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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #217A6B it is the complementary color #DE8594. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #217A6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #217A6B shade: #267A66, #378C79, #489E8C, #59B09F and #6AC2B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #217A6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #217A6B shade: #217A6B, #106858, #005645, #004432 and #00321F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #217A6B shade: #207869, #207851, #20783A, #207822 and #367820

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #217A6B shade: #207869, #206F78, #205778, #204078 and #202878

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #217A6B shade matches the following richer shades: #207869, #148471 and #089079

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #217A6B shade: #207869, #2D6B61, #395F58, #465250 and #524648

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #217A6B shade: #207839, #207850, #207868, #207078 and #205978

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #217A6B shade: #0F3730, #18574C, #207869, #299885 and #32B8A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #217A6B shade: #217A6B, #222078 and #784520

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #217A6B shade: #217A6B, #682078 and #786820

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #217A6B shade: #217A6B, #222078, #782030 and #767820

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #217A6B shade: #217A6B, #3C2078, #782030 and #5C7820

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 12 / 52

HEX #217A6B

RGB 33 122 107

HSL 169.89, 0.57%, 0.3%

LAB 46.05, -29.53, 0.73

 

Complementary color

CMYK 0 / 40 / 33 / 13

HEX #DE8594

RGB 222 133 148

HSL 349.89, 0.57%, 0.7%

LAB 65.31, 35.89, 6.73

 

CMYK 69 / 0 / 16 / 52

HEX #267A66

RGB 38 122 102

HSL 165.71, 0.53%, 0.31%

LAB 46.03, -30.1, 3.68

 

CMYK 61 / 0 / 14 / 45

HEX #378C79

RGB 55 140 121

HSL 166.59, 0.44%, 0.38%

LAB 52.89, -30.38, 2.55

 

CMYK 54 / 0 / 11 / 38

HEX #489E8C

RGB 72 158 140

HSL 167.44, 0.37%, 0.45%

LAB 59.64, -30.47, 1.54

 

CMYK 49 / 0 / 10 / 31

HEX #59B09F

RGB 89 176 159

HSL 168.28, 0.36%, 0.52%

LAB 66.27, -30.45, 0.64

 

CMYK 45 / 0 / 8 / 24

HEX #6AC2B2

RGB 106 194 178

HSL 169.09, 0.42%, 0.59%

LAB 72.8, -30.38, -0.19

 

CMYK 73 / 0 / 12 / 52

HEX #217A6B

RGB 33 122 107

HSL 169.89, 0.57%, 0.3%

LAB 46.05, -29.53, 0.73

 

CMYK 85 / 0 / 15 / 59

HEX #106858

RGB 16 104 88

HSL 169.09, 0.73%, 0.24%

LAB 39.1, -28.65, 2.03

 

CMYK 100 / 0 / 20 / 66

HEX #005645

RGB 0 86 69

HSL 168.14, 1%, 0.17%

LAB 32, -27.34, 3.54

 

CMYK 100 / 0 / 26 / 73

HEX #004432

RGB 0 68 50

HSL 164.12, 1%, 0.13%

LAB 24.84, -24.56, 5.52

 

CMYK 100 / 0 / 38 / 80

HEX #00321F

RGB 0 50 31

HSL 157.2, 1%, 0.1%

LAB 17.37, -21.61, 7.71

 

CMYK 73 / 0 / 13 / 53

HEX #207869

RGB 32 120 105

HSL 169.77, 0.58%, 0.3%

LAB 45.3, -29.29, 0.83

 

CMYK 73 / 0 / 33 / 53

HEX #207851

RGB 32 120 81

HSL 153.41, 0.58%, 0.3%

LAB 44.71, -35.5, 14.17

 

CMYK 73 / 0 / 52 / 53

HEX #20783A

RGB 32 120 58

HSL 137.73, 0.58%, 0.3%

LAB 44.3, -40.09, 26.65

 

CMYK 73 / 0 / 72 / 53

HEX #207822

RGB 32 120 34

HSL 121.36, 0.58%, 0.3%

LAB 44.03, -43.31, 38.21

 

CMYK 55 / 0 / 73 / 53

HEX #367820

RGB 54 120 32

HSL 105, 0.58%, 0.3%

LAB 44.69, -38.01, 39.96

 

CMYK 73 / 0 / 13 / 53

HEX #207869

RGB 32 120 105

HSL 169.77, 0.58%, 0.3%

LAB 45.3, -29.29, 0.83

 

CMYK 73 / 8 / 0 / 53

HEX #206F78

RGB 32 111 120

HSL 186.14, 0.58%, 0.3%

LAB 42.81, -20.08, -11.86

 

CMYK 73 / 28 / 0 / 53

HEX #205778

RGB 32 87 120

HSL 202.5, 0.58%, 0.3%

LAB 34.96, -6.22, -23.93

 

CMYK 73 / 47 / 0 / 53

HEX #204078

RGB 32 64 120

HSL 218.18, 0.58%, 0.3%

LAB 27.65, 8.9, -35.49

 

CMYK 73 / 67 / 0 / 53

HEX #202878

RGB 32 40 120

HSL 234.55, 0.58%, 0.3%

LAB 20.75, 25.68, -46.67

 

CMYK 73 / 0 / 13 / 53

HEX #207869

RGB 32 120 105

HSL 169.77, 0.58%, 0.3%

LAB 45.3, -29.29, 0.83

 

CMYK 85 / 0 / 14 / 48

HEX #148471

RGB 20 132 113

HSL 169.82, 0.74%, 0.3%

LAB 49.31, -34.04, 1.9

 

CMYK 94 / 0 / 16 / 44

HEX #089079

RGB 8 144 121

HSL 169.85, 0.89%, 0.3%

LAB 53.36, -37.94, 3.12

 

CMYK 73 / 0 / 13 / 53

HEX #207869

RGB 32 120 105

HSL 169.77, 0.58%, 0.3%

LAB 45.3, -29.29, 0.83

 

CMYK 58 / 0 / 9 / 58

HEX #2D6B61

RGB 45 107 97

HSL 170.32, 0.41%, 0.3%

LAB 41.11, -22.61, -0.42

 

CMYK 40 / 0 / 7 / 63

HEX #395F58

RGB 57 95 88

HSL 168.95, 0.25%, 0.3%

LAB 37.41, -15.35, -0.27

 

CMYK 15 / 0 / 2 / 68

HEX #465250

RGB 70 82 80

HSL 170, 0.08%, 0.3%

LAB 33.81, -5.19, -0.43

 

CMYK 0 / 15 / 12 / 68

HEX #524648

RGB 82 70 72

HSL 350, 0.08%, 0.3%

LAB 30.98, 5.48, 0.68

 

CMYK 73 / 0 / 53 / 53

HEX #207839

RGB 32 120 57

HSL 137.05, 0.58%, 0.3%

LAB 44.28, -40.26, 27.18

 

CMYK 73 / 0 / 33 / 53

HEX #207850

RGB 32 120 80

HSL 152.73, 0.58%, 0.3%

LAB 44.69, -35.73, 14.73

 

CMYK 73 / 0 / 13 / 53

HEX #207868

RGB 32 120 104

HSL 169.09, 0.58%, 0.3%

LAB 45.28, -29.57, 1.39

 

CMYK 73 / 7 / 0 / 53

HEX #207078

RGB 32 112 120

HSL 185.45, 0.58%, 0.3%

LAB 43.14, -20.61, -11.37

 

CMYK 73 / 26 / 0 / 53

HEX #205978

RGB 32 89 120

HSL 201.14, 0.58%, 0.3%

LAB 35.61, -7.45, -22.92

 

CMYK 73 / 0 / 13 / 78

HEX #0F3730

RGB 15 55 48

HSL 169.5, 0.57%, 0.14%

LAB 20.23, -15.95, 0.28

 

CMYK 72 / 0 / 13 / 66

HEX #18574C

RGB 24 87 76

HSL 169.52, 0.57%, 0.22%

LAB 32.99, -22.7, 0.62

 

CMYK 73 / 0 / 13 / 53

HEX #207869

RGB 32 120 105

HSL 169.77, 0.58%, 0.3%

LAB 45.3, -29.29, 0.83

 

CMYK 73 / 0 / 13 / 40

HEX #299885

RGB 41 152 133

HSL 169.73, 0.58%, 0.38%

LAB 56.7, -35.16, 1.15

 

CMYK 73 / 0 / 12 / 28

HEX #32B8A2

RGB 50 184 162

HSL 170.15, 0.57%, 0.46%

LAB 67.7, -40.52, 0.93

 

CMYK 73 / 0 / 12 / 52

HEX #217A6B

RGB 33 122 107

HSL 169.89, 0.57%, 0.3%

LAB 46.05, -29.53, 0.73

 

CMYK 72 / 73 / 0 / 53

HEX #222078

RGB 34 32 120

HSL 241.36, 0.58%, 0.3%

LAB 18.92, 31.23, -49.66

 

CMYK 0 / 43 / 73 / 53

HEX #784520

RGB 120 69 32

HSL 25.23, 0.58%, 0.3%

LAB 34.71, 18.52, 31.01

 

CMYK 73 / 0 / 12 / 52

HEX #217A6B

RGB 33 122 107

HSL 169.89, 0.57%, 0.3%

LAB 46.05, -29.53, 0.73

 

CMYK 13 / 73 / 0 / 53

HEX #682078

RGB 104 32 120

HSL 289.09, 0.58%, 0.3%

LAB 27.66, 44.79, -35.08

 

CMYK 0 / 13 / 73 / 53

HEX #786820

RGB 120 104 32

HSL 49.09, 0.58%, 0.3%

LAB 44.23, -2.28, 40.95

 

CMYK 73 / 0 / 12 / 52

HEX #217A6B

RGB 33 122 107

HSL 169.89, 0.57%, 0.3%

LAB 46.05, -29.53, 0.73

 

CMYK 72 / 73 / 0 / 53

HEX #222078

RGB 34 32 120

HSL 241.36, 0.58%, 0.3%

LAB 18.92, 31.23, -49.66

 

CMYK 0 / 73 / 60 / 53

HEX #782030

RGB 120 32 48

HSL 349.09, 0.58%, 0.3%

LAB 27.41, 39.06, 12.21

 

CMYK 2 / 0 / 73 / 53

HEX #767820

RGB 118 120 32

HSL 61.36, 0.58%, 0.3%

LAB 48.75, -12.23, 45.36

 

CMYK 73 / 0 / 12 / 52

HEX #217A6B

RGB 33 122 107

HSL 169.89, 0.57%, 0.3%

LAB 46.05, -29.53, 0.73

 

CMYK 50 / 73 / 0 / 53

HEX #3C2078

RGB 60 32 120

HSL 259.09, 0.58%, 0.3%

LAB 21.39, 35.33, -45.52

 

CMYK 0 / 73 / 60 / 53

HEX #782030

RGB 120 32 48

HSL 349.09, 0.58%, 0.3%

LAB 27.41, 39.06, 12.21

 

CMYK 23 / 0 / 73 / 53

HEX #5C7820

RGB 92 120 32

HSL 79.09, 0.58%, 0.3%

LAB 46.73, -23.86, 42.69

 

Description

Color code: HEX #217A6B | qconv.com Color code: HEX #217A6B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 122 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 122 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 12 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 12% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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