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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #218152 it is the complementary color #DE7EAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #218152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #218152 shade: #26814D, #379360, #48A573, #59B786 and #6AC999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #218152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #218152 shade: #218152, #106F3F, #005D2C, #004B19 and #003906

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #218152 shade: #218152, #218138, #248121, #3E8121 and #588121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #218152 shade: #218152, #21816C, #217C81, #216281 and #214981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #218152 shade matches the following richer shades: #218152, #148E52 and #079C53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #218152 shade: #218152, #2E7452, #3B6752, #495A51 and #564C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #218152 shade: #248121, #218137, #218151, #21816B and #217E81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #218152 shade: #104028, #18603D, #218152, #29A267 and #32C37C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #218152 shade: #218152, #213E81 and #812B21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #218152 shade: #218152, #512181 and #815121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #218152 shade: #218152, #213E81, #812151 and #816421

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #218152 shade: #218152, #212181, #812151 and #818121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

Complementary color

CMYK 0 / 43 / 22 / 13

HEX #DE7EAD

RGB 222 126 173

HSL 330.63, 0.59%, 0.68%

LAB 64.54, 42.92, -8.57

 

CMYK 71 / 0 / 40 / 49

HEX #26814D

RGB 38 129 77

HSL 145.71, 0.54%, 0.33%

LAB 47.81, -39.1, 20.68

 

CMYK 63 / 0 / 35 / 42

HEX #379360

RGB 55 147 96

HSL 146.74, 0.46%, 0.4%

LAB 54.58, -39.4, 19.16

 

CMYK 56 / 0 / 30 / 35

HEX #48A573

RGB 72 165 115

HSL 147.74, 0.39%, 0.46%

LAB 61.24, -39.46, 17.8

 

CMYK 51 / 0 / 27 / 28

HEX #59B786

RGB 89 183 134

HSL 148.72, 0.39%, 0.53%

LAB 67.81, -39.37, 16.57

 

CMYK 47 / 0 / 24 / 21

HEX #6AC999

RGB 106 201 153

HSL 149.68, 0.47%, 0.6%

LAB 74.28, -39.2, 15.44

 

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

CMYK 86 / 0 / 43 / 56

HEX #106F3F

RGB 16 111 63

HSL 149.68, 0.75%, 0.25%

LAB 40.96, -37.99, 19.52

 

CMYK 100 / 0 / 53 / 64

HEX #005D2C

RGB 0 93 44

HSL 148.39, 1%, 0.18%

LAB 34, -36.43, 21.44

 

CMYK 100 / 0 / 67 / 71

HEX #004B19

RGB 0 75 25

HSL 140, 1%, 0.15%

LAB 27.02, -33.05, 23.59

 

CMYK 100 / 0 / 89 / 78

HEX #003906

RGB 0 57 6

HSL 126.32, 1%, 0.11%

LAB 19.8, -29, 24.69

 

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

CMYK 74 / 0 / 57 / 49

HEX #218138

RGB 33 129 56

HSL 134.38, 0.59%, 0.32%

LAB 47.38, -43.68, 31.49

 

CMYK 72 / 0 / 74 / 49

HEX #248121

RGB 36 129 33

HSL 118.13, 0.59%, 0.32%

LAB 47.22, -45.84, 41.98

 

CMYK 52 / 0 / 74 / 49

HEX #3E8121

RGB 62 129 33

HSL 101.88, 0.59%, 0.32%

LAB 48.05, -39.17, 43.1

 

CMYK 32 / 0 / 74 / 49

HEX #588121

RGB 88 129 33

HSL 85.63, 0.59%, 0.32%

LAB 49.36, -29.84, 44.84

 

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

CMYK 74 / 0 / 16 / 49

HEX #21816C

RGB 33 129 108

HSL 166.88, 0.59%, 0.32%

LAB 48.39, -32.55, 3.54

 

CMYK 74 / 4 / 0 / 49

HEX #217C81

RGB 33 124 129

HSL 183.13, 0.59%, 0.32%

LAB 47.4, -23.85, -10.32

 

CMYK 74 / 24 / 0 / 49

HEX #216281

RGB 33 98 129

HSL 199.38, 0.59%, 0.32%

LAB 38.97, -9.42, -23.2

 

CMYK 74 / 43 / 0 / 49

HEX #214981

RGB 33 73 129

HSL 215, 0.59%, 0.32%

LAB 31.05, 6.5, -35.68

 

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

CMYK 86 / 0 / 42 / 44

HEX #148E52

RGB 20 142 82

HSL 150.49, 0.75%, 0.32%

LAB 51.95, -45.72, 23.29

 

CMYK 96 / 0 / 47 / 39

HEX #079C53

RGB 7 156 83

HSL 150.6, 0.91%, 0.32%

LAB 56.53, -51.52, 28.67

 

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

CMYK 60 / 0 / 29 / 55

HEX #2E7452

RGB 46 116 82

HSL 150.86, 0.43%, 0.32%

LAB 43.77, -30.63, 12.36

 

CMYK 43 / 0 / 20 / 60

HEX #3B6752

RGB 59 103 82

HSL 151.36, 0.27%, 0.32%

LAB 39.98, -20.57, 7.13

 

CMYK 19 / 0 / 10 / 65

HEX #495A51

RGB 73 90 81

HSL 148.24, 0.1%, 0.32%

LAB 36.6, -8.61, 3.03

 

CMYK 0 / 12 / 6 / 66

HEX #564C51

RGB 86 76 81

HSL 330, 0.06%, 0.32%

LAB 33.44, 5.18, -1.44

 

CMYK 72 / 0 / 74 / 49

HEX #248121

RGB 36 129 33

HSL 118.13, 0.59%, 0.32%

LAB 47.22, -45.84, 41.98

 

CMYK 74 / 0 / 57 / 49

HEX #218137

RGB 33 129 55

HSL 133.75, 0.59%, 0.32%

LAB 47.37, -43.83, 31.99

 

CMYK 74 / 0 / 37 / 49

HEX #218151

RGB 33 129 81

HSL 150, 0.59%, 0.32%

LAB 47.77, -39.14, 18.34

 

CMYK 74 / 0 / 17 / 49

HEX #21816B

RGB 33 129 107

HSL 166.25, 0.59%, 0.32%

LAB 48.37, -32.82, 4.09

 

CMYK 74 / 2 / 0 / 49

HEX #217E81

RGB 33 126 129

HSL 181.88, 0.59%, 0.32%

LAB 48.05, -24.87, -9.34

 

CMYK 75 / 0 / 38 / 75

HEX #104028

RGB 16 64 40

HSL 150, 0.6%, 0.16%

LAB 23.44, -22.7, 10.13

 

CMYK 75 / 0 / 36 / 62

HEX #18603D

RGB 24 96 61

HSL 150.83, 0.6%, 0.24%

LAB 35.78, -30.97, 13.83

 

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

CMYK 75 / 0 / 36 / 36

HEX #29A267

RGB 41 162 103

HSL 150.74, 0.6%, 0.4%

LAB 59.24, -46.63, 21.53

 

CMYK 74 / 0 / 36 / 24

HEX #32C37C

RGB 50 195 124

HSL 150.62, 0.59%, 0.48%

LAB 70.29, -53.87, 25.14

 

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

CMYK 74 / 52 / 0 / 49

HEX #213E81

RGB 33 62 129

HSL 221.88, 0.59%, 0.32%

LAB 27.72, 14.04, -41.03

 

CMYK 0 / 67 / 74 / 49

HEX #812B21

RGB 129 43 33

HSL 6.25, 0.59%, 0.32%

LAB 30.65, 36.46, 26.32

 

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

CMYK 37 / 74 / 0 / 49

HEX #512181

RGB 81 33 129

HSL 270, 0.59%, 0.32%

LAB 25.02, 41.39, -45.21

 

CMYK 0 / 37 / 74 / 49

HEX #815121

RGB 129 81 33

HSL 30, 0.59%, 0.32%

LAB 39, 15.61, 35.45

 

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

CMYK 74 / 52 / 0 / 49

HEX #213E81

RGB 33 62 129

HSL 221.88, 0.59%, 0.32%

LAB 27.72, 14.04, -41.03

 

CMYK 0 / 74 / 37 / 49

HEX #812151

RGB 129 33 81

HSL 330, 0.59%, 0.32%

LAB 30.28, 44.8, -5.44

 

CMYK 0 / 22 / 74 / 49

HEX #816421

RGB 129 100 33

HSL 41.88, 0.59%, 0.32%

LAB 44.08, 4.38, 40.67

 

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

CMYK 74 / 74 / 0 / 49

HEX #212181

RGB 33 33 129

HSL 240, 0.59%, 0.32%

LAB 20.03, 33.71, -53.58

 

CMYK 0 / 74 / 37 / 49

HEX #812151

RGB 129 33 81

HSL 330, 0.59%, 0.32%

LAB 30.28, 44.8, -5.44

 

CMYK 0 / 0 / 74 / 49

HEX #818121

RGB 129 129 33

HSL 60, 0.59%, 0.32%

LAB 52.37, -12.02, 48.81

 

Description

Color code: HEX #218152 | qconv.com Color code: HEX #218152 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 129 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 129 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 36 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 36% 49% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - 新生活インテリアフェア|家具・インテリア...
Link: http://www.idc-otsuka.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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