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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #216873 it is the complementary color #DE978C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #216873. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #216873 shade: #26686E, #377A81, #488C94, #599EA7 and #6AB0BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #216873. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #216873 shade: #216873, #105660, #00444D, #00323A and #002027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #216873 shade: #216772, #215172, #213B72, #212572 and #322172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #216873 shade: #216772, #215172, #213B72, #212572 and #212172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #216873 shade matches the following richer shades: #216772, #15707E and #09798A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #216873 shade: #216772, #2D5E66, #39565A, #454D4E and #514442

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #216873 shade: #217252, #217267, #216772, #215272 and #213C72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #216873 shade: #0E2D32, #174A52, #216772, #2A8492 and #33A1B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #216873 shade: #216873, #3C2172 and #725C21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #216873 shade: #216873, #722167 and #677221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #216873 shade: #216873, #3C2172, #722C21 and #577221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #216873 shade: #216873, #542172, #722C21 and #3F7221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 10 / 0 / 55

HEX #216873

RGB 33 104 115

HSL 188.05, 0.55%, 0.29%

LAB 40.35, -17.78, -12.56

 

Complementary color

CMYK 0 / 32 / 37 / 13

HEX #DE978C

RGB 222 151 140

HSL 8.05, 0.55%, 0.71%

LAB 69.15, 25.31, 16.64

 

CMYK 65 / 5 / 0 / 57

HEX #26686E

RGB 38 104 110

HSL 185, 0.49%, 0.29%

LAB 40.31, -18.56, -9.56

 

CMYK 57 / 5 / 0 / 49

HEX #377A81

RGB 55 122 129

HSL 185.68, 0.4%, 0.36%

LAB 47.39, -18.97, -10.27

 

CMYK 51 / 5 / 0 / 42

HEX #488C94

RGB 72 140 148

HSL 186.32, 0.35%, 0.43%

LAB 54.31, -19.2, -10.9

 

CMYK 47 / 5 / 0 / 35

HEX #599EA7

RGB 89 158 167

HSL 186.92, 0.31%, 0.5%

LAB 61.1, -19.32, -11.48

 

CMYK 43 / 5 / 0 / 27

HEX #6AB0BA

RGB 106 176 186

HSL 187.5, 0.37%, 0.57%

LAB 67.77, -19.39, -12.03

 

CMYK 71 / 10 / 0 / 55

HEX #216873

RGB 33 104 115

HSL 188.05, 0.55%, 0.29%

LAB 40.35, -17.78, -12.56

 

CMYK 83 / 10 / 0 / 62

HEX #105660

RGB 16 86 96

HSL 187.5, 0.71%, 0.22%

LAB 33.16, -16.72, -11.76

 

CMYK 100 / 12 / 0 / 70

HEX #00444D

RGB 0 68 77

HSL 187.01, 1%, 0.15%

LAB 25.77, -15.2, -10.84

 

CMYK 100 / 14 / 0 / 77

HEX #00323A

RGB 0 50 58

HSL 188.28, 1%, 0.11%

LAB 18.31, -12.07, -9.49

 

CMYK 100 / 18 / 0 / 85

HEX #002027

RGB 0 32 39

HSL 190.77, 1%, 0.08%

LAB 10.41, -8.72, -8.11

 

CMYK 71 / 10 / 0 / 55

HEX #216772

RGB 33 103 114

HSL 188.15, 0.55%, 0.29%

LAB 39.98, -17.57, -12.51

 

CMYK 71 / 29 / 0 / 55

HEX #215172

RGB 33 81 114

HSL 204.44, 0.55%, 0.29%

LAB 32.75, -4.55, -23.65

 

CMYK 71 / 48 / 0 / 55

HEX #213B72

RGB 33 59 114

HSL 220.74, 0.55%, 0.29%

LAB 25.76, 10.15, -34.72

 

CMYK 71 / 68 / 0 / 55

HEX #212572

RGB 33 37 114

HSL 237.04, 0.55%, 0.29%

LAB 19.48, 25.59, -44.9

 

CMYK 56 / 71 / 0 / 55

HEX #322172

RGB 50 33 114

HSL 252.59, 0.55%, 0.29%

LAB 19.97, 31.02, -44.05

 

CMYK 71 / 10 / 0 / 55

HEX #216772

RGB 33 103 114

HSL 188.15, 0.55%, 0.29%

LAB 39.98, -17.57, -12.51

 

CMYK 71 / 29 / 0 / 55

HEX #215172

RGB 33 81 114

HSL 204.44, 0.55%, 0.29%

LAB 32.75, -4.55, -23.65

 

CMYK 71 / 48 / 0 / 55

HEX #213B72

RGB 33 59 114

HSL 220.74, 0.55%, 0.29%

LAB 25.76, 10.15, -34.72

 

CMYK 71 / 68 / 0 / 55

HEX #212572

RGB 33 37 114

HSL 237.04, 0.55%, 0.29%

LAB 19.48, 25.59, -44.9

 

CMYK 71 / 71 / 0 / 55

HEX #212172

RGB 33 33 114

HSL 240, 0.55%, 0.29%

LAB 18.48, 28.27, -46.54

 

CMYK 71 / 10 / 0 / 55

HEX #216772

RGB 33 103 114

HSL 188.15, 0.55%, 0.29%

LAB 39.98, -17.57, -12.51

 

CMYK 83 / 11 / 0 / 51

HEX #15707E

RGB 21 112 126

HSL 188, 0.71%, 0.29%

LAB 43.14, -19.92, -14.99

 

CMYK 93 / 12 / 0 / 46

HEX #09798A

RGB 9 121 138

HSL 187.91, 0.88%, 0.29%

LAB 46.4, -21.41, -17.19

 

CMYK 71 / 10 / 0 / 55

HEX #216772

RGB 33 103 114

HSL 188.15, 0.55%, 0.29%

LAB 39.98, -17.57, -12.51

 

CMYK 56 / 8 / 0 / 60

HEX #2D5E66

RGB 45 94 102

HSL 188.42, 0.39%, 0.29%

LAB 36.97, -14.03, -9.65

 

CMYK 37 / 4 / 0 / 65

HEX #39565A

RGB 57 86 90

HSL 187.27, 0.22%, 0.29%

LAB 34.53, -9.6, -5.77

 

CMYK 12 / 1 / 0 / 69

HEX #454D4E

RGB 69 77 78

HSL 186.67, 0.06%, 0.29%

LAB 32.09, -2.97, -1.69

 

CMYK 0 / 16 / 19 / 68

HEX #514442

RGB 81 68 66

HSL 8, 0.1%, 0.29%

LAB 30.1, 5.17, 3.27

 

CMYK 71 / 0 / 28 / 55

HEX #217252

RGB 33 114 82

HSL 156.3, 0.55%, 0.29%

LAB 42.71, -32.43, 10.83

 

CMYK 71 / 0 / 10 / 55

HEX #217267

RGB 33 114 103

HSL 171.85, 0.55%, 0.29%

LAB 43.27, -26.78, -0.94

 

CMYK 71 / 10 / 0 / 55

HEX #216772

RGB 33 103 114

HSL 188.15, 0.55%, 0.29%

LAB 39.98, -17.57, -12.51

 

CMYK 71 / 28 / 0 / 55

HEX #215272

RGB 33 82 114

HSL 203.7, 0.55%, 0.29%

LAB 33.08, -5.18, -23.14

 

CMYK 71 / 47 / 0 / 55

HEX #213C72

RGB 33 60 114

HSL 220, 0.55%, 0.29%

LAB 26.07, 9.45, -34.23

 

CMYK 72 / 10 / 0 / 80

HEX #0E2D32

RGB 14 45 50

HSL 188.33, 0.56%, 0.13%

LAB 16.51, -9.47, -6.64

 

CMYK 72 / 10 / 0 / 68

HEX #174A52

RGB 23 74 82

HSL 188.14, 0.56%, 0.21%

LAB 28.61, -13.79, -9.72

 

CMYK 71 / 10 / 0 / 55

HEX #216772

RGB 33 103 114

HSL 188.15, 0.55%, 0.29%

LAB 39.98, -17.57, -12.51

 

CMYK 71 / 10 / 0 / 43

HEX #2A8492

RGB 42 132 146

HSL 188.08, 0.55%, 0.37%

LAB 50.77, -21.28, -15.19

 

CMYK 71 / 10 / 0 / 30

HEX #33A1B2

RGB 51 161 178

HSL 188.03, 0.55%, 0.45%

LAB 61.14, -24.83, -17.75

 

CMYK 71 / 10 / 0 / 55

HEX #216873

RGB 33 104 115

HSL 188.05, 0.55%, 0.29%

LAB 40.35, -17.78, -12.56

 

CMYK 47 / 71 / 0 / 55

HEX #3C2172

RGB 60 33 114

HSL 260, 0.55%, 0.29%

LAB 21.07, 32.96, -42.2

 

CMYK 0 / 19 / 71 / 55

HEX #725C21

RGB 114 92 33

HSL 43.7, 0.55%, 0.29%

LAB 40.15, 1.94, 36.1

 

CMYK 71 / 10 / 0 / 55

HEX #216873

RGB 33 104 115

HSL 188.05, 0.55%, 0.29%

LAB 40.35, -17.78, -12.56

 

CMYK 0 / 71 / 10 / 55

HEX #722167

RGB 114 33 103

HSL 308.15, 0.55%, 0.29%

LAB 28.5, 43.7, -22.76

 

CMYK 10 / 0 / 71 / 55

HEX #677221

RGB 103 114 33

HSL 68.15, 0.55%, 0.29%

LAB 45.67, -15.8, 41.48

 

CMYK 71 / 10 / 0 / 55

HEX #216873

RGB 33 104 115

HSL 188.05, 0.55%, 0.29%

LAB 40.35, -17.78, -12.56

 

CMYK 47 / 71 / 0 / 55

HEX #3C2172

RGB 60 33 114

HSL 260, 0.55%, 0.29%

LAB 21.07, 32.96, -42.2

 

CMYK 0 / 61 / 71 / 55

HEX #722C21

RGB 114 44 33

HSL 8.15, 0.55%, 0.29%

LAB 28.08, 30.15, 22.62

 

CMYK 24 / 0 / 71 / 55

HEX #577221

RGB 87 114 33

HSL 80, 0.55%, 0.29%

LAB 44.48, -22.9, 39.87

 

CMYK 71 / 10 / 0 / 55

HEX #216873

RGB 33 104 115

HSL 188.05, 0.55%, 0.29%

LAB 40.35, -17.78, -12.56

 

CMYK 26 / 71 / 0 / 55

HEX #542172

RGB 84 33 114

HSL 277.78, 0.55%, 0.29%

LAB 24.28, 38.3, -36.84

 

CMYK 0 / 61 / 71 / 55

HEX #722C21

RGB 114 44 33

HSL 8.15, 0.55%, 0.29%

LAB 28.08, 30.15, 22.62

 

CMYK 45 / 0 / 71 / 55

HEX #3F7221

RGB 63 114 33

HSL 97.78, 0.55%, 0.29%

LAB 43.06, -32.39, 37.96

 

Description

Color code: HEX #216873 | qconv.com Color code: HEX #216873 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 104 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 104 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 10 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 10% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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