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Color name
HEX #21E753

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21E753 it is the complementary color #DE18AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21E753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21E753 shade: #26E74E, #37F961, #48FF74, #59FF87 and #6AFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21E753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21E753 shade: #21E753, #10D540, #00C32D, #00B11A and #009F07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21E753 shade: #22E654, #26E622, #5AE622, #8FE622 and #C4E622

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21E753 shade: #22E654, #22E688, #22E6BD, #22DAE6 and #22A5E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21E753 shade matches the following richer shades: #22E654 and #0EFA4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21E753 shade: #22E654, #36D25D, #4ABE67, #5EAB71 and #71977B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21E753 shade: #5AE622, #25E622, #22E653, #22E687 and #22E6BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21E753 shade: #12A437, #16C943, #22E654, #47EA70 and #6CEE8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21E753 shade: #21E753, #228EE6 and #E62240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21E753 shade: #21E753, #5322E6 and #E65322

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21E753 shade: #21E753, #228EE6, #E622B5 and #E67A22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21E753 shade: #21E753, #2253E6, #E622B5 and #E6B522

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 64 / 9

HEX #21E753

RGB 33 231 83

HSL 135.15, 0.8%, 0.52%

LAB 80.79, -73.92, 57.58

 

Complementary color

CMYK 0 / 89 / 23 / 13

HEX #DE18AC

RGB 222 24 172

HSL 315.15, 0.8%, 0.48%

LAB 50.88, 79.75, -28.8

 

CMYK 84 / 0 / 66 / 9

HEX #26E74E

RGB 38 231 78

HSL 132.44, 0.8%, 0.53%

LAB 80.8, -74, 59.62

 

CMYK 78 / 0 / 61 / 2

HEX #37F961

RGB 55 249 97

HSL 132.99, 0.94%, 0.6%

LAB 86.71, -75.66, 58.46

 

CMYK 72 / 0 / 55 / 0

HEX #48FF74

RGB 72 255 116

HSL 134.43, 1%, 0.64%

LAB 89, -73, 52.88

 

CMYK 65 / 0 / 47 / 0

HEX #59FF87

RGB 89 255 135

HSL 136.63, 1%, 0.67%

LAB 89.58, -67.54, 44.84

 

CMYK 58 / 0 / 40 / 0

HEX #6AFF9A

RGB 106 255 154

HSL 139.33, 1%, 0.71%

LAB 90.28, -61.23, 36.61

 

CMYK 86 / 0 / 64 / 9

HEX #21E753

RGB 33 231 83

HSL 135.15, 0.8%, 0.52%

LAB 80.79, -73.92, 57.58

 

CMYK 92 / 0 / 70 / 16

HEX #10D540

RGB 16 213 64

HSL 134.62, 0.86%, 0.45%

LAB 74.87, -71.6, 58.66

 

CMYK 100 / 0 / 77 / 24

HEX #00C32D

RGB 0 195 45

HSL 133.85, 1%, 0.38%

LAB 68.91, -68.65, 59.28

 

CMYK 100 / 0 / 85 / 31

HEX #00B11A

RGB 0 177 26

HSL 128.81, 1%, 0.35%

LAB 62.94, -64.72, 59.07

 

CMYK 100 / 0 / 96 / 38

HEX #009F07

RGB 0 159 7

HSL 122.64, 1%, 0.31%

LAB 56.89, -60.35, 57.38

 

CMYK 85 / 0 / 63 / 10

HEX #22E654

RGB 34 230 84

HSL 135.31, 0.8%, 0.52%

LAB 80.5, -73.43, 56.84

 

CMYK 83 / 0 / 85 / 10

HEX #26E622

RGB 38 230 34

HSL 118.78, 0.8%, 0.52%

LAB 80.25, -76.77, 72.82

 

CMYK 61 / 0 / 85 / 10

HEX #5AE622

RGB 90 230 34

HSL 102.86, 0.8%, 0.52%

LAB 81.23, -68.37, 74.06

 

CMYK 38 / 0 / 85 / 10

HEX #8FE622

RGB 143 230 34

HSL 86.63, 0.8%, 0.52%

LAB 83.2, -53.18, 76.55

 

CMYK 15 / 0 / 85 / 10

HEX #C4E622

RGB 196 230 34

HSL 70.41, 0.8%, 0.52%

LAB 86.23, -33.41, 80.32

 

CMYK 85 / 0 / 63 / 10

HEX #22E654

RGB 34 230 84

HSL 135.31, 0.8%, 0.52%

LAB 80.5, -73.43, 56.84

 

CMYK 85 / 0 / 41 / 10

HEX #22E688

RGB 34 230 136

HSL 151.22, 0.8%, 0.52%

LAB 81.13, -65.84, 33.31

 

CMYK 85 / 0 / 18 / 10

HEX #22E6BD

RGB 34 230 189

HSL 167.45, 0.8%, 0.52%

LAB 82.17, -54.34, 7.28

 

CMYK 85 / 5 / 0 / 10

HEX #22DAE6

RGB 34 218 230

HSL 183.67, 0.8%, 0.52%

LAB 79.73, -37.87, -18.1

 

CMYK 85 / 28 / 0 / 10

HEX #22A5E6

RGB 34 165 230

HSL 199.9, 0.8%, 0.52%

LAB 64.13, -11.13, -42.11

 

CMYK 85 / 0 / 63 / 10

HEX #22E654

RGB 34 230 84

HSL 135.31, 0.8%, 0.52%

LAB 80.5, -73.43, 56.84

 

CMYK 94 / 0 / 70 / 2

HEX #0EFA4A

RGB 14 250 74

HSL 135.25, 0.96%, 0.52%

LAB 86.48, -81.31, 67.11

 

CMYK 85 / 0 / 63 / 10

HEX #22E654

RGB 34 230 84

HSL 135.31, 0.8%, 0.52%

LAB 80.5, -73.43, 56.84

 

CMYK 74 / 0 / 56 / 18

HEX #36D25D

RGB 54 210 93

HSL 135, 0.63%, 0.52%

LAB 74.61, -63.76, 46.15

 

CMYK 61 / 0 / 46 / 25

HEX #4ABE67

RGB 74 190 103

HSL 135, 0.47%, 0.52%

LAB 68.94, -51.48, 34.37

 

CMYK 45 / 0 / 34 / 33

HEX #5EAB71

RGB 94 171 113

HSL 134.81, 0.31%, 0.52%

LAB 63.92, -36.73, 22.66

 

CMYK 25 / 0 / 19 / 41

HEX #71977B

RGB 113 151 123

HSL 135.79, 0.15%, 0.52%

LAB 59.04, -19.04, 10.56

 

CMYK 61 / 0 / 85 / 10

HEX #5AE622

RGB 90 230 34

HSL 102.86, 0.8%, 0.52%

LAB 81.23, -68.37, 74.06

 

CMYK 84 / 0 / 85 / 10

HEX #25E622

RGB 37 230 34

HSL 119.08, 0.8%, 0.52%

LAB 80.24, -76.87, 72.81

 

CMYK 85 / 0 / 64 / 10

HEX #22E653

RGB 34 230 83

HSL 135, 0.8%, 0.52%

LAB 80.49, -73.54, 57.24

 

CMYK 85 / 0 / 41 / 10

HEX #22E687

RGB 34 230 135

HSL 150.92, 0.8%, 0.52%

LAB 81.12, -66.02, 33.79

 

CMYK 85 / 0 / 18 / 10

HEX #22E6BC

RGB 34 230 188

HSL 167.14, 0.8%, 0.52%

LAB 82.14, -54.58, 7.78

 

CMYK 89 / 0 / 66 / 36

HEX #12A437

RGB 18 164 55

HSL 135.21, 0.8%, 0.36%

LAB 58.93, -57.59, 45.19

 

CMYK 89 / 0 / 67 / 21

HEX #16C943

RGB 22 201 67

HSL 135.08, 0.8%, 0.44%

LAB 71.11, -67.41, 53.48

 

CMYK 85 / 0 / 63 / 10

HEX #22E654

RGB 34 230 84

HSL 135.31, 0.8%, 0.52%

LAB 80.5, -73.43, 56.84

 

CMYK 70 / 0 / 52 / 8

HEX #47EA70

RGB 71 234 112

HSL 135.09, 0.8%, 0.6%

LAB 82.57, -66.67, 46.94

 

CMYK 55 / 0 / 41 / 7

HEX #6CEE8D

RGB 108 238 141

HSL 135.23, 0.79%, 0.68%

LAB 85.13, -56.38, 36.32

 

CMYK 86 / 0 / 64 / 9

HEX #21E753

RGB 33 231 83

HSL 135.15, 0.8%, 0.52%

LAB 80.79, -73.92, 57.58

 

CMYK 85 / 38 / 0 / 10

HEX #228EE6

RGB 34 142 230

HSL 206.94, 0.8%, 0.52%

LAB 57.46, 2.06, -52.65

 

CMYK 0 / 85 / 72 / 10

HEX #E62240

RGB 230 34 64

HSL 350.82, 0.8%, 0.52%

LAB 49.9, 71.33, 35.1

 

CMYK 86 / 0 / 64 / 9

HEX #21E753

RGB 33 231 83

HSL 135.15, 0.8%, 0.52%

LAB 80.79, -73.92, 57.58

 

CMYK 64 / 85 / 0 / 10

HEX #5322E6

RGB 83 34 230

HSL 255, 0.8%, 0.52%

LAB 35.39, 67.84, -88.47

 

CMYK 0 / 64 / 85 / 10

HEX #E65322

RGB 230 83 34

HSL 15, 0.8%, 0.52%

LAB 55.2, 54.91, 55.84

 

CMYK 86 / 0 / 64 / 9

HEX #21E753

RGB 33 231 83

HSL 135.15, 0.8%, 0.52%

LAB 80.79, -73.92, 57.58

 

CMYK 85 / 38 / 0 / 10

HEX #228EE6

RGB 34 142 230

HSL 206.94, 0.8%, 0.52%

LAB 57.46, 2.06, -52.65

 

CMYK 0 / 85 / 21 / 10

HEX #E622B5

RGB 230 34 181

HSL 315, 0.8%, 0.52%

LAB 53.28, 80.84, -30.23

 

CMYK 0 / 47 / 85 / 10

HEX #E67A22

RGB 230 122 34

HSL 26.94, 0.8%, 0.52%

LAB 62.39, 36.45, 61.82

 

CMYK 86 / 0 / 64 / 9

HEX #21E753

RGB 33 231 83

HSL 135.15, 0.8%, 0.52%

LAB 80.79, -73.92, 57.58

 

CMYK 85 / 64 / 0 / 10

HEX #2253E6

RGB 34 83 230

HSL 225, 0.8%, 0.52%

LAB 41.59, 39.07, -78.32

 

CMYK 0 / 85 / 21 / 10

HEX #E622B5

RGB 230 34 181

HSL 315, 0.8%, 0.52%

LAB 53.28, 80.84, -30.23

 

CMYK 0 / 21 / 85 / 10

HEX #E6B522

RGB 230 181 34

HSL 45, 0.8%, 0.52%

LAB 76.06, 5.32, 73.06

 

Description

Color code: HEX #21E753 | qconv.com Color code: HEX #21E753 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 231 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 231 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 64 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 64% 9% C M Y K

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