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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21D824 it is the complementary color #DE27DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21D824. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21D824 shade: #26D81F, #37EA32, #48FC45, #59FF58 and #6AFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21D824. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21D824 shade: #21D824, #10C611, #00B400, #00A200 and #009000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21D824 shade: #21D824, #4FD821, #81D821, #B2D821 and #D8CC21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21D824 shade: #21D824, #21D855, #21D887, #21D8B8 and #21C6D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21D824 shade matches the following richer shades: #21D824 and #0DEC11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21D824 shade: #21D824, #35C338, #4AAF4B, #5E9B5F and #728772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21D824 shade: #83D821, #52D821, #21D821, #21D852 and #21D883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21D824 shade: #169018, #1CB41E, #21D824, #41E144 and #65E767

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21D824 shade: #21D824, #21B3D8 and #D8216A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21D824 shade: #21D824, #2121D8 and #D82121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21D824 shade: #21D824, #21B3D8, #D821D8 and #D84621

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21D824 shade: #21D824, #217CD8, #D821D8 and #D87C21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 83 / 15

HEX #21D824

RGB 33 216 36

HSL 120.98, 0.73%, 0.49%

LAB 75.8, -73.2, 68.37

 

Complementary color

CMYK 0 / 82 / 1 / 13

HEX #DE27DB

RGB 222 39 219

HSL 300.98, 0.73%, 0.51%

LAB 54.13, 83.44, -50.86

 

CMYK 82 / 0 / 86 / 15

HEX #26D81F

RGB 38 216 31

HSL 117.73, 0.75%, 0.48%

LAB 75.84, -72.94, 69.56

 

CMYK 76 / 0 / 79 / 8

HEX #37EA32

RGB 55 234 50

HSL 118.37, 0.81%, 0.56%

LAB 81.78, -75.17, 70.32

 

CMYK 71 / 0 / 73 / 1

HEX #48FC45

RGB 72 252 69

HSL 119.02, 0.97%, 0.63%

LAB 87.69, -76.82, 70.28

 

CMYK 65 / 0 / 65 / 0

HEX #59FF58

RGB 89 255 88

HSL 119.64, 1%, 0.67%

LAB 89.09, -73.21, 64.92

 

CMYK 58 / 0 / 58 / 0

HEX #6AFF6B

RGB 106 255 107

HSL 120.4, 1%, 0.71%

LAB 89.69, -67.75, 57.88

 

CMYK 85 / 0 / 83 / 15

HEX #21D824

RGB 33 216 36

HSL 120.98, 0.73%, 0.49%

LAB 75.8, -73.2, 68.37

 

CMYK 92 / 0 / 91 / 22

HEX #10C611

RGB 16 198 17

HSL 120.33, 0.85%, 0.42%

LAB 69.85, -70.15, 66.87

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 100 / 0 / 100 / 36

HEX #00A200

RGB 0 162 0

HSL 120, 1%, 0.32%

LAB 57.89, -61.38, 59.24

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 85 / 0 / 83 / 15

HEX #21D824

RGB 33 216 36

HSL 120.98, 0.73%, 0.49%

LAB 75.8, -73.2, 68.37

 

CMYK 63 / 0 / 85 / 15

HEX #4FD821

RGB 79 216 33

HSL 104.92, 0.73%, 0.49%

LAB 76.61, -66.27, 70.1

 

CMYK 40 / 0 / 85 / 15

HEX #81D821

RGB 129 216 33

HSL 88.52, 0.73%, 0.49%

LAB 78.4, -52.35, 72.35

 

CMYK 18 / 0 / 85 / 15

HEX #B2D821

RGB 178 216 33

HSL 72.46, 0.73%, 0.49%

LAB 81.12, -34.21, 75.76

 

CMYK 0 / 6 / 85 / 15

HEX #D8CC21

RGB 216 204 33

HSL 56.07, 0.73%, 0.49%

LAB 80.68, -12.6, 76.55

 

CMYK 85 / 0 / 83 / 15

HEX #21D824

RGB 33 216 36

HSL 120.98, 0.73%, 0.49%

LAB 75.8, -73.2, 68.37

 

CMYK 85 / 0 / 61 / 15

HEX #21D855

RGB 33 216 85

HSL 137.05, 0.73%, 0.49%

LAB 76.13, -69.13, 51.46

 

CMYK 85 / 0 / 38 / 15

HEX #21D887

RGB 33 216 135

HSL 153.44, 0.73%, 0.49%

LAB 76.79, -61.21, 28.07

 

CMYK 85 / 0 / 15 / 15

HEX #21D8B8

RGB 33 216 184

HSL 169.51, 0.73%, 0.49%

LAB 77.81, -50.01, 3.66

 

CMYK 85 / 8 / 0 / 15

HEX #21C6D8

RGB 33 198 216

HSL 185.9, 0.73%, 0.49%

LAB 73.33, -32.86, -20.25

 

CMYK 85 / 0 / 83 / 15

HEX #21D824

RGB 33 216 36

HSL 120.98, 0.73%, 0.49%

LAB 75.8, -73.2, 68.37

 

CMYK 94 / 0 / 93 / 7

HEX #0DEC11

RGB 13 236 17

HSL 121.08, 0.9%, 0.49%

LAB 81.9, -80.57, 76.97

 

CMYK 85 / 0 / 83 / 15

HEX #21D824

RGB 33 216 36

HSL 120.98, 0.73%, 0.49%

LAB 75.8, -73.2, 68.37

 

CMYK 73 / 0 / 71 / 24

HEX #35C338

RGB 53 195 56

HSL 121.27, 0.57%, 0.49%

LAB 69.52, -63.05, 56.23

 

CMYK 58 / 0 / 57 / 31

HEX #4AAF4B

RGB 74 175 75

HSL 120.59, 0.41%, 0.49%

LAB 63.86, -49.69, 41.98

 

CMYK 39 / 0 / 39 / 39

HEX #5E9B5F

RGB 94 155 95

HSL 120.98, 0.24%, 0.49%

LAB 58.65, -32.5, 25.41

 

CMYK 16 / 0 / 16 / 47

HEX #728772

RGB 114 135 114

HSL 120, 0.08%, 0.49%

LAB 54.15, -11.89, 8.79

 

CMYK 39 / 0 / 85 / 15

HEX #83D821

RGB 131 216 33

HSL 87.87, 0.73%, 0.49%

LAB 78.49, -51.68, 72.47

 

CMYK 62 / 0 / 85 / 15

HEX #52D821

RGB 82 216 33

HSL 103.93, 0.73%, 0.49%

LAB 76.69, -65.6, 70.2

 

CMYK 85 / 0 / 85 / 15

HEX #21D821

RGB 33 216 33

HSL 120, 0.73%, 0.49%

LAB 75.79, -73.34, 69.06

 

CMYK 85 / 0 / 62 / 15

HEX #21D852

RGB 33 216 82

HSL 136.07, 0.73%, 0.49%

LAB 76.1, -69.48, 52.73

 

CMYK 85 / 0 / 39 / 15

HEX #21D883

RGB 33 216 131

HSL 152.13, 0.73%, 0.49%

LAB 76.72, -61.98, 30.03

 

CMYK 85 / 0 / 83 / 44

HEX #169018

RGB 22 144 24

HSL 120.98, 0.73%, 0.33%

LAB 52.04, -53.61, 49.7

 

CMYK 84 / 0 / 83 / 29

HEX #1CB41E

RGB 28 180 30

HSL 120.79, 0.73%, 0.41%

LAB 64.15, -63.56, 59.24

 

CMYK 85 / 0 / 83 / 15

HEX #21D824

RGB 33 216 36

HSL 120.98, 0.73%, 0.49%

LAB 75.8, -73.2, 68.37

 

CMYK 71 / 0 / 70 / 12

HEX #41E144

RGB 65 225 68

HSL 121.13, 0.73%, 0.57%

LAB 79.27, -69.64, 61.95

 

CMYK 56 / 0 / 55 / 9

HEX #65E767

RGB 101 231 103

HSL 120.92, 0.73%, 0.65%

LAB 82.32, -60.74, 50.99

 

CMYK 85 / 0 / 83 / 15

HEX #21D824

RGB 33 216 36

HSL 120.98, 0.73%, 0.49%

LAB 75.8, -73.2, 68.37

 

CMYK 85 / 17 / 0 / 15

HEX #21B3D8

RGB 33 179 216

HSL 192.13, 0.73%, 0.49%

LAB 67.67, -23.48, -28.91

 

CMYK 0 / 85 / 51 / 15

HEX #D8216A

RGB 216 33 106

HSL 336.07, 0.73%, 0.49%

LAB 47.91, 70.39, 6.43

 

CMYK 85 / 0 / 83 / 15

HEX #21D824

RGB 33 216 36

HSL 120.98, 0.73%, 0.49%

LAB 75.8, -73.2, 68.37

 

CMYK 85 / 85 / 0 / 15

HEX #2121D8

RGB 33 33 216

HSL 240, 0.73%, 0.49%

LAB 30.32, 61.62, -88.95

 

CMYK 0 / 85 / 85 / 15

HEX #D82121

RGB 216 33 33

HSL 0, 0.73%, 0.49%

LAB 46.71, 66.85, 48.03

 

CMYK 85 / 0 / 83 / 15

HEX #21D824

RGB 33 216 36

HSL 120.98, 0.73%, 0.49%

LAB 75.8, -73.2, 68.37

 

CMYK 85 / 17 / 0 / 15

HEX #21B3D8

RGB 33 179 216

HSL 192.13, 0.73%, 0.49%

LAB 67.67, -23.48, -28.91

 

CMYK 0 / 85 / 0 / 15

HEX #D821D8

RGB 216 33 216

HSL 300, 0.73%, 0.49%

LAB 52.56, 83.07, -51.72

 

CMYK 0 / 68 / 85 / 15

HEX #D84621

RGB 216 70 33

HSL 12.13, 0.73%, 0.49%

LAB 50.79, 55.48, 51.56

 

CMYK 85 / 0 / 83 / 15

HEX #21D824

RGB 33 216 36

HSL 120.98, 0.73%, 0.49%

LAB 75.8, -73.2, 68.37

 

CMYK 85 / 43 / 0 / 15

HEX #217CD8

RGB 33 124 216

HSL 210.16, 0.73%, 0.49%

LAB 51.49, 7.61, -54.34

 

CMYK 0 / 85 / 0 / 15

HEX #D821D8

RGB 216 33 216

HSL 300, 0.73%, 0.49%

LAB 52.56, 83.07, -51.72

 

CMYK 0 / 43 / 85 / 15

HEX #D87C21

RGB 216 124 33

HSL 29.84, 0.73%, 0.49%

LAB 60.89, 29.67, 60.13

 

Description

Color code: HEX #21D824 | qconv.com Color code: HEX #21D824 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 216 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 216 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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