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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21C47A it is the complementary color #DE3B85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21C47A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21C47A shade: #26C475, #37D688, #48E89B, #59FAAE and #6AFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21C47A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21C47A shade: #21C47A, #10B267, #00A054, #008E41 and #007C2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21C47A shade: #21C47A, #21C44E, #21C422, #4CC421 and #78C421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21C47A shade: #21C47A, #21C4A6, #21B6C4, #218AC4 and #215EC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21C47A shade matches the following richer shades: #21C47A and #0ED67B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21C47A shade: #21C47A, #33B178, #469F76, #588C75 and #6B7973

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21C47A shade: #21C421, #21C44C, #21C478, #21C4A3 and #21B9C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21C47A shade: #157D4E, #1BA064, #21C47A, #32DC8F and #55E2A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21C47A shade: #21C47A, #214CC4 and #C43721

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21C47A shade: #21C47A, #7821C4 and #C47821

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21C47A shade: #21C47A, #214CC4, #C4216D and #C49821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21C47A shade: #21C47A, #2621C4, #C4216D and #BEC421

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 38 / 23

HEX #21C47A

RGB 33 196 122

HSL 152.76, 0.71%, 0.45%

LAB 70.32, -56.57, 26.19

 

Complementary color

CMYK 0 / 73 / 40 / 13

HEX #DE3B85

RGB 222 59 133

HSL 332.76, 0.71%, 0.55%

LAB 52.23, 67.4, -3.55

 

CMYK 81 / 0 / 40 / 23

HEX #26C475

RGB 38 196 117

HSL 150, 0.68%, 0.46%

LAB 70.3, -57.05, 28.78

 

CMYK 74 / 0 / 36 / 16

HEX #37D688

RGB 55 214 136

HSL 150.57, 0.66%, 0.53%

LAB 76.49, -57.97, 27.2

 

CMYK 69 / 0 / 33 / 9

HEX #48E89B

RGB 72 232 155

HSL 151.13, 0.78%, 0.6%

LAB 82.62, -58.56, 25.74

 

CMYK 64 / 0 / 30 / 2

HEX #59FAAE

RGB 89 250 174

HSL 151.68, 0.94%, 0.66%

LAB 88.71, -58.93, 24.38

 

CMYK 58 / 0 / 24 / 0

HEX #6AFFC1

RGB 106 255 193

HSL 155.03, 1%, 0.71%

LAB 90.98, -53.94, 17.89

 

CMYK 83 / 0 / 38 / 23

HEX #21C47A

RGB 33 196 122

HSL 152.76, 0.71%, 0.45%

LAB 70.32, -56.57, 26.19

 

CMYK 91 / 0 / 42 / 30

HEX #10B267

RGB 16 178 103

HSL 152.22, 0.84%, 0.38%

LAB 64.1, -55.08, 27.92

 

CMYK 100 / 0 / 48 / 37

HEX #00A054

RGB 0 160 84

HSL 151.5, 1%, 0.31%

LAB 57.83, -53.1, 29.79

 

CMYK 100 / 0 / 54 / 44

HEX #008E41

RGB 0 142 65

HSL 147.46, 1%, 0.28%

LAB 51.53, -50.19, 31.8

 

CMYK 100 / 0 / 63 / 51

HEX #007C2E

RGB 0 124 46

HSL 142.26, 1%, 0.24%

LAB 45.1, -47, 33.73

 

CMYK 83 / 0 / 38 / 23

HEX #21C47A

RGB 33 196 122

HSL 152.76, 0.71%, 0.45%

LAB 70.32, -56.57, 26.19

 

CMYK 83 / 0 / 60 / 23

HEX #21C44E

RGB 33 196 78

HSL 136.56, 0.71%, 0.45%

LAB 69.72, -63.69, 47.21

 

CMYK 83 / 0 / 83 / 23

HEX #21C422

RGB 33 196 34

HSL 120.37, 0.71%, 0.45%

LAB 69.41, -67.54, 63.04

 

CMYK 61 / 0 / 83 / 23

HEX #4CC421

RGB 76 196 33

HSL 104.17, 0.71%, 0.45%

LAB 70.26, -60.27, 64.39

 

CMYK 39 / 0 / 83 / 23

HEX #78C421

RGB 120 196 33

HSL 87.98, 0.71%, 0.45%

LAB 71.95, -47.35, 66.54

 

CMYK 83 / 0 / 38 / 23

HEX #21C47A

RGB 33 196 122

HSL 152.76, 0.71%, 0.45%

LAB 70.32, -56.57, 26.19

 

CMYK 83 / 0 / 15 / 23

HEX #21C4A6

RGB 33 196 166

HSL 168.96, 0.71%, 0.45%

LAB 71.25, -46.39, 3.87

 

CMYK 83 / 7 / 0 / 23

HEX #21B6C4

RGB 33 182 196

HSL 185.15, 0.71%, 0.45%

LAB 67.85, -31.44, -17.63

 

CMYK 83 / 30 / 0 / 23

HEX #218AC4

RGB 33 138 196

HSL 201.35, 0.71%, 0.45%

LAB 54.54, -8.25, -38.17

 

CMYK 83 / 52 / 0 / 23

HEX #215EC4

RGB 33 94 196

HSL 217.55, 0.71%, 0.45%

LAB 41.71, 18.98, -58.64

 

CMYK 83 / 0 / 38 / 23

HEX #21C47A

RGB 33 196 122

HSL 152.76, 0.71%, 0.45%

LAB 70.32, -56.57, 26.19

 

CMYK 93 / 0 / 43 / 16

HEX #0ED67B

RGB 14 214 123

HSL 152.7, 0.88%, 0.45%

LAB 75.83, -63.92, 32.92

 

CMYK 83 / 0 / 38 / 23

HEX #21C47A

RGB 33 196 122

HSL 152.76, 0.71%, 0.45%

LAB 70.32, -56.57, 26.19

 

CMYK 71 / 0 / 32 / 31

HEX #33B178

RGB 51 177 120

HSL 152.86, 0.55%, 0.45%

LAB 64.57, -47.53, 19.53

 

CMYK 56 / 0 / 26 / 38

HEX #469F76

RGB 70 159 118

HSL 152.36, 0.39%, 0.45%

LAB 59.35, -36.62, 13.5

 

CMYK 37 / 0 / 16 / 45

HEX #588C75

RGB 88 140 117

HSL 153.46, 0.23%, 0.45%

LAB 54.15, -22.81, 6.84

 

CMYK 12 / 0 / 5 / 53

HEX #6B7973

RGB 107 121 115

HSL 154.29, 0.06%, 0.45%

LAB 49.54, -6.46, 1.52

 

CMYK 83 / 0 / 83 / 23

HEX #21C421

RGB 33 196 33

HSL 120, 0.71%, 0.45%

LAB 69.41, -67.59, 63.3

 

CMYK 83 / 0 / 61 / 23

HEX #21C44C

RGB 33 196 76

HSL 135.83, 0.71%, 0.45%

LAB 69.7, -63.94, 48.08

 

CMYK 83 / 0 / 39 / 23

HEX #21C478

RGB 33 196 120

HSL 152.02, 0.71%, 0.45%

LAB 70.29, -56.97, 27.19

 

CMYK 83 / 0 / 17 / 23

HEX #21C4A3

RGB 33 196 163

HSL 167.85, 0.71%, 0.45%

LAB 71.18, -47.17, 5.39

 

CMYK 83 / 6 / 0 / 23

HEX #21B9C4

RGB 33 185 196

HSL 184.05, 0.71%, 0.45%

LAB 68.76, -32.87, -16.26

 

CMYK 83 / 0 / 38 / 51

HEX #157D4E

RGB 21 125 78

HSL 152.88, 0.71%, 0.29%

LAB 46.15, -39.82, 17.82

 

CMYK 83 / 0 / 38 / 37

HEX #1BA064

RGB 27 160 100

HSL 152.93, 0.71%, 0.37%

LAB 58.32, -48.2, 21.88

 

CMYK 83 / 0 / 38 / 23

HEX #21C47A

RGB 33 196 122

HSL 152.76, 0.71%, 0.45%

LAB 70.32, -56.57, 26.19

 

CMYK 77 / 0 / 35 / 14

HEX #32DC8F

RGB 50 220 143

HSL 152.82, 0.71%, 0.53%

LAB 78.37, -59.43, 26.1

 

CMYK 62 / 0 / 28 / 11

HEX #55E2A2

RGB 85 226 162

HSL 152.77, 0.71%, 0.61%

LAB 81.25, -52.6, 20.29

 

CMYK 83 / 0 / 38 / 23

HEX #21C47A

RGB 33 196 122

HSL 152.76, 0.71%, 0.45%

LAB 70.32, -56.57, 26.19

 

CMYK 83 / 61 / 0 / 23

HEX #214CC4

RGB 33 76 196

HSL 224.17, 0.71%, 0.45%

LAB 36.89, 30.8, -66.49

 

CMYK 0 / 72 / 83 / 23

HEX #C43721

RGB 196 55 33

HSL 8.1, 0.71%, 0.45%

LAB 45.05, 54.65, 45.08

 

CMYK 83 / 0 / 38 / 23

HEX #21C47A

RGB 33 196 122

HSL 152.76, 0.71%, 0.45%

LAB 70.32, -56.57, 26.19

 

CMYK 39 / 83 / 0 / 23

HEX #7821C4

RGB 120 33 196

HSL 272.02, 0.71%, 0.45%

LAB 36.11, 63.85, -67.49

 

CMYK 0 / 39 / 83 / 23

HEX #C47821

RGB 196 120 33

HSL 32.02, 0.71%, 0.45%

LAB 57.35, 23.36, 56.05

 

CMYK 83 / 0 / 38 / 23

HEX #21C47A

RGB 33 196 122

HSL 152.76, 0.71%, 0.45%

LAB 70.32, -56.57, 26.19

 

CMYK 83 / 61 / 0 / 23

HEX #214CC4

RGB 33 76 196

HSL 224.17, 0.71%, 0.45%

LAB 36.89, 30.8, -66.49

 

CMYK 0 / 83 / 44 / 23

HEX #C4216D

RGB 196 33 109

HSL 332.02, 0.71%, 0.45%

LAB 44.13, 65.69, -1.39

 

CMYK 0 / 22 / 83 / 23

HEX #C49821

RGB 196 152 33

HSL 43.8, 0.71%, 0.45%

LAB 65.2, 5.86, 62.84

 

CMYK 83 / 0 / 38 / 23

HEX #21C47A

RGB 33 196 122

HSL 152.76, 0.71%, 0.45%

LAB 70.32, -56.57, 26.19

 

CMYK 81 / 83 / 0 / 23

HEX #2621C4

RGB 38 33 196

HSL 241.84, 0.71%, 0.45%

LAB 28.07, 55.93, -81.03

 

CMYK 0 / 83 / 44 / 23

HEX #C4216D

RGB 196 33 109

HSL 332.02, 0.71%, 0.45%

LAB 44.13, 65.69, -1.39

 

CMYK 3 / 0 / 83 / 23

HEX #BEC421

RGB 190 196 33

HSL 62.21, 0.71%, 0.45%

LAB 76.4, -19.71, 72.12

 

Description

Color code: HEX #21C47A | qconv.com Color code: HEX #21C47A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 196 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 196 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 38 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 38% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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