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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21CF1B it is the complementary color #DE30E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21CF1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21CF1B shade: #26CF16, #37E129, #48F33C, #59FF4F and #6AFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21CF1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21CF1B shade: #21CF1B, #10BD08, #00AB00, #009900 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21CF1B shade: #21CF1A, #51CF1A, #82CF1A, #B3CF1A and #CFBB1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21CF1B shade: #21CF1A, #1ACF45, #1ACF76, #1ACFA7 and #1AC7CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21CF1B shade matches the following richer shades: #21CF1A and #0FE207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21CF1B shade: #21CF1A, #32BC2D, #44A940, #569653 and #678366

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21CF1B shade: #81CF1A, #51CF1A, #21CF1A, #1ACF45 and #1ACF75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21CF1B shade: #158611, #1BAB16, #21CF1A, #35E42F and #59E854

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21CF1B shade: #21CF1B, #1AB1CF and #CF1A69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21CF1B shade: #21CF1B, #1A21CF and #CF1A21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21CF1B shade: #21CF1B, #1AB1CF, #C91ACF and #CF391A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21CF1B shade: #21CF1B, #1A7BCF, #C91ACF and #CF6F1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 87 / 19

HEX #21CF1B

RGB 33 207 27

HSL 118, 0.77%, 0.46%

LAB 72.91, -71.04, 67.79

 

Complementary color

CMYK 3 / 79 / 0 / 11

HEX #DE30E4

RGB 222 48 228

HSL 298, 0.77%, 0.54%

LAB 55.32, 82.8, -54.05

 

CMYK 82 / 0 / 89 / 19

HEX #26CF16

RGB 38 207 22

HSL 114.81, 0.81%, 0.45%

LAB 72.95, -70.69, 68.78

 

CMYK 76 / 0 / 82 / 12

HEX #37E129

RGB 55 225 41

HSL 115.43, 0.75%, 0.52%

LAB 78.94, -73, 70.1

 

CMYK 70 / 0 / 75 / 5

HEX #48F33C

RGB 72 243 60

HSL 116.07, 0.88%, 0.59%

LAB 84.9, -74.69, 70.43

 

CMYK 65 / 0 / 69 / 0

HEX #59FF4F

RGB 89 255 79

HSL 116.59, 1%, 0.65%

LAB 89.02, -73.99, 68.25

 

CMYK 58 / 0 / 62 / 0

HEX #6AFF62

RGB 106 255 98

HSL 116.94, 1%, 0.69%

LAB 89.61, -68.7, 61.6

 

CMYK 84 / 0 / 87 / 19

HEX #21CF1B

RGB 33 207 27

HSL 118, 0.77%, 0.46%

LAB 72.91, -71.04, 67.79

 

CMYK 92 / 0 / 96 / 26

HEX #10BD08

RGB 16 189 8

HSL 117.35, 0.92%, 0.39%

LAB 66.92, -67.87, 65.58

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 84 / 0 / 87 / 19

HEX #21CF1A

RGB 33 207 26

HSL 117.68, 0.78%, 0.46%

LAB 72.91, -71.07, 67.98

 

CMYK 61 / 0 / 87 / 19

HEX #51CF1A

RGB 81 207 26

HSL 101.77, 0.78%, 0.46%

LAB 73.84, -63.1, 69.15

 

CMYK 37 / 0 / 87 / 19

HEX #82CF1A

RGB 130 207 26

HSL 85.52, 0.78%, 0.46%

LAB 75.73, -48.62, 71.52

 

CMYK 14 / 0 / 87 / 19

HEX #B3CF1A

RGB 179 207 26

HSL 69.28, 0.78%, 0.46%

LAB 78.63, -29.81, 75.1

 

CMYK 0 / 10 / 87 / 19

HEX #CFBB1A

RGB 207 187 26

HSL 53.37, 0.78%, 0.46%

LAB 75.38, -7.99, 73.4

 

CMYK 84 / 0 / 87 / 19

HEX #21CF1A

RGB 33 207 26

HSL 117.68, 0.78%, 0.46%

LAB 72.91, -71.07, 67.98

 

CMYK 87 / 0 / 67 / 19

HEX #1ACF45

RGB 26 207 69

HSL 134.25, 0.78%, 0.46%

LAB 73.07, -68.73, 54.8

 

CMYK 87 / 0 / 43 / 19

HEX #1ACF76

RGB 26 207 118

HSL 150.5, 0.78%, 0.46%

LAB 73.64, -61.79, 32.62

 

CMYK 87 / 0 / 19 / 19

HEX #1ACFA7

RGB 26 207 167

HSL 166.74, 0.78%, 0.46%

LAB 74.59, -51.15, 8.12

 

CMYK 87 / 4 / 0 / 19

HEX #1AC7CF

RGB 26 199 207

HSL 182.65, 0.78%, 0.46%

LAB 73.27, -36.53, -15.47

 

CMYK 84 / 0 / 87 / 19

HEX #21CF1A

RGB 33 207 26

HSL 117.68, 0.78%, 0.46%

LAB 72.91, -71.07, 67.98

 

CMYK 93 / 0 / 97 / 11

HEX #0FE207

RGB 15 226 7

HSL 117.81, 0.94%, 0.46%

LAB 78.76, -78.01, 75.37

 

CMYK 84 / 0 / 87 / 19

HEX #21CF1A

RGB 33 207 26

HSL 117.68, 0.78%, 0.46%

LAB 72.91, -71.07, 67.98

 

CMYK 73 / 0 / 76 / 26

HEX #32BC2D

RGB 50 188 45

HSL 117.9, 0.61%, 0.46%

LAB 67.15, -62.15, 57.72

 

CMYK 60 / 0 / 62 / 34

HEX #44A940

RGB 68 169 64

HSL 117.71, 0.45%, 0.46%

LAB 61.63, -50.19, 44.48

 

CMYK 43 / 0 / 45 / 41

HEX #569653

RGB 86 150 83

HSL 117.31, 0.29%, 0.46%

LAB 56.5, -34.68, 29.02

 

CMYK 21 / 0 / 22 / 49

HEX #678366

RGB 103 131 102

HSL 117.93, 0.12%, 0.46%

LAB 51.92, -16.07, 12.46

 

CMYK 38 / 0 / 87 / 19

HEX #81CF1A

RGB 129 207 26

HSL 85.86, 0.78%, 0.46%

LAB 75.68, -48.96, 71.46

 

CMYK 61 / 0 / 87 / 19

HEX #51CF1A

RGB 81 207 26

HSL 101.77, 0.78%, 0.46%

LAB 73.84, -63.1, 69.15

 

CMYK 84 / 0 / 87 / 19

HEX #21CF1A

RGB 33 207 26

HSL 117.68, 0.78%, 0.46%

LAB 72.91, -71.07, 67.98

 

CMYK 87 / 0 / 67 / 19

HEX #1ACF45

RGB 26 207 69

HSL 134.25, 0.78%, 0.46%

LAB 73.07, -68.73, 54.8

 

CMYK 87 / 0 / 43 / 19

HEX #1ACF75

RGB 26 207 117

HSL 150.17, 0.78%, 0.46%

LAB 73.63, -61.97, 33.11

 

CMYK 84 / 0 / 87 / 47

HEX #158611

RGB 21 134 17

HSL 117.95, 0.77%, 0.3%

LAB 48.57, -50.98, 48.42

 

CMYK 84 / 0 / 87 / 33

HEX #1BAB16

RGB 27 171 22

HSL 117.99, 0.77%, 0.38%

LAB 61.15, -61.38, 58.47

 

CMYK 84 / 0 / 87 / 19

HEX #21CF1A

RGB 33 207 26

HSL 117.68, 0.78%, 0.46%

LAB 72.91, -71.07, 67.98

 

CMYK 77 / 0 / 79 / 11

HEX #35E42F

RGB 53 228 47

HSL 118.01, 0.77%, 0.54%

LAB 79.87, -73.84, 69.35

 

CMYK 62 / 0 / 64 / 9

HEX #59E854

RGB 89 232 84

HSL 117.97, 0.76%, 0.62%

LAB 82.1, -65.9, 58.88

 

CMYK 84 / 0 / 87 / 19

HEX #21CF1B

RGB 33 207 27

HSL 118, 0.77%, 0.46%

LAB 72.91, -71.04, 67.79

 

CMYK 87 / 14 / 0 / 19

HEX #1AB1CF

RGB 26 177 207

HSL 189.94, 0.78%, 0.46%

LAB 66.65, -25.9, -25.53

 

CMYK 0 / 87 / 49 / 19

HEX #CF1A69

RGB 207 26 105

HSL 333.81, 0.78%, 0.46%

LAB 45.67, 69.45, 3.6

 

CMYK 84 / 0 / 87 / 19

HEX #21CF1B

RGB 33 207 27

HSL 118, 0.77%, 0.46%

LAB 72.91, -71.04, 67.79

 

CMYK 87 / 84 / 0 / 19

HEX #1A21CF

RGB 26 33 207

HSL 237.68, 0.78%, 0.46%

LAB 28.93, 58.76, -86.05

 

CMYK 0 / 87 / 84 / 19

HEX #CF1A21

RGB 207 26 33

HSL 357.68, 0.78%, 0.46%

LAB 44.4, 65.8, 45.29

 

CMYK 84 / 0 / 87 / 19

HEX #21CF1B

RGB 33 207 27

HSL 118, 0.77%, 0.46%

LAB 72.91, -71.04, 67.79

 

CMYK 87 / 14 / 0 / 19

HEX #1AB1CF

RGB 26 177 207

HSL 189.94, 0.78%, 0.46%

LAB 66.65, -25.9, -25.53

 

CMYK 3 / 87 / 0 / 19

HEX #C91ACF

RGB 201 26 207

HSL 298.01, 0.78%, 0.46%

LAB 49.08, 80.29, -52.26

 

CMYK 0 / 72 / 87 / 19

HEX #CF391A

RGB 207 57 26

HSL 10.28, 0.78%, 0.46%

LAB 47.32, 57.29, 51.04

 

CMYK 84 / 0 / 87 / 19

HEX #21CF1B

RGB 33 207 27

HSL 118, 0.77%, 0.46%

LAB 72.91, -71.04, 67.79

 

CMYK 87 / 41 / 0 / 19

HEX #1A7BCF

RGB 26 123 207

HSL 207.85, 0.78%, 0.46%

LAB 50.56, 4.28, -50.74

 

CMYK 3 / 87 / 0 / 19

HEX #C91ACF

RGB 201 26 207

HSL 298.01, 0.78%, 0.46%

LAB 49.08, 80.29, -52.26

 

CMYK 0 / 46 / 87 / 19

HEX #CF6F1A

RGB 207 111 26

HSL 28.18, 0.78%, 0.46%

LAB 56.79, 32.64, 58.57

 

Description

Color code: HEX #21CF1B | qconv.com Color code: HEX #21CF1B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 207 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 207 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 87 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 87% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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