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Color name
HEX #21A38D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21A38D it is the complementary color #DE5C72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21A38D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21A38D shade: #26A388, #37B59B, #48C7AE, #59D9C1 and #6AEBD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21A38D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21A38D shade: #21A38D, #10917A, #007F67, #006D54 and #005B41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21A38D shade: #20A08B, #20A068, #20A046, #20A023 and #40A020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21A38D shade: #20A08B, #2093A0, #2071A0, #204FA0 and #202CA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21A38D shade matches the following richer shades: #20A08B, #11B095 and #01C09F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21A38D shade: #20A08B, #309180, #408176, #4F716C and #5F6261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21A38D shade: #20A045, #20A067, #20A089, #2096A0 and #2074A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21A38D shade: #125C4F, #197E6D, #20A08B, #27C3A8 and #3DD7BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21A38D shade: #21A38D, #2320A0 and #A05620

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21A38D shade: #21A38D, #8920A0 and #A08920

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21A38D shade: #21A38D, #2320A0, #A02038 and #9EA020

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21A38D shade: #21A38D, #4920A0, #A02038 and #78A020

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 13 / 36

HEX #21A38D

RGB 33 163 141

HSL 169.85, 0.66%, 0.38%

LAB 60.28, -38.88, 1.8

 

Complementary color

CMYK 0 / 59 / 49 / 13

HEX #DE5C72

RGB 222 92 114

HSL 349.85, 0.66%, 0.62%

LAB 56.48, 52.61, 13.84

 

CMYK 77 / 0 / 17 / 36

HEX #26A388

RGB 38 163 136

HSL 167.04, 0.62%, 0.39%

LAB 60.23, -39.66, 4.55

 

CMYK 70 / 0 / 14 / 29

HEX #37B59B

RGB 55 181 155

HSL 167.62, 0.53%, 0.46%

LAB 66.69, -40.33, 3.34

 

CMYK 64 / 0 / 13 / 22

HEX #48C7AE

RGB 72 199 174

HSL 168.19, 0.53%, 0.53%

LAB 73.08, -40.76, 2.25

 

CMYK 59 / 0 / 11 / 15

HEX #59D9C1

RGB 89 217 193

HSL 168.75, 0.63%, 0.6%

LAB 79.39, -41.01, 1.27

 

CMYK 55 / 0 / 10 / 8

HEX #6AEBD4

RGB 106 235 212

HSL 169.3, 0.76%, 0.67%

LAB 85.62, -41.14, 0.36

 

CMYK 80 / 0 / 13 / 36

HEX #21A38D

RGB 33 163 141

HSL 169.85, 0.66%, 0.38%

LAB 60.28, -38.88, 1.8

 

CMYK 89 / 0 / 16 / 43

HEX #10917A

RGB 16 145 122

HSL 169.3, 0.8%, 0.32%

LAB 53.78, -37.64, 3.15

 

CMYK 100 / 0 / 19 / 50

HEX #007F67

RGB 0 127 103

HSL 168.66, 1%, 0.25%

LAB 47.18, -35.99, 4.68

 

CMYK 100 / 0 / 23 / 57

HEX #006D54

RGB 0 109 84

HSL 166.24, 1%, 0.21%

LAB 40.54, -33.42, 6.5

 

CMYK 100 / 0 / 29 / 64

HEX #005B41

RGB 0 91 65

HSL 162.86, 1%, 0.18%

LAB 33.7, -30.75, 8.45

 

CMYK 80 / 0 / 13 / 37

HEX #20A08B

RGB 32 160 139

HSL 170.16, 0.67%, 0.38%

LAB 59.26, -38.2, 1.44

 

CMYK 80 / 0 / 35 / 37

HEX #20A068

RGB 32 160 104

HSL 153.75, 0.67%, 0.38%

LAB 58.46, -46.81, 19.9

 

CMYK 80 / 0 / 56 / 37

HEX #20A046

RGB 32 160 70

HSL 137.81, 0.67%, 0.38%

LAB 57.93, -52.92, 37.12

 

CMYK 80 / 0 / 78 / 37

HEX #20A023

RGB 32 160 35

HSL 121.41, 0.67%, 0.38%

LAB 57.63, -56.67, 51.62

 

CMYK 60 / 0 / 80 / 37

HEX #40A020

RGB 64 160 32

HSL 105, 0.67%, 0.38%

LAB 58.35, -50.62, 53.55

 

CMYK 80 / 0 / 13 / 37

HEX #20A08B

RGB 32 160 139

HSL 170.16, 0.67%, 0.38%

LAB 59.26, -38.2, 1.44

 

CMYK 80 / 8 / 0 / 37

HEX #2093A0

RGB 32 147 160

HSL 186.09, 0.67%, 0.38%

LAB 55.8, -25.71, -15.67

 

CMYK 80 / 29 / 0 / 37

HEX #2071A0

RGB 32 113 160

HSL 202.03, 0.67%, 0.38%

LAB 45.16, -7.02, -32.09

 

CMYK 80 / 51 / 0 / 37

HEX #204FA0

RGB 32 79 160

HSL 217.97, 0.67%, 0.38%

LAB 34.88, 14.66, -48.46

 

CMYK 80 / 73 / 0 / 37

HEX #202CA0

RGB 32 44 160

HSL 234.38, 0.67%, 0.38%

LAB 25.7, 37.91, -63.44

 

CMYK 80 / 0 / 13 / 37

HEX #20A08B

RGB 32 160 139

HSL 170.16, 0.67%, 0.38%

LAB 59.26, -38.2, 1.44

 

CMYK 90 / 0 / 15 / 31

HEX #11B095

RGB 17 176 149

HSL 169.81, 0.82%, 0.38%

LAB 64.44, -43.56, 3.32

 

CMYK 99 / 0 / 17 / 25

HEX #01C09F

RGB 1 192 159

HSL 169.63, 0.99%, 0.38%

LAB 69.62, -48.17, 5.29

 

CMYK 80 / 0 / 13 / 37

HEX #20A08B

RGB 32 160 139

HSL 170.16, 0.67%, 0.38%

LAB 59.26, -38.2, 1.44

 

CMYK 67 / 0 / 12 / 43

HEX #309180

RGB 48 145 128

HSL 169.48, 0.5%, 0.38%

LAB 54.49, -32.19, 0.8

 

CMYK 50 / 0 / 9 / 49

HEX #408176

RGB 64 129 118

HSL 169.85, 0.34%, 0.38%

LAB 49.62, -23.67, -0.44

 

CMYK 30 / 0 / 4 / 56

HEX #4F716C

RGB 79 113 108

HSL 171.18, 0.18%, 0.38%

LAB 45.02, -13.33, -1.15

 

CMYK 3 / 0 / 1 / 62

HEX #5F6261

RGB 95 98 97

HSL 160, 0.02%, 0.38%

LAB 41.27, -1.38, 0.15

 

CMYK 80 / 0 / 57 / 37

HEX #20A045

RGB 32 160 69

HSL 137.34, 0.67%, 0.38%

LAB 57.92, -53.06, 37.59

 

CMYK 80 / 0 / 36 / 37

HEX #20A067

RGB 32 160 103

HSL 153.28, 0.67%, 0.38%

LAB 58.44, -47.02, 20.42

 

CMYK 80 / 0 / 14 / 37

HEX #20A089

RGB 32 160 137

HSL 169.22, 0.67%, 0.38%

LAB 59.21, -38.75, 2.49

 

CMYK 80 / 6 / 0 / 37

HEX #2096A0

RGB 32 150 160

HSL 184.69, 0.67%, 0.38%

LAB 56.74, -27.22, -14.25

 

CMYK 80 / 28 / 0 / 37

HEX #2074A0

RGB 32 116 160

HSL 200.63, 0.67%, 0.38%

LAB 46.09, -8.79, -30.63

 

CMYK 80 / 0 / 14 / 64

HEX #125C4F

RGB 18 92 79

HSL 169.46, 0.67%, 0.22%

LAB 34.7, -25.27, 1.2

 

CMYK 80 / 0 / 13 / 51

HEX #197E6D

RGB 25 126 109

HSL 169.9, 0.67%, 0.3%

LAB 47.28, -31.91, 1.32

 

CMYK 80 / 0 / 13 / 37

HEX #20A08B

RGB 32 160 139

HSL 170.16, 0.67%, 0.38%

LAB 59.26, -38.2, 1.44

 

CMYK 80 / 0 / 14 / 24

HEX #27C3A8

RGB 39 195 168

HSL 169.62, 0.67%, 0.46%

LAB 71.07, -44.92, 2.52

 

CMYK 72 / 0 / 12 / 16

HEX #3DD7BD

RGB 61 215 189

HSL 169.87, 0.66%, 0.54%

LAB 78.03, -45.54, 1.35

 

CMYK 80 / 0 / 13 / 36

HEX #21A38D

RGB 33 163 141

HSL 169.85, 0.66%, 0.38%

LAB 60.28, -38.88, 1.8

 

CMYK 78 / 80 / 0 / 37

HEX #2320A0

RGB 35 32 160

HSL 241.41, 0.67%, 0.38%

LAB 23.43, 45.01, -67.19

 

CMYK 0 / 46 / 80 / 37

HEX #A05620

RGB 160 86 32

HSL 25.31, 0.67%, 0.38%

LAB 44.57, 26.53, 42.96

 

CMYK 80 / 0 / 13 / 36

HEX #21A38D

RGB 33 163 141

HSL 169.85, 0.66%, 0.38%

LAB 60.28, -38.88, 1.8

 

CMYK 14 / 80 / 0 / 37

HEX #8920A0

RGB 137 32 160

HSL 289.22, 0.67%, 0.38%

LAB 35.77, 59.54, -46.52

 

CMYK 0 / 14 / 80 / 37

HEX #A08920

RGB 160 137 32

HSL 49.22, 0.67%, 0.38%

LAB 57.53, -2.22, 55

 

CMYK 80 / 0 / 13 / 36

HEX #21A38D

RGB 33 163 141

HSL 169.85, 0.66%, 0.38%

LAB 60.28, -38.88, 1.8

 

CMYK 78 / 80 / 0 / 37

HEX #2320A0

RGB 35 32 160

HSL 241.41, 0.67%, 0.38%

LAB 23.43, 45.01, -67.19

 

CMYK 0 / 80 / 65 / 37

HEX #A02038

RGB 160 32 56

HSL 348.75, 0.67%, 0.38%

LAB 35.58, 52.17, 19.23

 

CMYK 1 / 0 / 80 / 37

HEX #9EA020

RGB 158 160 32

HSL 60.94, 0.67%, 0.38%

LAB 63.77, -15.41, 60.49

 

CMYK 80 / 0 / 13 / 36

HEX #21A38D

RGB 33 163 141

HSL 169.85, 0.66%, 0.38%

LAB 60.28, -38.88, 1.8

 

CMYK 54 / 80 / 0 / 37

HEX #4920A0

RGB 73 32 160

HSL 259.22, 0.67%, 0.38%

LAB 26.7, 48.88, -61.69

 

CMYK 0 / 80 / 65 / 37

HEX #A02038

RGB 160 32 56

HSL 348.75, 0.67%, 0.38%

LAB 35.58, 52.17, 19.23

 

CMYK 25 / 0 / 80 / 37

HEX #78A020

RGB 120 160 32

HSL 78.75, 0.67%, 0.38%

LAB 60.99, -31.63, 56.95

 

Description

Color code: HEX #21A38D | qconv.com Color code: HEX #21A38D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 163 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 163 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 13 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 13% 36% C M Y K

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Provide designers and agencies with accurate color values.

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