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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21CEFD it is the complementary color #DE3102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21CEFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21CEFD shade: #26CEF8, #37E0FF, #48F2FF, #59FFFF and #6AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21CEFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21CEFD shade: #21CEFD, #10BCEA, #00AAD7, #0098C4 and #0086B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21CEFD shade: #20CDFC, #2092FC, #2057FC, #2520FC and #6120FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21CEFD shade: #20CDFC, #2092FC, #2057FC and #2020FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21CEFD shade matches the following richer shades: #20CDFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21CEFD shade: #20CDFC, #32C3EA, #45B8D8, #57AEC6 and #69A4B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21CEFD shade: #20FCB3, #20FCEE, #20D0FC, #2096FC and #205BFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21CEFD shade: #029EC9, #02BEF1, #20CDFC, #49D6FD and #72DFFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21CEFD shade: #21CEFD, #7820FC and #FCD020

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21CEFD shade: #21CEFD, #FC20D0 and #D0FC20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21CEFD shade: #21CEFD, #7820FC, #FC4C20 and #A4FC20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21CEFD shade: #21CEFD, #BA20FC, #FC4C20 and #62FC20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 19 / 0 / 1

HEX #21CEFD

RGB 33 206 253

HSL 192.82, 0.98%, 0.56%

LAB 77.02, -24.9, -34.52

 

Complementary color

CMYK 0 / 78 / 99 / 13

HEX #DE3102

RGB 222 49 2

HSL 12.82, 0.98%, 0.44%

LAB 49.17, 64.14, 61.09

 

CMYK 85 / 17 / 0 / 3

HEX #26CEF8

RGB 38 206 248

HSL 192, 0.94%, 0.56%

LAB 76.88, -26.23, -32.05

 

CMYK 78 / 12 / 0 / 0

HEX #37E0FF

RGB 55 224 255

HSL 189.3, 1%, 0.61%

LAB 82.56, -31.48, -27.03

 

CMYK 72 / 5 / 0 / 0

HEX #48F2FF

RGB 72 242 255

HSL 184.26, 1%, 0.64%

LAB 88.02, -38.17, -18.73

 

CMYK 65 / 0 / 0 / 0

HEX #59FFFF

RGB 89 255 255

HSL 180, 1%, 0.67%

LAB 92.07, -41.9, -12.61

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 87 / 19 / 0 / 1

HEX #21CEFD

RGB 33 206 253

HSL 192.82, 0.98%, 0.56%

LAB 77.02, -24.9, -34.52

 

CMYK 93 / 20 / 0 / 8

HEX #10BCEA

RGB 16 188 234

HSL 192.66, 0.87%, 0.49%

LAB 70.88, -22.9, -33.78

 

CMYK 100 / 21 / 0 / 16

HEX #00AAD7

RGB 0 170 215

HSL 192.56, 1%, 0.42%

LAB 64.69, -20.58, -32.99

 

CMYK 100 / 22 / 0 / 23

HEX #0098C4

RGB 0 152 196

HSL 193.47, 1%, 0.38%

LAB 58.45, -17.73, -32.07

 

CMYK 100 / 24 / 0 / 31

HEX #0086B1

RGB 0 134 177

HSL 194.58, 1%, 0.35%

LAB 52.09, -14.79, -31.17

 

CMYK 87 / 19 / 0 / 1

HEX #20CDFC

RGB 32 205 252

HSL 192.82, 0.97%, 0.56%

LAB 76.68, -24.79, -34.51

 

CMYK 87 / 42 / 0 / 1

HEX #2092FC

RGB 32 146 252

HSL 208.91, 0.97%, 0.56%

LAB 59.79, 7.76, -61.09

 

CMYK 87 / 65 / 0 / 1

HEX #2057FC

RGB 32 87 252

HSL 225, 0.97%, 0.56%

LAB 44.45, 44.44, -86

 

CMYK 85 / 87 / 0 / 1

HEX #2520FC

RGB 37 32 252

HSL 241.36, 0.97%, 0.56%

LAB 34.91, 72.13, -101.8

 

CMYK 62 / 87 / 0 / 1

HEX #6120FC

RGB 97 32 252

HSL 257.73, 0.97%, 0.56%

LAB 38.9, 75, -95.05

 

CMYK 87 / 19 / 0 / 1

HEX #20CDFC

RGB 32 205 252

HSL 192.82, 0.97%, 0.56%

LAB 76.68, -24.79, -34.51

 

CMYK 87 / 42 / 0 / 1

HEX #2092FC

RGB 32 146 252

HSL 208.91, 0.97%, 0.56%

LAB 59.79, 7.76, -61.09

 

CMYK 87 / 65 / 0 / 1

HEX #2057FC

RGB 32 87 252

HSL 225, 0.97%, 0.56%

LAB 44.45, 44.44, -86

 

CMYK 87 / 87 / 0 / 1

HEX #2020FC

RGB 32 32 252

HSL 240, 0.97%, 0.56%

LAB 34.74, 72.02, -102.09

 

CMYK 87 / 19 / 0 / 1

HEX #20CDFC

RGB 32 205 252

HSL 192.82, 0.97%, 0.56%

LAB 76.68, -24.79, -34.51

 

CMYK 87 / 19 / 0 / 1

HEX #20CDFC

RGB 32 205 252

HSL 192.82, 0.97%, 0.56%

LAB 76.68, -24.79, -34.51

 

CMYK 79 / 17 / 0 / 8

HEX #32C3EA

RGB 50 195 234

HSL 192.72, 0.81%, 0.56%

LAB 73.32, -24.29, -30

 

CMYK 68 / 15 / 0 / 15

HEX #45B8D8

RGB 69 184 216

HSL 193.06, 0.65%, 0.56%

LAB 69.83, -22.15, -25.53

 

CMYK 56 / 12 / 0 / 22

HEX #57AEC6

RGB 87 174 198

HSL 192.97, 0.49%, 0.56%

LAB 66.81, -19.31, -20.2

 

CMYK 42 / 9 / 0 / 29

HEX #69A4B4

RGB 105 164 180

HSL 192.8, 0.33%, 0.56%

LAB 64.04, -14.94, -14.3

 

CMYK 87 / 0 / 29 / 1

HEX #20FCB3

RGB 32 252 179

HSL 160.09, 0.97%, 0.56%

LAB 88.53, -65.14, 21.46

 

CMYK 87 / 0 / 6 / 1

HEX #20FCEE

RGB 32 252 238

HSL 176.18, 0.97%, 0.56%

LAB 89.91, -50.62, -7.09

 

CMYK 87 / 17 / 0 / 1

HEX #20D0FC

RGB 32 208 252

HSL 192, 0.97%, 0.56%

LAB 77.55, -26.29, -33.16

 

CMYK 87 / 40 / 0 / 1

HEX #2096FC

RGB 32 150 252

HSL 207.82, 0.97%, 0.56%

LAB 60.91, 5.37, -59.3

 

CMYK 87 / 64 / 0 / 1

HEX #205BFC

RGB 32 91 252

HSL 223.91, 0.97%, 0.56%

LAB 45.38, 41.98, -84.47

 

CMYK 99 / 21 / 0 / 21

HEX #029EC9

RGB 2 158 201

HSL 192.96, 0.98%, 0.4%

LAB 60.5, -19.1, -31.7

 

CMYK 99 / 21 / 0 / 5

HEX #02BEF1

RGB 2 190 241

HSL 192.8, 0.98%, 0.48%

LAB 71.68, -21.92, -36.34

 

CMYK 87 / 19 / 0 / 1

HEX #20CDFC

RGB 32 205 252

HSL 192.82, 0.97%, 0.56%

LAB 76.68, -24.79, -34.51

 

CMYK 71 / 15 / 0 / 1

HEX #49D6FD

RGB 73 214 253

HSL 193, 0.98%, 0.64%

LAB 79.95, -25.28, -29.94

 

CMYK 55 / 12 / 0 / 1

HEX #72DFFD

RGB 114 223 253

HSL 192.95, 0.97%, 0.72%

LAB 83.68, -23.19, -24.15

 

CMYK 87 / 19 / 0 / 1

HEX #21CEFD

RGB 33 206 253

HSL 192.82, 0.98%, 0.56%

LAB 77.02, -24.9, -34.52

 

CMYK 52 / 87 / 0 / 1

HEX #7820FC

RGB 120 32 252

HSL 264, 0.97%, 0.56%

LAB 41.3, 76.89, -91

 

CMYK 0 / 17 / 87 / 1

HEX #FCD020

RGB 252 208 32

HSL 48, 0.97%, 0.56%

LAB 84.95, 0.73, 81.56

 

CMYK 87 / 19 / 0 / 1

HEX #21CEFD

RGB 33 206 253

HSL 192.82, 0.98%, 0.56%

LAB 77.02, -24.9, -34.52

 

CMYK 0 / 87 / 17 / 1

HEX #FC20D0

RGB 252 32 208

HSL 312, 0.97%, 0.56%

LAB 58.3, 88.78, -37.66

 

CMYK 17 / 0 / 87 / 1

HEX #D0FC20

RGB 208 252 32

HSL 72, 0.97%, 0.56%

LAB 93.07, -38.66, 86.65

 

CMYK 87 / 19 / 0 / 1

HEX #21CEFD

RGB 33 206 253

HSL 192.82, 0.98%, 0.56%

LAB 77.02, -24.9, -34.52

 

CMYK 52 / 87 / 0 / 1

HEX #7820FC

RGB 120 32 252

HSL 264, 0.97%, 0.56%

LAB 41.3, 76.89, -91

 

CMYK 0 / 70 / 87 / 1

HEX #FC4C20

RGB 252 76 32

HSL 12, 0.97%, 0.56%

LAB 58.01, 64.81, 60.49

 

CMYK 35 / 0 / 87 / 1

HEX #A4FC20

RGB 164 252 32

HSL 84, 0.97%, 0.56%

LAB 90.61, -54.86, 83.6

 

CMYK 87 / 19 / 0 / 1

HEX #21CEFD

RGB 33 206 253

HSL 192.82, 0.98%, 0.56%

LAB 77.02, -24.9, -34.52

 

CMYK 26 / 87 / 0 / 1

HEX #BA20FC

RGB 186 32 252

HSL 282, 0.97%, 0.56%

LAB 50.1, 84.52, -76.24

 

CMYK 0 / 70 / 87 / 1

HEX #FC4C20

RGB 252 76 32

HSL 12, 0.97%, 0.56%

LAB 58.01, 64.81, 60.49

 

CMYK 61 / 0 / 87 / 1

HEX #62FC20

RGB 98 252 32

HSL 102, 0.97%, 0.56%

LAB 88.12, -73.78, 80.51

 

Description

Color code: HEX #21CEFD | qconv.com Color code: HEX #21CEFD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 206 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 206 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 19 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 19% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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