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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21899A it is the complementary color #DE7665. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21899A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21899A shade: #268995, #379BA8, #48ADBB, #59BFCE and #6AD1E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21899A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21899A shade: #21899A, #107787, #006574, #005361 and #00414E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21899A shade: #218A9B, #21699B, #21489B, #21279B and #3B219B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21899A shade: #218A9B, #21699B, #21489B, #21279B and #21219B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21899A shade matches the following richer shades: #218A9B, #1195AA and #02A0BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21899A shade: #218A9B, #307F8C, #3F747D, #4E696D and #5E5E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21899A shade: #219B6A, #219B8B, #218B9B, #216A9B and #21499B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21899A shade: #124D57, #196C79, #218A9B, #28A8BD and #3ABFD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21899A shade: #21899A, #49219B and #9B7A21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21899A shade: #21899A, #9B218B and #8B9B21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21899A shade: #21899A, #49219B, #9B3121 and #729B21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21899A shade: #21899A, #6E219B, #9B3121 and #4D9B21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 11 / 0 / 40

HEX #21899A

RGB 33 137 154

HSL 188.43, 0.65%, 0.37%

LAB 52.45, -22.43, -17.3

 

Complementary color

CMYK 0 / 47 / 55 / 13

HEX #DE7665

RGB 222 118 101

HSL 8.43, 0.65%, 0.63%

LAB 61.16, 38.82, 27.62

 

CMYK 74 / 8 / 0 / 42

HEX #268995

RGB 38 137 149

HSL 186.49, 0.59%, 0.37%

LAB 52.37, -23.47, -14.52

 

CMYK 67 / 8 / 0 / 34

HEX #379BA8

RGB 55 155 168

HSL 186.9, 0.51%, 0.44%

LAB 59.05, -24.3, -15.26

 

CMYK 61 / 7 / 0 / 27

HEX #48ADBB

RGB 72 173 187

HSL 187.3, 0.46%, 0.51%

LAB 65.63, -24.88, -15.92

 

CMYK 57 / 7 / 0 / 19

HEX #59BFCE

RGB 89 191 206

HSL 187.69, 0.54%, 0.58%

LAB 72.12, -25.28, -16.53

 

CMYK 53 / 7 / 0 / 12

HEX #6AD1E1

RGB 106 209 225

HSL 188.07, 0.66%, 0.65%

LAB 78.52, -25.57, -17.09

 

CMYK 79 / 11 / 0 / 40

HEX #21899A

RGB 33 137 154

HSL 188.43, 0.65%, 0.37%

LAB 52.45, -22.43, -17.3

 

CMYK 88 / 12 / 0 / 47

HEX #107787

RGB 16 119 135

HSL 188.07, 0.79%, 0.3%

LAB 45.71, -20.97, -16.46

 

CMYK 100 / 13 / 0 / 55

HEX #006574

RGB 0 101 116

HSL 187.76, 1%, 0.23%

LAB 38.84, -19.06, -15.51

 

CMYK 100 / 14 / 0 / 62

HEX #005361

RGB 0 83 97

HSL 188.66, 1%, 0.19%

LAB 31.92, -16.12, -14.31

 

CMYK 100 / 17 / 0 / 69

HEX #00414E

RGB 0 65 78

HSL 190, 1%, 0.15%

LAB 24.74, -13.04, -13.08

 

CMYK 79 / 11 / 0 / 39

HEX #218A9B

RGB 33 138 155

HSL 188.36, 0.65%, 0.37%

LAB 52.8, -22.62, -17.34

 

CMYK 79 / 32 / 0 / 39

HEX #21699B

RGB 33 105 155

HSL 204.59, 0.65%, 0.37%

LAB 42.45, -3.96, -33.39

 

CMYK 79 / 54 / 0 / 39

HEX #21489B

RGB 33 72 155

HSL 220.82, 0.65%, 0.37%

LAB 32.53, 17.52, -49.23

 

CMYK 79 / 75 / 0 / 39

HEX #21279B

RGB 33 39 155

HSL 237.05, 0.65%, 0.37%

LAB 24.13, 39.25, -62.98

 

CMYK 62 / 79 / 0 / 39

HEX #3B219B

RGB 59 33 155

HSL 252.79, 0.65%, 0.37%

LAB 24.9, 45.2, -61.64

 

CMYK 79 / 11 / 0 / 39

HEX #218A9B

RGB 33 138 155

HSL 188.36, 0.65%, 0.37%

LAB 52.8, -22.62, -17.34

 

CMYK 79 / 32 / 0 / 39

HEX #21699B

RGB 33 105 155

HSL 204.59, 0.65%, 0.37%

LAB 42.45, -3.96, -33.39

 

CMYK 79 / 54 / 0 / 39

HEX #21489B

RGB 33 72 155

HSL 220.82, 0.65%, 0.37%

LAB 32.53, 17.52, -49.23

 

CMYK 79 / 75 / 0 / 39

HEX #21279B

RGB 33 39 155

HSL 237.05, 0.65%, 0.37%

LAB 24.13, 39.25, -62.98

 

CMYK 79 / 79 / 0 / 39

HEX #21219B

RGB 33 33 155

HSL 240, 0.65%, 0.37%

LAB 22.92, 42.68, -64.98

 

CMYK 79 / 11 / 0 / 39

HEX #218A9B

RGB 33 138 155

HSL 188.36, 0.65%, 0.37%

LAB 52.8, -22.62, -17.34

 

CMYK 90 / 12 / 0 / 33

HEX #1195AA

RGB 17 149 170

HSL 188.24, 0.82%, 0.37%

LAB 56.6, -24.56, -20.18

 

CMYK 99 / 14 / 0 / 27

HEX #02A0BA

RGB 2 160 186

HSL 188.48, 0.98%, 0.37%

LAB 60.52, -25.35, -23.26

 

CMYK 79 / 11 / 0 / 39

HEX #218A9B

RGB 33 138 155

HSL 188.36, 0.65%, 0.37%

LAB 52.8, -22.62, -17.34

 

CMYK 66 / 9 / 0 / 45

HEX #307F8C

RGB 48 127 140

HSL 188.48, 0.49%, 0.37%

LAB 49.13, -19.59, -14.15

 

CMYK 50 / 7 / 0 / 51

HEX #3F747D

RGB 63 116 125

HSL 188.71, 0.33%, 0.37%

LAB 45.67, -15.02, -10.44

 

CMYK 28 / 4 / 0 / 57

HEX #4E696D

RGB 78 105 109

HSL 187.74, 0.17%, 0.37%

LAB 42.5, -8.84, -5.48

 

CMYK 0 / 0 / 0 / 63

HEX #5E5E5E

RGB 94 94 94

HSL 0, 0%, 0.37%

LAB 39.9, 0, -0.01

 

CMYK 79 / 0 / 32 / 39

HEX #219B6A

RGB 33 155 106

HSL 155.9, 0.65%, 0.37%

LAB 56.89, -44.26, 16.65

 

CMYK 79 / 0 / 10 / 39

HEX #219B8B

RGB 33 155 139

HSL 172.13, 0.65%, 0.37%

LAB 57.68, -35.84, -0.86

 

CMYK 79 / 10 / 0 / 39

HEX #218B9B

RGB 33 139 155

HSL 187.87, 0.65%, 0.37%

LAB 53.12, -23.14, -16.86

 

CMYK 79 / 32 / 0 / 39

HEX #216A9B

RGB 33 106 155

HSL 204.1, 0.65%, 0.37%

LAB 42.76, -4.57, -32.9

 

CMYK 79 / 53 / 0 / 39

HEX #21499B

RGB 33 73 155

HSL 220.33, 0.65%, 0.37%

LAB 32.82, 16.84, -48.77

 

CMYK 79 / 11 / 0 / 66

HEX #124D57

RGB 18 77 87

HSL 188.7, 0.66%, 0.21%

LAB 29.72, -14.56, -11.27

 

CMYK 79 / 11 / 0 / 53

HEX #196C79

RGB 25 108 121

HSL 188.13, 0.66%, 0.29%

LAB 41.71, -19.05, -14.15

 

CMYK 79 / 11 / 0 / 39

HEX #218A9B

RGB 33 138 155

HSL 188.36, 0.65%, 0.37%

LAB 52.8, -22.62, -17.34

 

CMYK 79 / 11 / 0 / 26

HEX #28A8BD

RGB 40 168 189

HSL 188.46, 0.65%, 0.45%

LAB 63.45, -26.15, -20.42

 

CMYK 73 / 10 / 0 / 16

HEX #3ABFD5

RGB 58 191 213

HSL 188.52, 0.65%, 0.53%

LAB 71.53, -28.06, -21.32

 

CMYK 79 / 11 / 0 / 40

HEX #21899A

RGB 33 137 154

HSL 188.43, 0.65%, 0.37%

LAB 52.45, -22.43, -17.3

 

CMYK 53 / 79 / 0 / 39

HEX #49219B

RGB 73 33 155

HSL 259.67, 0.65%, 0.37%

LAB 26.36, 47.04, -59.19

 

CMYK 0 / 21 / 79 / 39

HEX #9B7A21

RGB 155 122 33

HSL 43.77, 0.65%, 0.37%

LAB 52.95, 3.89, 50.25

 

CMYK 79 / 11 / 0 / 40

HEX #21899A

RGB 33 137 154

HSL 188.43, 0.65%, 0.37%

LAB 52.45, -22.43, -17.3

 

CMYK 0 / 79 / 10 / 39

HEX #9B218B

RGB 155 33 139

HSL 307.87, 0.65%, 0.37%

LAB 37.7, 59.46, -30.46

 

CMYK 10 / 0 / 79 / 39

HEX #8B9B21

RGB 139 155 33

HSL 67.87, 0.65%, 0.37%

LAB 60.82, -21.15, 56.97

 

CMYK 79 / 11 / 0 / 40

HEX #21899A

RGB 33 137 154

HSL 188.43, 0.65%, 0.37%

LAB 52.45, -22.43, -17.3

 

CMYK 53 / 79 / 0 / 39

HEX #49219B

RGB 73 33 155

HSL 259.67, 0.65%, 0.37%

LAB 26.36, 47.04, -59.19

 

CMYK 0 / 68 / 79 / 39

HEX #9B3121

RGB 155 49 33

HSL 7.87, 0.65%, 0.37%

LAB 36.51, 43.21, 34.11

 

CMYK 26 / 0 / 79 / 39

HEX #729B21

RGB 114 155 33

HSL 80.16, 0.65%, 0.37%

LAB 59.09, -31.66, 54.75

 

CMYK 79 / 11 / 0 / 40

HEX #21899A

RGB 33 137 154

HSL 188.43, 0.65%, 0.37%

LAB 52.45, -22.43, -17.3

 

CMYK 29 / 79 / 0 / 39

HEX #6E219B

RGB 110 33 155

HSL 277.87, 0.65%, 0.37%

LAB 31.28, 53.12, -50.96

 

CMYK 0 / 68 / 79 / 39

HEX #9B3121

RGB 155 49 33

HSL 7.87, 0.65%, 0.37%

LAB 36.51, 43.21, 34.11

 

CMYK 50 / 0 / 79 / 39

HEX #4D9B21

RGB 77 155 33

HSL 98.36, 0.65%, 0.37%

LAB 57.2, -44.99, 52.3

 

Description

Color code: HEX #21899A | qconv.com Color code: HEX #21899A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 137 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 137 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 11 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 11% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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