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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #217757 it is the complementary color #DE88A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #217757. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #217757 shade: #267752, #378965, #489B78, #59AD8B and #6ABF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #217757. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #217757 shade: #217757, #106544, #005331, #00411E and #002F0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #217757 shade: #207857, #207840, #207828, #307820 and #487820

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #217757 shade: #207857, #20786F, #206978, #205278 and #203A78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #217757 shade matches the following richer shades: #207857, #14845A and #08905D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #217757 shade: #207857, #2D6B54, #395F51, #46524E and #52464A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #217757 shade: #207828, #20783F, #207856, #20786D and #206B78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #217757 shade: #0F3728, #185740, #207857, #29986F and #32B886

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #217757 shade: #217757, #203078 and #783320

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #217757 shade: #217757, #562078 and #785620

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #217757 shade: #217757, #203078, #782042 and #786820

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #217757 shade: #217757, #2B2078, #782042 and #6D7820

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 27 / 53

HEX #217757

RGB 33 119 87

HSL 157.67, 0.57%, 0.3%

LAB 44.53, -33.46, 10.4

 

Complementary color

CMYK 0 / 39 / 24 / 13

HEX #DE88A8

RGB 222 136 168

HSL 337.67, 0.57%, 0.7%

LAB 66.49, 36.98, -2.85

 

CMYK 68 / 0 / 31 / 53

HEX #267752

RGB 38 119 82

HSL 152.59, 0.52%, 0.31%

LAB 44.54, -33.73, 13.38

 

CMYK 60 / 0 / 26 / 46

HEX #378965

RGB 55 137 101

HSL 153.66, 0.43%, 0.38%

LAB 51.43, -33.9, 12

 

CMYK 54 / 0 / 23 / 39

HEX #489B78

RGB 72 155 120

HSL 154.7, 0.37%, 0.45%

LAB 58.2, -33.87, 10.78

 

CMYK 49 / 0 / 20 / 32

HEX #59AD8B

RGB 89 173 139

HSL 155.71, 0.34%, 0.51%

LAB 64.86, -33.74, 9.69

 

CMYK 45 / 0 / 17 / 25

HEX #6ABF9E

RGB 106 191 158

HSL 156.71, 0.4%, 0.58%

LAB 71.42, -33.56, 8.7

 

CMYK 72 / 0 / 27 / 53

HEX #217757

RGB 33 119 87

HSL 157.67, 0.57%, 0.3%

LAB 44.53, -33.46, 10.4

 

CMYK 84 / 0 / 33 / 60

HEX #106544

RGB 16 101 68

HSL 156.71, 0.73%, 0.23%

LAB 37.54, -32.7, 11.99

 

CMYK 100 / 0 / 41 / 67

HEX #005331

RGB 0 83 49

HSL 155.42, 1%, 0.16%

LAB 30.42, -31.43, 13.82

 

CMYK 100 / 0 / 54 / 75

HEX #00411E

RGB 0 65 30

HSL 147.69, 1%, 0.13%

LAB 23.25, -28.34, 16.13

 

CMYK 100 / 0 / 77 / 82

HEX #002F0B

RGB 0 47 11

HSL 134.04, 1%, 0.09%

LAB 15.78, -24.7, 17.82

 

CMYK 73 / 0 / 28 / 53

HEX #207857

RGB 32 120 87

HSL 157.5, 0.58%, 0.3%

LAB 44.84, -34.07, 10.84

 

CMYK 73 / 0 / 47 / 53

HEX #207840

RGB 32 120 64

HSL 141.82, 0.58%, 0.3%

LAB 44.39, -39.03, 23.47

 

CMYK 73 / 0 / 67 / 53

HEX #207828

RGB 32 120 40

HSL 125.45, 0.58%, 0.3%

LAB 44.08, -42.66, 35.56

 

CMYK 60 / 0 / 73 / 53

HEX #307820

RGB 48 120 32

HSL 109.09, 0.58%, 0.3%

LAB 44.47, -39.75, 39.66

 

CMYK 40 / 0 / 73 / 53

HEX #487820

RGB 72 120 32

HSL 92.73, 0.58%, 0.3%

LAB 45.52, -31.91, 41.07

 

CMYK 73 / 0 / 28 / 53

HEX #207857

RGB 32 120 87

HSL 157.5, 0.58%, 0.3%

LAB 44.84, -34.07, 10.84

 

CMYK 73 / 0 / 8 / 53

HEX #20786F

RGB 32 120 111

HSL 173.86, 0.58%, 0.3%

LAB 45.48, -27.54, -2.48

 

CMYK 73 / 13 / 0 / 53

HEX #206978

RGB 32 105 120

HSL 190.23, 0.58%, 0.3%

LAB 40.84, -16.8, -14.85

 

CMYK 73 / 32 / 0 / 53

HEX #205278

RGB 32 82 120

HSL 205.91, 0.58%, 0.3%

LAB 33.35, -3.08, -26.46

 

CMYK 73 / 52 / 0 / 53

HEX #203A78

RGB 32 58 120

HSL 222.27, 0.58%, 0.3%

LAB 25.83, 13.08, -38.42

 

CMYK 73 / 0 / 28 / 53

HEX #207857

RGB 32 120 87

HSL 157.5, 0.58%, 0.3%

LAB 44.84, -34.07, 10.84

 

CMYK 85 / 0 / 32 / 48

HEX #14845A

RGB 20 132 90

HSL 157.5, 0.74%, 0.3%

LAB 48.75, -40.05, 14.48

 

CMYK 94 / 0 / 35 / 44

HEX #08905D

RGB 8 144 93

HSL 157.5, 0.89%, 0.3%

LAB 52.72, -45.02, 18.18

 

CMYK 73 / 0 / 28 / 53

HEX #207857

RGB 32 120 87

HSL 157.5, 0.58%, 0.3%

LAB 44.84, -34.07, 10.84

 

CMYK 58 / 0 / 21 / 58

HEX #2D6B54

RGB 45 107 84

HSL 157.74, 0.41%, 0.3%

LAB 40.76, -26.07, 6.94

 

CMYK 40 / 0 / 15 / 63

HEX #395F51

RGB 57 95 81

HSL 157.89, 0.25%, 0.3%

LAB 37.2, -17.13, 3.77

 

CMYK 15 / 0 / 5 / 68

HEX #46524E

RGB 70 82 78

HSL 160, 0.08%, 0.3%

LAB 33.75, -5.66, 0.75

 

CMYK 0 / 15 / 10 / 68

HEX #52464A

RGB 82 70 74

HSL 340, 0.08%, 0.3%

LAB 31.04, 5.88, -0.52

 

CMYK 73 / 0 / 67 / 53

HEX #207828

RGB 32 120 40

HSL 125.45, 0.58%, 0.3%

LAB 44.08, -42.66, 35.56

 

CMYK 73 / 0 / 48 / 53

HEX #20783F

RGB 32 120 63

HSL 141.14, 0.58%, 0.3%

LAB 44.37, -39.22, 24.01

 

CMYK 73 / 0 / 28 / 53

HEX #207856

RGB 32 120 86

HSL 156.82, 0.58%, 0.3%

LAB 44.82, -34.32, 11.4

 

CMYK 73 / 0 / 9 / 53

HEX #20786D

RGB 32 120 109

HSL 172.5, 0.58%, 0.3%

LAB 45.42, -28.13, -1.38

 

CMYK 73 / 11 / 0 / 53

HEX #206B78

RGB 32 107 120

HSL 188.86, 0.58%, 0.3%

LAB 41.5, -17.9, -13.85

 

CMYK 73 / 0 / 27 / 78

HEX #0F3728

RGB 15 55 40

HSL 157.5, 0.57%, 0.14%

LAB 19.99, -18.35, 5.35

 

CMYK 72 / 0 / 26 / 66

HEX #185740

RGB 24 87 64

HSL 158.1, 0.57%, 0.22%

LAB 32.66, -26.08, 7.67

 

CMYK 73 / 0 / 28 / 53

HEX #207857

RGB 32 120 87

HSL 157.5, 0.58%, 0.3%

LAB 44.84, -34.07, 10.84

 

CMYK 73 / 0 / 27 / 40

HEX #29986F

RGB 41 152 111

HSL 157.84, 0.58%, 0.38%

LAB 56.16, -40.78, 12.86

 

CMYK 73 / 0 / 27 / 28

HEX #32B886

RGB 50 184 134

HSL 157.61, 0.57%, 0.46%

LAB 67.04, -47.43, 15.33

 

CMYK 72 / 0 / 27 / 53

HEX #217757

RGB 33 119 87

HSL 157.67, 0.57%, 0.3%

LAB 44.53, -33.46, 10.4

 

CMYK 73 / 60 / 0 / 53

HEX #203078

RGB 32 48 120

HSL 229.09, 0.58%, 0.3%

LAB 22.92, 20.12, -43.13

 

CMYK 0 / 58 / 73 / 53

HEX #783320

RGB 120 51 32

HSL 12.95, 0.58%, 0.3%

LAB 30.56, 28.82, 26.38

 

CMYK 72 / 0 / 27 / 53

HEX #217757

RGB 33 119 87

HSL 157.67, 0.57%, 0.3%

LAB 44.53, -33.46, 10.4

 

CMYK 28 / 73 / 0 / 53

HEX #562078

RGB 86 32 120

HSL 276.82, 0.58%, 0.3%

LAB 24.85, 40.68, -39.75

 

CMYK 0 / 28 / 73 / 53

HEX #785620

RGB 120 86 32

HSL 36.82, 0.58%, 0.3%

LAB 39.16, 8.34, 35.76

 

CMYK 72 / 0 / 27 / 53

HEX #217757

RGB 33 119 87

HSL 157.67, 0.57%, 0.3%

LAB 44.53, -33.46, 10.4

 

CMYK 73 / 60 / 0 / 53

HEX #203078

RGB 32 48 120

HSL 229.09, 0.58%, 0.3%

LAB 22.92, 20.12, -43.13

 

CMYK 0 / 73 / 45 / 53

HEX #782042

RGB 120 32 66

HSL 336.82, 0.58%, 0.3%

LAB 27.9, 40.74, 0.81

 

CMYK 0 / 13 / 73 / 53

HEX #786820

RGB 120 104 32

HSL 49.09, 0.58%, 0.3%

LAB 44.23, -2.28, 40.95

 

CMYK 72 / 0 / 27 / 53

HEX #217757

RGB 33 119 87

HSL 157.67, 0.57%, 0.3%

LAB 44.53, -33.46, 10.4

 

CMYK 64 / 73 / 0 / 53

HEX #2B2078

RGB 43 32 120

HSL 247.5, 0.58%, 0.3%

LAB 19.65, 32.46, -48.45

 

CMYK 0 / 73 / 45 / 53

HEX #782042

RGB 120 32 66

HSL 336.82, 0.58%, 0.3%

LAB 27.9, 40.74, 0.81

 

CMYK 9 / 0 / 73 / 53

HEX #6D7820

RGB 109 120 32

HSL 67.5, 0.58%, 0.3%

LAB 47.99, -16.35, 44.37

 

Description

Color code: HEX #217757 | qconv.com Color code: HEX #217757 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 119 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 119 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 27 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 27% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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