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Color name
HEX #2217F1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2217F1 it is the complementary color #DDE80E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2217F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2217F1 shade: #2717EC, #3829FF, #493BFF, #5A4DFF and #6B5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2217F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2217F1 shade: #2217F1, #1105DE, #0000CB, #0000B8 and #0000A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2217F1 shade: #2217F1, #5D17F1, #9817F1, #D217F1 and #F117D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2217F1 shade: #2217F1 and #1717F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2217F1 shade matches the following richer shades: #2217F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2217F1 shade: #2217F1, #342BDD, #463FC9, #5853B6 and #6966A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2217F1 shade: #1780F1, #1746F1, #2217F1, #5C17F1 and #9617F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2217F1 shade: #120AAC, #160CD3, #2217F1, #473EF3 and #6C65F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2217F1 shade: #2217F1, #F117BB and #63F117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2217F1 shade: #2217F1, #F12217 and #17F122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2217F1 shade: #2217F1, #F117BB, #E6F117 and #17F14E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2217F1 shade: #2217F1, #F11779, #E6F117 and #17F18F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

Complementary color

CMYK 5 / 0 / 94 / 9

HEX #DDE80E

RGB 221 232 14

HSL 63.03, 0.89%, 0.48%

LAB 88.5, -24.52, 85.83

 

CMYK 83 / 90 / 0 / 7

HEX #2717EC

RGB 39 23 236

HSL 244.51, 0.85%, 0.51%

LAB 32.03, 70.65, -97.55

 

CMYK 78 / 84 / 0 / 0

HEX #3829FF

RGB 56 41 255

HSL 244.21, 1%, 0.58%

LAB 37.2, 70.41, -99.65

 

CMYK 71 / 77 / 0 / 0

HEX #493BFF

RGB 73 59 255

HSL 244.29, 1%, 0.62%

LAB 40.84, 63.67, -93.58

 

CMYK 65 / 70 / 0 / 0

HEX #5A4DFF

RGB 90 77 255

HSL 244.38, 1%, 0.65%

LAB 45.22, 56.13, -86.31

 

CMYK 58 / 63 / 0 / 0

HEX #6B5FFF

RGB 107 95 255

HSL 244.5, 1%, 0.69%

LAB 50.13, 48.45, -78.22

 

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

CMYK 92 / 98 / 0 / 13

HEX #1105DE

RGB 17 5 222

HSL 243.32, 0.96%, 0.45%

LAB 28.12, 70.52, -96.1

 

CMYK 100 / 100 / 0 / 20

HEX #0000CB

RGB 0 0 203

HSL 240, 1%, 0.4%

LAB 24.68, 66.69, -90.83

 

CMYK 100 / 100 / 0 / 28

HEX #0000B8

RGB 0 0 184

HSL 240, 1%, 0.36%

LAB 21.8, 61.98, -84.41

 

CMYK 100 / 100 / 0 / 35

HEX #0000A5

RGB 0 0 165

HSL 240, 1%, 0.32%

LAB 18.87, 57.17, -77.87

 

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

CMYK 61 / 90 / 0 / 5

HEX #5D17F1

RGB 93 23 241

HSL 259.27, 0.89%, 0.52%

LAB 36.54, 74.36, -92.79

 

CMYK 37 / 90 / 0 / 5

HEX #9817F1

RGB 152 23 241

HSL 275.5, 0.89%, 0.52%

LAB 43.71, 79.74, -80.71

 

CMYK 13 / 90 / 0 / 5

HEX #D217F1

RGB 210 23 241

HSL 291.47, 0.89%, 0.52%

LAB 52.58, 87.52, -65.88

 

CMYK 0 / 90 / 12 / 5

HEX #F117D5

RGB 241 23 213

HSL 307.71, 0.89%, 0.52%

LAB 56.21, 88.57, -43.95

 

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

CMYK 90 / 90 / 0 / 5

HEX #1717F1

RGB 23 23 241

HSL 240, 0.89%, 0.52%

LAB 32.14, 71.65, -100.24

 

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

CMYK 76 / 81 / 0 / 13

HEX #342BDD

RGB 52 43 221

HSL 243.03, 0.72%, 0.52%

LAB 33.3, 59.66, -86.85

 

CMYK 65 / 69 / 0 / 21

HEX #463FC9

RGB 70 63 201

HSL 243.04, 0.56%, 0.52%

LAB 36.13, 44.59, -70.58

 

CMYK 52 / 54 / 0 / 29

HEX #5853B6

RGB 88 83 182

HSL 243.03, 0.4%, 0.52%

LAB 40.64, 29.41, -52.08

 

CMYK 35 / 37 / 0 / 36

HEX #6966A2

RGB 105 102 162

HSL 243, 0.24%, 0.52%

LAB 45.79, 15.92, -32.01

 

CMYK 90 / 47 / 0 / 5

HEX #1780F1

RGB 23 128 241

HSL 211.1, 0.89%, 0.52%

LAB 54, 14.1, -64.33

 

CMYK 90 / 71 / 0 / 5

HEX #1746F1

RGB 23 70 241

HSL 227.06, 0.89%, 0.52%

LAB 39.43, 50.41, -88.11

 

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

CMYK 62 / 90 / 0 / 5

HEX #5C17F1

RGB 92 23 241

HSL 258.99, 0.89%, 0.52%

LAB 36.44, 74.29, -92.95

 

CMYK 38 / 90 / 0 / 5

HEX #9617F1

RGB 150 23 241

HSL 274.95, 0.89%, 0.52%

LAB 43.43, 79.52, -81.18

 

CMYK 90 / 94 / 0 / 33

HEX #120AAC

RGB 18 10 172

HSL 242.96, 0.89%, 0.36%

LAB 21.3, 56.55, -78.04

 

CMYK 90 / 94 / 0 / 17

HEX #160CD3

RGB 22 12 211

HSL 243.02, 0.89%, 0.44%

LAB 27.12, 66.49, -91.4

 

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

CMYK 71 / 74 / 0 / 5

HEX #473EF3

RGB 71 62 243

HSL 242.98, 0.88%, 0.6%

LAB 40.01, 58.43, -88.23

 

CMYK 56 / 59 / 0 / 4

HEX #6C65F6

RGB 108 101 246

HSL 242.9, 0.89%, 0.68%

LAB 50.86, 42.39, -72.03

 

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

CMYK 0 / 90 / 22 / 5

HEX #F117BB

RGB 241 23 187

HSL 314.86, 0.89%, 0.52%

LAB 54.97, 85.38, -30.94

 

CMYK 59 / 0 / 90 / 5

HEX #63F117

RGB 99 241 23

HSL 99.08, 0.89%, 0.52%

LAB 84.8, -70.23, 79.15

 

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

CMYK 0 / 86 / 90 / 5

HEX #F12217

RGB 241 34 23

HSL 3.03, 0.89%, 0.52%

LAB 51.73, 73.14, 58.44

 

CMYK 90 / 0 / 86 / 5

HEX #17F122

RGB 23 241 34

HSL 123.03, 0.89%, 0.52%

LAB 83.55, -80.91, 75.69

 

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

CMYK 0 / 90 / 22 / 5

HEX #F117BB

RGB 241 23 187

HSL 314.86, 0.89%, 0.52%

LAB 54.97, 85.38, -30.94

 

CMYK 5 / 0 / 90 / 5

HEX #E6F117

RGB 230 241 23

HSL 63.03, 0.89%, 0.52%

LAB 91.59, -24.96, 87.46

 

CMYK 90 / 0 / 68 / 5

HEX #17F14E

RGB 23 241 78

HSL 135.14, 0.89%, 0.52%

LAB 83.78, -78.01, 62.79

 

CMYK 86 / 90 / 0 / 5

HEX #2217F1

RGB 34 23 241

HSL 243.03, 0.89%, 0.52%

LAB 32.49, 71.84, -99.64

 

CMYK 0 / 90 / 50 / 5

HEX #F11779

RGB 241 23 121

HSL 333.03, 0.89%, 0.52%

LAB 52.61, 79.05, 4.66

 

CMYK 5 / 0 / 90 / 5

HEX #E6F117

RGB 230 241 23

HSL 63.03, 0.89%, 0.52%

LAB 91.59, -24.96, 87.46

 

CMYK 90 / 0 / 41 / 5

HEX #17F18F

RGB 23 241 143

HSL 153.03, 0.89%, 0.52%

LAB 84.52, -68.97, 34.24

 

Description

Color code: HEX #2217F1 | qconv.com Color code: HEX #2217F1 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 23 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 23 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 90 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 90% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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