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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21CE97 it is the complementary color #DE3168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21CE97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21CE97 shade: #26CE92, #37E0A5, #48F2B8, #59FFCB and #6AFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21CE97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21CE97 shade: #21CE97, #10BC84, #00AA71, #00985E and #00864B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21CE97 shade: #21CE97, #21CE68, #21CE3A, #37CE21 and #66CE21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21CE97 shade: #21CE97, #21CEC5, #21A7CE, #2179CE and #214ACE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21CE97 shade matches the following richer shades: #21CE97 and #0EE19E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21CE97 shade: #21CE97, #34BA90, #48A789, #5B9382 and #6F807B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21CE97 shade: #21CE38, #21CE66, #21CE94, #21CEC2 and #21ABCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21CE97 shade: #168763, #1BAA7D, #21CE97, #3ADEAA and #5DE4B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21CE97 shade: #21CE97, #2138CE and #CE4F21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21CE97 shade: #21CE97, #9421CE and #CE9421

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21CE97 shade: #21CE97, #2138CE, #CE215B and #CEB721

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21CE97 shade: #21CE97, #3E21CE, #CE215B and #B1CE21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 27 / 19

HEX #21CE97

RGB 33 206 151

HSL 160.92, 0.72%, 0.47%

LAB 74, -54.11, 15.85

 

Complementary color

CMYK 0 / 78 / 53 / 13

HEX #DE3168

RGB 222 49 104

HSL 340.92, 0.72%, 0.53%

LAB 50.36, 67.91, 11.28

 

CMYK 82 / 0 / 29 / 19

HEX #26CE92

RGB 38 206 146

HSL 158.57, 0.69%, 0.48%

LAB 73.95, -54.8, 18.46

 

CMYK 75 / 0 / 26 / 12

HEX #37E0A5

RGB 55 224 165

HSL 159.05, 0.73%, 0.55%

LAB 80.09, -55.72, 17

 

CMYK 70 / 0 / 24 / 5

HEX #48F2B8

RGB 72 242 184

HSL 159.53, 0.87%, 0.62%

LAB 86.18, -56.36, 15.67

 

CMYK 65 / 0 / 20 / 0

HEX #59FFCB

RGB 89 255 203

HSL 161.2, 1%, 0.67%

LAB 90.76, -54.78, 12.38

 

CMYK 58 / 0 / 13 / 0

HEX #6AFFDE

RGB 106 255 222

HSL 166.71, 1%, 0.71%

LAB 91.62, -47.51, 3.87

 

CMYK 84 / 0 / 27 / 19

HEX #21CE97

RGB 33 206 151

HSL 160.92, 0.72%, 0.47%

LAB 74, -54.11, 15.85

 

CMYK 91 / 0 / 30 / 26

HEX #10BC84

RGB 16 188 132

HSL 160.47, 0.84%, 0.4%

LAB 67.83, -52.67, 17.45

 

CMYK 100 / 0 / 34 / 33

HEX #00AA71

RGB 0 170 113

HSL 159.88, 1%, 0.33%

LAB 61.6, -50.84, 19.19

 

CMYK 100 / 0 / 38 / 40

HEX #00985E

RGB 0 152 94

HSL 157.11, 1%, 0.3%

LAB 55.34, -48.27, 21.15

 

CMYK 100 / 0 / 44 / 47

HEX #00864B

RGB 0 134 75

HSL 153.58, 1%, 0.26%

LAB 48.96, -45.56, 23.2

 

CMYK 84 / 0 / 27 / 19

HEX #21CE97

RGB 33 206 151

HSL 160.92, 0.72%, 0.47%

LAB 74, -54.11, 15.85

 

CMYK 84 / 0 / 50 / 19

HEX #21CE68

RGB 33 206 104

HSL 144.62, 0.72%, 0.47%

LAB 73.2, -63.27, 39.08

 

CMYK 84 / 0 / 72 / 19

HEX #21CE3A

RGB 33 206 58

HSL 128.67, 0.72%, 0.47%

LAB 72.74, -68.85, 58.72

 

CMYK 73 / 0 / 84 / 19

HEX #37CE21

RGB 55 206 33

HSL 112.37, 0.72%, 0.47%

LAB 72.93, -67.65, 66.61

 

CMYK 50 / 0 / 84 / 19

HEX #66CE21

RGB 102 206 33

HSL 96.07, 0.72%, 0.47%

LAB 74.24, -56.96, 68.27

 

CMYK 84 / 0 / 27 / 19

HEX #21CE97

RGB 33 206 151

HSL 160.92, 0.72%, 0.47%

LAB 74, -54.11, 15.85

 

CMYK 84 / 0 / 4 / 19

HEX #21CEC5

RGB 33 206 197

HSL 176.88, 0.72%, 0.47%

LAB 75.14, -42.21, -7.25

 

CMYK 84 / 19 / 0 / 19

HEX #21A7CE

RGB 33 167 206

HSL 193.53, 0.72%, 0.47%

LAB 63.69, -20.63, -29.53

 

CMYK 84 / 41 / 0 / 19

HEX #2179CE

RGB 33 121 206

HSL 209.48, 0.72%, 0.47%

LAB 50.04, 5.65, -50.98

 

CMYK 84 / 64 / 0 / 19

HEX #214ACE

RGB 33 74 206

HSL 225.78, 0.72%, 0.47%

LAB 37.26, 35.86, -71.7

 

CMYK 84 / 0 / 27 / 19

HEX #21CE97

RGB 33 206 151

HSL 160.92, 0.72%, 0.47%

LAB 74, -54.11, 15.85

 

CMYK 94 / 0 / 30 / 12

HEX #0EE19E

RGB 14 225 158

HSL 160.95, 0.88%, 0.47%

LAB 79.85, -60.73, 20.27

 

CMYK 84 / 0 / 27 / 19

HEX #21CE97

RGB 33 206 151

HSL 160.92, 0.72%, 0.47%

LAB 74, -54.11, 15.85

 

CMYK 72 / 0 / 23 / 27

HEX #34BA90

RGB 52 186 144

HSL 161.19, 0.56%, 0.47%

LAB 67.92, -45.65, 11.12

 

CMYK 57 / 0 / 18 / 35

HEX #48A789

RGB 72 167 137

HSL 161.05, 0.4%, 0.47%

LAB 62.36, -35.44, 7.15

 

CMYK 38 / 0 / 12 / 42

HEX #5B9382

RGB 91 147 130

HSL 161.79, 0.24%, 0.47%

LAB 56.79, -22.52, 3.19

 

CMYK 13 / 0 / 4 / 50

HEX #6F807B

RGB 111 128 123

HSL 162.35, 0.07%, 0.47%

LAB 52.12, -7.27, 0.61

 

CMYK 84 / 0 / 73 / 19

HEX #21CE38

RGB 33 206 56

HSL 127.98, 0.72%, 0.47%

LAB 72.73, -69.02, 59.42

 

CMYK 84 / 0 / 50 / 19

HEX #21CE66

RGB 33 206 102

HSL 143.93, 0.72%, 0.47%

LAB 73.17, -63.59, 40.02

 

CMYK 84 / 0 / 28 / 19

HEX #21CE94

RGB 33 206 148

HSL 159.88, 0.72%, 0.47%

LAB 73.94, -54.79, 17.36

 

CMYK 84 / 0 / 6 / 19

HEX #21CEC2

RGB 33 206 194

HSL 175.84, 0.72%, 0.47%

LAB 75.05, -43.06, -5.76

 

CMYK 84 / 17 / 0 / 19

HEX #21ABCE

RGB 33 171 206

HSL 192.14, 0.72%, 0.47%

LAB 64.89, -22.71, -27.68

 

CMYK 84 / 0 / 27 / 47

HEX #168763

RGB 22 135 99

HSL 160.88, 0.72%, 0.31%

LAB 49.98, -38.91, 11.01

 

CMYK 84 / 0 / 26 / 33

HEX #1BAA7D

RGB 27 170 125

HSL 161.12, 0.73%, 0.39%

LAB 62.05, -46.52, 13.25

 

CMYK 84 / 0 / 27 / 19

HEX #21CE97

RGB 33 206 151

HSL 160.92, 0.72%, 0.47%

LAB 74, -54.11, 15.85

 

CMYK 74 / 0 / 23 / 13

HEX #3ADEAA

RGB 58 222 170

HSL 160.98, 0.71%, 0.55%

LAB 79.64, -53.44, 13.75

 

CMYK 59 / 0 / 19 / 11

HEX #5DE4B9

RGB 93 228 185

HSL 160.89, 0.71%, 0.63%

LAB 82.55, -46.94, 10.08

 

CMYK 84 / 0 / 27 / 19

HEX #21CE97

RGB 33 206 151

HSL 160.92, 0.72%, 0.47%

LAB 74, -54.11, 15.85

 

CMYK 84 / 73 / 0 / 19

HEX #2138CE

RGB 33 56 206

HSL 232.02, 0.72%, 0.47%

LAB 33.15, 46.95, -78.46

 

CMYK 0 / 62 / 84 / 19

HEX #CE4F21

RGB 206 79 33

HSL 15.95, 0.72%, 0.47%

LAB 50.48, 48.2, 50.62

 

CMYK 84 / 0 / 27 / 19

HEX #21CE97

RGB 33 206 151

HSL 160.92, 0.72%, 0.47%

LAB 74, -54.11, 15.85

 

CMYK 28 / 84 / 0 / 19

HEX #9421CE

RGB 148 33 206

HSL 279.88, 0.72%, 0.47%

LAB 40.96, 70.06, -65.23

 

CMYK 0 / 28 / 84 / 19

HEX #CE9421

RGB 206 148 33

HSL 39.88, 0.72%, 0.47%

LAB 65.29, 12.45, 63.35

 

CMYK 84 / 0 / 27 / 19

HEX #21CE97

RGB 33 206 151

HSL 160.92, 0.72%, 0.47%

LAB 74, -54.11, 15.85

 

CMYK 84 / 73 / 0 / 19

HEX #2138CE

RGB 33 56 206

HSL 232.02, 0.72%, 0.47%

LAB 33.15, 46.95, -78.46

 

CMYK 0 / 84 / 56 / 19

HEX #CE215B

RGB 206 33 91

HSL 339.88, 0.72%, 0.47%

LAB 45.59, 66.78, 12.15

 

CMYK 0 / 11 / 84 / 19

HEX #CEB721

RGB 206 183 33

HSL 52.02, 0.72%, 0.47%

LAB 74.25, -6.19, 70.87

 

CMYK 84 / 0 / 27 / 19

HEX #21CE97

RGB 33 206 151

HSL 160.92, 0.72%, 0.47%

LAB 74, -54.11, 15.85

 

CMYK 70 / 84 / 0 / 19

HEX #3E21CE

RGB 62 33 206

HSL 250.06, 0.72%, 0.47%

LAB 30.8, 60.24, -82.3

 

CMYK 0 / 84 / 56 / 19

HEX #CE215B

RGB 206 33 91

HSL 339.88, 0.72%, 0.47%

LAB 45.59, 66.78, 12.15

 

CMYK 14 / 0 / 84 / 19

HEX #B1CE21

RGB 177 206 33

HSL 70.06, 0.72%, 0.47%

LAB 78.23, -29.97, 73.29

 

Description

Color code: HEX #21CE97 | qconv.com Color code: HEX #21CE97 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 206 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 206 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 27 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 27% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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