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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21CE89 it is the complementary color #DE3176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21CE89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21CE89 shade: #26CE84, #37E097, #48F2AA, #59FFBD and #6AFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21CE89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21CE89 shade: #21CE89, #10BC76, #00AA63, #009850 and #00863D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21CE89 shade: #21CE89, #21CE5A, #21CE2C, #45CE21 and #73CE21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21CE89 shade: #21CE89, #21CEB7, #21B5CE, #2187CE and #2158CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21CE89 shade matches the following richer shades: #21CE89 and #0EE18D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21CE89 shade: #21CE89, #34BA85, #48A781, #5B937D and #6F8079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21CE89 shade: #21CE2D, #21CE5B, #21CE89, #21CEB7 and #21B7CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21CE89 shade: #16875A, #1BAA71, #21CE89, #3ADE9D and #5DE4AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21CE89 shade: #21CE89, #2144CE and #CE4421

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21CE89 shade: #21CE89, #8921CE and #CE8921

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21CE89 shade: #21CE89, #2144CE, #CE2166 and #CEAB21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21CE89 shade: #21CE89, #3221CE, #CE2166 and #BCCE21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

Complementary color

CMYK 0 / 78 / 47 / 13

HEX #DE3176

RGB 222 49 118

HSL 336.07, 0.72%, 0.53%

LAB 50.73, 69.02, 3.29

 

CMYK 82 / 0 / 36 / 19

HEX #26CE84

RGB 38 206 132

HSL 153.57, 0.69%, 0.48%

LAB 73.69, -57.76, 25.47

 

CMYK 75 / 0 / 33 / 12

HEX #37E097

RGB 55 224 151

HSL 154.08, 0.73%, 0.55%

LAB 79.82, -58.71, 23.93

 

CMYK 70 / 0 / 30 / 5

HEX #48F2AA

RGB 72 242 170

HSL 154.59, 0.87%, 0.62%

LAB 85.9, -59.35, 22.51

 

CMYK 65 / 0 / 26 / 0

HEX #59FFBD

RGB 89 255 189

HSL 156.14, 1%, 0.67%

LAB 90.47, -57.82, 19.16

 

CMYK 58 / 0 / 18 / 0

HEX #6AFFD0

RGB 106 255 208

HSL 161.07, 1%, 0.71%

LAB 91.3, -50.71, 10.63

 

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

CMYK 91 / 0 / 37 / 26

HEX #10BC76

RGB 16 188 118

HSL 155.58, 0.84%, 0.4%

LAB 67.56, -55.7, 24.58

 

CMYK 100 / 0 / 42 / 33

HEX #00AA63

RGB 0 170 99

HSL 154.94, 1%, 0.33%

LAB 61.35, -53.77, 26.41

 

CMYK 100 / 0 / 47 / 40

HEX #009850

RGB 0 152 80

HSL 151.58, 1%, 0.3%

LAB 55.11, -51.05, 28.43

 

CMYK 100 / 0 / 54 / 47

HEX #00863D

RGB 0 134 61

HSL 147.31, 1%, 0.26%

LAB 48.74, -48.11, 30.46

 

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

CMYK 84 / 0 / 56 / 19

HEX #21CE5A

RGB 33 206 90

HSL 139.77, 0.72%, 0.47%

LAB 73.03, -65.33, 45.58

 

CMYK 84 / 0 / 79 / 19

HEX #21CE2C

RGB 33 206 44

HSL 123.82, 0.72%, 0.47%

LAB 72.66, -69.88, 63.29

 

CMYK 67 / 0 / 84 / 19

HEX #45CE21

RGB 69 206 33

HSL 107.51, 0.72%, 0.47%

LAB 73.23, -65.12, 66.99

 

CMYK 44 / 0 / 84 / 19

HEX #73CE21

RGB 115 206 33

HSL 91.56, 0.72%, 0.47%

LAB 74.76, -53, 68.93

 

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

CMYK 84 / 0 / 11 / 19

HEX #21CEB7

RGB 33 206 183

HSL 172.02, 0.72%, 0.47%

LAB 74.75, -46.09, -0.26

 

CMYK 84 / 12 / 0 / 19

HEX #21B5CE

RGB 33 181 206

HSL 188.67, 0.72%, 0.47%

LAB 67.89, -27.76, -23.07

 

CMYK 84 / 34 / 0 / 19

HEX #2187CE

RGB 33 135 206

HSL 204.62, 0.72%, 0.47%

LAB 54.14, -2.81, -44.47

 

CMYK 84 / 57 / 0 / 19

HEX #2158CE

RGB 33 88 206

HSL 220.92, 0.72%, 0.47%

LAB 40.83, 26.78, -65.86

 

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

CMYK 94 / 0 / 37 / 12

HEX #0EE18D

RGB 14 225 141

HSL 156.11, 0.88%, 0.47%

LAB 79.54, -64.28, 28.64

 

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

CMYK 72 / 0 / 28 / 27

HEX #34BA85

RGB 52 186 133

HSL 156.27, 0.56%, 0.47%

LAB 67.68, -48.18, 16.77

 

CMYK 57 / 0 / 23 / 35

HEX #48A781

RGB 72 167 129

HSL 156, 0.4%, 0.47%

LAB 62.17, -37.31, 11.34

 

CMYK 38 / 0 / 15 / 42

HEX #5B937D

RGB 91 147 125

HSL 156.43, 0.24%, 0.47%

LAB 56.66, -23.67, 5.86

 

CMYK 13 / 0 / 5 / 50

HEX #6F8079

RGB 111 128 121

HSL 155.29, 0.07%, 0.47%

LAB 52.06, -7.7, 1.69

 

CMYK 84 / 0 / 78 / 19

HEX #21CE2D

RGB 33 206 45

HSL 124.16, 0.72%, 0.47%

LAB 72.66, -69.82, 62.99

 

CMYK 84 / 0 / 56 / 19

HEX #21CE5B

RGB 33 206 91

HSL 140.12, 0.72%, 0.47%

LAB 73.04, -65.2, 45.13

 

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

CMYK 84 / 0 / 11 / 19

HEX #21CEB7

RGB 33 206 183

HSL 172.02, 0.72%, 0.47%

LAB 74.75, -46.09, -0.26

 

CMYK 84 / 11 / 0 / 19

HEX #21B7CE

RGB 33 183 206

HSL 187.98, 0.72%, 0.47%

LAB 68.49, -28.75, -22.15

 

CMYK 84 / 0 / 33 / 47

HEX #16875A

RGB 22 135 90

HSL 156.11, 0.72%, 0.31%

LAB 49.78, -41.07, 15.9

 

CMYK 84 / 0 / 34 / 33

HEX #1BAA71

RGB 27 170 113

HSL 156.08, 0.73%, 0.39%

LAB 61.8, -49.26, 19.5

 

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

CMYK 74 / 0 / 29 / 13

HEX #3ADE9D

RGB 58 222 157

HSL 156.22, 0.71%, 0.55%

LAB 79.37, -56.32, 20.2

 

CMYK 59 / 0 / 24 / 11

HEX #5DE4AE

RGB 93 228 174

HSL 156, 0.71%, 0.63%

LAB 82.31, -49.37, 15.52

 

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

CMYK 84 / 67 / 0 / 19

HEX #2144CE

RGB 33 68 206

HSL 227.86, 0.72%, 0.47%

LAB 35.82, 39.66, -74.06

 

CMYK 0 / 67 / 84 / 19

HEX #CE4421

RGB 206 68 33

HSL 12.14, 0.72%, 0.47%

LAB 48.72, 52.92, 49.06

 

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

CMYK 33 / 84 / 0 / 19

HEX #8921CE

RGB 137 33 206

HSL 276.07, 0.72%, 0.47%

LAB 39.35, 68.43, -67.93

 

CMYK 0 / 33 / 84 / 19

HEX #CE8921

RGB 206 137 33

HSL 36.07, 0.72%, 0.47%

LAB 62.61, 18.42, 61.08

 

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

CMYK 84 / 67 / 0 / 19

HEX #2144CE

RGB 33 68 206

HSL 227.86, 0.72%, 0.47%

LAB 35.82, 39.66, -74.06

 

CMYK 0 / 84 / 50 / 19

HEX #CE2166

RGB 206 33 102

HSL 336.07, 0.72%, 0.47%

LAB 45.86, 67.59, 5.71

 

CMYK 0 / 17 / 84 / 19

HEX #CEAB21

RGB 206 171 33

HSL 47.86, 0.72%, 0.47%

LAB 71.12, 0.1, 68.25

 

CMYK 84 / 0 / 33 / 19

HEX #21CE89

RGB 33 206 137

HSL 156.07, 0.72%, 0.47%

LAB 73.72, -57.18, 22.89

 

CMYK 76 / 84 / 0 / 19

HEX #3221CE

RGB 50 33 206

HSL 245.9, 0.72%, 0.47%

LAB 29.97, 59.49, -83.72

 

CMYK 0 / 84 / 50 / 19

HEX #CE2166

RGB 206 33 102

HSL 336.07, 0.72%, 0.47%

LAB 45.86, 67.59, 5.71

 

CMYK 9 / 0 / 84 / 19

HEX #BCCE21

RGB 188 206 33

HSL 66.24, 0.72%, 0.47%

LAB 79.01, -25.43, 74.26

 

Description

Color code: HEX #21CE89 | qconv.com Color code: HEX #21CE89 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 206 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 206 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 33 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 33% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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