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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #22094E it is the complementary color #DDF6B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #22094E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #22094E shade: #270949, #381B5C, #492D6F, #5A3F82 and #6B5195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #22094E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #22094E shade: #22094E, #11003B, #000028, #000015 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #22094E shade: #21094D, #34094D, #46094D, #4D0941 and #4D092F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #22094E shade: #21094D, #0F094D and #09094D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #22094E shade matches the following richer shades: #21094D and #1F0254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #22094E shade: #21094D, #231046, #25173F, #271E38 and #292531

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #22094E shade: #09154D, #0E094D, #21094D, #33094D and #45094D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #22094E shade: #010003, #110428, #21094D, #320D72 and #421197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #22094E shade: #22094E, #4D0927 and #0C4D09

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #22094E shade: #22094E, #4D2109 and #094D21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #22094E shade: #22094E, #4D0927, #354D09 and #094D2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #22094E shade: #22094E, #4D0913, #354D09 and #094D43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 88 / 0 / 69

HEX #22094E

RGB 34 9 78

HSL 261.74, 0.79%, 0.17%

LAB 9.68, 30.31, -36.98

 

Complementary color

CMYK 10 / 0 / 28 / 4

HEX #DDF6B1

RGB 221 246 177

HSL 81.74, 0.79%, 0.83%

LAB 93.65, -19.57, 30.57

 

CMYK 47 / 88 / 0 / 71

HEX #270949

RGB 39 9 73

HSL 268.13, 0.78%, 0.16%

LAB 9.86, 29.66, -33.2

 

CMYK 39 / 71 / 0 / 64

HEX #381B5C

RGB 56 27 92

HSL 266.77, 0.55%, 0.23%

LAB 17.45, 29.09, -33.69

 

CMYK 34 / 59 / 0 / 56

HEX #492D6F

RGB 73 45 111

HSL 265.45, 0.42%, 0.31%

LAB 25.08, 27.98, -33.72

 

CMYK 31 / 52 / 0 / 49

HEX #5A3F82

RGB 90 63 130

HSL 264.18, 0.35%, 0.38%

LAB 32.57, 26.87, -33.63

 

CMYK 28 / 46 / 0 / 42

HEX #6B5195

RGB 107 81 149

HSL 262.94, 0.3%, 0.45%

LAB 39.88, 25.86, -33.55

 

CMYK 56 / 88 / 0 / 69

HEX #22094E

RGB 34 9 78

HSL 261.74, 0.79%, 0.17%

LAB 9.68, 30.31, -36.98

 

CMYK 71 / 100 / 0 / 77

HEX #11003B

RGB 17 0 59

HSL 257.29, 1%, 0.12%

LAB 3.93, 24.41, -33.04

 

CMYK 100 / 100 / 0 / 84

HEX #000028

RGB 0 0 40

HSL 240, 1%, 0.08%

LAB 1.38, 9.72, -22.95

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 57 / 88 / 0 / 70

HEX #21094D

RGB 33 9 77

HSL 261.18, 0.79%, 0.17%

LAB 9.44, 29.86, -36.7

 

CMYK 32 / 88 / 0 / 70

HEX #34094D

RGB 52 9 77

HSL 277.94, 0.79%, 0.17%

LAB 12.36, 33.16, -31.8

 

CMYK 9 / 88 / 0 / 70

HEX #46094D

RGB 70 9 77

HSL 293.82, 0.79%, 0.17%

LAB 15.66, 36.91, -26.31

 

CMYK 0 / 88 / 16 / 70

HEX #4D0941

RGB 77 9 65

HSL 310.59, 0.79%, 0.17%

LAB 16.28, 36.4, -16.91

 

CMYK 0 / 88 / 39 / 70

HEX #4D092F

RGB 77 9 47

HSL 326.47, 0.79%, 0.17%

LAB 15.37, 33.79, -5.48

 

CMYK 57 / 88 / 0 / 70

HEX #21094D

RGB 33 9 77

HSL 261.18, 0.79%, 0.17%

LAB 9.44, 29.86, -36.7

 

CMYK 81 / 88 / 0 / 70

HEX #0F094D

RGB 15 9 77

HSL 245.29, 0.79%, 0.17%

LAB 7.52, 27.66, -39.93

 

CMYK 88 / 88 / 0 / 70

HEX #09094D

RGB 9 9 77

HSL 240, 0.79%, 0.17%

LAB 7.13, 27.1, -40.59

 

CMYK 57 / 88 / 0 / 70

HEX #21094D

RGB 33 9 77

HSL 261.18, 0.79%, 0.17%

LAB 9.44, 29.86, -36.7

 

CMYK 63 / 98 / 0 / 67

HEX #1F0254

RGB 31 2 84

HSL 261.22, 0.95%, 0.17%

LAB 8.78, 35.4, -42.62

 

CMYK 57 / 88 / 0 / 70

HEX #21094D

RGB 33 9 77

HSL 261.18, 0.79%, 0.17%

LAB 9.44, 29.86, -36.7

 

CMYK 50 / 77 / 0 / 73

HEX #231046

RGB 35 16 70

HSL 261.11, 0.63%, 0.17%

LAB 10.33, 24.15, -30.34

 

CMYK 41 / 63 / 0 / 75

HEX #25173F

RGB 37 23 63

HSL 261, 0.47%, 0.17%

LAB 11.72, 17.77, -23.16

 

CMYK 30 / 46 / 0 / 78

HEX #271E38

RGB 39 30 56

HSL 260.77, 0.3%, 0.17%

LAB 13.5, 11.21, -15.35

 

CMYK 16 / 24 / 0 / 81

HEX #292531

RGB 41 37 49

HSL 260, 0.14%, 0.17%

LAB 15.57, 4.89, -7.17

 

CMYK 88 / 73 / 0 / 70

HEX #09154D

RGB 9 21 77

HSL 229.41, 0.79%, 0.17%

LAB 10.03, 19.07, -35.8

 

CMYK 82 / 88 / 0 / 70

HEX #0E094D

RGB 14 9 77

HSL 244.41, 0.79%, 0.17%

LAB 7.45, 27.56, -40.05

 

CMYK 57 / 88 / 0 / 70

HEX #21094D

RGB 33 9 77

HSL 261.18, 0.79%, 0.17%

LAB 9.44, 29.86, -36.7

 

CMYK 34 / 88 / 0 / 70

HEX #33094D

RGB 51 9 77

HSL 277.06, 0.79%, 0.17%

LAB 12.19, 32.96, -32.09

 

CMYK 10 / 88 / 0 / 70

HEX #45094D

RGB 69 9 77

HSL 292.94, 0.79%, 0.17%

LAB 15.47, 36.69, -26.63

 

CMYK 67 / 100 / 0 / 99

HEX #010003

RGB 1 0 3

HSL 260, 1%, 0.01%

LAB 0.12, 0.68, -1.04

 

CMYK 58 / 90 / 0 / 84

HEX #110428

RGB 17 4 40

HSL 261.67, 0.82%, 0.09%

LAB 3.24, 12.95, -19.96

 

CMYK 57 / 88 / 0 / 70

HEX #21094D

RGB 33 9 77

HSL 261.18, 0.79%, 0.17%

LAB 9.44, 29.86, -36.7

 

CMYK 56 / 89 / 0 / 55

HEX #320D72

RGB 50 13 114

HSL 261.98, 0.8%, 0.25%

LAB 16.41, 41.14, -49.89

 

CMYK 56 / 89 / 0 / 41

HEX #421197

RGB 66 17 151

HSL 261.94, 0.8%, 0.33%

LAB 22.98, 51.42, -62.34

 

CMYK 56 / 88 / 0 / 69

HEX #22094E

RGB 34 9 78

HSL 261.74, 0.79%, 0.17%

LAB 9.68, 30.31, -36.98

 

CMYK 0 / 88 / 49 / 70

HEX #4D0927

RGB 77 9 39

HSL 333.53, 0.79%, 0.17%

LAB 15.06, 32.85, -0.12

 

CMYK 84 / 0 / 88 / 70

HEX #0C4D09

RGB 12 77 9

HSL 117.35, 0.79%, 0.17%

LAB 27.86, -33.63, 31.72

 

CMYK 56 / 88 / 0 / 69

HEX #22094E

RGB 34 9 78

HSL 261.74, 0.79%, 0.17%

LAB 9.68, 30.31, -36.98

 

CMYK 0 / 57 / 88 / 70

HEX #4D2109

RGB 77 33 9

HSL 21.18, 0.79%, 0.17%

LAB 18.74, 19.02, 23.95

 

CMYK 88 / 0 / 57 / 70

HEX #094D21

RGB 9 77 33

HSL 141.18, 0.79%, 0.17%

LAB 28.05, -31.13, 20.38

 

CMYK 56 / 88 / 0 / 69

HEX #22094E

RGB 34 9 78

HSL 261.74, 0.79%, 0.17%

LAB 9.68, 30.31, -36.98

 

CMYK 0 / 88 / 49 / 70

HEX #4D0927

RGB 77 9 39

HSL 333.53, 0.79%, 0.17%

LAB 15.06, 32.85, -0.12

 

CMYK 31 / 0 / 88 / 70

HEX #354D09

RGB 53 77 9

HSL 81.18, 0.79%, 0.17%

LAB 29.62, -20.29, 33.99

 

CMYK 88 / 0 / 40 / 70

HEX #094D2E

RGB 9 77 46

HSL 152.65, 0.79%, 0.17%

LAB 28.28, -28.42, 12.84

 

CMYK 56 / 88 / 0 / 69

HEX #22094E

RGB 34 9 78

HSL 261.74, 0.79%, 0.17%

LAB 9.68, 30.31, -36.98

 

CMYK 0 / 88 / 75 / 70

HEX #4D0913

RGB 77 9 19

HSL 351.18, 0.79%, 0.17%

LAB 14.51, 31.19, 13.66

 

CMYK 31 / 0 / 88 / 70

HEX #354D09

RGB 53 77 9

HSL 81.18, 0.79%, 0.17%

LAB 29.62, -20.29, 33.99

 

CMYK 88 / 0 / 13 / 70

HEX #094D43

RGB 9 77 67

HSL 171.18, 0.79%, 0.17%

LAB 28.83, -22.56, 0.24

 

Description

Color code: HEX #22094E | qconv.com Color code: HEX #22094E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 9 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 9 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 88 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 88% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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