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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #216186 it is the complementary color #DE9E79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #216186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #216186 shade: #266181, #377394, #4885A7, #5997BA and #6AA9CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #216186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #216186 shade: #216186, #104F73, #003D60, #002B4D and #00193A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #216186 shade: #216186, #214686, #212B86, #332186 and #4E2186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #216186 shade: #216186, #214686, #212B86 and #212186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #216186 shade matches the following richer shades: #216186, #146594 and #0668A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #216186 shade: #216186, #2F5E79, #3C5A6B, #4A565D and #585350

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #216186 shade: #218674, #217E86, #216386, #214886 and #212D86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #216186 shade: #113144, #194965, #216186, #2979A7 and #3291C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #216186 shade: #216186, #592186 and #868121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #216186 shade: #216186, #862163 and #638621

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #216186 shade: #216186, #592186, #864521 and #4F8621

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #216186 shade: #216186, #772186, #864521 and #308621

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 28 / 0 / 47

HEX #216186

RGB 33 97 134

HSL 201.98, 0.6%, 0.33%

LAB 38.89, -6.97, -26.37

 

Complementary color

CMYK 0 / 29 / 45 / 13

HEX #DE9E79

RGB 222 158 121

HSL 21.98, 0.6%, 0.67%

LAB 70.43, 19.46, 28.78

 

CMYK 71 / 25 / 0 / 49

HEX #266181

RGB 38 97 129

HSL 201.1, 0.54%, 0.33%

LAB 38.81, -8.03, -23.45

 

CMYK 63 / 22 / 0 / 42

HEX #377394

RGB 55 115 148

HSL 201.29, 0.46%, 0.4%

LAB 45.92, -8.95, -23.76

 

CMYK 57 / 20 / 0 / 35

HEX #4885A7

RGB 72 133 167

HSL 201.47, 0.4%, 0.47%

LAB 52.89, -9.61, -24.05

 

CMYK 52 / 19 / 0 / 27

HEX #5997BA

RGB 89 151 186

HSL 201.65, 0.41%, 0.54%

LAB 59.71, -10.09, -24.33

 

CMYK 48 / 18 / 0 / 20

HEX #6AA9CD

RGB 106 169 205

HSL 201.82, 0.5%, 0.61%

LAB 66.4, -10.45, -24.61

 

CMYK 75 / 28 / 0 / 47

HEX #216186

RGB 33 97 134

HSL 201.98, 0.6%, 0.33%

LAB 38.89, -6.97, -26.37

 

CMYK 86 / 31 / 0 / 55

HEX #104F73

RGB 16 79 115

HSL 201.82, 0.76%, 0.26%

LAB 31.67, -5.24, -26

 

CMYK 100 / 36 / 0 / 62

HEX #003D60

RGB 0 61 96

HSL 201.88, 1%, 0.19%

LAB 24.26, -2.88, -25.59

 

CMYK 100 / 44 / 0 / 70

HEX #002B4D

RGB 0 43 77

HSL 206.49, 1%, 0.15%

LAB 16.81, 1.13, -24.83

 

CMYK 100 / 57 / 0 / 77

HEX #00193A

RGB 0 25 58

HSL 214.14, 1%, 0.11%

LAB 9, 5.74, -24.14

 

CMYK 75 / 28 / 0 / 47

HEX #216186

RGB 33 97 134

HSL 201.98, 0.6%, 0.33%

LAB 38.89, -6.97, -26.37

 

CMYK 75 / 48 / 0 / 47

HEX #214686

RGB 33 70 134

HSL 218.02, 0.6%, 0.33%

LAB 30.46, 10.52, -39.73

 

CMYK 75 / 68 / 0 / 47

HEX #212B86

RGB 33 43 134

HSL 234.06, 0.6%, 0.33%

LAB 22.9, 29.09, -52

 

CMYK 62 / 75 / 0 / 47

HEX #332186

RGB 51 33 134

HSL 250.69, 0.6%, 0.33%

LAB 21.99, 37.65, -53.45

 

CMYK 42 / 75 / 0 / 47

HEX #4E2186

RGB 78 33 134

HSL 266.73, 0.6%, 0.33%

LAB 25.04, 42.12, -48.33

 

CMYK 75 / 28 / 0 / 47

HEX #216186

RGB 33 97 134

HSL 201.98, 0.6%, 0.33%

LAB 38.89, -6.97, -26.37

 

CMYK 75 / 48 / 0 / 47

HEX #214686

RGB 33 70 134

HSL 218.02, 0.6%, 0.33%

LAB 30.46, 10.52, -39.73

 

CMYK 75 / 68 / 0 / 47

HEX #212B86

RGB 33 43 134

HSL 234.06, 0.6%, 0.33%

LAB 22.9, 29.09, -52

 

CMYK 75 / 75 / 0 / 47

HEX #212186

RGB 33 33 134

HSL 240, 0.6%, 0.33%

LAB 20.57, 35.48, -55.84

 

CMYK 75 / 28 / 0 / 47

HEX #216186

RGB 33 97 134

HSL 201.98, 0.6%, 0.33%

LAB 38.89, -6.97, -26.37

 

CMYK 86 / 32 / 0 / 42

HEX #146594

RGB 20 101 148

HSL 202.03, 0.76%, 0.33%

LAB 40.56, -5.53, -32.2

 

CMYK 96 / 35 / 0 / 37

HEX #0668A1

RGB 6 104 161

HSL 202.06, 0.93%, 0.33%

LAB 42.02, -3.08, -37.66

 

CMYK 75 / 28 / 0 / 47

HEX #216186

RGB 33 97 134

HSL 201.98, 0.6%, 0.33%

LAB 38.89, -6.97, -26.37

 

CMYK 61 / 22 / 0 / 53

HEX #2F5E79

RGB 47 94 121

HSL 201.89, 0.44%, 0.33%

LAB 37.82, -7.31, -20.05

 

CMYK 44 / 16 / 0 / 58

HEX #3C5A6B

RGB 60 90 107

HSL 201.7, 0.28%, 0.33%

LAB 36.62, -6.12, -13.21

 

CMYK 20 / 8 / 0 / 64

HEX #4A565D

RGB 74 86 93

HSL 202.11, 0.11%, 0.33%

LAB 35.79, -2.97, -5.64

 

CMYK 0 / 6 / 9 / 65

HEX #585350

RGB 88 83 80

HSL 22.5, 0.05%, 0.33%

LAB 35.68, 1.43, 2.48

 

CMYK 75 / 0 / 13 / 47

HEX #218674

RGB 33 134 116

HSL 169.31, 0.6%, 0.33%

LAB 50.26, -32.65, 1.56

 

CMYK 75 / 6 / 0 / 47

HEX #217E86

RGB 33 126 134

HSL 184.75, 0.6%, 0.33%

LAB 48.22, -23.27, -12.04

 

CMYK 75 / 26 / 0 / 47

HEX #216386

RGB 33 99 134

HSL 200.79, 0.6%, 0.33%

LAB 39.53, -8.18, -25.37

 

CMYK 75 / 46 / 0 / 47

HEX #214886

RGB 33 72 134

HSL 216.83, 0.6%, 0.33%

LAB 31.07, 9.16, -38.76

 

CMYK 75 / 66 / 0 / 47

HEX #212D86

RGB 33 45 134

HSL 232.87, 0.6%, 0.33%

LAB 23.41, 27.75, -51.17

 

CMYK 75 / 28 / 0 / 73

HEX #113144

RGB 17 49 68

HSL 202.35, 0.6%, 0.17%

LAB 18.94, -4.48, -15.31

 

CMYK 75 / 28 / 0 / 60

HEX #194965

RGB 25 73 101

HSL 202.11, 0.6%, 0.25%

LAB 29.19, -5.79, -21.03

 

CMYK 75 / 28 / 0 / 47

HEX #216186

RGB 33 97 134

HSL 201.98, 0.6%, 0.33%

LAB 38.89, -6.97, -26.37

 

CMYK 75 / 28 / 0 / 35

HEX #2979A7

RGB 41 121 167

HSL 201.9, 0.61%, 0.41%

LAB 48.18, -8.08, -31.44

 

CMYK 75 / 28 / 0 / 22

HEX #3291C8

RGB 50 145 200

HSL 202, 0.6%, 0.49%

LAB 57.17, -9.02, -36.28

 

CMYK 75 / 28 / 0 / 47

HEX #216186

RGB 33 97 134

HSL 201.98, 0.6%, 0.33%

LAB 38.89, -6.97, -26.37

 

CMYK 34 / 75 / 0 / 47

HEX #592186

RGB 89 33 134

HSL 273.27, 0.6%, 0.33%

LAB 26.54, 44.24, -45.82

 

CMYK 0 / 4 / 75 / 47

HEX #868121

RGB 134 129 33

HSL 57.03, 0.6%, 0.33%

LAB 52.82, -9.72, 49.39

 

CMYK 75 / 28 / 0 / 47

HEX #216186

RGB 33 97 134

HSL 201.98, 0.6%, 0.33%

LAB 38.89, -6.97, -26.37

 

CMYK 0 / 75 / 26 / 47

HEX #862163

RGB 134 33 99

HSL 320.79, 0.6%, 0.33%

LAB 31.94, 48.51, -14.56

 

CMYK 26 / 0 / 75 / 47

HEX #638621

RGB 99 134 33

HSL 80.79, 0.6%, 0.33%

LAB 51.62, -27.77, 47.3

 

CMYK 75 / 28 / 0 / 47

HEX #216186

RGB 33 97 134

HSL 201.98, 0.6%, 0.33%

LAB 38.89, -6.97, -26.37

 

CMYK 34 / 75 / 0 / 47

HEX #592186

RGB 89 33 134

HSL 273.27, 0.6%, 0.33%

LAB 26.54, 44.24, -45.82

 

CMYK 0 / 49 / 75 / 47

HEX #864521

RGB 134 69 33

HSL 21.39, 0.6%, 0.33%

LAB 36.81, 24.84, 33.34

 

CMYK 41 / 0 / 75 / 47

HEX #4F8621

RGB 79 134 33

HSL 92.67, 0.6%, 0.33%

LAB 50.48, -35.55, 45.79

 

CMYK 75 / 28 / 0 / 47

HEX #216186

RGB 33 97 134

HSL 201.98, 0.6%, 0.33%

LAB 38.89, -6.97, -26.37

 

CMYK 11 / 75 / 0 / 47

HEX #772186

RGB 119 33 134

HSL 291.09, 0.6%, 0.33%

LAB 31.19, 50.57, -38.09

 

CMYK 0 / 49 / 75 / 47

HEX #864521

RGB 134 69 33

HSL 21.39, 0.6%, 0.33%

LAB 36.81, 24.84, 33.34

 

CMYK 64 / 0 / 75 / 47

HEX #308621

RGB 48 134 33

HSL 111.09, 0.6%, 0.33%

LAB 49.24, -45.01, 44.14

 

Description

Color code: HEX #216186 | qconv.com Color code: HEX #216186 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 97 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 97 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 28 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 28% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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