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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2180D8 it is the complementary color #DE7F27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2180D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2180D8 shade: #2680D3, #3792E6, #48A4F9, #59B6FF and #6AC8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2180D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2180D8 shade: #2180D8, #106EC5, #005CB2, #004A9F and #00388C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2180D8 shade: #2180D8, #214FD8, #2521D8, #5621D8 and #8721D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2180D8 shade: #2180D8, #214FD8 and #2121D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2180D8 shade matches the following richer shades: #2180D8 and #0D81EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2180D8 shade: #2180D8, #357FC3, #4A7EAF, #5E7E9B and #727D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2180D8 shade: #21D8CC, #21B3D8, #2183D8, #2152D8 and #2121D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2180D8 shade: #165690, #1C6BB4, #2180D8, #4194E1 and #65A8E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2180D8 shade: #2180D8, #9B21D8 and #CCD821

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2180D8 shade: #2180D8, #D82183 and #83D821

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2180D8 shade: #2180D8, #9B21D8, #D87621 and #5ED821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2180D8 shade: #2180D8, #D221D8, #D87621 and #27D821

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 41 / 0 / 15

HEX #2180D8

RGB 33 128 216

HSL 208.85, 0.73%, 0.49%

LAB 52.64, 5.16, -52.5

 

Complementary color

CMYK 0 / 43 / 82 / 13

HEX #DE7F27

RGB 222 127 39

HSL 28.85, 0.73%, 0.51%

LAB 62.38, 30.73, 59.6

 

CMYK 82 / 39 / 0 / 17

HEX #2680D3

RGB 38 128 211

HSL 208.79, 0.69%, 0.49%

LAB 52.46, 3.68, -49.96

 

CMYK 76 / 37 / 0 / 10

HEX #3792E6

RGB 55 146 230

HSL 208.8, 0.78%, 0.56%

LAB 59.05, 1.65, -50.1

 

CMYK 71 / 34 / 0 / 2

HEX #48A4F9

RGB 72 164 249

HSL 208.81, 0.94%, 0.63%

LAB 65.57, 0, -50.2

 

CMYK 65 / 29 / 0 / 0

HEX #59B6FF

RGB 89 182 255

HSL 206.39, 1%, 0.67%

LAB 71.42, -5.58, -44.21

 

CMYK 58 / 22 / 0 / 0

HEX #6AC8FF

RGB 106 200 255

HSL 202.15, 1%, 0.71%

LAB 77.04, -12.34, -35.42

 

CMYK 85 / 41 / 0 / 15

HEX #2180D8

RGB 33 128 216

HSL 208.85, 0.73%, 0.49%

LAB 52.64, 5.16, -52.5

 

CMYK 92 / 44 / 0 / 23

HEX #106EC5

RGB 16 110 197

HSL 208.84, 0.85%, 0.42%

LAB 46.03, 7.93, -52.27

 

CMYK 100 / 48 / 0 / 30

HEX #005CB2

RGB 0 92 178

HSL 208.99, 1%, 0.35%

LAB 39.36, 11.26, -51.96

 

CMYK 100 / 53 / 0 / 38

HEX #004A9F

RGB 0 74 159

HSL 212.08, 1%, 0.31%

LAB 32.7, 15.47, -51.41

 

CMYK 100 / 60 / 0 / 45

HEX #00388C

RGB 0 56 140

HSL 216, 1%, 0.27%

LAB 25.93, 19.99, -50.83

 

CMYK 85 / 41 / 0 / 15

HEX #2180D8

RGB 33 128 216

HSL 208.85, 0.73%, 0.49%

LAB 52.64, 5.16, -52.5

 

CMYK 85 / 63 / 0 / 15

HEX #214FD8

RGB 33 79 216

HSL 224.92, 0.73%, 0.49%

LAB 39.37, 36.38, -74

 

CMYK 83 / 85 / 0 / 15

HEX #2521D8

RGB 37 33 216

HSL 241.31, 0.73%, 0.49%

LAB 30.49, 61.76, -88.66

 

CMYK 60 / 85 / 0 / 15

HEX #5621D8

RGB 86 33 216

HSL 257.38, 0.73%, 0.49%

LAB 34.03, 64.81, -82.68

 

CMYK 38 / 85 / 0 / 15

HEX #8721D8

RGB 135 33 216

HSL 273.44, 0.73%, 0.49%

LAB 39.91, 70.27, -72.8

 

CMYK 85 / 41 / 0 / 15

HEX #2180D8

RGB 33 128 216

HSL 208.85, 0.73%, 0.49%

LAB 52.64, 5.16, -52.5

 

CMYK 85 / 63 / 0 / 15

HEX #214FD8

RGB 33 79 216

HSL 224.92, 0.73%, 0.49%

LAB 39.37, 36.38, -74

 

CMYK 85 / 85 / 0 / 15

HEX #2121D8

RGB 33 33 216

HSL 240, 0.73%, 0.49%

LAB 30.32, 61.62, -88.95

 

CMYK 85 / 41 / 0 / 15

HEX #2180D8

RGB 33 128 216

HSL 208.85, 0.73%, 0.49%

LAB 52.64, 5.16, -52.5

 

CMYK 94 / 45 / 0 / 7

HEX #0D81EC

RGB 13 129 236

HSL 208.79, 0.9%, 0.49%

LAB 53.86, 11.17, -61.78

 

CMYK 85 / 41 / 0 / 15

HEX #2180D8

RGB 33 128 216

HSL 208.85, 0.73%, 0.49%

LAB 52.64, 5.16, -52.5

 

CMYK 73 / 35 / 0 / 24

HEX #357FC3

RGB 53 127 195

HSL 208.73, 0.57%, 0.49%

LAB 51.7, 0.09, -42.05

 

CMYK 58 / 28 / 0 / 31

HEX #4A7EAF

RGB 74 126 175

HSL 209.11, 0.41%, 0.49%

LAB 51.24, -2.56, -31.23

 

CMYK 39 / 19 / 0 / 39

HEX #5E7E9B

RGB 94 126 155

HSL 208.52, 0.24%, 0.49%

LAB 51.46, -3.68, -19.19

 

CMYK 16 / 7 / 0 / 47

HEX #727D87

RGB 114 125 135

HSL 208.57, 0.08%, 0.49%

LAB 51.83, -1.84, -6.81

 

CMYK 85 / 0 / 6 / 15

HEX #21D8CC

RGB 33 216 204

HSL 176.07, 0.73%, 0.49%

LAB 78.34, -44.61, -6.27

 

CMYK 85 / 17 / 0 / 15

HEX #21B3D8

RGB 33 179 216

HSL 192.13, 0.73%, 0.49%

LAB 67.67, -23.48, -28.91

 

CMYK 85 / 39 / 0 / 15

HEX #2183D8

RGB 33 131 216

HSL 207.87, 0.73%, 0.49%

LAB 53.51, 3.33, -51.12

 

CMYK 85 / 62 / 0 / 15

HEX #2152D8

RGB 33 82 216

HSL 223.93, 0.73%, 0.49%

LAB 40.11, 34.46, -72.78

 

CMYK 85 / 85 / 0 / 15

HEX #2121D8

RGB 33 33 216

HSL 240, 0.73%, 0.49%

LAB 30.32, 61.62, -88.95

 

CMYK 85 / 40 / 0 / 44

HEX #165690

RGB 22 86 144

HSL 208.52, 0.73%, 0.33%

LAB 35.67, 2.54, -37.53

 

CMYK 84 / 41 / 0 / 29

HEX #1C6BB4

RGB 28 107 180

HSL 208.82, 0.73%, 0.41%

LAB 44.32, 3.92, -45.16

 

CMYK 85 / 41 / 0 / 15

HEX #2180D8

RGB 33 128 216

HSL 208.85, 0.73%, 0.49%

LAB 52.64, 5.16, -52.5

 

CMYK 71 / 34 / 0 / 12

HEX #4194E1

RGB 65 148 225

HSL 208.88, 0.73%, 0.57%

LAB 59.65, -0.02, -46.35

 

CMYK 56 / 27 / 0 / 9

HEX #65A8E7

RGB 101 168 231

HSL 209.08, 0.73%, 0.65%

LAB 66.93, -3.25, -38.14

 

CMYK 85 / 41 / 0 / 15

HEX #2180D8

RGB 33 128 216

HSL 208.85, 0.73%, 0.49%

LAB 52.64, 5.16, -52.5

 

CMYK 28 / 85 / 0 / 15

HEX #9B21D8

RGB 155 33 216

HSL 280, 0.73%, 0.49%

LAB 42.78, 73.08, -67.98

 

CMYK 6 / 0 / 85 / 15

HEX #CCD821

RGB 204 216 33

HSL 63.93, 0.73%, 0.49%

LAB 82.94, -23.58, 78.02

 

CMYK 85 / 41 / 0 / 15

HEX #2180D8

RGB 33 128 216

HSL 208.85, 0.73%, 0.49%

LAB 52.64, 5.16, -52.5

 

CMYK 0 / 85 / 39 / 15

HEX #D82183

RGB 216 33 131

HSL 327.87, 0.73%, 0.49%

LAB 48.67, 72.54, -7.75

 

CMYK 39 / 0 / 85 / 15

HEX #83D821

RGB 131 216 33

HSL 87.87, 0.73%, 0.49%

LAB 78.49, -51.68, 72.47

 

CMYK 85 / 41 / 0 / 15

HEX #2180D8

RGB 33 128 216

HSL 208.85, 0.73%, 0.49%

LAB 52.64, 5.16, -52.5

 

CMYK 28 / 85 / 0 / 15

HEX #9B21D8

RGB 155 33 216

HSL 280, 0.73%, 0.49%

LAB 42.78, 73.08, -67.98

 

CMYK 0 / 45 / 85 / 15

HEX #D87621

RGB 216 118 33

HSL 27.87, 0.73%, 0.49%

LAB 59.59, 32.83, 59.03

 

CMYK 56 / 0 / 85 / 15

HEX #5ED821

RGB 94 216 33

HSL 100, 0.73%, 0.49%

LAB 77.04, -62.72, 70.64

 

CMYK 85 / 41 / 0 / 15

HEX #2180D8

RGB 33 128 216

HSL 208.85, 0.73%, 0.49%

LAB 52.64, 5.16, -52.5

 

CMYK 3 / 85 / 0 / 15

HEX #D221D8

RGB 210 33 216

HSL 298.03, 0.73%, 0.49%

LAB 51.55, 82.02, -53.39

 

CMYK 0 / 45 / 85 / 15

HEX #D87621

RGB 216 118 33

HSL 27.87, 0.73%, 0.49%

LAB 59.59, 32.83, 59.03

 

CMYK 82 / 0 / 85 / 15

HEX #27D821

RGB 39 216 33

HSL 118.03, 0.73%, 0.49%

LAB 75.86, -72.75, 69.14

 

Description

Color code: HEX #2180D8 | qconv.com Color code: HEX #2180D8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 128 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 128 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 41 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 41% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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