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Color name
HEX #21E7C2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21E7C2 it is the complementary color #DE183D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21E7C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21E7C2 shade: #26E7BD, #37F9D0, #48FFE3, #59FFF6 and #6AFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21E7C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21E7C2 shade: #21E7C2, #10D5AF, #00C39C, #00B189 and #009F76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21E7C2 shade: #22E6C1, #22E68D, #22E658, #22E623 and #56E622

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21E7C2 shade: #22E6C1, #22D6E6, #22A1E6, #226CE6 and #2237E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21E7C2 shade matches the following richer shades: #22E6C1 and #0EFACE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21E7C2 shade: #22E6C1, #36D2B5, #4ABEA9, #5EAB9C and #719790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21E7C2 shade: #22E656, #22E68B, #22E6BF, #22D9E6 and #22A5E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21E7C2 shade: #12A489, #16C9A8, #22E6C1, #47EACC and #6CEED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21E7C2 shade: #21E7C2, #2222E6 and #E67122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21E7C2 shade: #21E7C2, #BF22E6 and #E6BF22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21E7C2 shade: #21E7C2, #2222E6, #E62249 and #E6E622

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21E7C2 shade: #21E7C2, #5D22E6, #E62249 and #ABE622

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 16 / 9

HEX #21E7C2

RGB 33 231 194

HSL 168.79, 0.8%, 0.52%

LAB 82.58, -53.55, 5.24

 

Complementary color

CMYK 0 / 89 / 73 / 13

HEX #DE183D

RGB 222 24 61

HSL 348.79, 0.8%, 0.48%

LAB 47.65, 70.91, 33.83

 

CMYK 84 / 0 / 18 / 9

HEX #26E7BD

RGB 38 231 189

HSL 166.94, 0.8%, 0.53%

LAB 82.51, -54.45, 7.78

 

CMYK 78 / 0 / 16 / 2

HEX #37F9D0

RGB 55 249 208

HSL 167.32, 0.94%, 0.6%

LAB 88.5, -55.52, 6.49

 

CMYK 72 / 0 / 11 / 0

HEX #48FFE3

RGB 72 255 227

HSL 170.82, 1%, 0.64%

LAB 90.98, -51.41, 0.26

 

CMYK 65 / 0 / 4 / 0

HEX #59FFF6

RGB 89 255 246

HSL 176.75, 1%, 0.67%

LAB 91.82, -44.29, -8.32

 

CMYK 58 / 0 / 0 / 0

HEX #6AFFFF

RGB 106 255 255

HSL 180, 1%, 0.71%

LAB 92.49, -39.29, -11.95

 

CMYK 86 / 0 / 16 / 9

HEX #21E7C2

RGB 33 231 194

HSL 168.79, 0.8%, 0.52%

LAB 82.58, -53.55, 5.24

 

CMYK 92 / 0 / 18 / 16

HEX #10D5AF

RGB 16 213 175

HSL 168.43, 0.86%, 0.45%

LAB 76.55, -52.03, 6.64

 

CMYK 100 / 0 / 20 / 24

HEX #00C39C

RGB 0 195 156

HSL 168, 1%, 0.38%

LAB 70.48, -50.2, 8.16

 

CMYK 100 / 0 / 23 / 31

HEX #00B189

RGB 0 177 137

HSL 166.44, 1%, 0.35%

LAB 64.36, -47.83, 9.85

 

CMYK 100 / 0 / 26 / 38

HEX #009F76

RGB 0 159 118

HSL 164.53, 1%, 0.31%

LAB 58.14, -45.4, 11.62

 

CMYK 85 / 0 / 16 / 10

HEX #22E6C1

RGB 34 230 193

HSL 168.67, 0.8%, 0.52%

LAB 82.26, -53.33, 5.31

 

CMYK 85 / 0 / 39 / 10

HEX #22E68D

RGB 34 230 141

HSL 152.76, 0.8%, 0.52%

LAB 81.21, -64.91, 30.89

 

CMYK 85 / 0 / 62 / 10

HEX #22E658

RGB 34 230 88

HSL 136.53, 0.8%, 0.52%

LAB 80.54, -72.98, 55.2

 

CMYK 85 / 0 / 85 / 10

HEX #22E623

RGB 34 230 35

HSL 120.31, 0.8%, 0.52%

LAB 80.21, -77.09, 72.56

 

CMYK 63 / 0 / 85 / 10

HEX #56E622

RGB 86 230 34

HSL 104.08, 0.8%, 0.52%

LAB 81.12, -69.26, 73.93

 

CMYK 85 / 0 / 16 / 10

HEX #22E6C1

RGB 34 230 193

HSL 168.67, 0.8%, 0.52%

LAB 82.26, -53.33, 5.31

 

CMYK 85 / 7 / 0 / 10

HEX #22D6E6

RGB 34 214 230

HSL 184.9, 0.8%, 0.52%

LAB 78.55, -36.02, -19.88

 

CMYK 85 / 30 / 0 / 10

HEX #22A1E6

RGB 34 161 230

HSL 201.12, 0.8%, 0.52%

LAB 62.96, -8.91, -43.94

 

CMYK 85 / 53 / 0 / 10

HEX #226CE6

RGB 34 108 230

HSL 217.35, 0.8%, 0.52%

LAB 47.98, 23.13, -67.9

 

CMYK 85 / 76 / 0 / 10

HEX #2237E6

RGB 34 55 230

HSL 233.57, 0.8%, 0.52%

LAB 35.57, 55.57, -88.27

 

CMYK 85 / 0 / 16 / 10

HEX #22E6C1

RGB 34 230 193

HSL 168.67, 0.8%, 0.52%

LAB 82.26, -53.33, 5.31

 

CMYK 94 / 0 / 18 / 2

HEX #0EFACE

RGB 14 250 206

HSL 168.81, 0.96%, 0.52%

LAB 88.41, -58.89, 7.35

 

CMYK 85 / 0 / 16 / 10

HEX #22E6C1

RGB 34 230 193

HSL 168.67, 0.8%, 0.52%

LAB 82.26, -53.33, 5.31

 

CMYK 74 / 0 / 14 / 18

HEX #36D2B5

RGB 54 210 181

HSL 168.85, 0.63%, 0.52%

LAB 76.2, -46.32, 2.96

 

CMYK 61 / 0 / 11 / 25

HEX #4ABEA9

RGB 74 190 169

HSL 169.14, 0.47%, 0.52%

LAB 70.28, -37.63, 0.91

 

CMYK 45 / 0 / 9 / 33

HEX #5EAB9C

RGB 94 171 156

HSL 168.31, 0.31%, 0.52%

LAB 64.89, -27.53, 0.31

 

CMYK 25 / 0 / 5 / 41

HEX #719790

RGB 113 151 144

HSL 168.95, 0.15%, 0.52%

LAB 59.58, -14.59, -0.58

 

CMYK 85 / 0 / 63 / 10

HEX #22E656

RGB 34 230 86

HSL 135.92, 0.8%, 0.52%

LAB 80.52, -73.21, 56.02

 

CMYK 85 / 0 / 40 / 10

HEX #22E68B

RGB 34 230 139

HSL 152.14, 0.8%, 0.52%

LAB 81.18, -65.28, 31.86

 

CMYK 85 / 0 / 17 / 10

HEX #22E6BF

RGB 34 230 191

HSL 168.06, 0.8%, 0.52%

LAB 82.21, -53.84, 6.3

 

CMYK 85 / 6 / 0 / 10

HEX #22D9E6

RGB 34 217 230

HSL 183.98, 0.8%, 0.52%

LAB 79.43, -37.41, -18.54

 

CMYK 85 / 28 / 0 / 10

HEX #22A5E6

RGB 34 165 230

HSL 199.9, 0.8%, 0.52%

LAB 64.13, -11.13, -42.11

 

CMYK 89 / 0 / 16 / 36

HEX #12A489

RGB 18 164 137

HSL 168.9, 0.8%, 0.36%

LAB 60.32, -41.64, 4.09

 

CMYK 89 / 0 / 16 / 21

HEX #16C9A8

RGB 22 201 168

HSL 168.94, 0.8%, 0.44%

LAB 72.74, -48.68, 4.92

 

CMYK 85 / 0 / 16 / 10

HEX #22E6C1

RGB 34 230 193

HSL 168.67, 0.8%, 0.52%

LAB 82.26, -53.33, 5.31

 

CMYK 70 / 0 / 13 / 8

HEX #47EACC

RGB 71 234 204

HSL 168.96, 0.8%, 0.6%

LAB 84.25, -48.51, 2.46

 

CMYK 55 / 0 / 10 / 7

HEX #6CEED6

RGB 108 238 214

HSL 168.92, 0.79%, 0.68%

LAB 86.6, -41.6, 0.74

 

CMYK 86 / 0 / 16 / 9

HEX #21E7C2

RGB 33 231 194

HSL 168.79, 0.8%, 0.52%

LAB 82.58, -53.55, 5.24

 

CMYK 85 / 85 / 0 / 10

HEX #2222E6

RGB 34 34 230

HSL 240, 0.8%, 0.52%

LAB 32.25, 65.27, -93.78

 

CMYK 0 / 51 / 85 / 10

HEX #E67122

RGB 230 113 34

HSL 24.18, 0.8%, 0.52%

LAB 60.56, 41, 60.3

 

CMYK 86 / 0 / 16 / 9

HEX #21E7C2

RGB 33 231 194

HSL 168.79, 0.8%, 0.52%

LAB 82.58, -53.55, 5.24

 

CMYK 17 / 85 / 0 / 10

HEX #BF22E6

RGB 191 34 230

HSL 288.06, 0.8%, 0.52%

LAB 49.42, 80.94, -64.94

 

CMYK 0 / 17 / 85 / 10

HEX #E6BF22

RGB 230 191 34

HSL 48.06, 0.8%, 0.52%

LAB 78.58, 0.1, 75.12

 

CMYK 86 / 0 / 16 / 9

HEX #21E7C2

RGB 33 231 194

HSL 168.79, 0.8%, 0.52%

LAB 82.58, -53.55, 5.24

 

CMYK 85 / 85 / 0 / 10

HEX #2222E6

RGB 34 34 230

HSL 240, 0.8%, 0.52%

LAB 32.25, 65.27, -93.78

 

CMYK 0 / 85 / 68 / 10

HEX #E62249

RGB 230 34 73

HSL 348.06, 0.8%, 0.52%

LAB 50.04, 71.72, 29.91

 

CMYK 0 / 0 / 85 / 10

HEX #E6E622

RGB 230 230 34

HSL 60, 0.8%, 0.52%

LAB 88.7, -19.49, 83.37

 

CMYK 86 / 0 / 16 / 9

HEX #21E7C2

RGB 33 231 194

HSL 168.79, 0.8%, 0.52%

LAB 82.58, -53.55, 5.24

 

CMYK 60 / 85 / 0 / 10

HEX #5D22E6

RGB 93 34 230

HSL 258.06, 0.8%, 0.52%

LAB 36.34, 68.64, -86.87

 

CMYK 0 / 85 / 68 / 10

HEX #E62249

RGB 230 34 73

HSL 348.06, 0.8%, 0.52%

LAB 50.04, 71.72, 29.91

 

CMYK 26 / 0 / 85 / 10

HEX #ABE622

RGB 171 230 34

HSL 78.06, 0.8%, 0.52%

LAB 84.67, -43.14, 78.39

 

Description

Color code: HEX #21E7C2 | qconv.com Color code: HEX #21E7C2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 231 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 231 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 16 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 16% 9% C M Y K

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Provide designers and agencies with accurate color values.

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