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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21D0AF it is the complementary color #DE2F50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21D0AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21D0AF shade: #26D0AA, #37E2BD, #48F4D0, #59FFE3 and #6AFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21D0AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21D0AF shade: #21D0AF, #10BE9C, #00AC89, #009A76 and #008863

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21D0AF shade: #20CFAE, #20CF7F, #20CF4F, #20CF20 and #4FCF20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21D0AF shade: #20CFAE, #20C1CF, #2091CF, #2062CF and #2033CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21D0AF shade matches the following richer shades: #20CFAE and #0CE2BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21D0AF shade: #20CFAE, #33BBA2, #47A896, #5A958A and #6D817E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21D0AF shade: #20CF4F, #20CF7D, #20CFAC, #20C3CF and #2095CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21D0AF shade: #158772, #1AAB90, #20CFAE, #38E0C0 and #5CE5CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21D0AF shade: #21D0AF, #2020CF and #CF6620

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21D0AF shade: #21D0AF, #AC20CF and #CFAC20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21D0AF shade: #21D0AF, #2020CF, #CF2043 and #CFCF20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21D0AF shade: #21D0AF, #5420CF, #CF2043 and #9ACF20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 16 / 18

HEX #21D0AF

RGB 33 208 175

HSL 168.69, 0.73%, 0.47%

LAB 75.16, -49.04, 4.64

 

Complementary color

CMYK 0 / 79 / 64 / 13

HEX #DE2F50

RGB 222 47 80

HSL 348.69, 0.73%, 0.53%

LAB 49.67, 66.91, 24.91

 

CMYK 82 / 0 / 18 / 18

HEX #26D0AA

RGB 38 208 170

HSL 166.59, 0.69%, 0.48%

LAB 75.09, -49.91, 7.24

 

CMYK 76 / 0 / 16 / 11

HEX #37E2BD

RGB 55 226 189

HSL 167.02, 0.75%, 0.55%

LAB 81.23, -50.87, 5.96

 

CMYK 70 / 0 / 15 / 4

HEX #48F4D0

RGB 72 244 208

HSL 167.44, 0.89%, 0.62%

LAB 87.31, -51.56, 4.79

 

CMYK 65 / 0 / 11 / 0

HEX #59FFE3

RGB 89 255 227

HSL 169.88, 1%, 0.67%

LAB 91.32, -49.12, 0.79

 

CMYK 58 / 0 / 4 / 0

HEX #6AFFF6

RGB 106 255 246

HSL 176.38, 1%, 0.71%

LAB 92.24, -41.62, -7.66

 

CMYK 84 / 0 / 16 / 18

HEX #21D0AF

RGB 33 208 175

HSL 168.69, 0.73%, 0.47%

LAB 75.16, -49.04, 4.64

 

CMYK 92 / 0 / 18 / 25

HEX #10BE9C

RGB 16 190 156

HSL 168.28, 0.84%, 0.4%

LAB 68.99, -47.6, 6.04

 

CMYK 100 / 0 / 20 / 33

HEX #00AC89

RGB 0 172 137

HSL 167.79, 1%, 0.34%

LAB 62.77, -45.8, 7.58

 

CMYK 100 / 0 / 23 / 40

HEX #009A76

RGB 0 154 118

HSL 165.97, 1%, 0.3%

LAB 56.51, -43.37, 9.32

 

CMYK 100 / 0 / 27 / 47

HEX #008863

RGB 0 136 99

HSL 163.68, 1%, 0.27%

LAB 50.11, -40.87, 11.16

 

CMYK 85 / 0 / 16 / 19

HEX #20CFAE

RGB 32 207 174

HSL 168.69, 0.73%, 0.47%

LAB 74.82, -48.96, 4.69

 

CMYK 85 / 0 / 39 / 19

HEX #20CF7F

RGB 32 207 127

HSL 152.57, 0.73%, 0.47%

LAB 73.85, -59.65, 28.27

 

CMYK 85 / 0 / 62 / 19

HEX #20CF4F

RGB 32 207 79

HSL 136.11, 0.73%, 0.47%

LAB 73.22, -67.13, 50.77

 

CMYK 85 / 0 / 85 / 19

HEX #20CF20

RGB 32 207 32

HSL 120, 0.73%, 0.47%

LAB 72.92, -70.92, 66.71

 

CMYK 62 / 0 / 85 / 19

HEX #4FCF20

RGB 79 207 32

HSL 103.89, 0.73%, 0.47%

LAB 73.8, -63.33, 67.83

 

CMYK 85 / 0 / 16 / 19

HEX #20CFAE

RGB 32 207 174

HSL 168.69, 0.73%, 0.47%

LAB 74.82, -48.96, 4.69

 

CMYK 85 / 7 / 0 / 19

HEX #20C1CF

RGB 32 193 207

HSL 184.8, 0.73%, 0.47%

LAB 71.52, -33.34, -18.1

 

CMYK 85 / 30 / 0 / 19

HEX #2091CF

RGB 32 145 207

HSL 201.26, 0.73%, 0.47%

LAB 57.14, -8.33, -40.3

 

CMYK 85 / 53 / 0 / 19

HEX #2062CF

RGB 32 98 207

HSL 217.37, 0.73%, 0.47%

LAB 43.58, 20.57, -61.97

 

CMYK 85 / 75 / 0 / 19

HEX #2033CF

RGB 32 51 207

HSL 233.49, 0.73%, 0.47%

LAB 32.21, 50.08, -80.6

 

CMYK 85 / 0 / 16 / 19

HEX #20CFAE

RGB 32 207 174

HSL 168.69, 0.73%, 0.47%

LAB 74.82, -48.96, 4.69

 

CMYK 95 / 0 / 18 / 11

HEX #0CE2BA

RGB 12 226 186

HSL 168.79, 0.9%, 0.47%

LAB 80.75, -54.55, 6.81

 

CMYK 85 / 0 / 16 / 19

HEX #20CFAE

RGB 32 207 174

HSL 168.69, 0.73%, 0.47%

LAB 74.82, -48.96, 4.69

 

CMYK 73 / 0 / 13 / 27

HEX #33BBA2

RGB 51 187 162

HSL 168.97, 0.57%, 0.47%

LAB 68.64, -41.71, 2.31

 

CMYK 58 / 0 / 11 / 34

HEX #47A896

RGB 71 168 150

HSL 168.87, 0.41%, 0.47%

LAB 62.97, -32.89, 0.76

 

CMYK 40 / 0 / 7 / 42

HEX #5A958A

RGB 90 149 138

HSL 168.81, 0.25%, 0.47%

LAB 57.56, -21.93, -0.26

 

CMYK 16 / 0 / 2 / 49

HEX #6D817E

RGB 109 129 126

HSL 171, 0.08%, 0.47%

LAB 52.35, -7.9, -0.82

 

CMYK 85 / 0 / 62 / 19

HEX #20CF4F

RGB 32 207 79

HSL 136.11, 0.73%, 0.47%

LAB 73.22, -67.13, 50.77

 

CMYK 85 / 0 / 40 / 19

HEX #20CF7D

RGB 32 207 125

HSL 151.89, 0.73%, 0.47%

LAB 73.81, -60.03, 29.26

 

CMYK 85 / 0 / 17 / 19

HEX #20CFAC

RGB 32 207 172

HSL 168, 0.73%, 0.47%

LAB 74.77, -49.48, 5.69

 

CMYK 85 / 6 / 0 / 19

HEX #20C3CF

RGB 32 195 207

HSL 184.11, 0.73%, 0.47%

LAB 72.12, -34.29, -17.19

 

CMYK 85 / 28 / 0 / 19

HEX #2095CF

RGB 32 149 207

HSL 199.89, 0.73%, 0.47%

LAB 58.33, -10.59, -38.43

 

CMYK 84 / 0 / 16 / 47

HEX #158772

RGB 21 135 114

HSL 168.95, 0.73%, 0.31%

LAB 50.34, -35.03, 2.82

 

CMYK 85 / 0 / 16 / 33

HEX #1AAB90

RGB 26 171 144

HSL 168.83, 0.74%, 0.39%

LAB 62.81, -42.19, 3.77

 

CMYK 85 / 0 / 16 / 19

HEX #20CFAE

RGB 32 207 174

HSL 168.69, 0.73%, 0.47%

LAB 74.82, -48.96, 4.69

 

CMYK 75 / 0 / 14 / 12

HEX #38E0C0

RGB 56 224 192

HSL 168.57, 0.73%, 0.55%

LAB 80.72, -49.18, 3.64

 

CMYK 60 / 0 / 11 / 10

HEX #5CE5CB

RGB 92 229 203

HSL 168.61, 0.72%, 0.63%

LAB 83.25, -43.31, 1.59

 

CMYK 84 / 0 / 16 / 18

HEX #21D0AF

RGB 33 208 175

HSL 168.69, 0.73%, 0.47%

LAB 75.16, -49.04, 4.64

 

CMYK 85 / 85 / 0 / 19

HEX #2020CF

RGB 32 32 207

HSL 240, 0.73%, 0.47%

LAB 29.02, 59.37, -85.9

 

CMYK 0 / 51 / 85 / 19

HEX #CF6620

RGB 207 102 32

HSL 24, 0.73%, 0.47%

LAB 54.94, 37.45, 54.95

 

CMYK 84 / 0 / 16 / 18

HEX #21D0AF

RGB 33 208 175

HSL 168.69, 0.73%, 0.47%

LAB 75.16, -49.04, 4.64

 

CMYK 17 / 85 / 0 / 19

HEX #AC20CF

RGB 172 32 207

HSL 288, 0.73%, 0.47%

LAB 44.67, 74.28, -59.61

 

CMYK 0 / 17 / 85 / 19

HEX #CFAC20

RGB 207 172 32

HSL 48, 0.73%, 0.47%

LAB 71.47, -0.02, 68.85

 

CMYK 84 / 0 / 16 / 18

HEX #21D0AF

RGB 33 208 175

HSL 168.69, 0.73%, 0.47%

LAB 75.16, -49.04, 4.64

 

CMYK 85 / 85 / 0 / 19

HEX #2020CF

RGB 32 32 207

HSL 240, 0.73%, 0.47%

LAB 29.02, 59.37, -85.9

 

CMYK 0 / 85 / 68 / 19

HEX #CF2043

RGB 207 32 67

HSL 348, 0.73%, 0.47%

LAB 45.23, 65.84, 26.56

 

CMYK 0 / 0 / 85 / 19

HEX #CFCF20

RGB 207 207 32

HSL 60, 0.73%, 0.47%

LAB 80.74, -17.95, 76.51

 

CMYK 84 / 0 / 16 / 18

HEX #21D0AF

RGB 33 208 175

HSL 168.69, 0.73%, 0.47%

LAB 75.16, -49.04, 4.64

 

CMYK 59 / 85 / 0 / 19

HEX #5420CF

RGB 84 32 207

HSL 257.83, 0.73%, 0.47%

LAB 32.75, 62.66, -79.6

 

CMYK 0 / 85 / 68 / 19

HEX #CF2043

RGB 207 32 67

HSL 348, 0.73%, 0.47%

LAB 45.23, 65.84, 26.56

 

CMYK 26 / 0 / 85 / 19

HEX #9ACF20

RGB 154 207 32

HSL 78.17, 0.73%, 0.47%

LAB 77.04, -39.61, 71.92

 

Description

Color code: HEX #21D0AF | qconv.com Color code: HEX #21D0AF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 208 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 208 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 16 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 16% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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