL 166.25, 0.34%, 0.28%

LAB 36.8, -19.35, 1.26

 

CMYK 51 / 0 / 12 / 52

HEX #3C7B6C

RGB 60 123 108

HSL 165.71, 0.34%, 0.36%

LAB 47.25, -24.23, 1.99

 

CMYK 51 / 0 / 12 / 74

HEX #21433B

RGB 33 67 59

HSL 165.88, 0.34%, 0.2%

LAB 25.72, -14.71, 1.01

 

CMYK 51 / 49 / 0 / 73

HEX #212344

RGB 33 35 68

HSL 236.57, 0.35%, 0.2%

LAB 15.18, 9.61, -21.16

 

CMYK 0 / 34 / 51 / 73

HEX #442D21

RGB 68 45 33

HSL 20.57, 0.35%, 0.2%

LAB 20.89, 8.87, 12

 

CMYK 51 / 0 / 12 / 74

HEX #21433B

RGB 33 67 59

HSL 165.88, 0.34%, 0.2%

LAB 25.72, -14.71, 1.01

 

CMYK 13 / 51 / 0 / 73

HEX #3B2144

RGB 59 33 68

HSL 284.57, 0.35%, 0.2%

LAB 17.62, 19.68, -17.11

 

CMYK 0 / 13 / 51 / 73

HEX #443B21

RGB 68 59 33

HSL 44.57, 0.35%, 0.2%

LAB 25.16, -0.32, 17.51

 

CMYK 51 / 0 / 12 / 74

HEX #21433B

RGB 33 67 59

HSL 165.88, 0.34%, 0.2%

LAB 25.72, -14.71, 1.01

 

CMYK 51 / 49 / 0 / 73

HEX #212344

RGB 33 35 68

HSL 236.57, 0.35%, 0.2%

LAB 15.18, 9.61, -21.16

 

CMYK 0 / 51 / 38 / 73

HEX #44212A

RGB 68 33 42

HSL 344.57, 0.35%, 0.2%

LAB 17.85, 17.98, 1.56

 

CMYK 0 / 3 / 51 / 73

HEX #444221

RGB 68 66 33

HSL 56.57, 0.35%, 0.2%

LAB 27.39, -4.75, 20.29

 

CMYK 51 / 0 / 12 / 74

HEX #21433B

RGB 33 67 59

HSL 165.88, 0.34%, 0.2%

LAB 25.72, -14.71, 1.01

 

CMYK 38 / 51 / 0 / 73

HEX #2A2144

RGB 42 33 68

HSL 255.43, 0.35%, 0.2%

LAB 15.47, 13.87, -20.64

 

CMYK 0 / 51 / 38 / 73

HEX #44212A

RGB 68 33 42

HSL 344.57, 0.35%, 0.2%

LAB 17.85, 17.98, 1.56

 

CMYK 13 / 0 / 51 / 73

HEX #3B4421

RGB 59 68 33

HSL 75.43, 0.35%, 0.2%

LAB 27.22, -10.31, 19.9

 

Description

Color code: HEX #21433B | qconv.com Color code: HEX #21433B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 67 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 67 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 12 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 12% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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