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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21BE5A it is the complementary color #DE41A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21BE5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21BE5A shade: #26BE55, #37D068, #48E27B, #59F48E and #6AFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21BE5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21BE5A shade: #21BE5A, #10AC47, #009A34, #008821 and #00760E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21BE5A shade: #21BE5A, #21BE30, #3DBE21, #67BE21 and #92BE21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21BE5A shade: #21BE5A, #21BE85, #21BEAF, #21A3BE and #2179BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21BE5A shade matches the following richer shades: #21BE5A and #0FD055

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21BE5A shade: #21BE5A, #33AC5F, #459A64, #588869 and #6A766E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21BE5A shade: #3EBE21, #21BE2E, #21BE58, #21BE82 and #21BEAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21BE5A shade: #157839, #1B9B4A, #21BE5A, #2FDA6D and #52E085

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21BE5A shade: #21BE5A, #2168BE and #BE2129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21BE5A shade: #21BE5A, #5821BE and #BE5821

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21BE5A shade: #21BE5A, #2168BE, #BE2187 and #BE7821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21BE5A shade: #21BE5A, #2139BE, #BE2187 and #BEA721

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 53 / 25

HEX #21BE5A

RGB 33 190 90

HSL 141.78, 0.7%, 0.44%

LAB 67.94, -60.08, 39.43

 

Complementary color

CMYK 0 / 71 / 26 / 13

HEX #DE41A5

RGB 222 65 165

HSL 321.78, 0.7%, 0.56%

LAB 54.06, 68.97, -19.78

 

CMYK 80 / 0 / 55 / 25

HEX #26BE55

RGB 38 190 85

HSL 138.55, 0.67%, 0.45%

LAB 67.94, -60.26, 41.87

 

CMYK 74 / 0 / 50 / 18

HEX #37D068

RGB 55 208 104

HSL 139.22, 0.62%, 0.52%

LAB 74.14, -61.36, 40.32

 

CMYK 68 / 0 / 46 / 11

HEX #48E27B

RGB 72 226 123

HSL 139.87, 0.73%, 0.58%

LAB 80.29, -62.06, 38.81

 

CMYK 64 / 0 / 42 / 4

HEX #59F48E

RGB 89 244 142

HSL 140.52, 0.88%, 0.65%

LAB 86.39, -62.48, 37.37

 

CMYK 58 / 0 / 37 / 0

HEX #6AFFA1

RGB 106 255 161

HSL 142.15, 1%, 0.71%

LAB 90.39, -60.04, 33.29

 

CMYK 83 / 0 / 53 / 25

HEX #21BE5A

RGB 33 190 90

HSL 141.78, 0.7%, 0.44%

LAB 67.94, -60.08, 39.43

 

CMYK 91 / 0 / 59 / 33

HEX #10AC47

RGB 16 172 71

HSL 141.15, 0.83%, 0.37%

LAB 61.71, -58.31, 41.08

 

CMYK 100 / 0 / 66 / 40

HEX #009A34

RGB 0 154 52

HSL 140.26, 1%, 0.3%

LAB 55.44, -55.88, 42.61

 

CMYK 100 / 0 / 76 / 47

HEX #008821

RGB 0 136 33

HSL 134.56, 1%, 0.27%

LAB 49.15, -52.27, 43.8

 

CMYK 100 / 0 / 88 / 54

HEX #00760E

RGB 0 118 14

HSL 127.12, 1%, 0.23%

LAB 42.75, -48.14, 43.86

 

CMYK 83 / 0 / 53 / 25

HEX #21BE5A

RGB 33 190 90

HSL 141.78, 0.7%, 0.44%

LAB 67.94, -60.08, 39.43

 

CMYK 83 / 0 / 75 / 25

HEX #21BE30

RGB 33 190 48

HSL 125.73, 0.7%, 0.44%

LAB 67.55, -64.86, 57

 

CMYK 68 / 0 / 83 / 25

HEX #3DBE21

RGB 61 190 33

HSL 109.3, 0.7%, 0.44%

LAB 67.97, -61.53, 62.16

 

CMYK 46 / 0 / 83 / 25

HEX #67BE21

RGB 103 190 33

HSL 93.25, 0.7%, 0.44%

LAB 69.34, -50.59, 63.92

 

CMYK 23 / 0 / 83 / 25

HEX #92BE21

RGB 146 190 33

HSL 76.82, 0.7%, 0.44%

LAB 71.59, -35.06, 66.77

 

CMYK 83 / 0 / 53 / 25

HEX #21BE5A

RGB 33 190 90

HSL 141.78, 0.7%, 0.44%

LAB 67.94, -60.08, 39.43

 

CMYK 83 / 0 / 30 / 25

HEX #21BE85

RGB 33 190 133

HSL 158.22, 0.7%, 0.44%

LAB 68.64, -52.01, 18.05

 

CMYK 83 / 0 / 8 / 25

HEX #21BEAF

RGB 33 190 175

HSL 174.27, 0.7%, 0.44%

LAB 69.64, -41.37, -3.4

 

CMYK 83 / 14 / 0 / 25

HEX #21A3BE

RGB 33 163 190

HSL 190.32, 0.7%, 0.44%

LAB 61.86, -23.93, -23.42

 

CMYK 83 / 36 / 0 / 25

HEX #2179BE

RGB 33 121 190

HSL 206.37, 0.7%, 0.44%

LAB 49.15, -0.44, -43.25

 

CMYK 83 / 0 / 53 / 25

HEX #21BE5A

RGB 33 190 90

HSL 141.78, 0.7%, 0.44%

LAB 67.94, -60.08, 39.43

 

CMYK 93 / 0 / 59 / 18

HEX #0FD055

RGB 15 208 85

HSL 141.76, 0.87%, 0.44%

LAB 73.46, -67.86, 48.35

 

CMYK 83 / 0 / 53 / 25

HEX #21BE5A

RGB 33 190 90

HSL 141.78, 0.7%, 0.44%

LAB 67.94, -60.08, 39.43

 

CMYK 70 / 0 / 45 / 33

HEX #33AC5F

RGB 51 172 95

HSL 141.82, 0.54%, 0.44%

LAB 62.54, -50.42, 30.18

 

CMYK 55 / 0 / 35 / 40

HEX #459A64

RGB 69 154 100

HSL 141.88, 0.38%, 0.44%

LAB 57.36, -38.37, 20.77

 

CMYK 35 / 0 / 23 / 47

HEX #588869

RGB 88 136 105

HSL 141.25, 0.21%, 0.44%

LAB 52.62, -23.33, 11.58

 

CMYK 10 / 0 / 7 / 54

HEX #6A766E

RGB 106 118 110

HSL 140, 0.05%, 0.44%

LAB 48.44, -6.16, 2.87

 

CMYK 67 / 0 / 83 / 25

HEX #3EBE21

RGB 62 190 33

HSL 108.92, 0.7%, 0.44%

LAB 67.99, -61.33, 62.19

 

CMYK 83 / 0 / 76 / 25

HEX #21BE2E

RGB 33 190 46

HSL 124.97, 0.7%, 0.44%

LAB 67.54, -65.01, 57.68

 

CMYK 83 / 0 / 54 / 25

HEX #21BE58

RGB 33 190 88

HSL 141.02, 0.7%, 0.44%

LAB 67.91, -60.38, 40.38

 

CMYK 83 / 0 / 32 / 25

HEX #21BE82

RGB 33 190 130

HSL 157.07, 0.7%, 0.44%

LAB 68.58, -52.67, 19.58

 

CMYK 83 / 0 / 9 / 25

HEX #21BEAC

RGB 33 190 172

HSL 173.12, 0.7%, 0.44%

LAB 69.56, -42.21, -1.87

 

CMYK 83 / 0 / 53 / 53

HEX #157839

RGB 21 120 57

HSL 141.82, 0.7%, 0.28%

LAB 44.07, -41.98, 26.87

 

CMYK 83 / 0 / 52 / 39

HEX #1B9B4A

RGB 27 155 74

HSL 142.03, 0.7%, 0.36%

LAB 56.26, -51.16, 33.05

 

CMYK 83 / 0 / 53 / 25

HEX #21BE5A

RGB 33 190 90

HSL 141.78, 0.7%, 0.44%

LAB 67.94, -60.08, 39.43

 

CMYK 78 / 0 / 50 / 15

HEX #2FDA6D

RGB 47 218 109

HSL 141.75, 0.7%, 0.52%

LAB 77.19, -65.07, 41.65

 

CMYK 63 / 0 / 41 / 12

HEX #52E085

RGB 82 224 133

HSL 141.55, 0.7%, 0.6%

LAB 80.07, -57.86, 33.58

 

CMYK 83 / 0 / 53 / 25

HEX #21BE5A

RGB 33 190 90

HSL 141.78, 0.7%, 0.44%

LAB 67.94, -60.08, 39.43

 

CMYK 83 / 45 / 0 / 25

HEX #2168BE

RGB 33 104 190

HSL 212.87, 0.7%, 0.44%

LAB 44.15, 10.17, -51.23

 

CMYK 0 / 83 / 78 / 25

HEX #BE2129

RGB 190 33 41

HSL 356.94, 0.7%, 0.44%

LAB 41.52, 59.88, 36.93

 

CMYK 83 / 0 / 53 / 25

HEX #21BE5A

RGB 33 190 90

HSL 141.78, 0.7%, 0.44%

LAB 67.94, -60.08, 39.43

 

CMYK 54 / 83 / 0 / 25

HEX #5821BE

RGB 88 33 190

HSL 261.02, 0.7%, 0.44%

LAB 31.53, 58.31, -71.64

 

CMYK 0 / 54 / 83 / 25

HEX #BE5821

RGB 190 88 33

HSL 21.02, 0.7%, 0.44%

LAB 49.54, 37.86, 48.79

 

CMYK 83 / 0 / 53 / 25

HEX #21BE5A

RGB 33 190 90

HSL 141.78, 0.7%, 0.44%

LAB 67.94, -60.08, 39.43

 

CMYK 83 / 45 / 0 / 25

HEX #2168BE

RGB 33 104 190

HSL 212.87, 0.7%, 0.44%

LAB 44.15, 10.17, -51.23

 

CMYK 0 / 83 / 29 / 25

HEX #BE2187

RGB 190 33 135

HSL 321.02, 0.7%, 0.44%

LAB 43.92, 66.92, -17.84

 

CMYK 0 / 37 / 83 / 25

HEX #BE7821

RGB 190 120 33

HSL 33.25, 0.7%, 0.44%

LAB 56.57, 20.76, 55.08

 

CMYK 83 / 0 / 53 / 25

HEX #21BE5A

RGB 33 190 90

HSL 141.78, 0.7%, 0.44%

LAB 67.94, -60.08, 39.43

 

CMYK 83 / 70 / 0 / 25

HEX #2139BE

RGB 33 57 190

HSL 230.83, 0.7%, 0.44%

LAB 31.73, 40.73, -71.45

 

CMYK 0 / 83 / 29 / 25

HEX #BE2187

RGB 190 33 135

HSL 321.02, 0.7%, 0.44%

LAB 43.92, 66.92, -17.84

 

CMYK 0 / 12 / 83 / 25

HEX #BEA721

RGB 190 167 33

HSL 51.21, 0.7%, 0.44%

LAB 68.53, -4.85, 65.45

 

Description

Color code: HEX #21BE5A | qconv.com Color code: HEX #21BE5A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 190 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 190 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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