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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21E272 it is the complementary color #DE1D8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21E272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21E272 shade: #26E26D, #37F480, #48FF93, #59FFA6 and #6AFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21E272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21E272 shade: #21E272, #10D05F, #00BE4C, #00AC39 and #009A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21E272 shade: #21E272, #21E23E, #38E221, #6CE221 and #A0E221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21E272 shade: #21E272, #21E2A6, #21E2DA, #21B6E2 and #2182E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21E272 shade matches the following richer shades: #21E272 and #0DF66F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21E272 shade: #21E272, #36CE75, #4AB979, #5EA57C and #72917F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21E272 shade: #38E221, #21E23E, #21E272, #21E2A5 and #21E2D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21E272 shade: #149D4D, #19C15F, #21E272, #46E789 and #6AEBA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21E272 shade: #21E272, #216BE2 and #E22521

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21E272 shade: #21E272, #7221E2 and #E27221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21E272 shade: #21E272, #216BE2, #E22192 and #E29821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21E272 shade: #21E272, #2131E2, #E22192 and #E2D221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

Complementary color

CMYK 0 / 87 / 36 / 13

HEX #DE1D8D

RGB 222 29 141

HSL 325.18, 0.77%, 0.49%

LAB 49.9, 75.61, -11.84

 

CMYK 83 / 0 / 52 / 11

HEX #26E26D

RGB 38 226 109

HSL 142.66, 0.76%, 0.52%

LAB 79.56, -68.64, 44.56

 

CMYK 77 / 0 / 48 / 4

HEX #37F480

RGB 55 244 128

HSL 143.17, 0.9%, 0.59%

LAB 85.54, -69.91, 42.97

 

CMYK 72 / 0 / 42 / 0

HEX #48FF93

RGB 72 255 147

HSL 144.59, 1%, 0.64%

LAB 89.4, -68.38, 38.74

 

CMYK 65 / 0 / 35 / 0

HEX #59FFA6

RGB 89 255 166

HSL 147.83, 1%, 0.67%

LAB 90.04, -62.36, 30.24

 

CMYK 58 / 0 / 27 / 0

HEX #6AFFB9

RGB 106 255 185

HSL 151.81, 1%, 0.71%

LAB 90.82, -55.57, 21.76

 

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

CMYK 92 / 0 / 54 / 18

HEX #10D05F

RGB 16 208 95

HSL 144.69, 0.86%, 0.44%

LAB 73.58, -66.45, 43.86

 

CMYK 100 / 0 / 60 / 25

HEX #00BE4C

RGB 0 190 76

HSL 144, 1%, 0.37%

LAB 67.54, -64.09, 45.53

 

CMYK 100 / 0 / 67 / 33

HEX #00AC39

RGB 0 172 57

HSL 139.88, 1%, 0.34%

LAB 61.48, -60.85, 47.1

 

CMYK 100 / 0 / 75 / 40

HEX #009A26

RGB 0 154 38

HSL 134.81, 1%, 0.3%

LAB 55.33, -57.29, 48.19

 

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

CMYK 85 / 0 / 73 / 11

HEX #21E23E

RGB 33 226 62

HSL 129.02, 0.77%, 0.51%

LAB 79.08, -74.4, 63.77

 

CMYK 75 / 0 / 85 / 11

HEX #38E221

RGB 56 226 33

HSL 112.85, 0.77%, 0.51%

LAB 79.24, -73.51, 72.24

 

CMYK 52 / 0 / 85 / 11

HEX #6CE221

RGB 108 226 33

HSL 96.68, 0.77%, 0.51%

LAB 80.57, -62.5, 73.91

 

CMYK 29 / 0 / 85 / 11

HEX #A0E221

RGB 160 226 33

HSL 80.52, 0.77%, 0.51%

LAB 82.9, -45.55, 76.84

 

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

CMYK 85 / 0 / 27 / 11

HEX #21E2A6

RGB 33 226 166

HSL 161.35, 0.77%, 0.51%

LAB 80.44, -58.32, 16.93

 

CMYK 85 / 0 / 4 / 11

HEX #21E2DA

RGB 33 226 218

HSL 177.51, 0.77%, 0.51%

LAB 81.72, -45.01, -8.73

 

CMYK 85 / 19 / 0 / 11

HEX #21B6E2

RGB 33 182 226

HSL 193.68, 0.77%, 0.51%

LAB 68.95, -21.67, -32.41

 

CMYK 85 / 42 / 0 / 11

HEX #2182E2

RGB 33 130 226

HSL 209.84, 0.77%, 0.51%

LAB 53.79, 7.73, -56.28

 

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

CMYK 95 / 0 / 55 / 4

HEX #0DF66F

RGB 13 246 111

HSL 145.24, 0.93%, 0.51%

LAB 85.58, -76.1, 50.89

 

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

CMYK 74 / 0 / 43 / 19

HEX #36CE75

RGB 54 206 117

HSL 144.87, 0.61%, 0.51%

LAB 73.68, -58.68, 33.25

 

CMYK 60 / 0 / 35 / 27

HEX #4AB979

RGB 74 185 121

HSL 145.41, 0.44%, 0.51%

LAB 67.68, -46.3, 23.31

 

CMYK 43 / 0 / 25 / 35

HEX #5EA57C

RGB 94 165 124

HSL 145.35, 0.28%, 0.51%

LAB 62.29, -31.83, 14.41

 

CMYK 21 / 0 / 12 / 43

HEX #72917F

RGB 114 145 127

HSL 145.16, 0.12%, 0.51%

LAB 57.43, -14.72, 6

 

CMYK 75 / 0 / 85 / 11

HEX #38E221

RGB 56 226 33

HSL 112.85, 0.77%, 0.51%

LAB 79.24, -73.51, 72.24

 

CMYK 85 / 0 / 73 / 11

HEX #21E23E

RGB 33 226 62

HSL 129.02, 0.77%, 0.51%

LAB 79.08, -74.4, 63.77

 

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

CMYK 85 / 0 / 27 / 11

HEX #21E2A5

RGB 33 226 165

HSL 161.04, 0.77%, 0.51%

LAB 80.42, -58.55, 17.43

 

CMYK 85 / 0 / 4 / 11

HEX #21E2D8

RGB 33 226 216

HSL 176.89, 0.77%, 0.51%

LAB 81.66, -45.58, -7.75

 

CMYK 87 / 0 / 51 / 38

HEX #149D4D

RGB 20 157 77

HSL 144.96, 0.77%, 0.35%

LAB 56.88, -52.07, 32.26

 

CMYK 87 / 0 / 51 / 24

HEX #19C15F

RGB 25 193 95

HSL 145, 0.77%, 0.43%

LAB 68.88, -61.02, 38.11

 

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

CMYK 70 / 0 / 41 / 9

HEX #46E789

RGB 70 231 137

HSL 144.97, 0.77%, 0.59%

LAB 81.98, -61.85, 34.02

 

CMYK 55 / 0 / 32 / 8

HEX #6AEBA0

RGB 106 235 160

HSL 145.12, 0.76%, 0.67%

LAB 84.49, -52.33, 25.86

 

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

CMYK 85 / 53 / 0 / 11

HEX #216BE2

RGB 33 107 226

HSL 216.99, 0.77%, 0.51%

LAB 47.4, 22.17, -66.58

 

CMYK 0 / 84 / 85 / 11

HEX #E22521

RGB 226 37 33

HSL 1.24, 0.77%, 0.51%

LAB 49.01, 68.71, 50.79

 

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

CMYK 50 / 85 / 0 / 11

HEX #7221E2

RGB 114 33 226

HSL 265.18, 0.77%, 0.51%

LAB 38.12, 70, -81.57

 

CMYK 0 / 50 / 85 / 11

HEX #E27221

RGB 226 114 33

HSL 25.18, 0.77%, 0.51%

LAB 60.17, 38.91, 60.1

 

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

CMYK 85 / 53 / 0 / 11

HEX #216BE2

RGB 33 107 226

HSL 216.99, 0.77%, 0.51%

LAB 47.4, 22.17, -66.58

 

CMYK 0 / 85 / 35 / 11

HEX #E22192

RGB 226 33 146

HSL 324.87, 0.77%, 0.51%

LAB 51.07, 76.29, -12.99

 

CMYK 0 / 33 / 85 / 11

HEX #E29821

RGB 226 152 33

HSL 36.99, 0.77%, 0.51%

LAB 68.56, 18.96, 67

 

CMYK 85 / 0 / 50 / 11

HEX #21E272

RGB 33 226 114

HSL 145.18, 0.77%, 0.51%

LAB 79.57, -68.3, 42.17

 

CMYK 85 / 78 / 0 / 11

HEX #2131E2

RGB 33 49 226

HSL 235.03, 0.77%, 0.51%

LAB 34.01, 57.35, -88.58

 

CMYK 0 / 85 / 35 / 11

HEX #E22192

RGB 226 33 146

HSL 324.87, 0.77%, 0.51%

LAB 51.07, 76.29, -12.99

 

CMYK 0 / 7 / 85 / 11

HEX #E2D221

RGB 226 210 33

HSL 55.03, 0.77%, 0.51%

LAB 83.11, -11.34, 78.89

 

Description

Color code: HEX #21E272 | qconv.com Color code: HEX #21E272 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 226 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 226 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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