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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21C7C8 it is the complementary color #DE3837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21C7C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21C7C8 shade: #26C7C3, #37D9D6, #48EBE9, #59FDFC and #6AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21C7C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21C7C8 shade: #21C7C8, #10B5B5, #00A3A2, #00918F and #007F7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21C7C8 shade: #20C8C9, #209BC9, #206DC9, #2040C9 and #2F20C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21C7C8 shade: #20C8C9, #209BC9, #206DC9, #2040C9 and #2020C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21C7C8 shade matches the following richer shades: #20C8C9 and #0DDBDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21C7C8 shade: #20C8C9, #33B5B6, #46A3A3, #599090 and #6C7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21C7C8 shade: #20C96F, #20C99C, #20C9C9, #209CC9 and #206FC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21C7C8 shade: #158282, #1BA5A6, #20C8C9, #35DDDE and #59E3E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21C7C8 shade: #21C7C8, #4220C9 and #C98620

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21C7C8 shade: #21C7C8, #C920C9 and #C9C920

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21C7C8 shade: #21C7C8, #4220C9, #C92020 and #A7C920

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21C7C8 shade: #21C7C8, #7520C9, #C92020 and #75C920

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 0 / 22

HEX #21C7C8

RGB 33 199 200

HSL 180.36, 0.72%, 0.46%

LAB 73.12, -38.19, -11.89

 

Complementary color

CMYK 0 / 75 / 75 / 13

HEX #DE3837

RGB 222 56 55

HSL 0.36, 0.72%, 0.54%

LAB 50.26, 63.07, 40.25

 

CMYK 81 / 0 / 2 / 22

HEX #26C7C3

RGB 38 199 195

HSL 178.51, 0.68%, 0.46%

LAB 73.02, -39.27, -9.3

 

CMYK 75 / 0 / 1 / 15

HEX #37D9D6

RGB 55 217 214

HSL 178.89, 0.68%, 0.53%

LAB 79.21, -40.35, -10.3

 

CMYK 69 / 0 / 1 / 8

HEX #48EBE9

RGB 72 235 233

HSL 179.26, 0.8%, 0.6%

LAB 85.34, -41.18, -11.2

 

CMYK 65 / 0 / 0 / 1

HEX #59FDFC

RGB 89 253 252

HSL 179.63, 0.98%, 0.67%

LAB 91.42, -41.81, -12.03

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 84 / 0 / 0 / 22

HEX #21C7C8

RGB 33 199 200

HSL 180.36, 0.72%, 0.46%

LAB 73.12, -38.19, -11.89

 

CMYK 91 / 0 / 0 / 29

HEX #10B5B5

RGB 16 181 181

HSL 180, 0.84%, 0.39%

LAB 66.9, -36.62, -10.8

 

CMYK 100 / 0 / 1 / 36

HEX #00A3A2

RGB 0 163 162

HSL 179.63, 1%, 0.32%

LAB 60.61, -34.71, -9.6

 

CMYK 100 / 0 / 1 / 43

HEX #00918F

RGB 0 145 143

HSL 179.17, 1%, 0.28%

LAB 54.27, -32.21, -8.23

 

CMYK 100 / 0 / 2 / 50

HEX #007F7C

RGB 0 127 124

HSL 178.58, 1%, 0.25%

LAB 47.8, -29.65, -6.81

 

CMYK 84 / 0 / 0 / 21

HEX #20C8C9

RGB 32 200 201

HSL 180.36, 0.73%, 0.46%

LAB 73.44, -38.42, -11.95

 

CMYK 84 / 23 / 0 / 21

HEX #209BC9

RGB 32 155 201

HSL 196.33, 0.73%, 0.46%

LAB 59.86, -16.03, -32.68

 

CMYK 84 / 46 / 0 / 21

HEX #206DC9

RGB 32 109 201

HSL 212.66, 0.73%, 0.46%

LAB 46.26, 11.16, -54.19

 

CMYK 84 / 68 / 0 / 21

HEX #2040C9

RGB 32 64 201

HSL 228.64, 0.73%, 0.46%

LAB 34.38, 40.28, -73.53

 

CMYK 77 / 84 / 0 / 21

HEX #2F20C9

RGB 47 32 201

HSL 245.33, 0.73%, 0.46%

LAB 29.04, 58.29, -82.34

 

CMYK 84 / 0 / 0 / 21

HEX #20C8C9

RGB 32 200 201

HSL 180.36, 0.73%, 0.46%

LAB 73.44, -38.42, -11.95

 

CMYK 84 / 23 / 0 / 21

HEX #209BC9

RGB 32 155 201

HSL 196.33, 0.73%, 0.46%

LAB 59.86, -16.03, -32.68

 

CMYK 84 / 46 / 0 / 21

HEX #206DC9

RGB 32 109 201

HSL 212.66, 0.73%, 0.46%

LAB 46.26, 11.16, -54.19

 

CMYK 84 / 68 / 0 / 21

HEX #2040C9

RGB 32 64 201

HSL 228.64, 0.73%, 0.46%

LAB 34.38, 40.28, -73.53

 

CMYK 84 / 84 / 0 / 21

HEX #2020C9

RGB 32 32 201

HSL 240, 0.73%, 0.46%

LAB 28.27, 57.6, -83.65

 

CMYK 84 / 0 / 0 / 21

HEX #20C8C9

RGB 32 200 201

HSL 180.36, 0.73%, 0.46%

LAB 73.44, -38.42, -11.95

 

CMYK 94 / 0 / 0 / 14

HEX #0DDBDC

RGB 13 219 220

HSL 180.29, 0.89%, 0.46%

LAB 79.57, -42.24, -13.01

 

CMYK 84 / 0 / 0 / 21

HEX #20C8C9

RGB 32 200 201

HSL 180.36, 0.73%, 0.46%

LAB 73.44, -38.42, -11.95

 

CMYK 72 / 1 / 0 / 29

HEX #33B5B6

RGB 51 181 182

HSL 180.46, 0.56%, 0.46%

LAB 67.37, -33.42, -10.59

 

CMYK 57 / 0 / 0 / 36

HEX #46A3A3

RGB 70 163 163

HSL 180, 0.4%, 0.46%

LAB 61.78, -27.16, -8.3

 

CMYK 38 / 0 / 0 / 44

HEX #599090

RGB 89 144 144

HSL 180, 0.24%, 0.46%

LAB 56.17, -18.08, -5.75

 

CMYK 14 / 0 / 0 / 51

HEX #6C7D7D

RGB 108 125 125

HSL 180, 0.07%, 0.46%

LAB 51.08, -6.21, -2.11

 

CMYK 84 / 0 / 45 / 21

HEX #20C96F

RGB 32 201 111

HSL 148.05, 0.73%, 0.46%

LAB 71.71, -60.49, 33.69

 

CMYK 84 / 0 / 22 / 21

HEX #20C99C

RGB 32 201 156

HSL 164.02, 0.73%, 0.46%

LAB 72.55, -51.04, 11.13

 

CMYK 84 / 0 / 0 / 21

HEX #20C9C9

RGB 32 201 201

HSL 180, 0.73%, 0.46%

LAB 73.74, -38.88, -11.5

 

CMYK 84 / 22 / 0 / 21

HEX #209CC9

RGB 32 156 201

HSL 195.98, 0.73%, 0.46%

LAB 60.16, -16.58, -32.21

 

CMYK 84 / 45 / 0 / 21

HEX #206FC9

RGB 32 111 201

HSL 211.95, 0.73%, 0.46%

LAB 46.83, 9.89, -53.27

 

CMYK 84 / 0 / 0 / 49

HEX #158282

RGB 21 130 130

HSL 180, 0.72%, 0.3%

LAB 49.17, -27.88, -8.26

 

CMYK 84 / 1 / 0 / 35

HEX #1BA5A6

RGB 27 165 166

HSL 180.43, 0.72%, 0.38%

LAB 61.56, -33.07, -10.4

 

CMYK 84 / 0 / 0 / 21

HEX #20C8C9

RGB 32 200 201

HSL 180.36, 0.73%, 0.46%

LAB 73.44, -38.42, -11.95

 

CMYK 76 / 0 / 0 / 13

HEX #35DDDE

RGB 53 221 222

HSL 180.36, 0.72%, 0.54%

LAB 80.6, -40.08, -12.5

 

CMYK 61 / 0 / 0 / 11

HEX #59E3E3

RGB 89 227 227

HSL 180, 0.71%, 0.62%

LAB 83.24, -36.74, -11.13

 

CMYK 84 / 0 / 0 / 22

HEX #21C7C8

RGB 33 199 200

HSL 180.36, 0.72%, 0.46%

LAB 73.12, -38.19, -11.89

 

CMYK 67 / 84 / 0 / 21

HEX #4220C9

RGB 66 32 201

HSL 252.07, 0.73%, 0.46%

LAB 30.42, 59.53, -80.01

 

CMYK 0 / 33 / 84 / 21

HEX #C98620

RGB 201 134 32

HSL 36.21, 0.73%, 0.46%

LAB 61.28, 17.85, 60.03

 

CMYK 84 / 0 / 0 / 22

HEX #21C7C8

RGB 33 199 200

HSL 180.36, 0.72%, 0.46%

LAB 73.12, -38.19, -11.89

 

CMYK 0 / 84 / 0 / 21

HEX #C920C9

RGB 201 32 201

HSL 300, 0.73%, 0.46%

LAB 49.09, 78.32, -48.79

 

CMYK 0 / 0 / 84 / 21

HEX #C9C920

RGB 201 201 32

HSL 60, 0.73%, 0.46%

LAB 78.63, -17.53, 74.57

 

CMYK 84 / 0 / 0 / 22

HEX #21C7C8

RGB 33 199 200

HSL 180.36, 0.72%, 0.46%

LAB 73.12, -38.19, -11.89

 

CMYK 67 / 84 / 0 / 21

HEX #4220C9

RGB 66 32 201

HSL 252.07, 0.73%, 0.46%

LAB 30.42, 59.53, -80.01

 

CMYK 0 / 84 / 84 / 21

HEX #C92020

RGB 201 32 32

HSL 0, 0.73%, 0.46%

LAB 43.59, 62.94, 44.62

 

CMYK 17 / 0 / 84 / 21

HEX #A7C920

RGB 167 201 32

HSL 72.07, 0.73%, 0.46%

LAB 76.13, -31.74, 71.46

 

CMYK 84 / 0 / 0 / 22

HEX #21C7C8

RGB 33 199 200

HSL 180.36, 0.72%, 0.46%

LAB 73.12, -38.19, -11.89

 

CMYK 42 / 84 / 0 / 21

HEX #7520C9

RGB 117 32 201

HSL 270.18, 0.73%, 0.46%

LAB 36.05, 64.88, -70.54

 

CMYK 0 / 84 / 84 / 21

HEX #C92020

RGB 201 32 32

HSL 0, 0.73%, 0.46%

LAB 43.59, 62.94, 44.62

 

CMYK 42 / 0 / 84 / 21

HEX #75C920

RGB 117 201 32

HSL 89.82, 0.73%, 0.46%

LAB 73.32, -50.42, 67.94

 

Description

Color code: HEX #21C7C8 | qconv.com Color code: HEX #21C7C8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 199 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 199 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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