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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21AA4E it is the complementary color #DE55B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21AA4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21AA4E shade: #26AA49, #37BC5C, #48CE6F, #59E082 and #6AF295

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21AA4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21AA4E shade: #21AA4E, #10983B, #008628, #007415 and #006202

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21AA4E shade: #21AA4E, #21AA29, #3EAA21, #63AA21 and #88AA21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21AA4E shade: #21AA4E, #21AA73, #21AA98, #2197AA and #2172AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21AA4E shade matches the following richer shades: #21AA4E, #11BA48 and #00CB43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21AA4E shade: #21AA4E, #329954, #428959, #53785F and #636865

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21AA4E shade: #3FAA21, #21AA28, #21AA4C, #21AA71 and #21AA95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21AA4E shade: #14652E, #1A873E, #21AA4E, #28CC5E and #44DA75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21AA4E shade: #21AA4E, #2163AA and #AA212D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21AA4E shade: #21AA4E, #4C21AA and #AA4C21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21AA4E shade: #21AA4E, #2163AA, #AA217F and #AA6821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21AA4E shade: #21AA4E, #213AAA, #AA217F and #AA9121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

Complementary color

CMYK 0 / 62 / 20 / 13

HEX #DE55B1

RGB 222 85 177

HSL 319.71, 0.67%, 0.6%

LAB 57.27, 62.91, -21.85

 

CMYK 78 / 0 / 57 / 33

HEX #26AA49

RGB 38 170 73

HSL 135.91, 0.63%, 0.41%

LAB 61.34, -55.16, 39.75

 

CMYK 71 / 0 / 51 / 26

HEX #37BC5C

RGB 55 188 92

HSL 136.69, 0.55%, 0.48%

LAB 67.69, -56.12, 38.22

 

CMYK 65 / 0 / 46 / 19

HEX #48CE6F

RGB 72 206 111

HSL 137.46, 0.58%, 0.55%

LAB 73.98, -56.68, 36.73

 

CMYK 60 / 0 / 42 / 12

HEX #59E082

RGB 89 224 130

HSL 138.22, 0.69%, 0.61%

LAB 80.21, -56.97, 35.3

 

CMYK 56 / 0 / 38 / 5

HEX #6AF295

RGB 106 242 149

HSL 138.97, 0.84%, 0.68%

LAB 86.37, -57.07, 33.95

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

CMYK 89 / 0 / 61 / 40

HEX #10983B

RGB 16 152 59

HSL 138.97, 0.81%, 0.33%

LAB 54.95, -53.39, 38.88

 

CMYK 100 / 0 / 70 / 47

HEX #008628

RGB 0 134 40

HSL 137.91, 1%, 0.26%

LAB 48.52, -50.96, 40.3

 

CMYK 100 / 0 / 82 / 55

HEX #007415

RGB 0 116 21

HSL 130.86, 1%, 0.23%

LAB 42.07, -47.09, 41.12

 

CMYK 100 / 0 / 98 / 62

HEX #006202

RGB 0 98 2

HSL 121.22, 1%, 0.19%

LAB 35.48, -42.65, 40.67

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

CMYK 81 / 0 / 76 / 33

HEX #21AA29

RGB 33 170 41

HSL 123.5, 0.67%, 0.4%

LAB 60.99, -59.24, 52.89

 

CMYK 64 / 0 / 81 / 33

HEX #3EAA21

RGB 62 170 33

HSL 107.3, 0.67%, 0.4%

LAB 61.55, -54.6, 56.23

 

CMYK 42 / 0 / 81 / 33

HEX #63AA21

RGB 99 170 33

HSL 91.09, 0.67%, 0.4%

LAB 62.94, -43.87, 58.02

 

CMYK 20 / 0 / 81 / 33

HEX #88AA21

RGB 136 170 33

HSL 74.89, 0.67%, 0.4%

LAB 65.04, -29.78, 60.71

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

CMYK 81 / 0 / 32 / 33

HEX #21AA73

RGB 33 170 115

HSL 155.91, 0.67%, 0.4%

LAB 61.92, -48.22, 18.58

 

CMYK 81 / 0 / 11 / 33

HEX #21AA98

RGB 33 170 152

HSL 172.12, 0.67%, 0.4%

LAB 62.79, -38.95, -0.72

 

CMYK 81 / 11 / 0 / 33

HEX #2197AA

RGB 33 151 170

HSL 188.32, 0.67%, 0.4%

LAB 57.42, -24.39, -18.91

 

CMYK 81 / 33 / 0 / 33

HEX #2172AA

RGB 33 114 170

HSL 204.53, 0.67%, 0.4%

LAB 45.99, -3.76, -36.65

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

CMYK 91 / 0 / 61 / 27

HEX #11BA48

RGB 17 186 72

HSL 139.53, 0.83%, 0.4%

LAB 66.29, -62.57, 45.93

 

CMYK 100 / 0 / 67 / 20

HEX #00CB43

RGB 0 203 67

HSL 139.8, 1%, 0.4%

LAB 71.63, -69.03, 54.01

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

CMYK 67 / 0 / 45 / 40

HEX #329954

RGB 50 153 84

HSL 139.81, 0.51%, 0.4%

LAB 56.19, -45.18, 27.82

 

CMYK 52 / 0 / 35 / 46

HEX #428959

RGB 66 137 89

HSL 139.44, 0.35%, 0.4%

LAB 51.58, -33.69, 19.1

 

CMYK 31 / 0 / 21 / 53

HEX #53785F

RGB 83 120 95

HSL 139.46, 0.18%, 0.4%

LAB 47.1, -18.75, 9.61

 

CMYK 5 / 0 / 3 / 59

HEX #636865

RGB 99 104 101

HSL 144, 0.02%, 0.4%

LAB 43.5, -2.56, 1.01

 

CMYK 63 / 0 / 81 / 33

HEX #3FAA21

RGB 63 170 33

HSL 106.86, 0.67%, 0.4%

LAB 61.58, -54.36, 56.27

 

CMYK 81 / 0 / 76 / 33

HEX #21AA28

RGB 33 170 40

HSL 123.07, 0.67%, 0.4%

LAB 60.98, -59.32, 53.23

 

CMYK 81 / 0 / 55 / 33

HEX #21AA4C

RGB 33 170 76

HSL 138.83, 0.67%, 0.4%

LAB 61.3, -55.37, 38.22

 

CMYK 81 / 0 / 34 / 33

HEX #21AA71

RGB 33 170 113

HSL 155.04, 0.67%, 0.4%

LAB 61.88, -48.66, 19.62

 

CMYK 81 / 0 / 12 / 33

HEX #21AA95

RGB 33 170 149

HSL 170.8, 0.67%, 0.4%

LAB 62.71, -39.78, 0.84

 

CMYK 80 / 0 / 54 / 60

HEX #14652E

RGB 20 101 46

HSL 139.26, 0.67%, 0.24%

LAB 37.21, -36.73, 24.38

 

CMYK 81 / 0 / 54 / 47

HEX #1A873E

RGB 26 135 62

HSL 139.82, 0.68%, 0.32%

LAB 49.37, -46.04, 30.77

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

CMYK 80 / 0 / 54 / 20

HEX #28CC5E

RGB 40 204 94

HSL 139.76, 0.67%, 0.48%

LAB 72.52, -63.41, 43.11

 

CMYK 69 / 0 / 46 / 15

HEX #44DA75

RGB 68 218 117

HSL 139.6, 0.67%, 0.56%

LAB 77.67, -60.82, 38.42

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

CMYK 81 / 42 / 0 / 33

HEX #2163AA

RGB 33 99 170

HSL 211.09, 0.67%, 0.4%

LAB 41.45, 5.57, -43.85

 

CMYK 0 / 81 / 74 / 33

HEX #AA212D

RGB 170 33 45

HSL 354.74, 0.67%, 0.4%

LAB 37.52, 54.26, 28.99

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

CMYK 55 / 81 / 0 / 33

HEX #4C21AA

RGB 76 33 170

HSL 258.83, 0.67%, 0.4%

LAB 28.18, 51.57, -65.28

 

CMYK 0 / 55 / 81 / 33

HEX #AA4C21

RGB 170 76 33

HSL 18.83, 0.67%, 0.4%

LAB 43.98, 36.04, 42.46

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

CMYK 81 / 42 / 0 / 33

HEX #2163AA

RGB 33 99 170

HSL 211.09, 0.67%, 0.4%

LAB 41.45, 5.57, -43.85

 

CMYK 0 / 81 / 25 / 33

HEX #AA217F

RGB 170 33 127

HSL 318.83, 0.67%, 0.4%

LAB 39.86, 61.27, -19.48

 

CMYK 0 / 39 / 81 / 33

HEX #AA6821

RGB 170 104 33

HSL 31.09, 0.67%, 0.4%

LAB 50.16, 20.88, 48.31

 

CMYK 81 / 0 / 54 / 33

HEX #21AA4E

RGB 33 170 78

HSL 139.71, 0.67%, 0.4%

LAB 61.33, -55.08, 37.27

 

CMYK 81 / 66 / 0 / 33

HEX #213AAA

RGB 33 58 170

HSL 229.05, 0.67%, 0.4%

LAB 30.04, 32.75, -62.34

 

CMYK 0 / 81 / 25 / 33

HEX #AA217F

RGB 170 33 127

HSL 318.83, 0.67%, 0.4%

LAB 39.86, 61.27, -19.48

 

CMYK 0 / 15 / 81 / 33

HEX #AA9121

RGB 170 145 33

HSL 49.05, 0.67%, 0.4%

LAB 60.7, -2.01, 57.88

 

Description

Color code: HEX #21AA4E | qconv.com Color code: HEX #21AA4E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 170 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 170 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 54 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 54% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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