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Color name
HEX #219F77

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #219F77 it is the complementary color #DE6088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #219F77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #219F77 shade: #269F72, #37B185, #48C398, #59D5AB and #6AE7BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #219F77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #219F77 shade: #219F77, #108D64, #007B51, #00693E and #00572B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #219F77 shade: #20A078, #20A055, #20A033, #31A020 and #53A020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #219F77 shade: #20A078, #20A09A, #2084A0, #2061A0 and #203FA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #219F77 shade matches the following richer shades: #20A078, #11B07D and #01C083

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #219F77 shade: #20A078, #309172, #40816C, #4F7167 and #5F6261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #219F77 shade: #20A032, #20A054, #20A076, #20A098 and #2087A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #219F77 shade: #125C45, #197E5E, #20A078, #27C391 and #3DD7A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #219F77 shade: #219F77, #2032A0 and #A04320

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #219F77 shade: #219F77, #7620A0 and #A07620

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #219F77 shade: #219F77, #2032A0, #A0204B and #A08F20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #219F77 shade: #219F77, #3620A0, #A0204B and #8BA020

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 25 / 38

HEX #219F77

RGB 33 159 119

HSL 160.95, 0.66%, 0.38%

LAB 58.46, -42.86, 11.57

 

Complementary color

CMYK 0 / 57 / 39 / 13

HEX #DE6088

RGB 222 96 136

HSL 340.95, 0.66%, 0.62%

LAB 57.73, 52.97, 2.71

 

CMYK 76 / 0 / 28 / 38

HEX #269F72

RGB 38 159 114

HSL 157.69, 0.61%, 0.39%

LAB 58.44, -43.43, 14.34

 

CMYK 69 / 0 / 25 / 31

HEX #37B185

RGB 55 177 133

HSL 158.36, 0.53%, 0.45%

LAB 64.92, -44.01, 12.93

 

CMYK 63 / 0 / 22 / 24

HEX #48C398

RGB 72 195 152

HSL 159.02, 0.51%, 0.52%

LAB 71.33, -44.32, 11.67

 

CMYK 58 / 0 / 20 / 16

HEX #59D5AB

RGB 89 213 171

HSL 159.68, 0.6%, 0.59%

LAB 77.67, -44.46, 10.53

 

CMYK 54 / 0 / 18 / 9

HEX #6AE7BE

RGB 106 231 190

HSL 160.32, 0.72%, 0.66%

LAB 83.93, -44.49, 9.48

 

CMYK 79 / 0 / 25 / 38

HEX #219F77

RGB 33 159 119

HSL 160.95, 0.66%, 0.38%

LAB 58.46, -42.86, 11.57

 

CMYK 89 / 0 / 29 / 45

HEX #108D64

RGB 16 141 100

HSL 160.32, 0.8%, 0.31%

LAB 51.93, -41.69, 13.14

 

CMYK 100 / 0 / 34 / 52

HEX #007B51

RGB 0 123 81

HSL 159.51, 1%, 0.24%

LAB 45.3, -40.05, 14.92

 

CMYK 100 / 0 / 41 / 59

HEX #00693E

RGB 0 105 62

HSL 155.43, 1%, 0.21%

LAB 38.64, -37.31, 17

 

CMYK 100 / 0 / 51 / 66

HEX #00572B

RGB 0 87 43

HSL 149.66, 1%, 0.17%

LAB 31.79, -34.34, 19.21

 

CMYK 80 / 0 / 25 / 37

HEX #20A078

RGB 32 160 120

HSL 161.25, 0.67%, 0.38%

LAB 58.79, -43.14, 11.47

 

CMYK 80 / 0 / 47 / 37

HEX #20A055

RGB 32 160 85

HSL 144.84, 0.67%, 0.38%

LAB 58.14, -50.52, 29.71

 

CMYK 80 / 0 / 68 / 37

HEX #20A033

RGB 32 160 51

HSL 128.91, 0.67%, 0.38%

LAB 57.74, -55.28, 45.65

 

CMYK 69 / 0 / 80 / 37

HEX #31A020

RGB 49 160 32

HSL 112.03, 0.67%, 0.38%

LAB 57.94, -54.04, 53.01

 

CMYK 48 / 0 / 80 / 37

HEX #53A020

RGB 83 160 32

HSL 96.09, 0.67%, 0.38%

LAB 59.05, -45.15, 54.45

 

CMYK 80 / 0 / 25 / 37

HEX #20A078

RGB 32 160 120

HSL 161.25, 0.67%, 0.38%

LAB 58.79, -43.14, 11.47

 

CMYK 80 / 0 / 4 / 37

HEX #20A09A

RGB 32 160 154

HSL 177.19, 0.67%, 0.38%

LAB 59.69, -33.91, -6.41

 

CMYK 80 / 18 / 0 / 37

HEX #2084A0

RGB 32 132 160

HSL 193.13, 0.67%, 0.38%

LAB 51.09, -17.84, -22.87

 

CMYK 80 / 39 / 0 / 37

HEX #2061A0

RGB 32 97 160

HSL 209.53, 0.67%, 0.38%

LAB 40.24, 2.84, -39.87

 

CMYK 80 / 61 / 0 / 37

HEX #203FA0

RGB 32 63 160

HSL 225.47, 0.67%, 0.38%

LAB 30.4, 25.49, -55.73

 

CMYK 80 / 0 / 25 / 37

HEX #20A078

RGB 32 160 120

HSL 161.25, 0.67%, 0.38%

LAB 58.79, -43.14, 11.47

 

CMYK 90 / 0 / 29 / 31

HEX #11B07D

RGB 17 176 125

HSL 160.75, 0.82%, 0.38%

LAB 63.88, -49.61, 15.78

 

CMYK 99 / 0 / 32 / 25

HEX #01C083

RGB 1 192 131

HSL 160.84, 0.99%, 0.38%

LAB 69, -54.99, 19.59

 

CMYK 80 / 0 / 25 / 37

HEX #20A078

RGB 32 160 120

HSL 161.25, 0.67%, 0.38%

LAB 58.79, -43.14, 11.47

 

CMYK 67 / 0 / 21 / 43

HEX #309172

RGB 48 145 114

HSL 160.82, 0.5%, 0.38%

LAB 54.13, -35.83, 8.32

 

CMYK 50 / 0 / 16 / 49

HEX #40816C

RGB 64 129 108

HSL 160.62, 0.34%, 0.38%

LAB 49.34, -26.22, 5.03

 

CMYK 30 / 0 / 9 / 56

HEX #4F7167

RGB 79 113 103

HSL 162.35, 0.18%, 0.38%

LAB 44.87, -14.53, 1.64

 

CMYK 3 / 0 / 1 / 62

HEX #5F6261

RGB 95 98 97

HSL 160, 0.02%, 0.38%

LAB 41.27, -1.38, 0.15

 

CMYK 80 / 0 / 69 / 37

HEX #20A032

RGB 32 160 50

HSL 128.44, 0.67%, 0.38%

LAB 57.73, -55.38, 46.06

 

CMYK 80 / 0 / 48 / 37

HEX #20A054

RGB 32 160 84

HSL 144.38, 0.67%, 0.38%

LAB 58.12, -50.69, 30.22

 

CMYK 80 / 0 / 26 / 37

HEX #20A076

RGB 32 160 118

HSL 160.31, 0.67%, 0.38%

LAB 58.75, -43.63, 12.53

 

CMYK 80 / 0 / 5 / 37

HEX #20A098

RGB 32 160 152

HSL 176.25, 0.67%, 0.38%

LAB 59.63, -34.5, -5.37

 

CMYK 80 / 16 / 0 / 37

HEX #2087A0

RGB 32 135 160

HSL 191.72, 0.67%, 0.38%

LAB 52.03, -19.46, -21.42

 

CMYK 80 / 0 / 25 / 64

HEX #125C45

RGB 18 92 69

HSL 161.35, 0.67%, 0.22%

LAB 34.42, -28.12, 7.03

 

CMYK 80 / 0 / 25 / 51

HEX #197E5E

RGB 25 126 94

HSL 160.99, 0.67%, 0.3%

LAB 46.89, -35.97, 9.59

 

CMYK 80 / 0 / 25 / 37

HEX #20A078

RGB 32 160 120

HSL 161.25, 0.67%, 0.38%

LAB 58.79, -43.14, 11.47

 

CMYK 80 / 0 / 26 / 24

HEX #27C391

RGB 39 195 145

HSL 160.77, 0.67%, 0.46%

LAB 70.53, -50.65, 14.23

 

CMYK 72 / 0 / 23 / 16

HEX #3DD7A6

RGB 61 215 166

HSL 160.91, 0.66%, 0.54%

LAB 77.49, -51.16, 12.84

 

CMYK 79 / 0 / 25 / 38

HEX #219F77

RGB 33 159 119

HSL 160.95, 0.66%, 0.38%

LAB 58.46, -42.86, 11.57

 

CMYK 80 / 69 / 0 / 37

HEX #2032A0

RGB 32 50 160

HSL 231.56, 0.67%, 0.38%

LAB 27.09, 34.12, -61.15

 

CMYK 0 / 58 / 80 / 37

HEX #A04320

RGB 160 67 32

HSL 16.41, 0.67%, 0.38%

LAB 40.56, 36.61, 39.05

 

CMYK 79 / 0 / 25 / 38

HEX #219F77

RGB 33 159 119

HSL 160.95, 0.66%, 0.38%

LAB 58.46, -42.86, 11.57

 

CMYK 26 / 80 / 0 / 37

HEX #7620A0

RGB 118 32 160

HSL 280.31, 0.67%, 0.38%

LAB 32.75, 56, -51.55

 

CMYK 0 / 26 / 80 / 37

HEX #A07620

RGB 160 118 32

HSL 40.31, 0.67%, 0.38%

LAB 52.44, 8.42, 50.36

 

CMYK 79 / 0 / 25 / 38

HEX #219F77

RGB 33 159 119

HSL 160.95, 0.66%, 0.38%

LAB 58.46, -42.86, 11.57

 

CMYK 80 / 69 / 0 / 37

HEX #2032A0

RGB 32 50 160

HSL 231.56, 0.67%, 0.38%

LAB 27.09, 34.12, -61.15

 

CMYK 0 / 80 / 53 / 37

HEX #A0204B

RGB 160 32 75

HSL 339.84, 0.67%, 0.38%

LAB 36.01, 53.51, 7.55

 

CMYK 0 / 11 / 80 / 37

HEX #A08F20

RGB 160 143 32

HSL 52.03, 0.67%, 0.38%

LAB 59.18, -5.49, 56.48

 

CMYK 79 / 0 / 25 / 38

HEX #219F77

RGB 33 159 119

HSL 160.95, 0.66%, 0.38%

LAB 58.46, -42.86, 11.57

 

CMYK 66 / 80 / 0 / 37

HEX #3620A0

RGB 54 32 160

HSL 250.31, 0.67%, 0.38%

LAB 24.81, 46.65, -64.86

 

CMYK 0 / 80 / 53 / 37

HEX #A0204B

RGB 160 32 75

HSL 339.84, 0.67%, 0.38%

LAB 36.01, 53.51, 7.55

 

CMYK 13 / 0 / 80 / 37

HEX #8BA020

RGB 139 160 32

HSL 69.84, 0.67%, 0.38%

LAB 62.28, -23.7, 58.6

 

Description

Color code: HEX #219F77 | qconv.com Color code: HEX #219F77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 159 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 159 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 25 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 25% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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