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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #221169 it is the complementary color #DDEE96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #221169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #221169 shade: #271164, #382377, #49358A, #5A479D and #6B59B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #221169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #221169 shade: #221169, #110056, #000043, #000030 and #00001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #221169 shade: #221169, #391169, #511169, #691169 and #691151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #221169 shade: #221169 and #111169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #221169 shade matches the following richer shades: #221169 and #1C0773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #221169 shade: #221169, #281B5F, #2E2455, #342E4B and #3A3841

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #221169 shade: #112F69, #111869, #211169, #381169 and #501169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #221169 shade: #0B0522, #160B45, #221169, #2D168C and #391CB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #221169 shade: #221169, #691147 and #246911

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #221169 shade: #221169, #692111 and #116921

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #221169 shade: #221169, #691147, #596911 and #116932

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #221169 shade: #221169, #69112D, #596911 and #11694D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 84 / 0 / 59

HEX #221169

RGB 34 17 105

HSL 251.59, 0.72%, 0.24%

LAB 14.18, 34.83, -47.76

 

Complementary color

CMYK 7 / 0 / 37 / 7

HEX #DDEE96

RGB 221 238 150

HSL 71.59, 0.72%, 0.76%

LAB 91.11, -19.14, 40.75

 

CMYK 61 / 83 / 0 / 61

HEX #271164

RGB 39 17 100

HSL 255.9, 0.71%, 0.23%

LAB 14.13, 33.86, -44.52

 

CMYK 53 / 71 / 0 / 53

HEX #382377

RGB 56 35 119

HSL 255, 0.55%, 0.3%

LAB 21.49, 32.54, -44.75

 

CMYK 47 / 62 / 0 / 46

HEX #49358A

RGB 73 53 138

HSL 254.12, 0.45%, 0.37%

LAB 28.9, 31.02, -44.59

 

CMYK 43 / 55 / 0 / 38

HEX #5A479D

RGB 90 71 157

HSL 253.26, 0.38%, 0.45%

LAB 36.2, 29.63, -44.33

 

CMYK 39 / 49 / 0 / 31

HEX #6B59B0

RGB 107 89 176

HSL 252.41, 0.36%, 0.52%

LAB 43.37, 28.4, -44.08

 

CMYK 68 / 84 / 0 / 59

HEX #221169

RGB 34 17 105

HSL 251.59, 0.72%, 0.24%

LAB 14.18, 34.83, -47.76

 

CMYK 80 / 100 / 0 / 66

HEX #110056

RGB 17 0 86

HSL 251.86, 1%, 0.17%

LAB 7.15, 36.19, -46.75

 

CMYK 100 / 100 / 0 / 74

HEX #000043

RGB 0 0 67

HSL 240, 1%, 0.13%

LAB 3.66, 25.29, -39.29

 

CMYK 100 / 100 / 0 / 81

HEX #000030

RGB 0 0 48

HSL 240, 1%, 0.09%

LAB 1.93, 13.55, -28.19

 

CMYK 100 / 100 / 0 / 89

HEX #00001D

RGB 0 0 29

HSL 240, 1%, 0.06%

LAB 0.8, 5.63, -15.14

 

CMYK 68 / 84 / 0 / 59

HEX #221169

RGB 34 17 105

HSL 251.59, 0.72%, 0.24%

LAB 14.18, 34.83, -47.76

 

CMYK 46 / 84 / 0 / 59

HEX #391169

RGB 57 17 105

HSL 267.27, 0.72%, 0.24%

LAB 16.94, 38.04, -43.11

 

CMYK 23 / 84 / 0 / 59

HEX #511169

RGB 81 17 105

HSL 283.64, 0.72%, 0.24%

LAB 20.71, 42.42, -36.81

 

CMYK 0 / 84 / 0 / 59

HEX #691169

RGB 105 17 105

HSL 300, 0.72%, 0.24%

LAB 25.03, 47.42, -29.65

 

CMYK 0 / 84 / 23 / 59

HEX #691151

RGB 105 17 81

HSL 316.36, 0.72%, 0.24%

LAB 23.67, 43.59, -15.93

 

CMYK 68 / 84 / 0 / 59

HEX #221169

RGB 34 17 105

HSL 251.59, 0.72%, 0.24%

LAB 14.18, 34.83, -47.76

 

CMYK 84 / 84 / 0 / 59

HEX #111169

RGB 17 17 105

HSL 240, 0.72%, 0.24%

LAB 12.86, 33.29, -49.98

 

CMYK 68 / 84 / 0 / 59

HEX #221169

RGB 34 17 105

HSL 251.59, 0.72%, 0.24%

LAB 14.18, 34.83, -47.76

 

CMYK 76 / 94 / 0 / 55

HEX #1C0773

RGB 28 7 115

HSL 251.67, 0.89%, 0.24%

LAB 13.45, 41.73, -55.51

 

CMYK 68 / 84 / 0 / 59

HEX #221169

RGB 34 17 105

HSL 251.59, 0.72%, 0.24%

LAB 14.18, 34.83, -47.76

 

CMYK 58 / 72 / 0 / 63

HEX #281B5F

RGB 40 27 95

HSL 251.47, 0.56%, 0.24%

LAB 15.81, 26.56, -38.45

 

CMYK 46 / 58 / 0 / 67

HEX #2E2455

RGB 46 36 85

HSL 252.24, 0.4%, 0.24%

LAB 17.91, 18.53, -28.32

 

CMYK 31 / 39 / 0 / 71

HEX #342E4B

RGB 52 46 75

HSL 252.41, 0.24%, 0.24%

LAB 20.8, 10.28, -16.98

 

CMYK 11 / 14 / 0 / 75

HEX #3A3841

RGB 58 56 65

HSL 253.33, 0.07%, 0.24%

LAB 24.03, 3, -5.26

 

CMYK 84 / 55 / 0 / 59

HEX #112F69

RGB 17 47 105

HSL 219.55, 0.72%, 0.24%

LAB 20.72, 12.65, -37.09

 

CMYK 84 / 77 / 0 / 59

HEX #111869

RGB 17 24 105

HSL 235.23, 0.72%, 0.24%

LAB 14.36, 29.03, -47.5

 

CMYK 69 / 84 / 0 / 59

HEX #211169

RGB 33 17 105

HSL 250.91, 0.72%, 0.24%

LAB 14.08, 34.71, -47.92

 

CMYK 47 / 84 / 0 / 59

HEX #381169

RGB 56 17 105

HSL 266.59, 0.72%, 0.24%

LAB 16.8, 37.88, -43.34

 

CMYK 24 / 84 / 0 / 59

HEX #501169

RGB 80 17 105

HSL 282.95, 0.72%, 0.24%

LAB 20.54, 42.22, -37.09

 

CMYK 68 / 85 / 0 / 87

HEX #0B0522

RGB 11 5 34

HSL 252.41, 0.74%, 0.08%

LAB 2.67, 8.21, -16.24

 

CMYK 68 / 84 / 0 / 73

HEX #160B45

RGB 22 11 69

HSL 251.38, 0.73%, 0.16%

LAB 7.58, 24.45, -34.21

 

CMYK 68 / 84 / 0 / 59

HEX #221169

RGB 34 17 105

HSL 251.59, 0.72%, 0.24%

LAB 14.18, 34.83, -47.76

 

CMYK 68 / 84 / 0 / 45

HEX #2D168C

RGB 45 22 140

HSL 251.69, 0.73%, 0.32%

LAB 20.14, 44.42, -60.27

 

CMYK 68 / 84 / 0 / 31

HEX #391CB0

RGB 57 28 176

HSL 251.76, 0.73%, 0.4%

LAB 26.26, 53.41, -72.13

 

CMYK 68 / 84 / 0 / 59

HEX #221169

RGB 34 17 105

HSL 251.59, 0.72%, 0.24%

LAB 14.18, 34.83, -47.76

 

CMYK 0 / 84 / 32 / 59

HEX #691147

RGB 105 17 71

HSL 323.18, 0.72%, 0.24%

LAB 23.2, 42.24, -9.89

 

CMYK 66 / 0 / 84 / 59

HEX #246911

RGB 36 105 17

HSL 107.05, 0.72%, 0.24%

LAB 38.76, -38.27, 39.52

 

CMYK 68 / 84 / 0 / 59

HEX #221169

RGB 34 17 105

HSL 251.59, 0.72%, 0.24%

LAB 14.18, 34.83, -47.76

 

CMYK 0 / 69 / 84 / 59

HEX #692111

RGB 105 33 17

HSL 10.91, 0.72%, 0.24%

LAB 24.1, 31.31, 27.44

 

CMYK 84 / 0 / 69 / 59

HEX #116921

RGB 17 105 33

HSL 130.91, 0.72%, 0.24%

LAB 38.43, -40.56, 32.51

 

CMYK 68 / 84 / 0 / 59

HEX #221169

RGB 34 17 105

HSL 251.59, 0.72%, 0.24%

LAB 14.18, 34.83, -47.76

 

CMYK 0 / 84 / 32 / 59

HEX #691147

RGB 105 17 71

HSL 323.18, 0.72%, 0.24%

LAB 23.2, 42.24, -9.89

 

CMYK 15 / 0 / 84 / 59

HEX #596911

RGB 89 105 17

HSL 70.91, 0.72%, 0.24%

LAB 41.64, -18.27, 43.23

 

CMYK 84 / 0 / 52 / 59

HEX #116932

RGB 17 105 50

HSL 142.5, 0.72%, 0.24%

LAB 38.64, -38.02, 23.92

 

CMYK 68 / 84 / 0 / 59

HEX #221169

RGB 34 17 105

HSL 251.59, 0.72%, 0.24%

LAB 14.18, 34.83, -47.76

 

CMYK 0 / 84 / 57 / 59

HEX #69112D

RGB 105 17 45

HSL 340.91, 0.72%, 0.24%

LAB 22.28, 39.47, 6.73

 

CMYK 15 / 0 / 84 / 59

HEX #596911

RGB 89 105 17

HSL 70.91, 0.72%, 0.24%

LAB 41.64, -18.27, 43.23

 

CMYK 84 / 0 / 27 / 59

HEX #11694D

RGB 17 105 77

HSL 160.91, 0.72%, 0.24%

LAB 39.17, -32.06, 8.82

 

Description

Color code: HEX #221169 | qconv.com Color code: HEX #221169 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 17 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 17 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 84 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 84% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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