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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21EC71 it is the complementary color #DE138E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21EC71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21EC71 shade: #26EC6C, #37FE7F, #48FF92, #59FFA5 and #6AFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21EC71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21EC71 shade: #21EC71, #10DA5E, #00C84B, #00B638 and #00A425

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21EC71 shade: #22EB71, #22EB3B, #3FEB22, #76EB22 and #ACEB22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21EC71 shade: #22EB71, #22EBA8, #22EBDE, #22C2EB and #228CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21EC71 shade matches the following richer shades: #22EB71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21EC71 shade: #22EB71, #35D875, #49C57A, #5CB17E and #709E82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21EC71 shade: #40EB22, #22EB39, #22EB6F, #22EBA5 and #22EBDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21EC71 shade: #0FAC4D, #12D25E, #22EB71, #48EF8A and #6EF2A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21EC71 shade: #21EC71, #2276EB and #EB2225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21EC71 shade: #21EC71, #6F22EB and #EB6F22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21EC71 shade: #21EC71, #2276EB, #EB229E and #EB9722

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21EC71 shade: #21EC71, #2239EB, #EB229E and #EBD422

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 52 / 7

HEX #21EC71

RGB 33 236 113

HSL 143.65, 0.84%, 0.53%

LAB 82.65, -71.67, 46.45

 

Complementary color

CMYK 0 / 91 / 36 / 13

HEX #DE138E

RGB 222 19 142

HSL 323.65, 0.84%, 0.47%

LAB 49.43, 77.16, -13.14

 

CMYK 84 / 0 / 54 / 7

HEX #26EC6C

RGB 38 236 108

HSL 141.21, 0.84%, 0.54%

LAB 82.64, -71.98, 48.77

 

CMYK 78 / 0 / 50 / 0

HEX #37FE7F

RGB 55 254 127

HSL 141.71, 0.99%, 0.61%

LAB 88.56, -73.35, 47.21

 

CMYK 72 / 0 / 43 / 0

HEX #48FF92

RGB 72 255 146

HSL 144.26, 1%, 0.64%

LAB 89.38, -68.55, 39.21

 

CMYK 65 / 0 / 35 / 0

HEX #59FFA5

RGB 89 255 165

HSL 147.47, 1%, 0.67%

LAB 90.03, -62.55, 30.72

 

CMYK 58 / 0 / 28 / 0

HEX #6AFFB8

RGB 106 255 184

HSL 151.41, 1%, 0.71%

LAB 90.8, -55.76, 22.24

 

CMYK 86 / 0 / 52 / 7

HEX #21EC71

RGB 33 236 113

HSL 143.65, 0.84%, 0.53%

LAB 82.65, -71.67, 46.45

 

CMYK 93 / 0 / 57 / 15

HEX #10DA5E

RGB 16 218 94

HSL 143.17, 0.86%, 0.46%

LAB 76.72, -69.72, 48.08

 

CMYK 100 / 0 / 63 / 22

HEX #00C84B

RGB 0 200 75

HSL 142.5, 1%, 0.39%

LAB 70.74, -67.26, 49.65

 

CMYK 100 / 0 / 69 / 29

HEX #00B638

RGB 0 182 56

HSL 138.46, 1%, 0.36%

LAB 64.76, -63.96, 51.05

 

CMYK 100 / 0 / 77 / 36

HEX #00A425

RGB 0 164 37

HSL 133.54, 1%, 0.32%

LAB 58.68, -60.32, 51.88

 

CMYK 86 / 0 / 52 / 8

HEX #22EB71

RGB 34 235 113

HSL 143.58, 0.83%, 0.53%

LAB 82.35, -71.27, 46.08

 

CMYK 86 / 0 / 75 / 8

HEX #22EB3B

RGB 34 235 59

HSL 127.46, 0.83%, 0.53%

LAB 81.88, -77.13, 67.59

 

CMYK 73 / 0 / 86 / 8

HEX #3FEB22

RGB 63 235 34

HSL 111.34, 0.83%, 0.53%

LAB 82.16, -75.09, 74.65

 

CMYK 50 / 0 / 86 / 8

HEX #76EB22

RGB 118 235 34

HSL 94.93, 0.83%, 0.53%

LAB 83.64, -62.88, 76.52

 

CMYK 27 / 0 / 86 / 8

HEX #ACEB22

RGB 172 235 34

HSL 78.81, 0.83%, 0.53%

LAB 86.16, -44.92, 79.66

 

CMYK 86 / 0 / 52 / 8

HEX #22EB71

RGB 34 235 113

HSL 143.58, 0.83%, 0.53%

LAB 82.35, -71.27, 46.08

 

CMYK 86 / 0 / 29 / 8

HEX #22EBA8

RGB 34 235 168

HSL 160, 0.83%, 0.53%

LAB 83.22, -61.17, 19.76

 

CMYK 86 / 0 / 6 / 8

HEX #22EBDE

RGB 34 235 222

HSL 176.12, 0.83%, 0.53%

LAB 84.5, -47.71, -6.72

 

CMYK 86 / 17 / 0 / 8

HEX #22C2EB

RGB 34 194 235

HSL 192.24, 0.83%, 0.53%

LAB 72.84, -24.73, -31.29

 

CMYK 86 / 40 / 0 / 8

HEX #228CEB

RGB 34 140 235

HSL 208.36, 0.83%, 0.53%

LAB 57.17, 5.12, -55.9

 

CMYK 86 / 0 / 52 / 8

HEX #22EB71

RGB 34 235 113

HSL 143.58, 0.83%, 0.53%

LAB 82.35, -71.27, 46.08

 

CMYK 86 / 0 / 52 / 8

HEX #22EB71

RGB 34 235 113

HSL 143.58, 0.83%, 0.53%

LAB 82.35, -71.27, 46.08

 

CMYK 75 / 0 / 46 / 15

HEX #35D875

RGB 53 216 117

HSL 143.56, 0.68%, 0.53%

LAB 76.77, -62.36, 37.22

 

CMYK 63 / 0 / 38 / 23

HEX #49C57A

RGB 73 197 122

HSL 143.71, 0.52%, 0.53%

LAB 71.39, -51.16, 27.74

 

CMYK 48 / 0 / 29 / 31

HEX #5CB17E

RGB 92 177 126

HSL 144, 0.35%, 0.53%

LAB 65.92, -37.52, 18.33

 

CMYK 29 / 0 / 18 / 38

HEX #709E82

RGB 112 158 130

HSL 143.48, 0.19%, 0.53%

LAB 61.23, -21.59, 9.7

 

CMYK 73 / 0 / 86 / 8

HEX #40EB22

RGB 64 235 34

HSL 111.04, 0.83%, 0.53%

LAB 82.18, -74.93, 74.67

 

CMYK 86 / 0 / 76 / 8

HEX #22EB39

RGB 34 235 57

HSL 126.87, 0.83%, 0.53%

LAB 81.87, -77.27, 68.22

 

CMYK 86 / 0 / 53 / 8

HEX #22EB6F

RGB 34 235 111

HSL 142.99, 0.83%, 0.53%

LAB 82.33, -71.56, 46.99

 

CMYK 86 / 0 / 30 / 8

HEX #22EBA5

RGB 34 235 165

HSL 159.1, 0.83%, 0.53%

LAB 83.16, -61.83, 21.23

 

CMYK 86 / 0 / 7 / 8

HEX #22EBDB

RGB 34 235 219

HSL 175.22, 0.83%, 0.53%

LAB 84.42, -48.54, -5.26

 

CMYK 91 / 0 / 55 / 33

HEX #0FAC4D

RGB 15 172 77

HSL 143.69, 0.84%, 0.37%

LAB 61.78, -57.52, 38.26

 

CMYK 91 / 0 / 55 / 18

HEX #12D25E

RGB 18 210 94

HSL 143.75, 0.84%, 0.45%

LAB 74.21, -67.13, 45.09

 

CMYK 86 / 0 / 52 / 8

HEX #22EB71

RGB 34 235 113

HSL 143.58, 0.83%, 0.53%

LAB 82.35, -71.27, 46.08

 

CMYK 70 / 0 / 42 / 6

HEX #48EF8A

RGB 72 239 138

HSL 143.71, 0.84%, 0.61%

LAB 84.46, -64.25, 36.76

 

CMYK 55 / 0 / 33 / 5

HEX #6EF2A2

RGB 110 242 162

HSL 143.64, 0.84%, 0.69%

LAB 86.72, -53.9, 27.87

 

CMYK 86 / 0 / 52 / 7

HEX #21EC71

RGB 33 236 113

HSL 143.65, 0.84%, 0.53%

LAB 82.65, -71.67, 46.45

 

CMYK 86 / 50 / 0 / 8

HEX #2276EB

RGB 34 118 235

HSL 214.93, 0.83%, 0.53%

LAB 51.03, 18.69, -65.76

 

CMYK 0 / 86 / 84 / 8

HEX #EB2225

RGB 235 34 37

HSL 359.1, 0.83%, 0.53%

LAB 50.62, 71.81, 50.95

 

CMYK 86 / 0 / 52 / 7

HEX #21EC71

RGB 33 236 113

HSL 143.65, 0.84%, 0.53%

LAB 82.65, -71.67, 46.45

 

CMYK 53 / 86 / 0 / 8

HEX #6F22EB

RGB 111 34 235

HSL 262.99, 0.83%, 0.53%

LAB 38.76, 71.52, -85.65

 

CMYK 0 / 53 / 86 / 8

HEX #EB6F22

RGB 235 111 34

HSL 22.99, 0.83%, 0.53%

LAB 60.91, 43.91, 60.9

 

CMYK 86 / 0 / 52 / 7

HEX #21EC71

RGB 33 236 113

HSL 143.65, 0.84%, 0.53%

LAB 82.65, -71.67, 46.45

 

CMYK 86 / 50 / 0 / 8

HEX #2276EB

RGB 34 118 235

HSL 214.93, 0.83%, 0.53%

LAB 51.03, 18.69, -65.76

 

CMYK 0 / 86 / 33 / 8

HEX #EB229E

RGB 235 34 158

HSL 322.99, 0.83%, 0.53%

LAB 53.25, 79.32, -16.68

 

CMYK 0 / 36 / 86 / 8

HEX #EB9722

RGB 235 151 34

HSL 34.93, 0.83%, 0.53%

LAB 69.41, 23.34, 67.85

 

CMYK 86 / 0 / 52 / 7

HEX #21EC71

RGB 33 236 113

HSL 143.65, 0.84%, 0.53%

LAB 82.65, -71.67, 46.45

 

CMYK 86 / 76 / 0 / 8

HEX #2239EB

RGB 34 57 235

HSL 233.13, 0.83%, 0.53%

LAB 36.49, 56.12, -89.58

 

CMYK 0 / 86 / 33 / 8

HEX #EB229E

RGB 235 34 158

HSL 322.99, 0.83%, 0.53%

LAB 53.25, 79.32, -16.68

 

CMYK 0 / 10 / 86 / 8

HEX #EBD422

RGB 235 212 34

HSL 53.13, 0.83%, 0.53%

LAB 84.41, -8.49, 80.06

 

Description

Color code: HEX #21EC71 | qconv.com Color code: HEX #21EC71 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 236 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 236 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 52 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 52% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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